The Philadelphia School District’s negligence proved fatal for a woman who died when a Roxborough High School utility pole fell and crushed her while she was walking at the school’s athletic complex, a new lawsuit alleges.
Paula Budin, a retired teacher, was walking on the Roxborough High track on the morning of Dec. 5, 2024, when a 45-foot wooden pole snapped at its base, striking her.
A passerby found her, bleeding and unresponsive on the ground, and called emergency services, but paramedics could not revive Budin, who died of blunt force trauma injuries from the accident.
Lawyers for Budin’s family accuse the district — and the Parsons Corp., which was hired by the school system to complete a facilities assessment of all its properties — of negligence. Officials failed to flag rotting at the base of the pole or properly maintain or inspect the pole, the suit said.
“The School District of Philadelphia knew or should have known of the dangerous condition of the subject pole as there were visible signs of its decay as far back as 2014,” the suit, filed this week in Philadelphia Common Pleas Court, reads. “Despite this actual and/or constructive knowledge and their appreciation of that risk of catastrophic harm, the district did not take corrective action nor did it warn students or members of the community of the risk of catastrophic harm.”
Budin’s family is seeking financial damages.
The school district does not comment on pending litigation, spokesperson Naima DeBrest said. Parsons spokesperson Bryce McDevitt said the same.
Philadelphia’s underfunded school system has a massive footprint — more than 300 buildings and athletic complexes. It has, in some cases, struggled to adequatelymaintain its facilities.
Budin, who was 73 when she died, had enjoyed an active lifestyle, her family said. She had taught at Germantown Academy and the Community Partnership School in North Philadelphia before her retirement and was close to her family — two sisters, two nephews, and a niece.
On the morning of her accident, Budin was walking near her home on Roxborough’s track on Pechin Street, which is generally open to the public. Four poles typically used to hold lighting or security cameras were positioned around the athletic complex.
Sometime after the accident, the district removed the three remaining poles from the property, the suit said. A subsequent inspection by Budin’s and the district’s lawyers and experts revealed the poles had no inspection tags, indicating they had not been inspectedprior to the accident, the suit says.
Budin’s lawyers say that the pole in question was buried in grass near a storm drain, on a slope near the track. The drain was filled with debris, and because of the condition of the area, no standing water could drain — leading to “lengthy periods of water exposure to the base of the pole at ground level that caused the pole to deteriorate and rot to the point of severe and dangerous decay,” the suit says.
The other poles were not situated near storm drains, and had no water damage or decay, the suit says.
Budin’s estate alleges that Parsons, which was hired by the district in 2015 to complete facilities condition assessments of all of its buildings and athletic complexes, is also culpable.
Parsons inspected the Roxborough fields more than once, issuing multiple reports about the fields, but did not inspect the poles, Budin’s lawyers say.
“The Parsons defendants knew or should have known they should inspect the utility poles located on the Roxborough athletic track and field yet failed to do so,” the suit reads. “At the time of December 2024 incident, the pole at issue had discoloration at the base and other visible signs of rot which must have been present for a significant period of time.”
My Uber driver could be forgiven for becoming a tad disoriented as we gingerly approached Terra Grill. After all, this newly cobbled stretch of Germantown Avenue in Northern Liberties has not appeared on a Philadelphia map since the 19th century, when the massive Schmidt’s Brewery rose here in 1860 on 14-plus acres east of North Second Street.
The legendary brewery is long gone, closed in 1987, demolished in 2000, and replaced in 2007 by developer Bart Blatstein’s original Piazza project, which supercharged gentrification of this once-industrial neighborhood. The mixed-use development quickly sputtered after an ownership change in 2013, just as nearby Fishtown and Kensington began to thrive.
Can Terra Grill help revive the Piazza dream? I’m not convinced a steakhouse alone will do the trick, even if it’s something different for Northern Liberties. (Remember the short-lived “vibe dining” of meat-forward SIN?)
But the development’s current owners, Post Brothers, clearly hope this modern American grill will help restore at least some of the neighborhood’s shine. It’s a $6 million anchor for the Piazza Alta, a new 1,100-unit high-rise complex targeted to families, not just the “frat boys in backwards trucker hats” that Post CEO Michael Pestronk said occupied the Piazza during its decline under their predecessor, Kushner Cos., whose tenure saw falling rents and shuttered retail storefronts.
The exterior of Terra Grill on July 9 in Philadelphia.Monica Herndon / Staff Photographer
The fact that there are people blithely wandering across our car’s path as we approach Terra Grill’s landscaped facade is both confusing and deliberate. Post Brothers has resisted adding road striping to the avenue (a technically private stretch now open to the public) to “prevent it from becoming a speedway.” The unmarked stones are meant to foster a street-facing, Euro-style pedestrian plaza.
Recruiting a nationally known chef for this project in Laurent Tourondel is also part of the strategy to give the neighborhood an upscale, Center City-esque aura — signaling that this once-edgy neighborhood has a new polish on top of its existing gastropubs (Standard Tap, North Third), cutting-edge vegan cooking (Pietramala), brunch spots (Honey’s Sit ‘N Eat, Cafe La Maude) and standout BYOBs (Pera, Apricot Stone). With an apartment boom bringing thousands of new residents and median incomes skyrocketing over the last decade, the affluence and density is suddenly there to potentially support something fancy like Terra Grill, whose entrees hover in the mid-$30s before you even touch the $50-plus prime steaks.
The interior of Terra Grill on July 9 in Philadelphia.Monica Herndon / Staff Photographer
Is it a particularly adventurous place to dine? Not especially. But that may not matter. The restaurant exudes a textbook chophouse vibe, with circular booths clad in cushy black leather, a marble-topped bar, dark wood accents, walls of wine bottles, and hot pans of fresh, salt-speckled Parker House rolls served with little crocks of whipped miso-garlic butter.
There are culinary twists on classic cocktails to spark the meal, like the Quick & Dirty, an entry-level dirty martini washed with tzatziki yogurt and piqued with giardiniera brine, or the Golden Hour white Negroni, infused with red and golden raspberries as a nod to Philly’s Clover Club.
The Crazy Bird and Quick & Dirty cocktails at Terra Grill on July 9.Monica Herndon / Staff Photographer
It’s the bar program’s nod to the kitchen ethos of the French-born Tourondel, a respected chef based out of New York best known for BLT Steak (which he no longer owns) and BLT Fish, which briefly held one Michelin star and is now closed. Tourondel has since evolved into a management chef for hire, having opened 58 restaurants, from Kazakhstan to Panama, over the course of his career. He now operates 12 locations under his company, from Manhattan (L’Amico) to South Beach, where we recently dined on a delicious and stylish rendition of steak and eggs for brunch at LT Steak & Seafood.
Terra Grill is large, with 139 seats inside and 50 on the patio, alongside the chef’s cozier and more casual Roman-inspired Scusi Pizza. But the menu is essentially straight off the Tourondel rack: quality ingredients in familiar dishes treated with a thoughtful flourish or a seasonal touch. In other words, something for everyone.
The grilled octopus at Terra Grill.Monica Herndon / Staff Photographer
I especially enjoyed Tourondel’s octopus starter, coiled into a thick ring with its tentacles pointing out over a hash of crushed fingerling potatoes bright with lemon, olive oil, espelette aioli, and black dots of cured-olive purée. A baked crab cake is meaty and fresh, and fun to eat from the shell that it’s been stuffed back into.
Beside such successes, though, there are some fusion dishes that felt off-key, like the fried calamari with sweet chili dip, or the chimichurri-dabbedshort ribs wrapped in bao buns whose puffy hinges had gone stale. A luxe hot dog encasedin puff pastry with Gruyère and sauerkraut would have been delicious had its Wagyu dog not been so dense and rubbery. (Just as with burgers, a Wagyu pedigree does not make a hot dog better.) A tuna tartare stuffed into a flower-like bloom of shaved watermelon radishes beneath an avocado dome was flavorful and satisfying. But a mizuna salad draped with yuzu-dipped slices of yellowtail was awkward to eat and a waste of good fish.
The prime rib eye with dauphine potato puffs and grilled asparagus at Terra Grill.Monica Herndon / Staff Photographer
The entrees are naturally headlined by the steaks — all high-quality prime grade (except for the Angus filet mignon) and properly cooked over the live flames of a hardwood grill, served simply with the sauce and side of your choice. The 22-ounce rib eye was the ultimate beefy cut of the four options, and also the most expensive at $98. The entry-level skirt steak wasn’t huge for $52 (and oddly, more expensive than the signature dish at Tourondel’s Skirt Steak in Midtown Manhattan), but the 10-ounce flap of black garlic-marinated beef glazed in hoisin was delicious, especially with crispy croquettes of dauphine potato puffs on the side.
The bar at Terra Grill restaurant, 1099 Germantown Ave.Elizabeth Robertson / Staff Photographer
Considering designer Olya Volkova’s attention to fostering the clubby comforts of a swank dining room, it’s a shame the mood is so often squashed by the glaring flash of big TVs behind the central bar. It speaks to a personality conflict this fledgling restaurant is still trying to resolve: Is Terra Grill a special-occasion destination, or a chic weekly hangout for neighbors to watch the Phillies over a $28 burger?
I’d actually come back for that prime beef burger encrusted with seven different kinds of peppercorns and topped with molten raclette cheese — if only they manage not to overcook it next time.
I can also see returning for the excellent branzino, which gets butterflied and crisped skin-side down over the wood fire and served with a seasonal garnish — a lemon-soy salsa verde in spring, and now a summery puttanesca of blistered tomatoes with capers and olives. That fish is a fair deal at $36. However, even the chef conceded the entree of head-on red shrimp was “a little small” when I sent him a picture of my plate with three crustaceans for $36.
The grilled branzino puttanesca at Terra Grill.Monica Herndon / Staff Photographer
The rigatoni in lamb Bolognese is understandably popular with Terra’s regulars, both hearty and flavorful for $28. But it also feels random on a menu that has few other Italian flourishes — even if Tourondel’s adjacent pizzeria, Scusi, is right next door.
With its blond wood, aperitivo hour, and appealing menu of salads and pies (many available by the slice), Scusi could very well be just the affordable counterpart Terra needs. But its thin-crusted Roman pies were so strangely heavy from a blend of grains, including bran, that the dough was leaden and tough. My weighty slice of sausage and pepperoni was also incinerated.
Two slices of pizza at Scusi, located in the Piazza Alta in Northern Liberties.Craig LaBan / StaffScusi Pizza next door to Terra Grill.Monica Herndon / Staff Photographer
Having previously enjoyed Tourondel’s Neapolitan-style Sag Pizza in the Hamptons, I know he’s capable of good pies. But Scusi’s troubled crusts reflect one of the perils of having a remote-control chef conducting from out of state.
Even more difficult than executing recipes, though, is finding the soul of a cookie-cutter concept, such that it feels like it fits the fabric of a place. Of course, in a literal blank slate like the Piazza Alta, the right restaurant can help set that tone. I did enjoy much of my food here, including the whimsical finale of a caramel popcorn sundae with a tableside chocolate sauce drizzle.
There are good ingredients in place. And the service is friendly enough (despite some rushed pacing with the starters). But there is still a paint-by-numbers corporate energy to Terra Grill.
The caramel popcorn sundae at Terra Grill.Monica Herndon / Staff Photographer
Maybe its stride will come with more customers: The restaurant was less than half full during my visits. Perhaps they will materialize if the neighborhood gains the kind of momentum its developers hope to conjure — including the promise of an undisclosed local star chef slated to take a prime space across from Terra. Tourondel’s restaurants alonedo not carry the gravity to fully animate this recently revived stretch of Germantown Avenue, but Terra could complement a broaderscene. Just like the chaotic, slow-motion traffic patternsoutside the restaurant’s doors, it feels like a work in progress.
Dinner 5 to 9 p.m. Sunday, Wednesday, and Thursday; until 10 p.m. Friday and Saturday. Brunch 11 a.m. to 3 p.m Saturday and Sunday.
Entrees, $28-$98.
Wheelchair accessible.
A little over half the menu items are gluten-free, with several others being easily modified with care to avoid cross contamination. Fried items are not available.
Menu Highlights: Parker House rolls; fried calamari; lemon chicken parm sandos; grilled octopus; stuffed crab cake; grilled branzino; Terra burger; prime steaks (skirt; strip, rib eye); potato puff dauphine; caramel popcorn sundae.
Drinks: Creative takes on classic cocktails with culinary twists are front and center, including a tzatziki-washed riff on a dirty martini and the rummy Crazy Bird tinged with bitter Campari. The sub-50 label wine list covers multiple styles with a balance of big names (Whispering Angel, Jordan) and lesser-known options (Decibel, Txakoli rosé). There are solid choices by the glass at $20 and under.
The interior of Terra Grill on Thursday, July 9, 2026 in Philadelphia.Monica Herndon / Staff Photographer
Kurt Vile’s love of Philly — and Philadelphia’s affection for Kurt Vile — has never been in question.
For the cover of Constant Hitmaker, the 2008 album that announced his arrival, Vile posed in front of a blown out wall “that looks like a Rauschenberg painting” at the corner of Frankford and Norris, he recalls. “That stuff’s beautiful, you know?”
Since 2012, a Steve “ESPO” Powers mural that doubles as the cover for Vile’s 2013 album Wakin On A Pretty Daze has adorned a wall at Front and Master Streets in Northern Liberties, visible to travelers headed north on the Market-Frankford El.
With his signature mane and quizzical expression, Vile, who grew up in Lansdowne in Delaware County, has been the face of Philly’s reign as the capital city of 21st century indie rock.
Kurt Vile stands in front of a mural by Steve “ESPO” Powers on March 27, 2013. Michael S. Wirtz / Staff Photographer
The city is embedded in Vile’s music at every turn, from the “I park for free!” boast on the 2018 song “Loading Zones” to the cover of 2022’s Watch My Moves, which pictures the Dad rock king wearing a crocodile mask in Wissahickon Valley Park, flanked by daughters Awilda and Delphine.
But Vile has never repped his hometown so hard as on his new album, Philadelphia’s Been Good To Me, released in May. It includes shout-outs to Lincoln Drive, the Schuylkill, and Sun Ra, and an infectious single “Chance to Bleed” that features Philadelphia gangsta rap pioneer Schoolly D in a video shot at Kung Fu Necktie.
Philadelphia’s Been Good To Me even includes a playful taunt at two of Vile’s classic rock favorites who dared to record songs with the word Philadelphia in the title.
“A couple of my heroes wrote a song,” Vile talk-sings in “You Don’t Know Cuz It’s My Life.” “But that ain’t where they’re from, so hey you don’t know / But I still love you, Neil and the Boss.”
Working in the wee hours in his basement OKV studio — which stands for “Overnight Kurt Vile” — in his fieldstone house in Mount Airy, Vile recalls, “I was singing along to this keyboard track I had laid down, and that thought came to me.”
Kurt Vile in his basement studio at his home in Mount Airy June 13, 2022, with his daughter Delphine.Tom Gralish / Staff Photographer
Vile, who had (legally) parked his Prius in a nearby loading zone, was talking at the Silk City Diner on the Sunday night of Memorial Day weekend where he would realize a long-held ambition: sitting in with centenarian saxophonist Marshall Allen and members of the Sun Ra Arkestra.
Vile — who was wearing a Tammy Wynette T-shirt and MF Doom trucker’s hat, with his 1965 Fender Jazzmaster Sunburst in the booth beside him (without a case) — explainedhis unique position in Philadelphia music history while dining on an Impossible Burger and Korean fried cauliflower.
“Springsteen wrote the song ‘Streets of Philadelphia’ and Neil wrote ‘Philadelphia,’ and they’re both on the soundtrack to Philadelphia, right?” he says, referring to Jonathan Demme’s 1993 AIDS drama.
“I get where they’re coming from, but it’s still an assignment. They’re singing about a city they don’t know that well. I’m proud of the city that I’m from, and I’m also lucky that I’m from here.
“It’s like my friend Mary Lattimore, who plays the harp.” (And has given lessons to Vile’s daughters, who also both play guitar.) “She’s not from Philly, but she lived here forever, so it feels like home to her, even though she’s in LA now.”
The album cover of Kurt Vile’s ‘Philadelphia’s Been Good To Me,’ which features a photo by Memphis photographer William Eggleston.Verve
Adam Granduciel of the War on Drugs, with whom Vile frequently teamed up when both were aspiring artists in the 2000s, also grew up elsewhere and now lives in Los Angeles.
“They’re two of my oldest friends that were in the Philly scene forever, but they don’t have the extended history that I do.”
Kurt Vile with his father, Charlie, and his daughters Delphine (left) and Awilda, who posed with him on the cover of his latest album, at his home in Mount Airy on June 13, 2022.Tom Gralish / Staff Photographer
The Philly fixture
Vile — who is the oldest boy among the 10 children of his SEPTA train operator father Charlie and stay-at-home mother Donna — is Philly-area born and bred.
“I’m the OG,” he says. “That’s what I’m proud about. It’s like Questlove, or something,” though for all the Philly repping the Roots drummer does, he doesn’t live here either.
Vile, by contrast, is a Philadelphia fixture. When artists like country rebel Margo Price, Australian rocker Courtney Barnett, and North African desert blues band Tinariwen have come to town, there was one way to know for sure they were in Philadelphia: Kurt Vile was standing next to them onstage.
Vile plays the Dell Music Center with his band the Violators on July 25 as part of Connor Barwin’s Make The World Better Concert Weekend. He played Barwin’s first MTWB Foundation benefit in 2014, which raised money to build playgrounds and rec centers throughout the city.
“I don’t follow football and I didn’t know who he was,” Vile says, recalling meeting Barwin at a show. “He walked in and he looked amazing. He was so tall, like a [expletive] Eagle. He was just a genuine fan. I love reconnecting with Connor and watching him do his thing.”
Vile’s July 25 show is the second of two MTWB nights at the Dell. The first-night headliners are 1990s alt-rock heroes Pavement.
“Pavement was my gateway drug to indie rock,” Vile says. “Stephen Malkmus was my hero. I got my first job as a busboy at the Blue Comet on Baltimore Pike and I would spend all my money on Pavement CDs.”
Now, Vile is friends with Malkmus, and was stoked when he found out they were both playing the MTWB weekend — until he realized that he has a gig in Boston the night Pavement is playing. “I’m missing Pavement by a day,” he says. “Which I’m not happy about.”
Vile, 46, has spent his entire life living in the Philly area, save for 2002-03 when he followed his wife Suzanne Lang to Boston while she got a master’s degree at Emerson College.
Philly alt-rock star Kurt Vile outside the Silk City Diner on Sunday, May 24, 2026 in Philadelphia.Yong Kim / Staff Photographer
He worked as a forklift operator for an air freight company. “The most ball bustin’ blue-collar job there is,” he says. Before he mastered the machinery, “I got made fun of a lot my first year. But then I got really good at it.”
Returning to Philly and moving to Northern Liberties, he went to work for Philadelphia Brewing Company, where he was hired by future pizza sensei Joe Beddia who was roommates with Granduciel. “They were all blown away by my forklift skills,” recalls Vile. “And that’s how I met Adam.”
At PBC, Vile met Jack Rose, the late Philadelphia guitarist who, like Vile, was a fan of influential American Primitive guitarist John Fahey.
Asked to name his top five Philadelphia artists, Vile starts with Rose. He then adds Purling Hiss guitarist Mike Polizze, and psychedelic folk singer Meg Baird, Petty Bunco label head and singer Richie Charles, along with Schoolly D.
“Is that five?” It is, but Vile has a couple more: Marshall Allen-slash-Sun Ra, and rockin’ country band Florry. “They’re so fun and excitable and young,” Vile says.
Kurt Vile in the music room in his home in Mt. Airy June 13, 2022 (this is not the basement studio)TOM GRALISH / Staff Photographer
“I love Mount Airy and Germantown,” he says. “There’s still so much old-school Philly in Germantown. And Mount Airy really saved my life. I love that there’s forest, and I have room to think.
Kurt Vile at his home in Mount Airy June 13, 2022, with his daughters Awilda (left) and Delphine, who posed with him on the cover of his latest album.Tom Gralish / Staff Photographer
“But I can still go to the city any time, and it’s so quick,” driving his Prius down Lincoln and Kelly Drives. “You go in through the Art Museum, and it’s a classy way to go in, you know?”
Over 10 albums, Vile has continued to develop a raw, unhurried signature sound. He often seems to be talking to himself in a bemused drawl over patient jams that turn out to be transfixing.
What country star Keith Urban once said of Vile’s 2015 hit “Pretty Pimpin’” in naming it as one of five songs he wished he’d written applies to Vile’s songwriting in general: “I don’t know how he wrote it, but it sounds like pure stream of consciousness.”
Philly alt-rock star Kurt Vile walking outside the Silk City Diner on Sunday, May 24, 2026 in Philadelphia.Yong Kim / Staff Photographer
‘Philadelphia’s Been Good To Me’
On Philadelphia’s Been Good To Me — whose cover features a photo by Memphis photographer William Eggleston — that deft, uncanny approach is evident on tracks like “99th Song,” an ode to a loop pedal that turns out to be a paean to domestic bliss.
“Stoned on music, well, the best kind of high,” he sings. “Got love in my life, and three girls by my side.” Later, the album includes a more straightforward love song: “Every Time I Look At You,” which begins: “Every time I look at you, sparks fly from my eyes.”
At Allen’s birthday party, Vile took a seat next to guitarist DM Hotep at the rear of the stage. “I was playing spacey, bendy Sonic Youth-hybrid leads,” he said afterward. “I felt really calm up there.”
A few days after that party, Vile celebrated the release of Philadelphia’s Been Good To Me at the Triangle Tavern in South Philly, where 200-plus fans lined up to purchase the album and receive a free vegan cheesesteak as a bonus.
Vile headed out with the Violators in June, and checked inbefore a sold-out show at San Francisco’s Castro Theatre this month.
“I’m a little discombobulated today,” he says, ordering a late afternoon large coffee and glazed doughnut. “It was a late night.”
The night before, Vile enjoyed a day off at Festa, a beloved San Fran karaoke bar closing this year he wanted to visit one last time. “I’m shy at first, but then everybody sings and I get up, too.” His go-to is “Stand Back” by Stevie Nicks.
The tour, Vile says, “is going good, man.” This trek has made him rethink the streaming era. He’s a fan of physical media, and feels “the past was more simple and honest.”
Philly alt-rock star Kurt Vile at the Silk City Diner on Sunday, May 24, 2026 in Philadelphia. Yong Kim / Staff Photographer
“But now the way people can consume your catalog from streaming, the younger people can binge my catalog like Netflix, and I can tell that they know all of my music. I just feel that people are connected.
“This is my 10th record, and I’ve accumulated all these songs that have emotional qualities combined with a dreamy, pretty, hypnotic thing, and then it rocks live with my electric guitar. It just keeps evolving. The songs are simple enough, but the possibilities are endless.”
On the bus, Vile has been keeping Philly — and Delco — close to his heart.
Kurt Vile in concert at the Union Transfer, Friday, June 3, 2022Steven M. Falk / Staff Photographer
“I’m watching Mare of Easttown,” he says. “I never saw it, and now I’m obsessed, just watching all the Delaware County locations and hearing Kate Winslet say a sentence half-Delco, half-British.” He slips into a Winslet impression: “I’m hoping for an an-swer,” and chuckles to himself.
“But it’s my favorite show in a long time,” says Vile, who has Task cued up next. “And it’s got Mannequin Pussy in it. Does the director not know who I am?” he wonders. “I guess I’ve got to get in touch.”
“The timing is interesting, ‘cause I’ve been spending a lot of time in Delco lately,” says Vile, who’s been hanging with his parents and recently dropped in at his old haunt Paul Revere Pizza in Lansdowne. “Now I’m traveling, and I’m touring my Philly record, and I’m loving it. I’m loving being somewhere else and not in Philly every night. But I’m watching Mare of Easttown. And I know I’m gonna love it when I come home.”
Kurt Vile & the Violators with They Are Gutting A Body of Water and Twisted Teens at the Dell Music Center, 2400 Strawberry Mansion Dr. at 7:30 p.m. July 25th, dellmusiccenter.com.
In a matter of seconds, a highway traffic stop in Tredyffrin Township sent Joel Perez Rodriguez from confusion, to panic, to fear.
When he saw red-and-blue emergency lights in his rearview mirror, he did what any law-abiding citizen would do, Chester County prosecutors said Thursday: He pulled onto the shoulder of the Pennsylvania Turnpike.
But Assistant District Attorney Monica Szyszkiewicz said the men who approached Perez Rodriguez’s vehicle on March 28 were not police officers — they were criminals, in league with his sister’s uncle, hired to rob Perez Rodriguez of $49,000 his sister had given him an hour earlier at her home in Germantown.
The botched robbery ended with Perez Rodriguez shot in the chest, as other bullets narrowly missed his wife and 4-year-old son.
Two of those men, Roberto Morel, 51, and Tuften Green, 31, were held for trial Thursday evening on charges of attempted murder, aggravated assault, attempted theft, and related crimes after an hours-longpreliminary hearing before District Judge Lauren Holt. Holt dismissed kidnapping charges the men faced, arguing there was a lack of evidence to support them.
The third suspect, Terrell Adams, 38, waived his hearing, and will also be held for trial.
Lawyers for Morel and Green told Judge Holt that Szyszkiewicz and Pennsylvania State Police investigators had built their case entirely on circumstantial evidence.
Morel’s attorney, Timothy Tarpey, said his client did not spend time with Perez Rodriguez during the three days he and his family visited his sister, and asserted he had no knowledge of the money being exchanged.
But Szyszkiewicz said investigators, using a litany of surveillance footage and cell phone data, had been able to reconstruct the entire plot, which began with the three men meeting up hours before the shooting at a gas station in Germantown. Video from that location, played in court, showed Morel and Green arriving at the same time, in separate vehicles, and discussing their plan, according to Trooper Adam McLaughlin.
“They conspired to pull the victim over for what other reason than to get the money they had received an hour before,” she said, arguing it was no coincidence that Morel had a clear connection to Perez Rodriguez. “Why else would they do that?”
Green’s attorney, Brian McCarthy, said despite the voluminous text messages prosecutors had pored over between his client and Morel, neither man made specific mention of a robbery, nor was there any attempt during the car stop to take the money from the car’s backseat.
Holt was not swayed.
Another video, taken from a Ring surveillance camera near where Perez Rodriguez’s sisterlives showed the three men began following his car moments after he pulled out of her driveway, en route to his home in North Carolina.
And data pulled from Green’s smartphone showed he was on the phone with Morel throughout the entire chase and subsequent shooting. The call ended, Szyszkiewicz said, when Perez Rodriguez fled the scene.
His sister owns a bodega in Germantown and had given him the $49,000 to invest in his tobacco business back in North Carolina.
As the family was driving westbound on the Pennsylvania Turnpike, they were being tailed by a Chevrolet Suburban being driven by Adams, investigators said Thursday, as well as a Honda CRV driven by Morel.
Text messages revealed Green and Morel had discussed adding emergency lights to the SUV, exchanging pictures of them both before and after they had been attached to the vehicle’s dashboard, according to testimony Thursday.
Once those lights were activated, Perez Rodriguez pulled over. He assumed, he said Thursday, that the occupants of the car behind him were undercover officers.
Green and Adams approached his car. Both were dressed in all black, with Adams wearing a hat with “police” sewn into it.
Right away, Perez Rodriguez said he knew something was wrong with the so-called officers. The way they spoke and carried themselves made him suspicious.
His suspicions were confirmed when Green, seeing Perez Rodriguez’s wife was trying to dial 911, stuck a handgun into her ribs and tried to grab the phone from her.
Perez Rodriguez sped away, and Green, according to prosecutors, fired the handgun five times.
An Army reservist, coincidentally driving by in the aftermath of the shooting, saw Perez Rodriguez had pulled again onto the shoulder, and stopped to help, prosecutors said. She helped stabilize his gunshot wound until medics arrived to take him to Paoli Hospital.
All three defendants will be arraigned in county court in West Chester later this month.
Philadelphia City Council is already looking to 2027. And with all 17 seats on the ballot next spring, the elections are shaping up to be a pivotal test of whether the city’s established politicians can withstand a rising tide of frustration with the party among Democratic voters.
All of the incumbents have said they intend to run for reelection, and several are likely to face serious challenges from new candidates focused on grassroots organizing and progressive groups — hoping to seize the opportunity presented by a nationwide leftward shift amid President Donald Trump’s second term.
Three districts have emerged as key battlegrounds.
And the city’s progressive organizations, emboldened by a series of wins locally and nationally, are targeting two other districts: the 1st, which stretches from South Philadelphia to Fishtown and is represented by Councilmember Mark Squilla, and the 8th, which includes parts of North and Northwest Philadelphia and is represented by Councilmember Cindy Bass.
“We’re definitely feeling confident,” said Robert Saleem Holbrook, executive director of the progressive advocacy group Straight Ahead. “Anyone who is going to be running under a progressive banner or a progressive movement is going to have to be running against the establishment, not toward it.”
A competitive race also appears to be taking shape for the seven Council seats that represent the city at-large.
Five of those seats are all but certain to be won by Democrats, making the May 2027 primary the key election in deep-blue Philadelphia.
The other two at-large seats — set aside for Council members outside the majority party under the city’s Home Rule Charter — will be decided in the November 2027 general election. Currently, the two minority party seats are held by Councilmembers Kendra Brooks and Nicolas O’Rourke of the left-leaning Working Families Party.
Jane Golden, founder and executive director of Mural Arts Philadelphia, takes the stage during the dedication of the Super Bowl LIX mural at Spike’s Trophies on June 17, 2025 in Philadelphia.Monica Herndon / Staff Photographer
Golden, 73, said last week that she is not currently running for Council, but acknowledged she has thought about it for years.
“It’s always something that is tempting to me, because I just love the city so much,” she said. “I feel honored that people even think of me.”
Progressives eye Bass’ North Philly seat
Philadelphia’s progressive activists this year see two key opportunities to expand the loosely organized left-leaning bloc on Council, which currently consists of four members. Winning additional seats could also grow their influence by enticing more moderate members to vote alongside them if they believe primary voters are moving left.
Leftists have notched high-profile wins in Democratic primaries across the country this year, including in Philadelphia, where democratic socialist State Rep. Chris Rabb (D., Philadelphia) bested more moderate candidates for a seat in Congress representing about half of the city. The district is one of the most Democratic in the nation.
Anderson-Oberman, 55, the executive director of the progressive group Reclaim Philadelphia, said last week that he is “leaning” toward taking another swing.
“We’re in a moment in this country and this city where people have had enough,” he said. “People are looking for new answers. … Cindy represents the old way of doing things.”
Union organizer Seth Anderson-Oberman, running for 8th District City Council, joins in a small rally with community and Happy Hollow Advisory Board members along Wayne Avenue at Happy Hollow Playground in Philadelphia on April 2, 2023.Tyger Williams / Staff Photographer
Another Council run by Anderson-Oberman may test how far progressive momentum can go in Philadelphia. He was a member of the Communist Party USA in his 20s, and has said he is proud of that experience.
Bass, 58, said she is ready for the race no matter who her opponent is.
In June, she survived a contentious fight for another four-year term as Democratic leader of Mount Airy’s 22nd Ward. She was criticized for her handling of the process, and the party ordered a redo of the election.
She and her progressive opponent, Octavius Price, tied, then struck a power-sharing agreement. Through it all, Bass said, longtime residents stuck by her — and she is confident voters will do the same next year.
“My voters are people who are based in this community, committed to this community, intend to stay in the communities that they are in,” she said.
City Councilmember Cindy Bass (center) attends the watch party for Democratic candidate for mayor Cherelle L. Parker at Laborers 332 in Philadelphia on May 16, 2023.Heather Khalifa / Staff Photographer
Jeff Jones, a community leader and social justice advocate from Germantown, has also said he intends to run in the 8th District.
“I want to bring that new vision and a new voice to the 8th District, where residents and children and families can know that their voice matters, their concerns will be heard, and their challenges will be met,” said Jones, 61, a first-time political candidate.
Squilla could see a lefty challenger
Leftists are also eying Squilla’s seat, which represents the area along the Delaware River from Pennsport to Kensington. Since Squilla took office in 2012, the district has transformed from a bastion of working-class white voters to one of the most progressive swaths of the city.
Squilla, 63, who has strong labor ties and is one of the most pro-development district Council members, said being a centrist has likely put a target on his back in the 2027 election.
Another contributing factor may be Squilla’s support for controversial legislation in 2024 to approve the 76ers’ since-abandoned plan to build a new arena in Center City. The project, which would have been in Squilla’s 1st District, was opposed by advocates for Chinatown, which the arena would havebordered.
Councilmember Mark Squilla arrives in Council chambers on Nov. 12, 2024, before the start of a public hearing on a proposed Sixers arena.Alejandro A. Alvarez / Staff Photographer
Despite the fierce objections, Council approved the project with Mayor Cherelle L. Parker’s support in December 2024. Weeks later, the basketball team announced it was abandoning its Center City plan and would instead build its next arena in South Philly.
Squilla said he is prepared to defend his actions, noting that he worked to ensure any arena deal would benefit his district and that many of those promises are moving forward despite the 76ers withdrawing their proposal.
“The goal as an elected official, and also as a leader, is not always to make the popular decision,” he said. “The goal is to have a process to make the decision that would be best for the people around it.”
One prominent opponent of the Center City arena plan was Will Gross, the owner of Ox Coffee in Queen Village and a progressive who is the Democratic leader of the 2nd Ward. He is seen by political insiders and progressive organizations as the most likely candidate to take on Squilla.
Gross declined to comment.
In this 2023 file photo, Will Gross and Kay Yoon, of the No Arena in Chinatown group, deliver petitions to Councilmember Mark Squilla. Alejandro A. Alvarez / Staff Photographer
A progressive challenger may also emerge in the North Philly and Kensington-based 7th District, which is represented by Councilmember Quetcy Lozada.
Some insiders have speculated that Celin may run again. He declined to comment.
Lozada, 55, said she “can’t focus” on potential challengers.
“If I spend my time listening to the buzz about who is running,” she said, “we won’t get any work done.”
A battle takes shape in the 5th District
In the 5th District, a seat that represents parts of North Philadelphia and Center City, a handful of Democratic challengers are lining up to take on Young, 40, who is seen as one of Council’s most vulnerable members.
That is in part because of the unusual way in which he was elected in 2023. He ended up being the only Democrat on the ballot after several others, including party officials’ preferred candidates, were removed amid legal challenges.
Councilmember Jeffery Young Jr. in chambers as City Council meets Dec. 11, 2025.Tom Gralish / Staff Photographer
One of those candidates was Curtis Wilkerson, who was chief of staff to former City Council President Darrell L. Clarke. Two sources, who spoke on condition of anonymity because they were not authorized to discuss the campaign dynamics, said Wilkerson is considering running for the seat again next year.He did not respond to a request for comment.
Also likely to run is Jalon Alexander, an attorney who unsuccessfully ran for an at-large seat on Council in 2023. Alexander, 33, formed an exploratory committee last year and is expected to formally declare his candidacy later this summer.
Two others are also considering running.
Dustin Dove, a lawyer and the president of the Fairmount Civic Association, said neighbors and community leaders have encouraged him to get in the Council race, and he is “taking the possibility of running seriously.”
“I think our city government should work for everyone by keeping our neighborhoods safe and streets walkable, making housing affordable, and ensuring fairness and access in public services,” Dove, 38, said last week.
Jalon Alexander, an attorney and community advocate, speaks to attendees at a meeting about potential SEPTA budget cuts hosted at Garden of Prayer Church in Strawberry Mansion on June 9, 2025.Erin Blewett / For The Inquirer
And Max Tuttleman, 37, a philanthropist who unsuccessfully ran for an at-large seat in 2023, said he “cares deeply about the 5th District and would never close the door to serving Philadelphia.”
He added that “Center City and the neighborhoods around it should be growing faster than they are.”
Young said in an interview last weekthat he intends to run for reelection, but that challengers are not his focus.
“I‘m focused on serving my constituency, serving my community,” he said. “The work that we’ve been doing will hopefully earn the support of the residents of the 5th District.”
A smaller, but competitive, at-large field
Over the last several election cycles, dozens of candidates lined up to run for at-large seats during a time of immense turnover in Council.
But with seven incumbents all looking toward reelection in 2027, there may be fewer challengers who line up to take them on. So far, only Golden and a handful of others have emerged as possible contenders.
David Alexander Jenkins, a cultural strategist known for delivering impassioned speeches during Council’s public comment section, said he is considering a run, encouraged by fellow community members.
“When the community that is around you constantly pushes you to intercede on their behalf, then it’s because they have trusted you to do what it is that you do best,” Jenkins, 39, said. “I think it would be incredibly unwise to ignore that.”
And Jude Husein, 28, a Palestinian-born community activist who was raised in North Philly, has already launched her campaign. If her bid is successful, Husein, a former staffer for State Sen. Art Haywood, would be the first member of Gen Z on Council.
In this 2023 file photo, Jude Husein, of North Philadelphia, speaks at a rally for a Day of Solidarity event at the Art Museum steps.Tyger Williams / Staff Photographer
Leaders of progressive organizations said they are closely watching her candidacy. However, Husein is not exactly running as a leftist. She said that her policy positions are varied and that she will seek endorsements from any institution that is “values-aligned.”
“I’m running because I think government should work for the people who pay for it, and should make neighborhoods affordable and safer,” she said.
Also in the running for Council at-large seats are Billy McCann, 46, a former teacher who lives in Port Richmond, and Isaiah T. Martin, 26, who lives in West Philly and leads a community development nonprofit. The pair, who both said they are progressive, have established something of a slate with Jones, who is challenging Bass in the 8th District.
They said they would prioritize public education, affordability, housing assistance, and government accountability, and they argued that establishment Democrats are failing to connect with voters.
“A new day is coming,” said Martin, another member of Gen Z who would make history on Council if elected. “It’s time we get people who are going to do the actual work and not just sit here and talk about it.”
When Gretchen Ellis saw photos of the four-bedroom, two-bathroom twin on a cul-de-sac in Chestnut Hill, she said, “I knew it was ‘the house.’ I felt a deep sense of calm.”
With her two sons in college, she moved from Maple Glen in 2017. Now, her sons are in Pittsburgh and Ellis is joining them.
“I wish I could pick up my house and my neighbors and move them there,” Ellis joked.
The kitchen has marble countertops, stainless steel appliances, and a breakfast bar. Gary Schempp
The 1,520-square-foot home was built in 1887, designed by architect Robert R. McGoodwin.
Hardwood flooring covers most of the home; the living room has a gas fireplace; and the kitchen has marble countertops, stainless steel appliances, and a breakfast bar with scenic views of the grounds.
The living room has a gas fireplace.Gary Schempp
The second floor has two bedrooms, including the primary, which has a built-in closet system, and share a full bathroom. The second bedroom can also serve as a home office.
The two bedrooms on the third floor share a full bathroom with a claw-foot tub.
The dining room.Gary Schempp
Recent improvements include roof flashing reinforcement, metal roof coating, replacement of a cedar shed, and a new sump pump.
There is a full basement with a French drain system, laundry facilities, and an exterior exit with a full set of stairs and a brick patio.
The back patio.Gary Schempp
The house is a short walk from SEPTA’s Chestnut Hill East and Chestnut Hill West Regional Rail lines, and the shopping corridor of Germantown Avenue.
It is listed by Diane Reddington of Coldwell Banker Realty for $699,900.
Bill Wine, 81, of Philadelphia, three-time Mid-Atlantic Emmy Award-winning film and TV critic, retired tenured associate professor of TV and film at La Salle University, onetime freelance TV critic for the Daily News, freelance writer, playwright, and popular lecturer, died Sunday, June 14, of complications from Parkinson’s disease at his home in Chestnut Hill.
The son of two part-time amateur actors and a lifelong devotee of theater, film, TV, writing, and teaching, Mr. Wine was a film critic for WTXF-TV, Channel 29, for 12 years and KYW radio for 17 years. Known for his pithy, witty, and often acerbic reviews, and a breezy conversational style of writing, he worked at Channel 29 from 1990 to 2002 and KYW from 2001 to 2018.
“Bill Wine was a character out of a Neil Simon comedy, more Oscar than Felix,” said Carrie Rickey, former Inquirer movie critic. “You didn’t have to wait long for the punchline.”
Mr. Wine’s film reviews on Channel 29 were often funny and entertaining. Channel 29
At Channel 29, Mr. Wine was nominated for eight regional Emmy Awards for commentary and writing, and won three. He appeared regularly on the station’s Ten O’Clock News, in primetime movie preview and review programs, and later on Mondays, Wednesdays, and Fridays on Good Day Philadelphia.
By 1990, he had already written hundreds of freelance film reviews for the Daily News and Courier-Post, done radio reviews for WPEN, and taught a variety of classes about film and writing for a decade at La Salle. So, despite no previous TV experience, he was hired at Channel 29 over 60 other film critic applicants.
“I had never been on TV, but I wasn’t nervous,” he told the Daily News in 2001, “because I had been standing in front of 100 students for 10 years.”
Mr. Wine worked at at WTXF-TV, Channel 29, for 12 years.Courtesy of the family
He started at KYW radio in 2001 and usually aired reviews and reports on Thursdays, Fridays, and Saturdays. Sometimes, he watched three movies in one day. He left Channel 29 in 2002 and KYW in 2018 only after both companies eliminated their local film critic position.
“When I started [writing film reviews], it was before the internet,” he told The Inquirer in 2018. “A lot of people [now] feel like, ‘Who the heck is a movie critic to come on in a minute and to dismiss something that took hundreds of people and millions of dollars to create?’”
In the 1970s and ‘80s, he wrote articles and reviewed films, TV shows, books, and plays for WPEN, The Inquirer, Courier-Post, Philadelphia Magazine, and other outlets. In 1975, he wrote dozens of freelance TV columns called “On the Air” for the Daily News.
Mr. Wine wrote dozens of columns as a freelance TV critic for the Daily News in 1975.Newspapers.com
He spent three years in California in the 1970s working on plays and film and TV scripts. He hobnobbed with famous writers, producers, and actors in Los Angeles, staged one of his own plays, and was a winning contestant on a new TV game show.
He wrote 11 plays over the years, and several made it to the stage. “Now the people who disagree with my reviews can come and find out if I’m as dumb as they think I am,” he told The Inquirer in 2002.
He aired reviews on WIP radio and lectured often at libraries, schools, community centers, theaters, and other venues about his favorite films, adapting books to film, and other topics.“He could be wickedly funny, especially when delivering a pan of a movie,” his family said in a tribute. “One of his favorite quotes was: ‘I had a bad seat. It was facing the screen.’”
Mr. Wine was a prolific playwright who enjoyed table readings with family and friends. La Shina Clark / Staff Photographer
Mr. Wine earned a bachelor’s degree in math at Drexel University and a master’s degree in communications at Temple University. He helped design La Salle’s nascent Communication Department in the 1980s, and school officials called him one of their “Founding Fathers.” He also taught briefly at Drexel, and came close to earning a doctorate at Temple.
In 2001, he was featured in a Daily News story about “celebrity professors” and said: “You have to remind yourself that this is television, not the classroom. You mention, say, ‘film noir’ on TV, and you get a memo.”
William David Wine was born June 21, 1944, in Germantown. He grew up in West Oak Lane and Cherry Hill, attended Central High School, and graduated from the old Cherry Hill High School.
A story and this photo of Mr. Wine about his time as a professor at La Salle appeared in the Daily News in 2001.Newspapers.com
As a boy, he devoured newspaper movie reviews and fell in love with film after seeing Alfred Hitchcock’s 1954 thriller Rear Window. He got positive reviews of his own freelance movie review when he was at Temple, and he knew then, he said later, that writing about movies was his creative niche.
He married Dina Lichtman, and they divorced later. He married Suzanne Monsalud in 1981, and they had daughters Simone and Paulina, and lived in Germantown, Wyncote, and Chestnut Hill.
Mr. Wine and his wife, Suzanne, married in 1981.Courtesy of the family
Together, Mr. Wine and his family traveled to Paris and London, and he and his wife honeymooned in Rio de Janeiro, Brazil. He doted on his daughters and sometimes took them to his La Salle classroom, the Channel 29 TV set, and movie screenings.
Friends, former colleagues, and former students called him “a force of nature,” “smart and gifted,” and “a rare combination of kindness, professionalism, and humor.” His daughter Simone said: “His humor, warmth, and presence made life brighter.”
Mr. Wine played tennis, third base on adult softball teams, and pickup basketball into his 70s. He followed the Phillies, 76ers, and Eagles closely, and hit tennis balls with Hall of Famer Rod Laver at a publicity event in Los Angeles.
Mr. Wine and his family made memorable trips to Paris, London, and elsewhere. Courtesy of the family
“He was a wonderful father and a dedicated teacher,” his wife said. “He was a real Philadelphian, and we complemented each other.”
His daughter Paulina said: “Dad, I think you cracked the code. We’ll see you at the movies.”
Jamaaladeen Tacuma isn’t particularly interested in dwelling on the fact that he has just turned 70. It may be one of the few things the veteran bassist, with a seemingly limitless capacity for fascination, isn’t interested in.
“I was always the kind of person that looked ahead,” Tacuma said. “I like to say, ‘What am I going to be doing in the future? How will I be thinking in the future?’”
He marked his June 13 birthday not with old friends, but performing at South,leading a never-before-assembled, multigenerational quintet with Pulitzer-winning drummer Tyshawn Sorey, saxophonist and Snacktime cofounder Yesseh Furaha-Ali, guitarist Keyanna Hutchinson, and pianist Yoichi Uzeki.
On July 18, he’ll celebrate the release of a new all-star album with 102-year-old saxophonist Marshall Allen at Grounds for Sculpture in New Jersey. Two months later, he’ll be back at South with Quantum Blues, an unlikely quartet teaming him with longtime Pharoah Sanders guitarist Tisziji Munoz, Living Colour drummer Will Calhoun, and former Late Show with David Letterman keyboardist Paul Shaffer.
Jamaaladeen Tacuma on stage at South. The bassist celebrated his 70th birthday at the club in a quartet featuring drummer Tyshawn Sorey.Sound Evidence
But it’s not just music that captures his imagination. Before settling in for our interview in May at a Mexican restaurant on Passyunk, Tacuma was gushing about his recent viewings of vintage films from Japan’s Toho studio, giant monster movies like the original Godzilla and The Mysterians.
The lunch, he said, evoked memories of a visit to Mexico City, where he learned of the country’s lucha libre wrestling tradition. This, in turn, prompted the recording of an upcoming album, Bajo Libre.
That sort of thing happens constantly with Tacuma, who has a Zelig-like ability to find himself in unexpected musical situations.
On a recent trip to London, he was being shown around by drummer Sean Noonan, a frequent collaborator. While passing though the Liverpool Street tube station, his ear was caught by the guitar playing of a young busker. He immediately tasked Noonan with finding a studio and enlisted the 18-year-old guitarist, Michael Asukyle, to record an impromptu album he called Mind the Outsiders, which was released last February.
Jamaaladeen Tacuma on stage with the Wiggles in Boston’s Wang Theater in 2023, where he presented band member Tsehay Hawkins with a special DiPinto bass.Sound Evidence
After taking his grandson to see the Australian children’s group the Wiggles a few years ago, he bumped into the band over breakfast at Sabrina’s Cafe the next morning. By the time he got home, they’d invited him into the studio to write and record the song “Play the Bass Guitar.”
He’s since joined them on stage and on television, and plans to reunite with the band this summer at the Miller Theater.
Tacuma’s friendship with Rolling Stones drummer Steve Jordan — they met, he recalls, copresenting an award to the Red Hot Chili Peppers — led to an eight-year gig in the house band for the Michael J. Fox Foundation’s annual gala fundraiser, where he’s played with the likes of Sheryl Crow, Stevie Nicks, Jackson Browne, and Bob Weir.
Almost in spite of his compulsion to move perpetually forward, Tacuma’s 70th birthday year has occasioned a number of opportunities for revisiting the past, as well.
In January, the bassist returned to the Norris Apartments housing project, where he grew up as Rudy McDaniel.
Joined by a group of local singers and musicians, many of whom he’d known since his early days in North Philly, he presented his “The Dream Then & Now” suite, dedicated to the Rev. Dr. Martin Luther King Jr. As Lawrence “Weas” Newton recited the civil rights leader’s words, Tacuma struck up a funk groove in the complex’s community center, a poster board nearby displaying photos of him playing in the same room as a teenager.
Bassist Jamaaladeen Tacuma on stage with vocalist Lawrence “Weas” Newton in January at the Norris Homes Community Center.Adam Shanker
“It was surreal,” Tacuma said with a laugh. “Weas and I grew up in the area. We used to play ball in the basketball courts right next door. A lot of groups came from that area, like Harold Melvin & the Blue Notes, the Stylistics, McFadden and Whitehead, Brenda & the Tabulations. And the Uptown Theater was right around the corner, so I saw everybody there whenever those shows would come to town — the Temptations, James Brown.”
The neighborhood not only nurtured Tacuma’s passion for music but also inculcated his love of fashion.
“If folks had money, they would go downtown and go to Boyds,” he explained. “But for the most part, we would go to the Avenue, Germantown and Lehigh. There you had all the stores, like Leo’s or Al Schaeffer’s Red Carpet Room.”
Tacuma later borrowed the name of one of those shops for his boutique, the Redd Carpet Room. There he sells the finds he brings home from his travels; he can often be found at flea markets and vintage shops in the hours prior to a performance.
“I don’t take bass guitars on tour anymore,” he said. “I just bring a suitcase to fill with clothes. I’m serious about helping guys look a bit better.”
Bassist Jamaaladeen Tacuma wipes away tears after he was presented with the 2018 Benny Golson Award by the mayor at City Hall on March 29, 2018. TOM GRALISH / Staff Photographer
A month after his MLK Day performance, Tacuma played the Sons d’Hiver festival in Paris, where he revisited the hotel that had become the home base for Ornette Coleman’s Prime Time band 50 years earlier, during Tacuma’s first tour of Europe.
“We were supposed to go to Paris for two weeks, and we wound up staying for three months,” he recalled. “I hadn’t been back to that place since that time. The same family owned it. We had lunch right next door, at the same restaurant where Ornette and I used to have lunch, sitting at the same table. It brought back a lot of memories.”
Coleman played a foundational role in Tacuma’s musical life. After high school, he received a scholarship to attend Berklee School of Music but declined.
“Because I wanted to be a musician that played on the road.”
Instead of college, he joined organist Charles Earland’s band but was fired after a year. He moved home, wondering what to do next, until a week later he received a call to audition for Coleman’s band.
Tacuma gives an impromptu solo performance in the Mayor’s Reception Room on March 29, 2018.TOM GRALISH / Staff Photographer
“I learned so many things from Ornette,” he said. “As a bandleader, he wasn’t dictatorial, but he knew what he wanted and he knew how to extract that from the members of the band. Also there was a seriousness about sound, the idea that if you really, truly hear something different, then you should express it. You don’t have to follow a trend.”
Those are lessons that Tacuma has carried with him over a remarkably diverse and unpredictable career spanning more than half a century. He has collaborated not just with a staggering variety of musicians but with visual artists, filmmakers, architects, and scientists.
When asked to take a moment to look back over it all, even he has to marvel.
“I think I’ve looked into the future so much,” he concluded, “that I have a lot of stuff now to look back on. I feel blessed that the creator has given me all this.”
At $5 million, Philadelphia’s primary arts and cultural fund is not one of its many substantial burdens for taxpayers, amounting to well under a thousandth of the multibillion-dollar municipal budget. And yet, the city’s politicians can’t seem to resist the allure of the minuscule expense as a canvas for their financial creativity.
Having narrowly survived fiscal extinction during the pandemic, the Philadelphia Cultural Fund took another disproportionate cut in the city’s recently enacted budget for fiscal 2027, which begins next week. The spending plan recently passed by City Council and signed by Mayor Cherelle L. Parker appropriates $3.5 million for the fund, nearly a third less than this year, according to the fund’s executive director, Gabriela Sanchez. It’s hardly a rounding error in Philadelphia’s $7.1 billion budget, but it’s likely to devastate many of the tiny arts and cultural groups the line item supports citywide.
Nearly 100 of the almost 300 arts organizations that depend on the fund are expected to lose the aid as a result, Sanchez said in a statement. She said the fund would halve its eligibility threshold, limiting grants to groups with budgets of no more than $1.5 million, among other “untenable decisions,” hobbling neighborhood theaters, festivals, music programs, and more. “In practice,” Sanchez added, “this means that community-based arts and culture groups … will lose essential operating funding that sustains their day-to-day work.”
Created three decades ago to supplant more traditionally Philadelphian methods for distributing tax money — according to the whims and still less defensible motives of local politicians — the cultural fund brought a measure of evenhandedness and transparency to bear, offering clear rules and a fair process. Today, it funds groups ranging from A Book a Day, which has donated thousands of books to institutions serving young readers in West Philadelphia, to the Wyck Association, dedicated to preserving and interpreting the historic house of that name in Germantown.
The impact of these groups, economic and otherwise, is far greater than their cost: A 2024 report by the Greater Philadelphia Cultural Alliance found that nonprofit arts groups generate more than $2 billion in yearly economic activity, providing $1 billion in household incomes and $265 million in tax revenues. The alliance also found that the sector suffers from inadequate, unreliable, and uneven public funding.
The cut is cruelly contrary to what city arts groups and some Council members argued for amid the Trump administration’s retreat from federal arts funding, which was to increase the cultural fund’s allocation by 20%. It’s also at odds with a city budget that raises overall spending by about 3% over this fiscal year. At that rate, given the fund’s benefits, the city should at least be able to hold it harmless and maintain this year’s relatively meager contribution.
Philadelphia’s arts groups shouldn’t be perpetually on the budgetary brink just because most of them are small and lack powerful political patrons, making them easy to pick on. The mayor and Council should find a way to restore this funding and stop creating trouble for the city’s invaluable creators.
We take paper for granted now. But in the late 1600s, when Pennsylvania’s founder William Penn recruited German papermaker and preacher William Rittenhouse to manufacture the writing parchment in the New World, paper was a luxury.
England’s King William III made it difficult for his subjects — at home and in the Americas — to have it. Like many monarchs of his day, he believed it was the Crown’s duty to record history.
The English imported paper from other European countries. So, to make matters worse, colonists who managed to appeal to the king for paper were double and triple taxed. They got fed up and went about securing their own paper to document the goings on in the government, inform citizens, record history, and ultimately plan a revolution.
Artist Ava Haitz’s No. 1 honors the country’s first paper mill, celebrating the invention and craftsmanship that made widespread written communication possible.Ava Haitz for Colibri Workshop
In 1690, Rittenhouse partnered with Philadelphia’s first printer, William Bradford, to build America’s first paper mill, situated in northwest Philadelphia and powered by the Monoshone Creek, a tributary of the Schuylkill.
The paper mill will be celebrated this Saturday at Historic RittenhouseTown, part of a series of weekly “Firstival” celebrations. Firstivals are the Philadelphia Historic District’s yearlong birthday nod to places and events with Philadelphia roots. The day parties are a hallmark of this year’s Semiquincentennial fetes.
At the Rittenhouse mill, paper was made from linen rags fashioned from flax grown in Germantown, that were broken down and shaped into sheets. The mill grew quickly as Rittenhouse, America’s first Mennonite bishop, provided paper for Bibles and Quaker and Mennonite texts in German.
An aerial view of RittenhouseTown circa 1840-1860. The site eventually grew to more than 200 acres.Historic Rittenhouse Town
Rittenhouse’s first paper mill was destroyed by a flood, said Alexander Jones, preservation and education manager at Historic RittenhouseTown.
Then “Rittenhouse rebuilds and he buys out his partner,” Jones said. “The paper mill becomes his sole enterprise. Instead of hiring workers, he recruits his family and it becomes a giant company town. There is a church, a blacksmith, stone houses, a bake house, and more than 40 buildings with five or six of them under what is now Lincoln Drive.”
RittenhouseTown’s paper mill was the only source of paper in America for more than 40 years, Jones said. It would grow to more than 200 acres.
David Rittenhouse — Rittenhouse’s great-grandson and the astrologer, clockmaker, and first director of the U.S. Mint after whom Rittenhouse Square is named — was born in his family’s RittenhouseTown homestead in 1732.
The town thrived for more than a century.
By the mid-1800s, the paper mill began to slow down as dyes from textile and carpet manufacturers and chemicals from blacksmithing started to pollute the Schuylkill. The filthy water made it nearly impossible to produce good quality paper at the mill.
The Fairmount Park Commission began acquiring parts of RittenhouseTown through a series of purchases and donations from 1890 to 1917. The city demolished many of the town’s buildings, including a barn that, Jones said, was razed and rebuilt within a year.
RittenhouseTown’s homestead and bakehouse. The first permanent home for the Rittenhouse family and birthplace of David Rittenhouse, great-grandson of William Rittenhouse for whom Center City’s Rittenhouse Square is named.Al Cassidy for Historic Rittenhouse Town
By that time, however, the Rittenhouse family had spread throughout the Philadelphia region from Center City to Blue Bell, Jones said.
Today, RittenhouseTown spans 20 acres nestled in Fairmount Park right behind Lincoln Drive. Six of the original buildings remain, serving as a reminder that RittenhouseTown was the first building block of American industry.
“The paper mill really got the ball rolling for Philadelphia,” Jones said. “And from that first came so many other American firsts in Philadelphia: the first Mennonite bishop, the first company town, and America’s first director of the U.S. Mint.”
This week’s Firstival is Saturday, June 27, 11 a.m.-1 p.m., at Historic RittenhouseTown, 208 Lincoln Drive.
