Tag: Germantown

  • A historic Philly mansion up for sale comes with an unusual easement: Revolutionary War battle reenactments on the front lawn

    A historic Philly mansion up for sale comes with an unusual easement: Revolutionary War battle reenactments on the front lawn

    Built at the end of the 18th century on the site of a major Revolutionary War battle in Philadelphia, Upsala mansion was listed on the National Register of Historic Places in 1972.

    This week, it was listed somewhere else: Zillow.

    The early Federal-style estate nestled on the border of Germantown and Mount Airy is listed at $995,000 and comes with nine bedrooms, 10 fireplaces, 15 parking spaces, and a 70-page easement agreement with a peculiar caveat — once a year, the owner must permit “a re-enactment of portions of the Battle of Germantown” on their front lawn.

    “The battle reenactment is actually written into the deed. That is something any future owner of the property would be obligated to allow to happen,” said current owner Alex Aberle, who’s also a real estate agent and the property’s listing agent.

    A living room in Upsala mansion, an early Federal-style building on the 6400 block of Germantown Avenue.Courtesy of Alex Aberle

    The easement was put in place by the National Trust for Historic Preservation when Aberle and his ex purchased the mansion on the 6400 block of Germantown Avenue in 2017 and became Upsala’s first private owners since it was converted into a historic house museum in the 1940s.

    As part of the Revolutionary Germantown Festival — which commemorates the 1777 Battle of Germantown — battle reenactments were held for decades on the lawns of Upsala and Cliveden, a National Historic Trust site and mansion across the street from Upsala.

    Though the mansion was built in 1798, two decades after the battle that sought to liberate Philadelphia from British control, the property served as the staging ground for the Continental Army during the Revolutionary War fight.

    Aberle said he loved having the reenactments in his front yard, but Cliveden and the sites of Historic Germantown, which host the festival, haven’t held a reenactment there since 2019.

    Carolyn Wallace, education director at Cliveden, said prior to the pandemic, organizers were reevaluating tactical demonstrations as part of the October festival in light of ongoing gun violence in the U.S. In 2020, organizers underwent a community engagement project called “Considering Re-enactments,” which sought to answer the question: “Is this still the best way to tell stories of the American Revolution?”

    “We found it was a mixed bag so we shifted more towards living history,” she said. “We still have military personnel (reenactors), but we have not done tactical demonstrations in a number of years, though I can’t say we won’t do them again.”

    And if they do, the easement still stands.

    “That runs with the land — for me and for everyone else for years to come, and hopefully, forever,” Aberle said.

    Built for John Johnson III, a fourth-generation descendent of the Janesen family, who were early Germantown settlers, Upsala stayed in the family until the 1940s, when it was seized due to financial issues.

    Preservationists worked to save the property from demolition and from the mid-1940s until the early 2000s, it was a historic house museum before it was closed due to dwindling attendance and revenue.

    The National Trust for Historic Preservation became Upsala’s owner in 2005 and Cliveden Inc., a co-stewardship organization of the National Trust, became its steward. After years of public engagement to find a new steward or use for Upsala, they put the 2.45-acre property up for sale in 2016.

    Aberle and his ex, Violette Levy, beat out eight other offers by purchasing it for $550,000 cash — $51,000 more than the asking price.

    They spent years doing extensive renovations like putting in central air, replacing the boiler, fixing the plumbing, and decorating.

    “When we bought it, the walls were mostly varying shades of yellow and cream and now there’s no yellow left, I’m happy to report,” Aberle said.

    They documented their journey on Instagram, where followers left comments about the memories they’d made at Upsala — from attending weddings there to attending a concert by the Hooters in the 1980s organized by one of the estate’s caretakers.

    “I loved hearing all those stories because that’s the kind of thing you don’t see in books,” Aberle said. “It’s super special because it only comes organically.”

    View of a hallway inside of Upsala mansion.Courtesy of Alex Aberle

    Aberle said he never had any intention of selling Upsala, but when his relationship with Levy ended and he became the sole owner of the home, it didn’t “really make sense to stay there as just one.”

    “It’s definitely a family house and that was always sort of my dream for the house,” he said.

    Aberle estimated that a little more than half of the mansion has been renovated. The back part of the house, where he’d planned to fix up the kitchen and put in a mother-in-law suite, is still in need of work, he said.

    “My relationship didn’t last quite as long as my project did so the space is ready for someone else to come in and finish it for their family,” he said.

    But another aspect of Aberle’s life did blossom because of Upsala. When he and his ex bought the mansion, it was listed by Louise D’Alessandro, a founding partner of Elfant Wissahickon Realtors. They invited her and others from the company to the first reenactment on Upsala’s front lawn after they took ownership of the property and within a year, Aberle left the real estate company where he worked and went to work for Elfant Wissahickon, where he remains.

    Aberle said he’s fallen in love with the Germantown and Mount Airy neighborhoods and is only moving just around the corner from Upsala, so he plans to make himself available for any questions from future potential owners.

    “The easement is really not as scary as the 70-page document might lead you to believe. I do mean it from the bottom of my heart. I spent nine years dealing with this document and working with this trust … and my plan is to make myself completely available to facilitate transition,” he said.

    Halloween decorations, including tombstones that have the names and dates of people who once lived in or near Upsala, are stored in the attic of the property and will be sold with it.Courtesy of Alex Aberle

    And if you’re wondering about the listing photo that shows an attic room filled with tombstones and giant mushrooms, not to worry, those are Halloween decorations. The mushrooms are from an Alice and Wonderland-themed Halloween they did one year and the gravestones have historically-accurate names and dates on them of people who lived and died in and around Upsala.

    “We set those up for a few years and added more folks each year,” Aberle said of the tombstones. “I’m leaving them in hopes someone else will carry on the tradition.”

    He’s excited to see who will become Upsala’s next owner and what they will do with the historic property.

    “I think the most important thing, for me, is it’s someone who will love this place as much as I do and have the desire to take care of it and love it,” Aberle said. “That’s what it deserves.”


    For more information on Upsala, including the entire easement agreement, visit upsalamansion.com.

  • They went to Mount Airy ‘on a whim’ and found love to last decades

    They went to Mount Airy ‘on a whim’ and found love to last decades

    Over more than 25 years, Jean Miller and Craig Heim have transformed their East Mount Airy home, a 1907 Dutch Colonial, through countless renovation projects.

    “But no matter what state the house was in, whatever was torn apart or upended as we did a project, it’s always been an amazing house to come home to,” Heim said. “We are always happy to come in the front door.”

    The facade surrounding that front door was the most recent project. They painted it a bold purple and updated the porch, shutters, and shingles.

    Miller said she had always wanted a purple house. “It makes the house pop.”

    The exterior of Miller and Heim’s home and their front garden are bursting with color.Allie Ippolito / For The Inquirer
    The porch railing and soffit are painted purple and yellow.Allie Ippolito / For The Inquirer
    The home was covered in asbestos shingles when Miller and Heim bought it, and they uncovered the original cedar shakes.Allie Ippolito / For The Inquirer

    The couple bought the seven-bedroom, 2½-bath home in March 2000, and moved in that spring after some initial work. At the time, they were renting near the Italian Market in South Philly and planned to buy there.

    “On a whim, we looked in Mount Airy after friends mentioned a huge house for sale nearby. Once we saw the neighborhood and how much space we could afford — including a yard — we shifted our search to Mount Airy,” recalled Miller, a physician at the Hospital of the University of Pennsylvania. Heim works for human services nonprofit Face to Face in Germantown.

    Over the past two decades, they updated nearly every part of the 3,200-square-foot house and its garden, as they raised their two children. Sara, 22, is a Penn graduate who now lives in South Philly, and Pete, 20, is a sophomore at Michigan State.

    Miller said the living room and dining room are favorites. The spaces are made cozy by a wood-burning fireplace, also a backdrop for entertaining.

    Art and instruments line the walls of the living room, as Maddie the dog enjoys the couch.Allie Ippolito / For The Inquirer
    The dining room has red walls and crown molding.Allie Ippolito / For The Inquirer

    When they moved in, Miller recounted, the home’s living and dining rooms had already been altered, losing their original woodwork. A wall with pocket doors had likely been removed and replaced with folding screen doors. The rooms were painted red with white trim.

    “We designed a wooden arch, installed larger crown molding, and removed a non-original built-in cabinet in the dining room,” said Miller. “Fortunately, the contractor removed it in sections and discovered it had been supporting the house’s main beam after studs had been taken out.”

    They decided to keep the red walls and, after testing many samples, chose a trim color in greenish gold that gave the rooms a completely different look.

    The home boasts an eclectic mix of furniture that they acquired from family, vintage shops, and what Miller described as “trash picking.”

    Paintings and photographs by local artists line the walls along the staircase.Allie Ippolito / For The Inquirer
    Art fills nearly every inch of this wall in the living room.Allie Ippolito / For The Inquirer

    An abundance of art hangs on the walls, loosely grouped into collections. Miller has dedicated one whole wall to “works from family and local artists.”

    “We use every space to display art and objects.”

    Back when Miller and Heim bought the house, the kitchen appeared to have been last renovated in the 1960s. The sheet-vinyl floor was torn and the subfloor so soft, it crumbled to dust when they pulled it up, recalled Miller.

    As a temporary fix, they installed veneered plywood, adding lines and nail marks to mimic wide-plank hardwood, and sealed it with polyurethane. They also painted the cabinets and walls. Those quick fixes held them over until a full kitchen renovation. A neighbor who is an architect designed the new kitchen, transforming it to include a bright breakfast room filled with natural light.

    Tiles and wall sculptures line an arch into the kitchen’s breakfast nook.Allie Ippolito / For The Inquirer
    A portrait of Jean Miller and Craig Heim’s dogs, Maddie and Mabel, is on display in the sun-filled breakfast area.Allie Ippolito / For The Inquirer

    “The kitchen was definitely a game changer, and it still feels new to me after 17 years. I love walking into it and feeling the brightness and natural light,” said Heim. “It’s the hub for so much of what happens every day and for special occasions, a very natural gathering place.”

    Outdoors, the garden is a treasure trove of found objects combined with topiary and plantings to create an eye-catching mix. The large porch leads to the front garden.

    “It connects us to our neighborhood and neighbors,” Miller said. “Our garden is a destination for many on their walks and allows us to connect with people. It feels like an outdoor room.”

    A path of stones runs through the garden.Allie Ippolito / For The Inquirer
    A planter the family trash-picked is filled with and surrounded by potted flowers.Allie Ippolito / For The Inquirer

    The creativity inspiring the garden also shines through in the house’s bold facade.

    “When the house recently needed to be repainted, we wanted to do something with a bit more pop,” Heim said. “So, we added the golds and pink to give things a little more zip.”

    For holidays, they decorate the yard with inflatables, lights, and ornaments.

    A hedge painted and shaped into a “happy bull” grows in front of the home. Heim often spray paints and cuts the hedges into shapes or characters.Allie Ippolito / For The Inquirer
    Decorative oversized ants are arranged as though climbing up a tree in the front garden.Allie Ippolito / For The Inquirer

    Mount Airy now holds a special place in both of their hearts. They enjoy an easy walk to the train, Germantown Avenue’s commercial strip, the Wissahickon, and Chestnut Hill.

    “We have a tight-knit group of neighbors, many long-term residents from our era and even earlier, and a whole new generation of younger people with kids,” said Miller. “It’s a wonderful community.”

    Is your house a Haven? Nominate your home by email (and send some digital photographs) at properties@inquirer.com.

  • How Haverford High’s national teacher of the year is coaching aspiring teachers, on topics from racism to connecting with students

    How Haverford High’s national teacher of the year is coaching aspiring teachers, on topics from racism to connecting with students

    As the newly appointed National Teacher of the Year, Haverford High School’s Leon Smith has been celebrated on television: from CBS Mornings and Good Morning America to the Kelly Clarkson Show.

    But as the lone Black teacher when he started teaching at Haverford 25 years ago, Smith got a different reception. He experienced racism, he told a group of young people interested in teaching, and if it weren’t for a Black vice principal that listened and supported him, he might not still be teaching today.

    “She would just be very honest with me, and be like, ‘First of all, you’re an excellent educator. … Keep being you. Somebody calls and says something crazy, I’m just hanging up,’” Smith told teaching fellows gathered in Germantown on Wednesday with Breakthrough of Greater Philadelphia, a nonprofit that trains aspiring teachers to lead enrichment programs for middle-school students.

    The event, sponsored by the Equitable Foundation, was just one of many for Smith during his yearlong stint as Teacher of the Year, a platform he was awarded in April by the Council of Chief State School Officers. In that role, he’s spending the year traveling the country to advocate for the teaching profession and growing its ranks.

    Smith, who teaches Advanced Placement U.S. History and Advanced Placement African American Studies at Haverford, spoke passionately to the fellows Wednesday about his motivation to be the teacher he didn’t have growing up, and the immense impact teachers can have on students’ lives — presenting the profession as a deeply rewarding opportunity to help kids recognize their talents.

    But he was also honest about the challenges. Fielding questions about his career from fellows gathered in an auditorium on the Germantown Friends School campus, Smith said he had struggled to find his way as a new teacher, staying up too late trying to perfect lessons.

    He described the sometimes lonely experience of being his predominantly white high school’s only Black teacher, and how he developed strategies to respond to racism, including learning when to walk away and when to speak out.

    He told fellows to find supportive colleagues and to be selective when they considered job offers.

    “Do your research. Make sure it’s a space that’s going to take care of you,” he said.

    Smith also described feeling self-conscious when he was younger about some of his lessons — worrying that students would say, “‘Oh, all he does is talk about Black history,’” Smith said. But he began hearing from students about how grateful they were to have learned about subjects that hadn’t been covered in other classes; an audit later identified African American studies as a class community members wanted to see added.

    ‘My why’

    His comments resonated with the teaching fellows, some of whom said they’re committed to careers in education.

    Dominique Sidae, a 23-year-old rising senior at Florida A&M University, is planning to become a special-education teacher. She said she was inspired by her appreciation for a teacher who helped her younger brothers, who have autism.

    Sidae said she is often the only Black person in teaching spaces. “It feels good to know this isn’t only happening to me,” she said. “You don’t really learn that in college.”

    Dominique Sidae, 23, a fellow with the Breakthrough of Greater Philadelphia, listens to a talk by Leon Smith last week.Jessica Griffin / Staff Photographer

    Miles Baldwin, an 18-year-old graduate of Harriton High School in Lower Merion, isn’t sure he wants to become a teacher. But he enjoyed working with students last summer in the Breakthrough program — “a lot of kids came in hating it, and left wanting more,” he said — and Smith’s pitch about being a mentor was compelling to him.

    “Honestly, yeah,” he said, when asked if hearing from Smith made him more interested in teaching.

    That’s part of the goal of Smith’s role as Teacher of the Year, as a dwindling pipeline has challenged recruitment efforts.

    Smith’s agenda this summer includes attending the National PTA Convention in Pittsburgh and giving a keynote speech at the Smithsonian’s National Education Summit. He also will be joining other state teachers of the year at Space Camp in Alabama and participating in professional development.

    But addressing the Breakthrough teaching fellows Wednesday “reminds me of my why,” Smith said in a brief interview. He said the fellows’ eagerness to ask questions “shows they want to be the best they can be,” and reflects qualities of good teachers: “You have to be curious, sometimes silent … often humbled,” Smith said.

    Leon Smith, a teacher at Haverford High School, was named National Teacher of the Year this spring.Jessica Griffin / Staff Photographer

    Teaching students to lead

    In a model lesson after his talk, Smith put some of those skills on display. He started by gathering the 34 fellows in a circle, asking them each to share their name and a brief story about it; the group periodically broke into laughter at humorous anecdotes.

    Smith then outlined the objectives for his lesson about assessing the credibility of sources. He passed out copies of a photo, asking fellows to silently write and then discuss in small groups whether it provided strong evidence of the Fukushima power plant explosion.

    “I always tell my students, you want to be a leader,” Smith said, encouraging fellows to stand by their analyses, even if others disagreed. He then called on people, asking them to explain their thinking while challenging some of their points.

    Leon Smith talks to fellows at Breakthrough Collaborative last week.Jessica Griffin / Staff Photographer

    Matt Greenawalt, co-dean of faculty for the Breakthrough summer program and a teacher at Germantown Friends — which supports Breakthrough — was planning to breakdown Smith’s approach for the fellows after the lesson. He noted how Smith was walking through the room, engaging with the fellows as they talked, and Smith’s ability to affirm and redirect them when an answer wasn’t on point.

    Smith’s visit came on day three of a two-week orientation for the fellows, before they would begin teaching students during Breakthrough’s six-week free summer program.

    While access to academics is key for the program’s students, many of whom come from Germantown, “a big piece of it too is having role models,” Greenawalt said.

    Smith told fellows that when the students arrived, “they’re going to just admire you so much.”

    “You’re going to be able to see the light inside of them, and sometimes it just takes someone else to notice, right? … They’ll just kind of be doing their work, and then as you get to know them, you’ll notice certain characteristics and you’ll just pour into it.”

    What really helps make a connection with kids, Smith said, is “just you being yourself.”

    “You walking in there and walking in your own life, and bringing your passion and all the reasons why you wanted to become a teacher,” he said. “Your students are going to feel that.”

  • Danny Simmons, founder of Rush Arts and passionate supporter of Black artists, has died at 72

    Danny Simmons, founder of Rush Arts and passionate supporter of Black artists, has died at 72

    Danny Simmons, founder of Rush Arts Philadelphia, an arts community that provided space and motivation for local artists to be discovered and show their work, has died at 72. The cause of death was not announced.

    Mr. Simmons was the older brother to hip-hop mogul and Def Jam Recordings cofounder Russell Simmons and Rev. Joseph “Run” Simmons, one-half of the classic rap group Run-DMC.

    Mr. Simmons’ death was announced Monday by his brother Russell on Instagram.

    “It is with a profound sense of loss that we honor and celebrate the life of Danny Simmons Jr., a beacon of love and creativity,” Russell Simmons wrote on the social media post.

    “He was not just a brother, father, uncle, grandfather, and loving husband; he was a vibrant artist, dedicated supporter of creatives and a cherished friend. Though he has transitioned from this world, his legacy of kindness, generosity, and artistic brilliance will forever shine brightly in our hearts.”

    Daniel Simmons Jr. was born on Aug. 17, 1953, in Hollis, Queens. His father, Daniel Simmons Sr., was a truant officer and Black history professor who also wrote poetry. His mother, Evelyn Simmons, was a teacher who painted as a hobby.

    Both of his parents encouraged Mr. Simmons’ art but also pushed him to work a stable job with a pension. After receiving his degree in social work from NYU, he worked at the New York Bureau of Child Support through the 1980s.

    “He was the true artist in the family,” Russell Simmons said in a subsequent social media post. “Joey and I went into music … but Danny was the one who created from the deepest place. His poetry, art, and ideas shaped how we think and gave us freedom to dream beyond limits.”

    In 2003, Simon & Schuster published Mr. Simmons’ Three Days as the Crow Flies, a novel about a drug-addict hustler named Crow Shade, who poses as an artist in New York’s drug and arts scene.

    Three Days as the Crow Flies is fictional, but by the 1990s, Mr. Simmons had kicked a 20-year heroin addiction, given up his 9-to-5, and leaned into abstract painting.

    “I quit my job, started painting, and it started taking off,” he told The Inquirer in 2016. “But I couldn’t find a whole lot of outlets for my work. There were very few galleries dedicated to emerging Black artists. I figured if I was in that position, there had to be other artists in that position.”

    Joseph “Rev. Run” Simmons (left), Danny Simmons (center), and Russell Simmons attend the 12th annual Art For Life Benefit Gala at Russell Simmons’ estate in East Hampton, N.Y., on Saturday, July 30, 2011.

    (Charles Sykes / AP Images for Rush Philanthropic)AP IMAGES FOR RUSH PHILANTHROPIC

    Mr. Simmons became an avid collector of Black art, opened two galleries in downtown Manhattan, and founded Rush Philanthropic Arts Organization, supporting Black artists around the world.

    “Danny’s impact has been global,” said Vashti DuBois, executive director of the Colored Girls Museum in Philadelphia. “His investments in and support of Black artists and Black institutions have fundamentally transformed the landscape of the Black art scene.”

    In the early 2000s, Mr. Simmons convinced his brother Russell to produce HBO’s Def Poetry Jam. The show, a spinoff of HBO’s Def Comedy Jam, ran from 2002 to 2007 and breathed new life into spoken word poetry, first popularized by the 1970s Black Arts movement.

    A prototype of Def Poetry Jam, that often showcased Philly artists Sonia Sánchez and Ursula Rucker, was filmed at the African American Museum in Philadelphia.

    Mr. Simmons won a Tony for the stage adaption in 2003.

    Danny Simmons speaking at a Mural Arts Philadelphia event to unveil the 2023 mural, “My Crazy Red Rooster.”Mural Arts

    In 2015, the African American Museum hosted his solo show, “Badass Art, Man!” a colorful collection of paintings, collages, and statues he described as “neo-African abstract expressionist.”

    Later that year, he moved to Northern Liberties, because it reminded him of parts of Brooklyn, into a place with a backyard large enough to store his immense collections.

    He purchased an old bank building in the Logan section of Philadelphia on Old York Road and made it a home for Rush Arts Philadelphia, a community center and gallery. Until last month, the center supported the work of Philadelphia artists through a series of shows, exhibitions, and receptions.

    “Mr. Simmons had a remarkable ability to bring people together through art, inspiring others to see the world through a more vibrant lens,” said Ashley Jordan, president and CEO of the African American Museum in Philadelphia. “His presence was as memorable as the masterpieces he created and championed.”

    Mr. Simmons served on the Mural Arts board from 2022-25 and was the lead artist on four mural projects in Germantown and North Philadelphia.

    His work resides in the Woodmere Art Museum and the Pennsylvania Academy of Fine Arts. In 2019, he was appointed to the Philadelphia Museum of Art’s African American Collections Committee.

    “Danny was an extraordinary artist and human being,” said Jane Golden, founder and executive director of Mural Arts. “Danny was one of a kind, and he leaves very big shoes to fill in our city and our world.”

    Apart from his brothers, Mr. Simmons is survived by his wife, Keia Simmons; son, Jamel Simmons; and other family members and friends.

    Memorial services and celebrations have not been announced by the family.

  • Phyllis Taylor, pioneering hospice nurse, celebrated prison chaplain, and renowned world peace activist, has died at 84

    Phyllis Taylor, pioneering hospice nurse, celebrated prison chaplain, and renowned world peace activist, has died at 84

    As a young nurse in Philadelphia, Phyllis Taylor met dying people desperate for hospice care. So she did it.

    She met people in prison desperate for a healthcare advocate and an empathetic chaplain. So she did that, too.

    In 1963, she met Sarah Baker and her family as they struggled to live as the first Black family in Folcroft, Delaware County. The Bakers were desperate for fearless allies to help fend off months of racism and violence. She also did that.

    For nearly her whole life, Phyllis Taylor championed peace, justice, and human rights, and helped people who were desperate. She got arrested for civil disobedience, cofounded and directed several nonprofit social service programs, and, with her husband, Richard, helped establish Witness for Peace in Nicaragua, and the Movement for a New Society in Philadelphia.

    She fed the hungry at St. Vincent de Paul Church, befriended immigrants and refugees with the New Sanctuary Movement, and comforted children and families at St. Christopher’s Hospital for Children. “Her entire life was about giving,” her son Dan said. “She refused to be someone who watched injustice and did nothing.”

    On Thursday, June 4, Phyllis Taylor died of endometrial cancer at KeystoneCare Hospice in Wyndmoor. She was 84.

    The Daily News published this story about Mrs. Taylor in 1973.Newspapers.com

    “I really love what I do,” Mrs. Taylor told the Pennsylvania Prison Society in 2025. “I get the satisfaction of being able to journey with somebody, to let them know that they are not abandoned and alone.”

    Born in Brooklyn, N.Y., Mrs. Taylor earned a bachelor’s degree at what is now Arcadia University in 1963. After nursing school, she became a volunteer nurse and then a consultant for the University of Pennsylvania health services at Holmesburg Prison and elsewhere.

    She became senior counselor of hospice service for the new Death and Dying Program at Albert Einstein Medical Center’s Northern Division in 1978, and taught classes about death and grief, counseled parents whose babies had died, and comforted patients with terminal illnesses.

    Mrs. Taylor graduated from what was then known as Beaver College in 1963. It is Arcadia University now. Courtesy of the family

    She was featured in a 1980 story in the Sunday Inquirer called “The Gift of a Good Death” and said that her own health scares motivated her to embrace nursing. The horrors of the Holocaust, she said, compelled her to human rights activism, and the deaths of a friend, her brother, and her father moved her to hospice work.

    “It makes me happy to give someone the gift of a good death,” she told The Inquirer.

    Mrs. Taylor was also an enterostomal therapy nurse, head of the AIDS committee at the Philadelphia College of Osteopathic Medicine medical center, and director of education at the old Hospice of Delaware Valley. She wrote research articles for journals and letters to the editor, appeared on local TV and radio shows, and lectured often at conferences and seminars about death, grief, and medical and financial ethics. She never retired.

    Mrs. Taylor and her husband, Richard, traveled the world together fighting for peace, justice, and human rights. Courtesy of the family

    She went on Freedom Rides to integrate buses in the South and moved in temporarily with the Bakers as they sought to integrate Folcroft in the 1960s. In the 1970s, she demonstrated against the Vietnam War and America’s involvement in Iran and elsewhere.

    In the 1980s, she taught civil disobedience classes and protested violence at the border between Nicaragua and Honduras. In the 1990s and beyond, she volunteered to protect Muslims and Arabs from reprisals after the Sept. 11 attacks, traveled the world to decry pollution and unfair housing practices, and volunteered with Amnesty International and Planned Parenthood.

    She earned credentials as a chaplain and volunteered for decades with the Pennsylvania Prison Society to counsel and advocate for crime victims and prisoner rights. She was featured in the 2016 documentary Blockade, named the Prison Society’s Volunteer of the Year in 2022, and honored at Arcadia’s 2025 Women Who Lead Forum.

    As a chaplain, Mrs. Taylor officiated at weddings and funerals, and advocated for prison reform.Courtesy of the family

    “She felt a deep unwavering need to dedicate all her waking time to marginalized populations,” her son said. “Someone called her a merging of Ruth Bader Ginsburg and Mother Teresa.”

    Phyllis Claire Brody was born Aug. 10, 1941. She grew up Jewish in Lawrence, N.Y., and joined a Quaker meeting after she moved to Philadelphia.

    She met fellow peace activist Richard Taylor at a civil rights event in 1962, and they married in 1963 and lived in Germantown, Mount Airy, and West Philadelphia. They reared their son, Dan, and daughter, Deborah, and welcomed Blessing Mtshali and other children and families into their home for extended stays. Her husband died in 2024.

    Mrs. Taylor and her husband liked to hike and canoe. She lived with lupus and mailed handmade birthday cards to family and friends year after year.

    “What a life well lived,” her son said.

    In addition to her children, Mrs. Taylor is survived by her sisters, Margaret Noonan and Audrey Randolph, many grandchildren and great-grandchildren, and other relatives. A brother died earlier.

    Mrs. Taylor stands with her son Dan in 2017.Handout

    A celebration of her life is to be held at 2 p.m. Sunday, Sept. 20, at Germantown Monthly Meeting, 47 W. Coulter St., Philadelphia, Pa. 19144.

    Donations in her name may be made to the New Sanctuary Movement of Philadelphia, Box 46242, Philadelphia, Pa. 19160; and Face to Face, 123 E. Price St., Philadelphia, Pa. 19144.

    Mrs. Taylor was featured in The Inquirer in 1999.Newspapers.com
  • The only revived Iron Hill Brewery in the Philly suburbs is set to reopen next week

    The only revived Iron Hill Brewery in the Philly suburbs is set to reopen next week

    Another Iron Hill Brewery is set to reopen next week.

    The Huntingdon Valley restaurant will be back in business Monday, June 22, according to the restaurant’s new ownership group. It will mark Iron Hill’s fourth post-bankruptcy revival and the only one in the Philadelphia suburbs.

    The Center City brewpub reopened in April, followed by the Wilmington riverfront location in May and the Hershey restaurant earlier this month. The Lancaster outpost is also set to reopen by the end of June.

    Elsewhere, other former Iron Hills are being transformed into new restaurants. And in a few spots, property owners are still looking for their next tenant.

    The brewery chain, which was founded in Newark, Del., in 1996, had leased some of these properties for decades.

    Some longtime customers were shocked when Iron Hill’s former ownership group closed all locations in September and filed for liquidation bankruptcy, citing $20 million in debt. The abrupt shutdown left more than a dozen vacant brewpubs across Pennsylvania, New Jersey, and Delaware.

    In the bankruptcy process, a new ownership group — later revealed to include original cofounder Mark Edelson and other former executives — acquired Iron Hill’s trademark and intellectual property, as well as five restaurant leases.

    Amid the reopenings, the new owners have launched a fresh loyalty program and special offers, including a free beer and free appetizer for customers with prebankruptcy gift cards that are no longer usable.

    While Iron Hill had a suburban-Philly focus before bankruptcy, the Huntingdon Valley Shopping Center location is the only one set to be resurrected in the collar counties or South Jersey.

    Bartenders there will be pouring a new IPA, Hop Chase, brewed exclusively for Huntingdon Valley, according to the new owners. They said patrons can sit inside or outside at the restaurant’s beer garden, which was the chain’s first when it opened in 2016.

    “We’re creating a true neighborhood place for the guests we call family, somewhere the community can come together over laughter, great food and award-winning beer,” Naomi Yared, general manager of the Huntingdon Valley Iron Hill, said in a statement.

    What’s happening at your neighborhood Iron Hill?

    The former Iron Hill Brewery in Chestnut Hill sat empty in November. Property owners are still marketing the space for lease.Jose F. Moreno / Staff Photographer

    Here’s what we know about these local Iron Hill Breweries as of publication time June 15:

    Philadelphia

    Pennsylvania suburbs

    The lounge area is pictured last month at Ogyu Japanese BBQ at the former Iron Hill Brewery in Ardmore.Michael Klein / Staff
    A pedestrian walked by the closed Iron Hill Brewery in West Chester in October. Magerk’s Pub & Grill is now taking over the space.David Maialetti / Staff Photographer

    Elsewhere in Pennsylvania

    • Hershey (101 W. Chocolate Ave.): Reopened as Iron Hill Brewery under new ownership
    • Lancaster (781 Harrisburg Pike): Reopening as Iron Hill Brewery under new ownership
    • Lehigh Valley Mall (950 Lehigh Lifestyle Center, Whitehall): No update from property owner

    New Jersey

    The closed Iron Hill Brewery in Maple Shade is pictured in September.Tom Gralish / Staff Photographer
    • Maple Shade (24 E. Kings Hwy.): No update from property owner
    • Voorhees (13107 Town Center Blvd.): No update from property owner

    Delaware

  • Homeowners turn their properties into art through a Philly tradition: The mural

    Homeowners turn their properties into art through a Philly tradition: The mural

    After first-time homebuyer Brendan McCreath settled into his Bella Vista rowhouse last spring, his first priority was contacting Mural Arts Philadelphia.

    During the closing process, he had learned that the previous owner had agreed to let an artist paint a mural on the house, but withdrew her support. McCreath wanted to revive the plan.

    “I love that Philly is just loaded with murals,” he said. “It’s beautiful.”

    In a city internationally known for murals, roughly 1,000 are on private homes through partnerships with Mural Arts. Homeowners don’t have to go through the organization to put a mural on their house. But if they do, Mural Arts covers the costs of preparing the wall, installing the piece, and maintaining the mural.

    “We appreciate homeowners so much who really hold art in esteem and are thinking not just about their house but about the communal effect the art will have on the city,” said Jane Golden, founder and executive director of Mural Arts. “Murals become part of our collective identity.”

    Homeowner Brendan McCreath captured photos of artist Michelle Angela Ortiz’s mural as it was installed last year.Brendan McCreath

    Artists plan murals in collaboration with homeowners and neighbors. Some paint directly onto walls, but most now paint on large sections of cloth and piece them together later on surfaces, Golden said.

    She estimates the wait list for artwork through Mural Arts is close to a thousand strong. In Philadelphia, “people 100% absolutely love public art,” she said.

    The city gets about a hundred new works per year through Mural Arts. Pitches come from the wait list as well as artists, Mural Arts staff, city officials, and funders.

    But the city also loses murals to development and demolitions. Mural Arts tries to stay away from vulnerable sites, including those next to vacant lots.

    Lack of funding is usually what prevents Mural Arts from doing more work, Golden said. But sometimes, artists just need walls. The organization has an official “wall hunter” who scouts potential locations. The job has gotten harder, as more properties are owned by limited liability companies (LLCs), and tracking down humans who can give permission for murals is difficult.

    Bella Vista homeowner John Del Rossi gave an immediate “yes” when Mural Arts approached him.

    “I can’t imagine anybody saying, ‘No, don’t put this beautiful mural on my wall. Leave it blank and ugly,’” he said.

    The Inquirer asked six homeowners why they wanted their properties to join Philadelphia’s rich tapestry of murals.

    Brendan McCreath looks at the mural painted on the side of his rowhouse.Tyger Williams / Staff Photographer

    Labor and Love Intertwined

    Sometimes, McCreath will spot people gazing at the mural and stop to gaze with them. Then he’ll take out his keys and walk through the door behind it.

    “There’s many people who will stop dead in their tracks and take a photo of the side of my house,” he said. “It’s such an open wall out to Ninth Street. It truly feels like the perfect placement for a mural.”

    Creator Michelle Angela Ortiz makes art nationally and internationally, and turned to other projects when the mural fell through. But she was disappointed. She was born and raised on this block of League Street, and her parents still live there. Ortiz had wanted to paint a mural “at home” in her neighborhood.

    So when McCreath revived plans for the mural, she was ecstatic.

    Brendan McCreath poses for a portrait outside his home.Tyger Williams / Staff Photographer

    The work is part of the Our Market Project that Ortiz created six years ago to broaden the narrative of what has become known as the Italian Market and honor the people from different backgrounds who make the market on South Ninth Street what it is.

    “What we do in the market is not just sell things. We take care of one another,” Ortiz said. “We raise our families. We bring our culture. We bring our values and our spirit to the market.”

    In the mural, which she painted directly onto McCreath’s wall, she highlights stories of neighbors with ties to the market. The center image is of a Mexican immigrant named Gabriel who works at Tran’s Produce, owned by Vietnamese immigrants. The mural includes a poem by Alice Harrison, a longtime market worker and the daughter of Holocaust survivors, who also lives on League Street.

    Ortiz said her Our Market Project is “my love letter to my community, but also a way to pay homage and honor to my mother, who is an immigrant from Colombia and work[ed] at Giordano’s for 25 years.”

    This mural by Phillip Adams pays tribute to Baldwin Locomotive Works and the Lenape.Monica Herndon / Staff Photographer

    Industrious Light: Baldwin Locomotive Works

    If you stare at the mural of a train on North 20th Street and think you hear a faint whistle, you’re not imagining things. Homeowner Susan Freeland likes to blow a train whistle when she sees the mural getting attention.

    “Many people remark that it actually looks like the train is coming toward you, because it looks larger than life,” she said.

    Freeland and her husband owned their house for a few years before she called Mural Arts about their “ugly, empty” wall. It was visibly lumpy from when the neighboring house was torn down.

    “You would never know that to see the mural on it,” she said.

    About six months after Freeland’s call, Mural Arts called back. That led to meetings with nearby neighbors and artist Phillip Adams. The mural stalled when neighbors said they didn’t like Adams’ first idea for a still-life painting.

    His second idea, Freeland said, “really spoke more to explaining what used to be in the area right where we live.” It pays tribute to Baldwin Locomotive Works, once the world’s most successful builder of steam locomotives, and the Lenape, who once lived on the land.

    For Freeland and her husband, having the mural on the house “makes us feel very special indeed.”

    Homeowners Sara and Clark DeLeon (left) and their granddaughter Lucy Metzker (right) pose in front of their mural with artist Sammy Kovnat (center).Tom Gralish / Staff Photographer

    Pomegranates and Plate Shards

    Sara DeLeon was persistent. She kept calling to check on her 2016 application for a mural through Mural Arts. For years, she stayed on the wait list.

    “My husband and I, we just kept believing that one day, the right mural would be up on our wall, and the right artist would choose our wall,” she said.

    In 2024, Sara and her husband, Clark, finally got the call they’d been hoping for. Artist Sammy Kovnat needed a wall after another one fell through when a neighbor refused to make space for the installation process.

    “We feel very lucky that she chose us,” DeLeon said.

    Three renters in the neighboring building enthusiastically gave up their spots in the parking lot for a month so the mural could be installed.

    The DeLeons were thrilled with the design, and so were their neighbors.

    Artist Sammy Kovnat (left) talks with homeowners Sara and Clark DeLeon in front of their mural.Tom Gralish / Staff Photographer

    “It’s the block’s mural, not just ours,” DeLeon said. “It’s become just a wonderful focal point.”

    The DeLeons also discovered a surprising personal connection when they saw the artist’s plans that made the mural feel “like fate.” They had inherited a set of dishes from Clark’s mother with an almost identical design to the one on the large plate featured on the mural.

    Kovnat makes mosaics using broken dishes, and painted the plate in shards as part of her work exploring healing after trauma. The background of the mural is an homage to her grandfather, the Philadelphia-based founder of a national wallpaper hangers union.

    Whenever the DeLeons see people they don’t recognize looking at the mural, they always stop to talk and answer questions.

    Shirley Wardlaw stands in front of the mural featuring poet and recording artist Ursula Rucker on her property, which includes a poem she wrote with her husband and daughter.Jessica Griffin / Staff Photographer

    We Still Here!

    In 2019, a North Philadelphia mural of poet and recording artist Ursula Rucker was covered when a developer constructed a mixed-use building next to it. So Mural Arts invited artist Chip Thomas, aka Jetsonorama, to create another. The organization asked Shirley Wardlaw whether a mural of the Germantown native could go on her mixed-use building in Germantown.

    Wardlaw operates a nursery school out of the building, and for a few years lived in the apartment above with her husband, Eckloff, and daughter, Sanayah. When the Wardlaws bought the property, the side wall had a partly sketched-out mural that had languished since Shirley was in high school. The wall was cracking, and it “looked pretty bad,” she said.

    So Wardlaw applied to Mural Arts. And in came Jetsonorama.

    Shirley Wardlaw worked with Mural Arts to get a mural on the side of her building, where she operates a nursery school.Jessica Griffin / Staff Photographer

    “I was really attracted to his real-life art and the black and white photos,” Wardlaw said.

    The mural features an image of Rucker holding a megaphone that amplifies a poem celebrating the community. Another poem was written by the Wardlaw family. Young people in the neighborhood also contributed poetry.

    The mural “brought back life” to the area and is “a big attraction” for visitors, Wardlaw said.

    “It’s a beautiful, colorful space at the end of our block,” she said.

    Wardlaw thinks the mural helps draw families to her nursery school, and she has pitched murals to other neighborhood businesses as a way to attract customers.

    Christopher and Shannon Wink stand in front of the “Berks Shad” mural on their Fishtown home.Elizabeth Robertson / Staff Photographer

    Berks Shad

    The plain brick wall on Shannon and Christopher Wink’s Fishtown property was “screaming for a mural,” Shannon said.

    The year after they moved in, it got one.

    The Winks had known Philadelphia artist Sean Martorana for years and liked his style. So they asked him to paint the exterior wall of a structure that had been a cold storage room decades earlier. It was Martorana’s first outdoor mural.

    “We knew we wanted something Fishtown,” Shannon Wink said. “It can easily get a little over-the-top, but it’s so nice to have a neighborhood that has its own visual identity.”

    Martorana painted a giant shad surrounded by the Pennsylvania state flower, mountain laurel, in black and white, since the Winks didn’t want something too colorful. It all stands out next to the brick of their house.

    “The way that the fish is oriented, it’s facing the river, which is something that Sean and we wanted to be really intentional about,” Wink said.

    Sightseers often use their mural as a backdrop for photos. People have come in their wedding dresses.

    The Winks’ two daughters were born after the mural was painted, so they’ve never known a home without it. The girls love walking around the neighborhood and seeing other decorated walls.

    A neighbor of theirs, inspired by the Winks’ mural, got a similar one on their home, also painted by Martorana.

    Wink encourages homeowners to get in on the city’s mural tradition.

    “It’s just a really nice way to sometimes beautify, but also just create some more fun in a neighborhood,” she said.

    Mural Arts asked homeowner John Del Rossi for permission to honor William and Letitia Still, Underground Railroad leaders who once lived in the home. Jessica Griffin / Staff Photographer

    William Still and Family

    John Del Rossi bought his Bella Vista rowhouse in 2006. But he didn’t know about its historic significance until 2018, when he learned the property was nominated for designation as the William and Letitia Still House, named for the Underground Railroad leaders who once lived there.

    A few years after the house joined the Philadelphia Register of Historic Places, Mural Arts asked Del Rossi for permission for a mural to honor the Stills. He said hosting the artwork is an additional honor.

    “The mural says a lot about what the house stood for,” he said. “It’s a visible representation of what took place in the home, and the sacrifice and the courage that people had in order to make that home what it was.”

    During the design process, Del Rossi got to meet descendants of the Stills, which he called “a goose bumps type of meeting.”

    “It was pretty surreal,” he said.

    As the homeowner, he was invited to share his thoughts on the mural’s design, but he left the decisions to those who know more about art.

    “I’m not an artist. I’m in medicine,” said Del Rossi, who works in California and rents out his home.

    All mural expenses were covered, but he said he would have paid for the artwork himself if he had to in order to honor this piece of Philadelphia’s abolitionist history.

    “I’m not gonna live forever,” Del Rossi said. “But hopefully, the mural will remain, and it’ll be a representation for the neighborhood and people in future generations to be able to see and understand what took place within those walls.”

    Editor’s note: This story has been updated to correct the name of the mural, “Pomegranates and Plate Shards.”

  • Philly’s Democratic Party is likely to order a rerun of Councilmember Cindy Bass’ contested ward election

    Philly’s Democratic Party is likely to order a rerun of Councilmember Cindy Bass’ contested ward election

    Philadelphia’s Democratic City Committee is likely to take the rare step of ordering a redo of Monday’s controversial 22nd Ward leader election, in which City Councilmember Cindy Bass declared herself the victor after a closely divided voice vote, according to a person with knowledge of the party’s decision-making process.

    City committee chair Bob Brady confirmed that Octavius Price, a progressive who ran against the incumbent Bass in the Mount Airy ward, has filed a formal challenge to the election results.

    The party’s contest committee, which is made up of other ward leaders, will meet on Sunday to hear from both sides, Brady said. That committee will then make a recommendation on how to proceed that will be considered by the full body of duly elected ward leaders from across the city — excluding Bass. From political endorsements to disciplinary decisions, the ward leaders in the past have almost always followed the recommendations of the party’s committees.

    Philadelphia Democratic Party Chairman Bob Brady listens as Mayor Cherelle L. Parker speaks at a rally for 3rd Congressional District primary candidate State Sen. Sharif Street May 18, 2026.Tom Gralish / Staff Photographer

    Possible outcomes include the party declaring that either Bass or Price had won on Monday night — or ordering a rerun of the election, in which the ward’s committeepeople would have to meet for another election overseen by a neutral party.

    Given reports from Monday — including a video showing Bass adjourning the meeting after declaring victory, while ignoring cries for a roll call to clarify the vote — the city committee is all but guaranteed to order a rerun of the election, according to the source, who was not permitted to discuss the party’s plans publicly and spoke on the condition of anonymity.

    That decision would represent a notable rebuke from the city’s Democratic establishment for Bass, a centrist who has been a ward leader since 2018 and holds a leadership role in the citywide party as a vice chair.

    Bass has repeatedly clashed with progressive activists in her Northwest Philadelphia-based 8th Council District and was narrowly reelected in 2023. She is likely to face another challenge from the left in next year’s Council election, and control of the 22nd Ward could be an important factor in the race.

    Octavius Price, a fiber optic engineer and member of the Pennsylvania Air National Guard, ran for 22nd Democratic Ward leader. Sean Walsh

    Bass said she is confident she will have the votes to win another four-year term as ward leader if there is a rerun.

    “It’s not in my hands,” she said Wednesday. “It’s totally up to the Democratic City Committee, and I’ll support whatever the decision is.”

    Ward leaders and committeepeople are the foot soldiers of the Philadelphia Democratic Party. They are tasked with knocking on doors to get out the vote for party-endorsed candidates, as well as sometimes fielding constituent services requests.

    As the incumbent ward leader, Bass chaired Monday night’s election at the Germantown Seventh-day Adventist Church in Mount Airy. A video of the meeting obtained by The Inquirer showed that numerous people voted for Bass and for Price during the voice vote, and that Bass ignored requests for a vote-by-vote roll call that could have clarified who won.

    Brady said Monday that while voice votes can be used to decide ward leader elections, any requests for roll-call votes must be honored. He added that having a video of the meeting would provide “great proof” for the contest committee as it tries to sort out what happened.

    “There’s always ‘he said, she said,’” Brady said. “But if there’s a video, we gotta take a look at that.”

    Price, a fiber optic engineer, said that Democratic City Committee officials have made “no guarantees” to him that there will be a new election. But, he said, they have briefed him on how a rerun would work if the ward leaders order one.

    The election would take place at a time negotiated by Price and Bass, he said, and it would be at the city committee headquarters on Spring Garden Street, not in Mount Airy. Price said he was not informed how votes would be cast.

    “We just want a fair vote. It’s supposed to be one person, one vote,” he said Wednesday. “I hope that we do get our fair shot. I hope that we get transparency and an opportunity to get our voices heard.”

  • Councilmember Cindy Bass declared herself the winner of a Philly Democratic ward election — and may have violated party rules

    Councilmember Cindy Bass declared herself the winner of a Philly Democratic ward election — and may have violated party rules

    The meeting lasted only a few minutes.

    City Councilmember Cindy Bass on Monday night was facing a challenge in her bid to be reelected as the Democratic leader of Mount Airy’s 22nd Ward. Her opponent, Octavius Price, had the backing of a well-organized group of progressive activists, many of whom were newly elected as committeepeople in last month’s Democratic primary election.

    As the incumbent, Bass chaired the meeting to determine her own fate as ward leader, and she held a voice vote to determine whether she or Price had more support among the committeepeople assembled at the Germantown Seventh-day Adventist Church.

    A video of the meeting obtained by The Inquirer appears to show a narrowly divided room, with many people saying, “Aye,” in support of both Bass and Price. Attendees cried out for a roll call, in which the committeepeople’s votes would be counted one by one, clarifying which candidate had more support.

    But Bass immediately announced herself the winner, rejected all motions from committeepeople objecting to the vote, and quickly adjourned the meeting, the video shows.

    Bass, a centrist Democrat, narrowly won reelection to her fourth term on Council in 2023 and has clashed with left-leaning activists in her Northwest Philadelphia-based 8th District. A progressive takeover of Bass’ own ward could hinder her reelection chances in next year’s Council election.

    She is now facing accusations that she skirted the party’s procedures for ward reorganization meetings by declaring herself the victor while denying requests for a roll-call vote.

    Democratic City Committee Chair Bob Brady said Monday night that wards can use voice votes for leadership elections, especially when the results are “overwhelming,” such as when an incumbent is running unopposed. But if a committeeperson calls for a roll-call vote to ensure greater accuracy, he said, the request must be honored.

    “You can do a voice vote,“ Brady said in an interview. ”If they do a voice vote and somebody calls for a roll call, you gotta do a roll call.”

    On Monday night, Bass, who has been ward leader since 2018, maintained she had the votes to win another four-year term. But she did not respond to a request for comment on why she ignored requests for a roll call.

    “We had the votes,” she said in an interview. “No matter what I did, some of these people are not going to be happy.”

    She added: “It’s OK. That’s democracy.”

    Ward leaders and committeepeople are the frontline workers of the local party, charged with getting out the vote for Democratic candidates running for everything from Municipal Court to president.

    Fights over control of the city’s 69 Democratic ward leader positions have for years provided flash points in the long-running battles pitting the party establishment against anti-corruption reformers and, more recently, the local progressive movement.

    State Rep. Chris Rabb, a Northwest Philly Democrat whose victory in last month’s primary election for the 3rd Congressional District marked a landmark victory for progressives, on Tuesday linked Bass’ reelection bid to his broader criticisms of the Democratic City Committee.

    “If she ‘wins’ this battle, the Philly Dem Party will lose the war,” Rabb posted on X. “Either it refashions itself around equity, accountability & transparency OR it just withers away election cycle by election cycle while Dem voters statewide suffer because … as Philly goes, so goes PA.”

    Brady, who is expected to be reelected to an 11th term as party chair next week, declined to comment on the result of the 22nd Ward election, but said he expects it will be challenged. Challenges are heard by the party’s contest committee, which is made up of other ward leaders. If Price formally objects, the committee would likely hear the challenge Saturday, Brady said.

    “[Price] would have to notify us that he’s contesting the election, and then we’ll hear from both sides,” Brady said.

    The committee, he said, could declare a winner if members determine the results are clear, or call for a rerun of the election.

    Price, a fiber optic engineer, called Bass’ handling of the election “unjust” and said he plans to file a challenge.

    “I initially ran to be a committeeperson because I believe in democracy and I believe in transparency and fairness,” Price said in a statement following the vote. “This was an example of moral decay and emboldened cruelty and corruption that has made so many people disillusioned with participating in politics.”

    A “vote here” sign outside the polls at Marconi Plaza in South Philadelphia, Pa., on Tuesday., May 19, 2026.Tyger Williams / Staff Photographer

    Another point of contention on Monday was the number of people in the room, which could become a key factor in a contest committee review of the election results because it changes the number of votes needed for a majority.

    Price, whose supporters whipped votes ahead of the meeting, said that by his count at least 26 committeepeople were planning to vote against Bass and for a candidate who, like him, supports “open wards,” which allow committeepeople to vote on political endorsements rather than letting the ward leader decide unilaterally for the entire jurisdiction.

    Price said his supporters counted 48 committeepeople present on Monday evening, meaning he should have had the votes sufficient for a victory.

    But a sign-in sheet at the meeting told a different story.

    The sheet, a photo of which was obtained by The Inquirer, listed 55 committeepeople and appeared to include a tally of their allegiances before the election was even held. Price said ward organizers who appeared to be working with Bass circulated the sheet at the beginning of the meeting. The paper showed 29 for Bass and 26 for “other.”

    “Her sheet has a total of 55 people who voted, but we know for a fact that’s not the case,” he said.

    Former Councilmember Derek S. Green, a 22nd Ward committeeperson who ran against Bass for ward leader in 2018, flirted with running for the post again this year. But he did not end up throwing his hat in the ring, resulting in a one-on-one showdown between Bass and Price.

    Green, who was present Monday night, declined to comment on the election results.

    After Price was nominated during the meeting, Bass launched into the voice vote.

    “All in favor of Octavius Price, signify by saying, ‘Aye,” Bass said. “All in favor of Cindy Bass, signify by saying, ‘Aye.’”

    In the video recording of the meeting, many people can be heard supporting each of the candidates. Even before Bass announced the winner, a participant can be heard saying, “roll call.”

    Bass then said, “In the call of the chair, the ayes have it for Cindy Bass.” The room immediately erupted with objections.

    “No, no, no — you’ve got to have a roll call,” one person said. Others shouted: “Roll call!”

    “There will be no motions accepted on the floor,” Bass said over the commotion. “We’re going to have to adjourn the meeting. There is no point of order. So the motion has been made — that concludes — there is no additional business for the ward tonight. Thank you for coming.”

    The tensions did not end there.

    After the election, participants in the meeting clashed outside the church as a man and a woman holding the sign-in sheet refused to let other committeepeople record their attendance on the form, a separate video reviewed by The Inquirer shows.

    “Y’all got to get back. Better get back,” the man told a crowd pleading to sign the forms. “Shut up!”

    As the man walked away, one person can be heard turning to Green, who was caught in the middle of the fracas.

    “Derek, we just wanted to get our sign-in [on] the sheet. He took it from us,” the man said.

    “I know. That’s why I came,” Green responded. “It’s not right. It’s not right.”

  • He called himself ‘the Beast,’ and he killed six people in six months. A jury has convicted him of all crimes.

    He called himself ‘the Beast,’ and he killed six people in six months. A jury has convicted him of all crimes.

    He called himself “the Beast,” and he killed six people in six months.

    Several of his victims were retail store workers who gave up cash or goods during robberies, and he decided to shoot them anyway. One of the victims was his mother — he shot her at her office because he wanted the payout from her life insurance policy.

    On Tuesday, Keith Gibson, 44, was delivered a measure of accountability for his killing spree — one of the worst in recent city history — when a jury convicted him of four counts of first-degree murder and related crimes for the killings he committed in the city in 2021.

    He was immediately ordered to serve four consecutive life sentences in prison. That’s on top of the seven life sentences he had already been handed for two murders and a string of robberies he committed in Delaware.

    The case attracted attention when the crimes happened five years ago, in part because some of Gibson’s targets were compliant and effectively defenseless when he shot them. In one murder, at a Dunkin’ store in Fairhill, surveillance video showed an employee speaking with Gibson for several minutes and handing him cash before he shot her in the head and left her for dead.

    Surveillance video showed Keith Gibson inside the Dunkin’ before he shot and killed Christine Lugo in June 2021. Courtesy of Philadelphia police

    Assistant District Attorneys Jeffrey Hojnowski and Katie Wood called Gibson’s crimes despicable.

    “These were regular, ordinary people, fellow Philadelphians going about their business, trying to work, and they were gunned down callously, needlessly,” Hojnowski said. “This was never about the money. This is about control. This is about dominance.”

    The case also stood out because of questions about why Gibson had been free to kill in the first place. In April 2021, he was jailed in Delaware for a probation violation, and a probation officer told a judge that police considered Gibson a suspect in his mother’s killing. But the judge ordered Gibson released, and in the weeks after, he went on to kill three more people.

    The weeklong trial that led to his conviction in Philadelphia relied heavily on surveillance video and ballistics evidence. Testing showed that Gibson had used the same revolver in every crime, and officers in Wilmington found the gun as they arrested him for robbing a Rite Aid store.

    A former friend, Amanda Masteller, took the stand and testified that Gibson, who she said referred to himself as “the Beast,” carried that revolver everywhere — including into her house and around her children when she let him stay in a spare room from time to time.

    She wanted to tell him to stop coming over, she said, but the gun and his aggressive demeanor left her afraid of what might happen if she did so.

    “I was petrified of this man,” she said.

    Gibson’s crimes

    Gibson’s killing spree began Jan. 28, 2021, at Al-Madinah Traders store in Germantown. There, he rummaged through the shop and stole several watches. He forced employees Roy Caban and Eric Flores into a back room, where he shot Flores in the head and Caban in the back as he tried to flee.

    The following week, Gibson set out after his own mother.

    Christine Gibson, 54, was shot and killed by her son, Keith Gibson, in February 2021. She worked as the director of a mental health program at a community center in East Falls.Courtesy of David Thornton

    Christine Gibson, 54, told family members she was afraid of her son and wanted him to move out of her North Philadelphia home. And, prosecutors said, she had made plans to remove him as the beneficiary of her life insurance policy.

    On the morning of Feb. 8, Keith Gibson accompanied her to the United Peers Community Center in East Falls, where she worked as the director of a mental health counseling program. Once inside, he took her to a small office room in the rear of the building and shot her in the back of the head. Her body was found two days later.

    Soon after, probation officials in Delaware sought to have Gibson held in jail, filing paperwork saying he was a suspect in his mother’s killing and that violated the terms of his probation from a 2010 manslaughter conviction.

    But Superior Court Judge Vivian L. Medinilla declined to extend Gibson’s time in custody. He was released in late April.

    A few weeks later, in late May, Gibson robbed an AT&T store in Elsmere, Del., of cash and phones, and shot and killed the store attendant before stealing her car.

    And in early June, his crimes continued in Philadelphia.

    Surveillance video played at trial showed Gibson wandering the city on foot before dawn on June 5. After leaving his house on the 2700 block of North Croskey Street at 4:25 a.m., evidence showed, Gibson walked about a mile and a half to the Dunkin’ at Fifth Street and Lehigh Avenue.

    Christine Lugo was unlocking the store to start her shift when Gibson walked over to her with his gun and shoved her inside.

    Christine Lugo was killed during a robbery at the Dunkin at 532 W Lehigh Ave. on June 5, 2021.

    Cameras from inside the store captured the lengthy encounter. Lugo did not appear to panic, and was not aggressive toward Gibson. Instead, she could be seen shrugging at times and showing Gibson her wallet, as if to suggest she didn’t have anything for him to take.

    Eventually, she sat down on a chair in a closet-size office and gave Gibson about $300 from the cash register trays.

    Gibson then glanced at his watch, shot Lugo in the head, and walked out.

    Later that day, he went to Wilmington, where he shot and killed Ronald Wright, 42, during a robbery.

    His string of crimes began to unravel there three days later, when he robbed a Wilmington Rite Aid and stole a bag of cash — with a tracking device inside. Police quickly arrested him with a revolver behind a rowhouse. Ballistics tests later showed the same gun had been used at Al-Madinah Traders and in the killings of Gibson and Lugo.

    Tips from the public identifying him in surveillance footage then bolstered the investigation. After Lugo was killed, police released some footage from the incident to try to identify a suspect. Masteller — his former friend from Delaware — said she saw it and called to tell police the man in the video was Gibson.

    Gibson’s attorneys, Jonathan Strange and Brian Johnson of the Defender Association, said homicide detectives rushed to tie Gibson to other crimes as a means of closing old, unsolved cases. They failed to collect or test certain evidence, Johnson said, including surveillance video and DNA in some of the cases.

    “The police had to take the easy way out,” he said.

    Following his convictions, Gibson, in a lengthy ramble, said he was not happy with his legal representation and intended to appeal his convictions. He was not guilty, he said. And he only briefly addressed his victims’ families, saying: “I’m extremely sorry for your loss.”

    It brought no comfort to the loved ones of his victims who had filled the courtroom throughout the trial.

    Lugo’s children, Frances Rodriguez and Christian Lugo, said the disturbing video of their mother’s death will remain etched in their memories. Still, as prosecutors played it several times, they stayed to watch.

    Left to right: Frances Rodriguez, Christine Lugo, Christian Lugo, and another family member celebrate Christmas.Courtesy of Frances

    “I didn’t want my mom to be alone,” said Rodriguez, 27. “She already had to experience it alone already.”

    Lugo, originally from Massachusetts, had a vibrant laugh and believed fiercely in giving people second chances, they said. She had two children and three grandchildren.

    Also in the courtroom Tuesday were members of Gibson’s family, who had spent years praying he would be held accountable for killing his mother.

    David Thornton, 68, said his nephew stole the golden years of his sister’s life.

    Christine Gibson overcame years of addiction, he said, and went on to earn a master’s in sociology from Widener, bought a house in Philly, and was working a job she loved. She was strong, outgoing, and full of joy.

    She had told Thornton she was afraid of her son, he said, but did not want to call the police.

    “She’d say, ‘That’s my son,’” Thornton said. “That was her only child.”

    They never imagined it would come to this.

    “Some things,” he said, “are not meant to be understood.”