Category: Entertainment

  • WHYY’s ‘Fresh Air’ host Terry Gross is at the center of catfish-style scams targeting stars and media personalities

    WHYY’s ‘Fresh Air’ host Terry Gross is at the center of catfish-style scams targeting stars and media personalities

    Comedy writer Bruce Vilanch was enamored.

    He had received an email from WHYY’s Terry Gross, herself, asking to be interviewed on NPR’s Fresh Air.

    “It was so articulate and so like her,” the writer told the Hollywood Reporter. She laid out talking points and a run of show, according to Vilanch. “It felt real.”

    But when Vilanch jumped on their scheduled video call, Gross was nowhere to be found. It finally dawned on Vilanch: He had been scammed. And he was not alone.

    A recent string of scams and catfish-style attempts targeting stars and other media personalities are using Philly’s own Gross as the bait. Vilanch says he was the latest victim.

    “If somebody claiming to be Terry Gross contacts you for an interview, it is a scam,” the comedian said in a Facebook post last week. He encouraged other potential victims to contact NPR and WHYY.

    Online forums reveal a number of recent catfishing attempts involving someone purporting to be Gross.

    “These impersonation scams are increasingly common,” said Siwei Lyu, digital media forensics expert and director of the Institute for Artificial Intelligence and Data Science. “Authors are a particularly attractive target because an unexpected invitation from a prominent host or podcast can seem both flattering and plausible.”

    It is unclear if one person is behind all of the Fresh Air-centered fraud or if multiple impostors are responsible. Lyu says scam scripts and techniques are easily shared, adapted, and copied, “so the same premise can be used by many unrelated actors.”

    On a Facebook group for authors, a writer posted in July about being approached by Fresh Air and asked to donate money. Months earlier, psychologist Steven Pinker, author of The Better Angels of Our Nature, said he was similarly approached by “Terry Gross” via a fake Gmail account as part of a scam targeting authors.

    In Vilanch’s case, he said “Gross” asked him for money to support NPR’s nonprofit public radio efforts amid government cuts. He told the Hollywood Reporter that he thought the request was odd, but that enough credibility within the email chain had been established. So he went for it.

    From there, the scammers prepped him for Fresh Air, sending interview questions and scheduling their virtual interview. When the big day arrived, Vilanch was greeted by two video boxes: a screen that read “NPR,” and one with a man who identified himself as “Mike,” the new interviewer. When Vilanch eventually bailed, he sent a final message, according to the Hollywood Reporter: “Whoever you are, I hope you enjoy the paltry sum that I sent.”

    Then he reached out to NPR and WHYY. WHYY confirmed it was aware of the scams and investigating.

    “WHYY, NPR and Fresh Air with Terry Gross & Tonya Mosley are aware of fraudulent emails in which individuals have impersonated Terry and members of the Fresh Air team attempting to deceive potential guests,” the news organization said in a statement. “As the article in The Hollywood Reporter mentions, other programs and podcasts have also been the subject of these scams.”

    The Fresh Air situation is one of several podcast/radio scams targeting Hollywood. According to the Hollywood Reporter, Broadway actor Seth Rudetsky was targeted by a scammer posing as Nikki Glaser who solicited a podcast interview in exchange for a fee. Later, Rudetsky also received an invitation from someone supposedly working on Amy Poehler’s podcast, Good Hang.

    In addition to money, some of the scams also target the victim’s social media accounts or login credentials.

    Sportswriter Jemele Hill said someone once lied and claimed to be booking her for a new Facebook show hosted by Rob Dyrdek of Ridiculousness. She handed over her Facebook credentials. It took weeks to get them back, she wrote in an X post. “It’s a very sophisticated operation.”

    In April, figure skater and personality Adam Rippon told a story on his podcast about being similarly catfished by someone purporting to be on Katie Couric’s podcast via Facebook Live. The follow-through scammed him out of his own Facebook credentials.

    “I know I made a grave error,” he said. His Facebook account was ultimately suspended.

    A spokesperson for WHYY added that Fresh Air cohost Tonya Mosley has been the named catfish in similar scams, imploring would-be guests to send money in exchange for a radio slot. As a nonprofit organization, WHYY says, it never requests payment for interviews, nor does it pay guests to be interviewed on any of its programs.

    “Any communication asking a prospective guest to pay a fee — or offering payment for an interview while claiming to represent WHYY or Fresh Air — should be treated as suspicious,” the statement said.

    It is unclear if any of the scams are connected. What they all have in common, though, is their apparent leverage of a celebrity figure along with heavy use of AI to capture the alleged host’s voice and flatter victims with deep-cut knowledge about their work. Lyu said generative AI’s rise in popularity and usage makes hoaxes like this even easier, allowing scammers to quickly personalize messages and operate at a greater scale.

    “The technology is new, but the underlying strategy is classic social engineering,” Lyu said. “Establish trust through a recognizable identity, then use that trust to obtain money or account credentials.”

    WHYY said it is concerned about its own brand and credibility being used in this case.

    “We take the misuse of our journalists’ and programs’ names seriously and are concerned that scammers are exploiting the trust audiences and guests place in Fresh Air,” WHYY said. “We are working with law enforcement to address the situation.”

  • Welcome America Inc.’s new interim CEO is local PR executive Nicole Cashman

    Welcome America Inc.’s new interim CEO is local PR executive Nicole Cashman

    Welcome America Inc., the nonprofit behind Philly’s Wawa Welcome America festival, has named Philly public relations executive Nicole Cashman as its interim CEO.

    The founder and CEO of communications firm Cashman & Associates, Cashman will follow Michael DelBene, who served as CEO since 2019 and grew the July Fourth festival and other large-scale events to new heights and a wider audience. DelBene left the organization earlier this year.

    Cashman & Associates has worked with Welcome America Inc. for 25 years as its marketing and communications arm. This long-standing relationship and intimate knowledge of the organization led to the decision to name Cashman as the new CEO, officials said.

    “Nicole has spent her career helping tell Philadelphia’s story and bringing people together around the experiences that make our city extraordinary,” said Mayor Cherelle L. Parker, who chairs the Welcome America board of directors. “Nicole understands the important role Welcome America plays in our city, creating moments that bring together our communities, welcome visitors, and showcase Philadelphia on a national and international stage.”

    Fireworks over the Philadelphia Museum of Art and the statue of George Washington at Eakins Oval during the Wawa Welcome America Festival on July 4, 2023 following a free concert featuring Demi Lovato and Ludacris on the Benjamin Franklin Parkway.Charles Fox / Staff Photographer

    Cashman founded her agency in 2001 and has accumulated a portfolio of some of the city’s high-profile agencies and events, including Comcast, Adventure Aquarium, and Philabundance. She has also served in leadership roles at Atlantic City Alliance and Visit Philadelphia.

    The PR exec will join Welcome America as it transitions between CEOs and prepares for the coming year’s slate of celebrated civic events and cultural experiences. Welcome America is a public-private partnership that receives city and state funding as well as corporate sponsorships. Parker and City Councilmember Mark Squilla are board members.

    “I have had the privilege of working alongside Welcome America for 25 years and have seen firsthand the extraordinary impact this organization has on Philadelphia and the region,” Cashman said. “… Welcome America means a great deal to me, and I’m excited to help guide it through this next chapter as we reimagine the organization for 2027 and beyond.”

    Welcome America will look for a permanent CEO, Cashman said, as she will not fill the position long term, just during the period between DelBene and the nonprofit’s next executive leader.

    “Michael set the bar high. He was great to work with and I have enormous respect for what he accomplished — I want to build on that success,” Cashman said.

    She will enter the role on the heels of the city’s decision this year to take over Philly’s Fourth of July concert and fireworks from Welcome America for the first time since 1993. The Parker administration ended up paying around $12 million more for its July Fourth concert than Welcome America’s $3 million budget of years past. Parker’s “One Philly: Unity Concert for America,” a reference to her “One Philly: A United City” slogan, was slated to go much later into the night than previous years — a move some residents criticized as “not a family-friendly decision.”

    Despite storm delays pushing the celebration into the early hours of July 5, ending around 2:50 a.m., the crowds that stayed experienced Will Smith, the Roots, Meek Mill, and an extravagant fireworks display.

    Cashman could not say who would run 2027’s Fourth of July concert but did say Welcome America would surely be a part of the 16-day festival thrown each year.

    Besides the Fourth of July festival, Welcome America also oversees the city’s official holiday tree in Dilworth Plaza. The 55-foot concolor firs, planted decades ago and brought into Philly each December, serve as a meeting place for holiday shopping and traditions, amid the Christmas Village and other attractions scattered around City Hall.

    This holiday celebration is what Cashman and Welcome America are moving full steam ahead on, with planning already underway, she said.

    “We know how important this level of programming around the holidays is to the city, our partners, the public, and visitors,” Cashman said. “So I’m really focusing on finalizing those plans, and that is our primary focus for the remainder of 2026.”

  • Rush, Diana Ross, Keith Urban, and all the best music in Philly this week

    Rush, Diana Ross, Keith Urban, and all the best music in Philly this week

    This week in Philly music features a Motown legend, a reunited prog-rock arena band, a country star turned yacht rock enthusiast, two terrific power-pop triple bills, and a two-night residency with one of the most acclaimed of contemporary jazz artists.

    Thursday Aug. 20

    Mon Laferte & Silvana Estrada

    One of the coolest double bills of the summer, if not the entire year. Chilean Mexican singer and songwriter Mon Laferte mixes pop and alternative rock with cumbia, bolero, ranchera, and electronic music. And she does it with a dramatic flair that feels wholly her own. She’s also a visual artist and starred as Sally Bowles in Cabaret in Mexico City last year. Opening for Laferte on her “Femme Fatale” tour is Silvana Estrada whose Vendrán Suaves Lluvias is a luminous mixture of folk, jazz, and traditional Mexican musical forms. 8 p.m. Met Philly, 858 N. Broad St., themetphilly.com

    Marion Meadows

    Smooth soprano sax player Marion Meadows’ story dates to the late 1980s, when Star Trek TV composer Jay Chattaway heard Meadows playing in Grand Central Station while the two were waiting for the same train. Chattaway introduced Meadows to pianist composer Bob James, who then helped Meadows kick off his career. His latest album is Just Doing Me, on New Jersey’s Shanachie label. He’s playing a John Coltrane tribute show with Gerald Veaskley as part of the Jazz Under the Stars series. 8 p.m., Presser Foundation Stage, the TD Pavilion at the Highmark Mann, 5201 Parkside Ave., highmarkmann.org

    Silvana Estrada opens for Mon Laferte at the Met Philly on Thursday.Jesus Soto Fuentes

    Friday Aug. 21

    Gregory Alan Isakov

    Horticulturalist-slash-musician: That’s a label you don’t hear too often. Gregory Alan Isakov, who plays guitar and owns a small farm in Colorado, makes simple, quiet, ruminative music that has earned him a growing audience. He’s been playing with big bands and orchestras lately, and this show is with the Philly Pops. 8 p.m., Highmark Mann, 5201 Parkside Ave., highmarkmann.org

    Kiwi Jr.

    Canadian quartet Kiwi Jr. makes super-catchy guitar-pop music and its streak of excellence continues on its fourth album, Blowin’ Up, whose title may or may not be a predictor of an upcoming explosion in popularity. Who knows? But no matter what happens, you can say you saw the band early in its nascent stardom if you check out either of its two Friday shows. First, singer-guitarist Jeremy Gaudet and crew are playing Free at Noon. Then they’re headlining a triple bill in Fishtown that night with Philly’s own like-minded bands, 2nd Grade and Log Flume, opening. Noon, World Stage, 3025 Walnut St., xpn.org and 8 p.m., Johnny Brenda’s, 1201 N. Frankford Ave., johnnybrendas.com

    Masego

    Jamaican-born multi-instrumentalist Masego — born Micah Davis — calls his R&B-based genre-fluid sound “traphouse jazz.” His newest, Fix Your Face, has a seductive, insinuating groove seasoned with his saxophone playing and assisted by guests that include Leon Thomas, Keyshia Cole, Buju Banton, and Philly neo-soul singer Musiq Soulchild. Lekan opens. 8 p.m., Met Philly, 858 N. Broad St., themetphilly.com

    Diana Ross attends the Metropolitan Museum of Art’s Costume Institute benefit gala celebrating the opening of the “Superfine: Tailoring Black Style” exhibition, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP, File)Evan Agostini

    Friday Aug. 21 and Saturday Aug. 22

    Diana Ross

    Indomitable Motown queen Diana Ross is out on her “Diana in Motion” tour. She has plenty of hits to choose from, going back to the Supremes’ “Where Did Our Love Go” and “Someday We’ll Be Together” to solo songs like “Ain’t No Mountain High Enough,” “Love Hangover,” and “I’m Coming Out,” which has become her signature song as well as an anthem of gay pride. 8 p.m. Friday, Ocean Resort, 500 Boardwalk, Atlantic City, theoceanac.com and 8 p.m. Saturday, Wind Creek Event Center, 77 Wind Creek Blvd., Bethlehem, Pa., windcreekeventcenter.com

    Keith Urban performs at Team MCA at the Ryman during Country Radio Seminar in Nashville, Tenn., on March 19, 2026. He plays two nights in Atlantic City this weekend. (Photo by Amy Harris/Invision/AP, File)Amy Harris

    Keith Urban

    Keith Urban has gone yacht rock. The Australian country star’s new album, Flow State, includes 10 covers and one original: “We Go Back,” which features yacht rock godhead Michael McDonald and was cowritten by South Jersey-raised country artist Breland. Other guests include Little Big Town and John Mayer, and the song selection covers the soft-rock bases, from Walter Egan’s “Magnet and Steel” to Seals & Crofts “Summer Breeze” and Grover Washington Jr. and Bill Withers’ “Just the Two of Us.” 8 p.m., Etess Arena at Hard Rock Live, 1000 Boardwalk, casino.hardrock.com/atlantic-city

    Rush performing at the LA Forum in California in June. The band plays Xfinity Mobile Arena on their Fifty Something Tour on Friday and Sunday.Richard Sibbald

    Friday Aug. 21 and Sunday Aug. 23

    Rush

    Cynicism about Canadian prog-rockers Rush touring again, for the first time in 11 years and for the first time ever without virtuosic drummer Neil Peart, who died in 2020, has evaporated. That’s because Rush’s famously predominantly male audience, who so admired Peart’s technical proficiency, have found itself in awe of Anika Nilles, the woman who now sits on the Rush drum throne and has earned universal praise from fans. Nilles and bandmates Geddy Lee and Alex Lifeson play two South Philly shows on their “Fifty Something Tour.” 8 p.m., Xfinity Mobile Arena, 3601 S. Broad St., xfinitymobilearena.com

    Saturday Aug. 22

    Chance the Rapper

    A decade ago, Chance the Rapper was riding high, having followed up his 2013 breakthrough Acid Tap with the widely praised mixtape Coloring Book. That collection, which included collaborations with Saba, Lil Wayne, and 2Chainz, is the focus of a 10th anniversary tour. 8 p.m., Fillmore Philly, 29 E. Allen St., thefillmorephilly.com

    Chime School / Hurry / Te Vista

    A terrific triple bill of melodic power pop bands, headlined by San Francisco’s Chime School. It’s joined by Philly’s Hurry, which just got back from a tour of the UK in support of its excellent, new Zoned Out. Plus, South Jersey’s Te Vista is definitely a band to watch. What’s more: The show is at a South Philly typewriter shop! 8 p.m., Philly Typewriter, 1735 Passyunk Ave., r5productions.com

    Monday Aug. 24

    Will Calhoun

    Drummer Will Calhoun is a two-time Grammy winner and member of Living Colour. That’s him you hear pounding the skins when the Phillies’ Kyle Schwarber walks up to the plate to “The Cult of Personality.” Calhoun will lead an all-star band in this free show that celebrates the 100th anniversary birthday year of jazz giant Miles Davis, along the Delaware River. Free. 8 p.m., Roland Traynor River Stage at Wiggins Park, 2 Riverside Drive, Camden, camdencounty.org

    Esperanza Spalding plays shows at City Winery Philadelphia on Tuesday and Wednesday, Aug. 25 and 26.Pedro Napolinario

    Tuesday Aug. 25 and Wednesday Aug. 26

    Esperanza Spalding

    One of my favorite Grammy-watching moments of all time was back in 2011 when Esperanza Spalding was named best new artist, and Justin Bieber fans, who had no idea who the jazz bassist and composer was, lost their minds in outrage. (Amazingly, she also beat out Drake, Florence + the Machine, and Mumford & Sons.)

    Since then, Spalding has always been up to something interesting, with projects like the 2021 album Songwrights Apothecary Lab, which was designed as healing music made after consultation with neuroscientists and music therapists. She followed that up with a live album with pianist Fred Hersch in 2023, and a team-up with octogenarian Brazilian musician Milton Nascimento in 2024. These shows will be career-spanning, with Spalding leading a trio with Matthew Stevens on guitar and Eric Doob on drums. 7:30 p.m., City Winery, 990 Filbert St., citywinery.com/philadelphia

  • Stoop ball, Tastykake, and climbing ‘Billy’: The Bacon brothers talk about their Philadelphia childhood

    Stoop ball, Tastykake, and climbing ‘Billy’: The Bacon brothers talk about their Philadelphia childhood

    The Bacon Brothers haven’t lived in Philadelphia for decades, but the music duo’s 215 credentials are impeccable.

    Kevin Bacon and his brother Michael are sons of teacher Ruth Hilda Bacon and architect-city planner Edmund Bacon, who directed the design of Independence Mall and Penn’s Landing and was known as “the Father of Modern Philadelphia.”

    The Bacons grew up at 2117 Locust St. in a house previously owned by Leopold Stokowski during his early 20th-century tenure as conductor of the Philadelphia Orchestra.

    Their first-ever show was a one-off charity gig in 1995 at the Theatre of the Living Arts on South Street that they played at the urging of Kevin’s childhood friend Harry Spivak, whose family cofounded Electric Factory Concerts.

    Bacon Brothers Michael and Kevin Bacon play the SunnyBrook Ballroom in Pottstown on Aug. 20 and 21.Vanessa Sundra

    On Thursday and Friday, the Bacons play the SunnyBrook Ballroom in Pottstown on their “People of the World” tour, named after a 2025 duet between Michael Bacon and Philly singer Mare, recorded with producer Joe “The Butcher” Nicolo.

    In 2013, the brothers teamed with author Sandra Boynton for “Philadelphia Chickens” from her children’s book of the same name. In 2023, the brothers’ single “Philly Thing” raised money for Kevin Bacon’s SixDegrees.org, which funds nonprofit charities. That same year, they were inducted into the Philadelphia Music Alliance Walk of Fame.

    “Philly Thing” rhymes “Smokin’ Joe, touch of class, just like Teddy Pendergrass” and celebrates Philly music heroes: “Coltrane, LaBelle, Jill Scott, The Roots,” and “Boyz II Men in matching suits.”

    Thirty-one years since their first show, Kevin, 67, and Michael, 76, an Emmy-winning film and composer and music professor who plays dozens of instruments, have released 12 albums, including the 2011 best-of Philadelphia Road.

    This month, they joined a Zoom call from their homes in New York to reminisce about growing up in Center City and talk about their music, which they call “forosoco.”

    “That’s a Kevin witticism for sure,” said Michael, of the invented shorthand for folk, rock, soul, and country which the brothers used as the title to their first album in 1997.

    The brothers’ musical education began while living with four sisters in a crowded house, said Michael, who teaches music at Lehman College in New York.

    Their parents loved music, Michael said. “World music, Odetta, the Weavers. They loved opera and classical music. No rock and roll, but our sisters would bring home all the 45s so we had that, too.”

    “One of my favorite memories is that my mother had six kids in that little townhouse,” he said, “and she took in these two Mexican boys who were 12 and 14. One played violin and one played piano. They were living in an apartment in Center City. And they had dinner with us every night of the week.”

    Kevin, too, got a music education from his family members.

    “My brother and sister had a jug band, so I would sit on the steps and listen to them practice in our pretty disgusting basement,” he said.

    The Bacon Brothers, Kevin Bacon and his older brother Michael Bacon, sing the National Anthem before the start of Game 1 of the National League division baseball series between the Philadelphia Phillies and Colorado Rockies, Wednesday, Oct. 7, 2009, in Philadelphia. (AP Photo/Matt Slocum)A

    Tastykake Jelly Krimpets and a Rittenhouse Square childhood

    Michael, who is nine years older than Kevin, remembers Rittenhouse Square as “not a beautiful gentrified neighborhood when I grew up.” He recalled an unsupervised childhood; “It was: Go do what you need to do, be safe, get home for dinner.”

    He would walk across Rittenhouse Square to his cello lesson at the Curtis Institute, often stopping to climb on Billy, the 1914 bronze statue by Albert Laessle that was moved to the Free Library and replaced with a replica in 2018. “It had a very pronounced backbone,” he recalls. “It was most uncomfortable.”

    And sometimes, he would stick his hand into the mouth of Antoine-Louis Barye’s sculpture Lion Crushing a Serpent, which has stood in the square since 1892.

    “It had giant teeth. Very scary.”

    When in Philly, Kevin prioritizes looking at his favorite spot of the family home: the stoop.

    “I spent so much time on that stoop. Just hoping to see something happen. We also played stoop ball, where you would throw the ball against the stoop and get singles or doubles, like a version of baseball, depending where the ball landed, which was basically out in the street.”

    The future star of movies such as Diner (1982), Footloose (1984), Apollo 13 (1995), and The Woodsman (2004), in which he acted alongside his wife Kyra Sedgwick and Philly rapper Eve, made his first public performance in a preschool holiday pageant in the basement of the nearby First Unitarian Church.

    When Kevin — who splits his time with Sedgwick in Manhattan and on their farm in Connecticut — is in his hometown, he likes to reenact a childhood ritual.

    “I go to Wawa and get a Tastykake Jelly Krimpet,” he said. “The secret to eating a Jelly Krimpet is you delicately peel back the cookie dough, and extract a jelly ball. You actually hold the jelly ball in your hand, and pop it in your mouth. And then you can eat the rest of it.”

    Michael and Kevin Bacon of the Bacon Brothers play the SunnyBrook Ballroom in Pottstown on Aug. 20 and 21.Jacob Blinkenstaff

    Michael went to Central High School in Olney, but Kevin stayed closer to home, attending Masterman at 17th and Spring Garden for elementary school and then the experimental Parkway Program.

    “I had classes at Drexel, the Academy of Natural Sciences, all over the place,” Kevin said, “I was also able to get out early and take acting classes elsewhere, which is what I really wanted.”

    As a teenager, he acted at the Plays and Players Theatre on Delancey Street, was an apprentice at the Walnut Street Theatre, and took classes at Settlement Music School. He then headed to Bucknell University at 17 — and landed a role in Animal House two years later.

    Eating out with belly dancers

    Dining out with parents was a rare occurrence, the brothers said.

    “I always like going out to dinner because we would go out literally twice a year,” said Kevin. “We would go to this place called Freddie’s on 21st and Chestnut that was in the basement. They had red and white tablecloths, and candles on the table. It seemed so exotic.”

    The other Bacon family haunt was the Middle East, the Lebanese restaurant co-owned by Philadelphia City Councilman Jimmy Tayoun, that was originally in South Philly and later in Old City.

    “I remember I loved it there, because they served rose water and the food was amazing,” Michael recalls.

    “And they had belly dancers. One night in South Philly, my father took a $10 bill and put it in the belly dancer’s top,” he said with a laugh. “And that was the end for our mother, who was very Victorian. She didn’t like that. And we never went back.”

    Michael, who is agnostic about cheesesteaks, just goes to “to the closest one,” when it comes to picking a spot. Kevin’s current favorite brunch spot is Sabrina’s Cafe on Callowhill.

    “It is so good,” he said. “I sat at the counter there. I got a Mexican egg thing, huevos rancheros, I think.”

    Kevin Bacon’s first band

    Kevin has fond memories of perfect Philly days he spent at an alternative arts space in 1970s Germantown called Togetherness House, where he continued his education.

    “I would take the bus,” said Kevin. “It was an abandoned space that kids had turned into a community center. They had drug counseling and draft counseling and people were forming bands. I went up there and I was a percussionist.”

    He played in a band led by a vocalist named Chet Brown. “He was a great singer,” Bacon said of Brown, who still performs with the Last Thursday Band. “The name of the band was Chet Brown & Footloose.”

    The name did not inspire the movie in which Bacon’s rebellious teen teaches a Midwestern town to dance to a Kenny Loggins song. But the experience “was inspirational for me in that I loved being in a band.”

    Siblings without the rivalry

    As bandmates, the Bacons seem free of sibling rivalry. On TikTok, the singer-guitarists have posted a series of covers by squabbling brother acts such as the Kinks’ “A Well Respected Man” and Oasis’ “Champagne Supernova.”

    Kevin and Michael appear puzzled as to why other musical siblings don’t get along as well as they do.

    The title song of the duo’s most recent album, 2024’s Ballad of the Brothers, is a mythical tale about “two Philly boys” from Fishtown who travel to legendary Texas venue Gruene Hall with Eagles stickers on their station wagon.

    That song has a “Devil Went Down to Georgia”-like country feel to it. But true to their “forosoco” approach, the album freely moves between genres.

    “One of the things we’ve learned over the years,” Michael said, “is that we’re a songwriter’s band. We let the songs drive the arrangements.”

    The model, he says, is the Band, who, in a career highlight, the Bacons once opened for at Carnegie Hall.

    “They were just all over the place. A lot of harmonies, and some beautiful, beautiful pieces, and also some really rocking pieces. So we try to not limit ourselves as to what we consider our sound and let the stuff flow where it might.”

    The Bacon Brothers with Kendal Conrad at SunnyBrook Ballroom, 50 Sunnybrook Road, Pottstown at 7 p.m. Aug. 20 and 21. souljoels.com

  • A 19th century Philadelphia lamp maker took the world’s first selfie and turned the city into a hub of portrait photography

    A 19th century Philadelphia lamp maker took the world’s first selfie and turned the city into a hub of portrait photography

    French inventor Louis Jacques Daguerre introduced the daguerreotype — the world’s first photograph — in Paris in August 1839. By September, he produced a pamphlet introducing the technique to the world.

    When the how-to-take-a-photo leaflets arrived in Philadelphia in late September, the city’s cultured men, scientists, and budding artists gave photography a shot.

    But unlike today’s pointing and clicking, it wasn’t easy.

    “All they got were the pamphlets,” explained Rachel Wetzel, senior photo conservator at the Library of Congress. “Nobody had a camera, plates, chemicals, or darkroom apparatus.”

    The newly minted photographers needed paper-thin sheets of silver-plated copper, iodine, and mercury. The ratio of the chemicals needed to be exact, and the amount of sunlight needed for exposure to capture images varied wildly.

    “Central High School, Philadelphia,” is a facsimile of daguerreotype attributed to Joseph Saxton made in 1839.The Historical Society of Pennsylvania

    On Sept. 25, 1839, U.S. Mint employee Joseph Saxton, whose office was located on the northwest corner of Chestnut and Juniper Street across from Central High School, photographed the city’s first high school from one of his workplace’s top-floor windows.

    That photo is the oldest existing photograph taken in America.

    Saxton soon took up photography as a hobby but had a hard time getting his hands on the thin, silver-plated copper sheets needed to make daguerreotypes. He asked his friend, lamp maker and metal-plating expert Robert Cornelius, for help.

    Cornelius, who had a connection with Scovill Manufacturing, then among the most prominent metalworking manufacturing firms in the United States, happily obliged.

    And as it turned out, Cornelius was curious about photography, too.

    A few weeks later, in late October or early November, Cornelius found himself standing behind his family-owned lamp-making shop at what is today Seventh and Chestnut Streets, experimenting with a camera he fashioned from a small metal box.

    Instead of pointing his lens at a lantern, a cobblestoned street, or a traveling horse and buggy, Cornelius turned his camera on himself.

    He opened his lens cover and stood still long enough in the sunlight for the exposure to capture his image on a metal plate.

    The selfie was born.

    Alana Bograd’s design highlights the fact that the surprising fact the oldest extant photographic portrait photographic portrait was a self-portrait that today we call a selfie. It was taken in Philadelphia by Robert Cornelius in 1839.Alana Bograd for Colibri Workshop

    That first selfie is housed in the Library of Congress.

    And that magnificent moment — predating social media by almost two centuries — will be feted this Saturday at Franklin Square from 11 a.m. to 1 p.m. The selfie celebration is the Philadelphia Historic District’s 34th firstival, a weekly day party in honor of America’s 250th birthday, giving love to events and happenings with very Philly roots.

    When Daguerre came up with his picture-taking method, he did not have portraits in mind, Wetzel said.

    Historians aren’t sure why Cornelius decided to make a picture of himself, but in an 1892 American Journal of Photography article, he talked about what it was like standing alone on the streets of Philadelphia waiting for the image to happen, Wetzel said.

    “When he stood in front of the camera, he wasn’t sure if he was centered or not,” Wetzel said. “That’s why he’s weighted to the right of the plate.”

    The wonder surrounding taking the first selfie seemingly inspired Cornelius.

    In May of 1840, Cornelius opened the world’s second portrait studio at Eighth and Lodge Alley (now Ranstead Street), not far from his family’s lamp-making shop.

    Business partners Alexander S. Wolcott and John Johnson opened the world’s first portrait studio in New York a few months earlier, but only Cornelius’ 1840 portraits endured, explained Wetzel, who is also a leading historian in Cornelius’ work.

    Robert Cornelius historian Rachel Wetzel surrounded by Cornelius’ daguerreotypes at the Library of Congress. Shawn Miller

    She began studying Cornelius’ work in earnest in 2015 while working in Philadelphia at the Conservation Center for Art & Historic Artifacts. Wetzel has studied upward of 70 of Cornelius’ portraits, thanks to plates that have survived more than 100 years.

    Cornelius took portraits of prominent citizens — many of whom were Quakers — in their Sunday best because at $5 a piece, the equivalent of a week’s salary in those days, they were the only ones who could afford it.

    The first portrait he took in his studio was of a man named John McCallister Jr., a wealthy optometrist who, coincidentally, supplied Cornelius with his camera’s lenses.

    In 1840, Robert Cornelius opened the first photographic portrait studio in Philadelphia at 8th on Lodge Alley (now Ranstead Street John McCallister Jr. He was the first one to sit in his portrait studio.Robert Cornelius housed at the Library of Congress

    Cornelius moved his portrait studio to its second location on Market Street before closing the business in 1843, and returning to his family’s lamp business full time.

    “While he’s operating the studio, he never quit working for his family,” Wetzel said. “He’s working the camera, but he had apprentices who polished the plates and did the behind-the-scenes darkroom work.”

    As the mid-19th century approached, the Cornelius family’s lamp business began to boom. Street lamps became commonplace. Philadelphians began putting gas lamps in their homes. Cornelius formed a partnership with Isaac Baker and formed Cornelius & Baker, becoming a premier manufacturer of high-end metalwork, lamps, chandeliers, and gas lighting fixtures.

    Paul Miers lowers the chandelier at the Academy of Music in Philadelphia to clean it and replace light bulbs on Wednesday, May 29, 2024. The large crystal chandelier, measures 16 ft in diameter, and weighs 5,000 Lb.Jose F. Moreno / Staff Photographer

    “Their hand railings, banisters, statues, and chandeliers became world-renowned,” Wetzel said. “Many of their pieces are still found throughout Washington, D.C., and the U.S. Capitol today.”

    The Academy of Music’s massive crystal chandelier in the center of its auditorium was built by Cornelius & Baker for the opera house’s historic 1857 opening. (Yes, the guy who took the world’s first selfie also built the Academy of Music’s chandelier. Let that sink in.)

    Cornelius’ portrait studio may have been short-lived, but his impact on photography is lasting. Wetzel suggests his apprentices went on to open daguerreotype portrait studios across the city, and by 1849, there were at least 100 in Philadelphia. By the end of the 19th century, the costs had come down considerably, and portraits could be purchased for as little as 25 cents.

    “Philadelphians loved portraiture,” Wetzel said.

    National League Futures manager Shane Victorino (center) takes a selfie with members of his team before the 2026 All-Star Futures game in Philadelphia on Sunday, July 12, 2026.David Maialetti / Staff Photographer

    By the mid to late 1850s, daguerreotypes were replaced with the collodion process. But photographs — whether developed in a darkroom or a drugstore, taken on Polaroids, or shot on smartphones — endure.

    And the selfie rules.

    This week’s Firstival is Saturday, Aug. 22, from 11 a.m.-1 p.m., at Franklin Square, 200 N. 6th St. Firstival celebrants will meet under a tent, and the party will be held rain or shine.

    Each week, The Inquirer is highlighting a “first” from the Philadelphia Historic District’s 52 Weeks of Firsts. A “52 Weeks of Firsts” podcast, produced by All That’s Good Productions, drops every Tuesday.

  • The Montco Jazz Fest celebrates its fifth anniversary by honoring a century of jazz greats

    The Montco Jazz Fest celebrates its fifth anniversary by honoring a century of jazz greats

    The Montco Jazz Fest celebrates its fifth anniversary in September — an impressive feat in a suburban county with little in the way of dedicated jazz venues. Curator Joanna Pascale decided to mark the occasion by celebrating a host of legendary musicians, all of whom happen to be commemorating an even greater landmark.

    “2026 is the 100th birthday of a lot of phenomenal musicians,” Pascale pointed out while putting the finishing touches on this year’s lineup. “Since this is the fifth year of the festival, I thought we would lean into a celebratory theme.”

    The centennial performances include 20-year-old, Peruvian-born vocalist Lucas Beltran paying homage to Tony Bennett; trumpeter Josh Lawrence honoring Miles Davis; Josh Lee and the Extended Family, a big band stocked with Temple alums, performing the music of Jimmy Heath; and pianist/organist Luke Carlos O’Reilly celebrating John Coltrane.

    West Chester University’s Criterions Jazz Ensemble with current director Jonathan Ragonese and former director Bob Curnow. The band will celebrate its centennial as part of this year’s Montco Jazz FestErica Thompson

    West Chester University band steps up

    While all of those events pay tribute to greats who have passed, one ensemble will be on hand to throw itself a party. On Sept. 16, the West Chester University Criterions Jazz Ensemble will kick off its 100th birthday celebrations at Rivet Canteen & Assembly in Pottstown. The collegiate big band, hailing from neighboring Chester County, was formed as a ballroom dance band in the 1926-27 season, after the school — then West Chester State Teachers College — changed its rules to allow coed dancing.

    “It’s the longest-running university jazz band in the States,” touted Jonathan Ragonese, director of jazz studies at WCU, who took over leadership of the ensemble in 2020. “The impressive thing is that the band was student-led until the beginning of the 1980s. I try to keep that fact at the forefront and continue to keep it as student-led as possible. I will help them run it, but it’s their band.”

    The concert at Rivet will be a double centennial, as the Criterions will perform the music of trombonist, arranger, and composer Melba Liston, who was born in January 1926 and went on to work with the likes of Dizzy Gillespie, Count Basie, Billie Holiday, and Randy Weston. The party will continue in November on home turf, when the university hosts a three-day festival of its own, pairing the current Criterions with an all-star alumni band and vibraphonist Stefon Harris, premiering new music by Orrin Evans, Bob Mintzer, and former band director Bob Curnow.

    The Montco Jazz Fest concert arrives just three weeks into the fall semester, during the first year in Ragonese’s tenure, when he’s seen a number of key players graduate out of the band. “I have a real pack of leaders leaving this year, five or six really strong players,” he explained. “But I still have a lot of great players, and I’m confident we’ll have a great band. My vision for the Criterions is to have it be a model of a real professional creative ensemble. We offer concerts to the public that are, I hope, at the highest artistic level possible.”

    Pianist and organist Luke Carlos O’Reilly will celebrate the centennial of legendary saxophonist John Coltrane at this year’s Montco Jazz Fest.Courtesy of MontCo Jazz Fest

    Performances span 20 local venues

    This year’s Montco Jazz Fest encompasses nearly three dozen events taking place at 20 different venues, including nightclubs, restaurants, breweries, and art galleries. The music has found its way into local landmarks like the King of Prussia Mall and the Elmwood Park Zoo, while a partnership with the county’s parks department will take the concerts outside to parks in Lansdale, Montgomeryville, Plymouth Meeting, Ambler, and Wyncote.

    Ambler Theater and Plymouth Township Parks and Recreation will both screen jazz-related films, while Hotel West & Main in Conshohocken will host the festival’s annual swing dance social with music by vocalist and bandleader Chelsea Reed and her Fair Weather Nine.

    Pascale will leave her administrative responsibilities aside for the span of one concert on the festival’s opening night, when she takes the stage to sing with the Larry McKenna Jazz Orchestra. While McKenna would still be more than a decade shy of 100 this year, Pascale is making an exception to honor the beloved Philly saxophonist, who died in 2023. His namesake big band reunited for the first time since his passing at Chris’ Jazz Cafe in late July for his 89th birthday, and will come together again at Whites Road Park on Sept. 15.

    Looking back over her own four-year history with the festival, it wasn’t just the quality of the music that stood out in Pascale’s mind.

    “What I’m most proud of isn’t just the concerts themselves,” she said. “It’s watching this community grow. So many venues, artists, organizations, and forward-thinkers have collaborated to make these concerts possible, and remarkably most of them are free and accessible to everyone. At a time when funding for arts and culture continues to face cuts, I feel incredibly fortunate to be part of a community that chooses collaboration over competition, one that believes in supporting one another and investing in something larger than ourselves.”

    Sept. 15-20, valleyforge.org/things-to-do

  • The gang is back this week with Season 18 of ‘It’s Always Sunny in Philadelphia’

    The gang is back this week with Season 18 of ‘It’s Always Sunny in Philadelphia’

    Philly’s favorite people to hate are back on TV this week.

    It’s Always Sunny in Philadelphia dropped two episodes on Monday for the premiere of its 18th season and the legendary comedy is already off to a stomach-churning start. (Spoilers ahead.)

    Frank (Danny DeVito) has found love with Sam (Carol Kane), whom he met competing on The Golden Bachelor in a crossover episode last season, and they’re getting married at Paddy’s Pub. Much to Dennis (Glenn Howerton) and Dee (Kaitlin Olson)’s delight, Sam is rich and generously offers to leave them money as her new stepchildren. But the bride suddenly dies before she can get to the altar, so Dee makes the depraved decision to drag her corpse down the aisle.

    Hence the episode titles “Frank Marries a Corpse” and “Dennis and Dee Don’t Get Rich.”

    For America’s longest-running sitcom, it’s an especially fitting way to kick off the latest season of outrageous shenanigans with the gang of morally bankrupt misfits. The show celebrated its 20th anniversary last year and it’s not slowing down anytime soon.

    The new season promises even wilder stunts and ever-worsening bad behavior from its cast including DeVito, Howerton, Olson, Rob Mac (Mac), and Charlie Day (Charlie). The group will somehow be allowed to sponsor a Little League team — these people should not be around children, as last year’s crossover episodes with Abbott Elementary underscored — and they’ll spoof classic films like Gilligan’s Island and Back to School.

    The gang will also be joined by guest actors throughout the season, like Big Mouth comic Nick Kroll, who cameos in a Renaissance Faire episode. Older characters who haven’t appeared in recent seasons also make a comeback, like the McPoyle family — longtime rivals of the Paddy’s Pub crew — including Liam (Jimmi Simpson), Ryan (Nate Mooney) and Pappy (Guillermo del Toro).

    It’s not all petty battles and absurd high jinks, though.

    In one episode, the show will memorialize Charlie’s mother Bonnie, played by the late Lynne Marie Stewart; last season featured a tribute montage to Stewart and this season will spotlight Charlie as he sings a ballad dedicated to her at the Mummers Parade.

    ‘It’s Always Sunny in Philadelphia’ airs weekly on Mondays on FX and FXX and streams on Hulu and Disney+.

  • Jason Kelce gets a new gig at ESPN and a new teammate: Pat McAfee

    Jason Kelce gets a new gig at ESPN and a new teammate: Pat McAfee

    Jason Kelce spent 13 seasons with the Eagles. Now he’ll get the chance to call a Birds game.

    The former offensive lineman turned podcaster and ESPN announcer is jumping to the booth to call a handful of NFL games this season on the NFL Network, the network announced.

    Kelce will join play-by-play announcer Dave Pasch and Hall of Famer Kurt Warner to call four games, including the Eagles’ Week 5 matchup against the Jacksonville Jaguars in London on Oct. 11.

    Here are the four games Kelce, Pasch, and Warner are slated to call:

    • Week 4: Colts at Commanders in London (Oct. 4)
    • Week 5: Eagles at Jaguars in London (Oct. 11)
    • Week 7: Steelers at Saints in Paris (Oct. 25)
    • Week 16: TBD matchup (Dec. 26)

    ESPN inherited seven NFL games as part of its purchase of the NFL Network. The remaining three will be called by play-by-player Bob Wischusen and one-time Eagles executive Louis Riddick.

    Molly McGrath will serve as sideline reporter for both teams.

    Joe Buck and Troy Aikman are back to call Monday Night Football, with King of Prussia native Lisa Salters and Laura Rutledge on the sidelines. Because of his role as a consultant with the Miami Dolphins, Aikman won’t have access to practice facilities or team practices this season, the same restrictions placed on Tom Brady.

    Jason Kelce is entering his third NFL season with ESPN. Yong Kim / Staff Photographer

    While Kelce has yet to call a full NFL game, he did swap out his South Philly tuxedo for a suit to call part of a 2024 Eagles game alongside Monday Night Football’s Buck and Aikman.

    “I think I got better as it went. There were a couple [of moments] trying to figure out where you fit in and what to say,” Kelce said following the game. “In the heat of the moment, you have to offer a perspective or something the viewer can take and enjoy … it’s difficult.”

    Kelce will also be back for his third season as a studio analyst on ESPN’s Monday Night Countown alongside Marcus Spears and host Scott Van Pelt. The show is adding two new analysts: Jason McCourty (replacing Ryan Clark, who was laid off last month) and Pat McAfee, ESPN’s omnipresent star who will still host his daily show and continue as a co-host of College Gameday.

    Pat McAfee will join Jason Kelce on “Monday Night Countdown” this season. Darron Cummings

    Kelce is in the final year of a three-year deal he signed with ESPN in 2024. During that time, he’s appeared on the network’s coverage of the Masters and The Golf League, and a five-episode stint as a late-night host in Philly.

    He also launched a new YouTube series called Kelce Versus, which features the former offensive lineman trying out other sports, including driving for NASCAR and learning how to dunk a basketball (which he did in front of a live crowd in Los Angeles in June). It’s unclear how many episodes there will be.

    Kelce also remains a presence at Eagles training camp and continues to host the popular New Heights podcast with his brother, Kansas City Chiefs tight end Travis Kelce.

    Exhausted? Some fans are, too. But Kelce has a lot of time to fill since having retired from the Eagles in 2024 and is focused on bucket-list stuff he couldn’t do during his playing days.

    “We’re definitely capitalizing on the ability to go and do random things,” Kelce told CBS analyst and Eagles pregame announcer Ross Tucker on his podcast last month. “Maybe too much. We got to talk as a team, but it’s been fun.”

  • With 6abc potentially facing a Trump-forced blackout, ABC sues the FCC

    With 6abc potentially facing a Trump-forced blackout, ABC sues the FCC

    ABC is moving to block President Donald Trump’s administration from the unprecedented step of taking eight local stations off the air, including 6abc in Philadelphia.

    On Tuesday, the network filed a lawsuit against the Federal Communications Commission, which is threatening to take away the stations’ broadcast licenses in a move ABC described as an “existential threat” to its business.

    “Acting through the Federal Communications Commission, the administration has waged a retaliatory campaign against ABC for a single reason: it disapproves of what ABC broadcasts,” said the lawsuit, filed in the U.S. District Court for the District of Columbia.

    The FCC has the power to regulate 6abc and the other stations because they broadcast over public airwaves.

    The lawsuit comes as the FCC considers its next move following an unusual early review of the stations’ broadcast licenses in April. That review came shortly after Trump called for late-night host Jimmy Kimmel to be fired over a joke he made involving first lady Melania Trump.

    ABC also filed a motion for a temporary restraining order against the FCC’s attempt to force an early renewal.

    “Again and again, the administration has attacked ABC’s speech,” the lawsuit states. “Over time, those attacks have escalated into express demands that ABC be stripped of its broadcast licenses because of its speech.”

    6abc’s broadcast license, renewed without controversy in 2023, runs through 2030.

    The FCC, led by chairman Brendan Carr, contends the review stems from an earlier investigation into diversity, equity, and inclusion initiatives at ABC’s parent company, Disney, citing “the agency’s prohibition on unlawful discrimination.” Carr also said the agency would consider ABC’s decisions not to air Trump’s primetime address on election security last month, in which he repeated his baseless claims about the results of the 2020 election, which he lost to former President Joe Biden.

    “All broadcasters have a legal obligation to operate in the public interest — even Disney,” an FCC spokesperson said in a statement. “Disney is obviously very concerned about the FCC’s proceeding, as evidenced by their ongoing campaign of disinformation as well as their decision to ask a court to stop the FCC from further pursuing matters.”

    So far, the FCC has not presented evidence 6abc or the other seven ABC stations have violated public interest requirements.

    “We’re very principled on this. We’re going to stand up to what we believe is journalistic integrity,” Disney CEO Josh D’Amaro said during a CNBC interview last week. “And we’re not going to be told how to run that side of our business.”

    FCC could move against 6abc and others soon

    FCC Chairman Brendan Carr with then President-elect Donald Trump in November 2024. Brandon Bell

    The next step would be for the FCC to issue a hearing designation order, which would officially begin a legal process that could end with the stations losing their broadcast licenses.

    ABC said in its lawsuit if the FCC issued such an order, an “adverse outcome is all-but-guaranteed.”

    A hearing would normally be decided by an administrative law judge, but the Trump-controlled commission could designate itself to to preside over the case. The commission has two Trump appointees and one Biden appointee, Anna Gomez, who praised ABC’s “courage” and willingness to fight back.

    “For months, the FCC has waged a campaign of censorship and control against Disney’s ABC stations, using the threat of broadcast license revocations to punish a company for speech this administration doesn’t like,” Gomez said in a statement. “This should be a welcome sign for every broadcaster who has felt the weight of this overreaching government pressure in silence.”

    If the FCC moves to revoke 6abc and the other stations’ broadcast licenses, Disney could appeal the case to federal court. The legal process could take years.

    “Regardless of the outcome, the adjudication itself would be immensely harmful to ABC and the stations,” the lawsuit states. “The proceedings are likely to be expensive and protracted.”

    It’s been nearly 40 years since the FCC revoked a TV station’s broadcast license. The last time it happened was in 1987, when RKO General Inc. lost its licenses in Boston, New York, and Los Angeles because of business misconduct.

    There is no official timeline, but the FCC’s final deadline for public comments was Aug. 5, and respondents were overwhelmingly supportive of 6abc and the network’s other local stations.

    “The loss of 6ABC broadcasting would deeply impact the Philadelphia region,” wrote the Philadelphia Police Foundation, ”removing a trusted journalistic voice and a critical pillar of support that local nonprofits and public safety organizations rely upon.”

  • We won’t have the Outlaw Music Festival, but Willie Nelson and Neil Young are coming to Philly anyway

    We won’t have the Outlaw Music Festival, but Willie Nelson and Neil Young are coming to Philly anyway

    Willie Nelson is on the road again — and this time, he’s bringing Neil Young with him.

    Every summer since 2017 — with the exception of the COVID-19 shutdown year of 2020 — Nelson has brought his Outlaw Music Festival to the Philadelphia area, playing either the waterfront amphitheater in Camden or the Mann Center in Fairmount Park.

    That streak ended this year, with Nelson cutting down on his touring schedule and eliminating many cities, including Philly, from the itinerary of the festival — which was founded in Scranton in 2016.

    The lighter workload is certainly understandable: He’s 93!

    But it turns out that the Red Headed Stranger isn’t skipping Philly after all. On Sept. 24, Willie Nelson & Family and Neil Young and the Chrome Hearts will play a coheadlining date at the Highmark Mann. Highly-touted Austin, Texas, teenage songwriter Ty Myers is also on the show.

    The late-breaking booking seems like it came out of nowhere but makes perfect tour-routing sense. Young and Nelson, of course, play together each September at Farm Aid, the fundraising show that has taken place every year since 1985, when it was inspired by a Bob Dylan onstage remark at Live Aid in Philadelphia two months before.

    Neil Young at the Freedom Mortgage Pavilion in Camden on May 12, 2024. Young will play with his band the Chrome Hearts at the Highmark Mann with Willie Nelson on Sept. 24. Elizabeth Robertson / Staff Photographer

    This year, Farm Aid — with Nelson and Young joined by John Mellencamp, Margo Price, Dave Matthews & Tim Reynolds, Sierra Ferrell, Nathaniel Rateliff, and others — will take place Sept. 26 in Virginia Beach, Va. So the newly added Philly show qualifies as a warm-up of sorts, the first part of a Willie and Neil long weekend.

    Young’s show with the Chrome Hearts — his backing band which includes Willie’s son Micah Nelson and organist Spooner Oldham of the celebrated soul music Muscle Shoals Rhythm Section — will be his first in the Philly area since his date with Crazy Horse at Camden’s Freedom Mortgage Pavilion in 2024.

    It will also be Young’s first show at the Mann since 1988, when he played with his big band blues ensemble the Bluenotes on his “Sponsored by Nobody Tour.” The Canadian rocker, 80, also played the venue in 1987 with Crazy Horse and in 1985 with his countryfied band the International Harvesters.

    Tickets go on sale via artist pre-sales at 10 a.m. on Wednesday, Aug. 19. The general on sale is Friday, Aug. 21 at 10 a.m. via ticketmaster.com.

    Willie Nelson & Family and Neil Young & the Chrome Hearts are coheadlining a show at the Highmark Mann on Sept. 24.Live Nation