In tricorn hats and tail coats, their locs, microbraids, and wavy tresses gathered into 18th-century low ponytails, 27 Philadelphia-area high school students transformed into America’s Founding Fathers on Wednesday evening at the Philadelphia High School for Creative and Performing Arts.
The young thespians debated and deliberated the benefits of forming a sovereign nation. Their well-practiced Southern accents and New England inflections echoed in the full auditorium.
In 2½ hours, Massachusetts congressman John Adams (played by Jackson Preisser), Ben Franklin (Jayden Duvene), and Thomas Jefferson (Maxwell Henderson) made the case for liberty, overcoming the petty aristocratic concerns of Pennsylvania delegate John Dickinson (Greg Rist).
On a set that looked remarkably like Independence Hall, the students staged the Tony Award-winning 1969 Broadway musical 1776 and argued for and against liberty with witty songs and sophisticated dialogue.
The reenactment of the signing of the Declaration of Independence was everything Ed Rendell, the elder statesman and the brain behind the production, wanted it to be.
“It’s been my dream for quite some time to see this production happen,” Rendell said to The Inquirer, his voice a raspy whisper, worn and weary from Parkinson’s disease. Sitting in his wheelchair at the red, white, and blue step and repeat, Rendell smiled as CAPA’s lobby was turned into a dining room for dignitaries hours before the play began.
“In honor of America’s 250th birthday, we wanted to use 1776 to teach high school students the sacrifices and compromises it took to form this great nation,” he said.
Rendell’s love for 1776 is rooted to the night in 1969 when he watched the colonial drama unfold on Broadway, starring William Daniels as John Adams, Ken Howard as Thomas Jefferson, and Howard da Silva as Benjamin Franklin. Daniels, Howard, and da Silva starred in the 1971 Oscar-nominated film of the same name.
“I loved it,” Rendell said, whose favorite ballads from the play are Franklin, Adams, and Jefferson’s quirky performance of “The Egg,” in which the forefathers humorously choose the bald eagle as America’s national bird. (That didn’t really happen during the Second Continental Congress, but it’s a nice touch.)
Another of Rendell’s favorite songs is “Is Anybody There?,” a melancholy number during which Adams asks himself if his dedication to the cause of independence is worth it.
“It struck the right chord, giving all the facts about how we came to our freedom, our independence,” Rendell said. “When I became mayor, I went back and studied it and began to think of it as an important civics lesson. There were so many things I didn’t even know.”
A former president, a mayor, a speaker walk into a play
The 1776 opening night saw the attendance of a who’s who in Philadelphia politics, business, and civics.
Former President Joe Biden was in the house on the opening night of Rendell’s theatrical milestone. After he was presented with a copy of the declaration signed by the cast, the former president delivered a nine-minute speech about the importance of teaching American history in present-day America, although he did not mention President Donald Trump by name.
“What I can tell you is that from the moment the Founding Fathers signed the Declaration of Independence, we have been in a consistent battle for the soul of the nation,” Biden said as guests prepared to dig into barbecued chicken, brisket, and ribs, Rendell’s favorite.
“Even when there is darkness,” Biden said, “we’ve summoned our angels and crawled back from the brink. We are trying to do that now.”
Mayor Cherelle L. Parker, Pennsylvania House Speaker Joanna McClinton (D., Philadelphia), and State Rep. Joe Ciresi (D., Montgomery) were also in attendance. Philadelphia School Superintendent Tony B. Watlington Sr.; Temple University president John Fry; and David L. Cohen, the former senior executive vice president to Comcast and U.S. ambassador to Canada, were on hand, too.
“When Mr. Rendell calls, people come out,” said Adrian R. King, a partner at Philadelphia-based law firm Ballard Spahr and a former Rendell staffer.
Their attendance reflected their respect for Rendell, a former governor of Pennsylvania and mayor of Philadelphia who, in his political heyday in the 1990s, led the efforts to reimagine South Broad Street as the now-bustling Avenue of the Arts. CAPA’s 1997 opening was a part of that plan.
Rendell’s baby
Rendell has dreamed of this production for years. He began working on it in earnest last year, bringing on veteran Philadelphia arts administrator Karen Corbin to executive produce. Phillip Sean Brown, director of theater at Bryn Mawr’s Shipley School, was roped in to direct.
“The governor had very specific ideas of what he wanted,” Brown said. “He wanted to show the history of our country, show the drama of the birth of a nation, and have the students learn everything they could about the craft of theater.”
The first order of business was securing the rights to the late composer Sherman Edwards’ script and music. That will cost about $45,000 by the end of the run, Corbin said.
Casting began in February and auditions began in March. Forty actors from eight area high schools were picked for the multicultural, gender-fluid rotating cast, giving the revival of the 57-year-old production Hamilton vibes.
In addition, Brown said, more than 30 students were hired as musicians and production crew.
“They worked with professionals in theater lighting, costume, sound, and props,” Brown said.
Students were paid $150 a week during rehearsal weeks, and will make $300 a week through the eight-week performance. The entire production cost $850,000 including a $150,000 grant from the state.
There will be 50 shows through Aug. 15 at CAPA. Actors will also perform vignettes of the musical throughout Philadelphia’s historic district, including Carpenters Hall.
‘All good things take compromise’
Students’ exposure to the arts and history has been priceless.
“This experience represents striving forward — as an actor with my cast,“ said Mason Daly, a CAPA graduating senior whose biting Southern accent for South Carolina congressman and segregationist Edward Rutledge was chilling.
Daly’s role as Rutledge is particularly eye-opening. 1776 tells us that Jefferson’s original draft of the declaration included a clause abolishing slavery in America. Rutledge, however, would support America only if that part of the declaration were struck.
Jefferson laments to Franklin, saying, “Mark me, Franklin … if we give in on this issue, posterity will never forgive us.” But he does give in.
“Playing him, I learned to value the nuances of the perspectives of even those we disagree with,” Daly said.
“It’s about his personal compromises to get to the yea vote that allowed independence to go forward. That dialogue, that discussion, that back-and-forth between him and the various colonial representatives is the basis of our democracy and government.”
The actors’ parents bubbled with excitement.
“My child is really being taken seriously as an actor in this production,” said Justina Barrett, chief learning and engagement officer at the Historical Society of Pennsylvania, and mother to Sage Wentz, who played Col. Thomas McKean of Delaware. “This whole play is about the messy business of making the United States. It was hard. These guys weren’t nice. It wasn’t pretty. In many ways, we are divided then as we are now.”
Although difficult, this idea of forming a new nation through compromise is what Rendell hopes is the ultimate lesson for all involved.
“We can’t get anything done without compromise,” Rendell said. “We have to get back to a government that is working toward the good of the government. The Civil Rights Act took compromise. Women’s rights took compromise. All good things take compromise.”
“1776″ will be performed at CAPA, 901 S. Broad St., through Aug. 15. Tickets start at $11. For more information, go to the Celebrating 1776! website.
