Category: Entertainment

  • WHYY and Penn State take next step to transfer ownership of WPSU

    WHYY and Penn State take next step to transfer ownership of WPSU

    WHYY is one step closer to taking ownership of Pennsylvania State University’s public radio and television station, WPSU, with a new Federal Communications Commission filing.

    WHYY and Penn State filed an application with the FCC late last week to transfer WPSU-FM and WPSU-TV, among other properties, to WHYY for a sale price of $1, according to commission records. The station said in a statement that it was “pleased to have reached an agreement with Pennsylvania State University that marks an important milestone.”

    “We are appreciative of Penn State’s partnership throughout this process, as they have been integral to ensuring uninterrupted service for WPSU’s viewers, listeners and communities,” the station added. “Our shared goal is to preserve and strengthen WPSU’s longstanding mission of providing trusted local journalism, educational programming and community storytelling for the enjoyment and enrichment of generations to come.”

    The FCC needs to approve the deal before it can be completed, the station said. It was not immediately clear how long that process could take, but the review period typically includes a 30-day window during which the public may submit comments.

    The application’s submission marks the latest step in a lengthy process. In October, Penn State trustees unanimously approved a revised proposal to sell WPSU’s operating assets to WHYY, which itself revived a path to keep the station alive following a previous failed deal.

    Under the approved agreement, WHYY is to continue operating WPSU for at least three years following the station’s sale, and give current employees the opportunity to interview for roles under the new leadership. About 44 employees remained at the station following layoffs in June last year, The Inquirer previously reported.

    Previously, WHYY said it was working to raise funds to support WPSU to allow it to continue broadcasting.

    In September, WPSU’s days appeared to be numbered, with Penn State saying it planned to wind down the station’s operations and lay off employees by the end of June. The station’s annual budget was funded largely by the university coupled with federal dollars, the latter of which had been slashed after President Donald Trump’s administration stripped away federal funding for public media, The Inquirer previously reported.

    School trustees in September unanimously voted down a plan for WPSU’s sale to WHYY, largely citing concerns about $17 million in subsidies Penn State would have to provide to WHYY over five years as part of that deal. Under the plan approved in October, the university said last year, WHYY agreed to raise funds itself.

    WPSU began broadcasting more than 70 years ago. When it was faced with a possible closure last year, university leaders said that they received about 1,300 public comments about the station, many of which urged the school to reconsider its decision to wind down operations. WHYY president and CEO Bill Marrazzo later said WPSU would “continue to be here” for listeners.

    “WHYY and WPSU are joining forces to expand what is possible — strengthening local journalism, creating new educational opportunities, and developing innovative ways to deliver the content people value most,” Marrazzo said last year.

  • Booker Rowe, celebrated trailblazing Black violinist with the Philadelphia Orchestra, has died at 85

    Booker Rowe, celebrated trailblazing Black violinist with the Philadelphia Orchestra, has died at 85

    Booker Rowe, 85, of Philadelphia, award-winning violinist, the first Black musician to play with the Philadelphia Orchestra and the Nashville Symphony String Quartet, the second permanent full-time Black player in the Philadelphia Orchestra, teacher, mentor, and role model, died Friday, July 31, of complications from pneumonia and sepsis at Jefferson Abington Hospital.

    A lifelong musician — he played piano at age 5 and violin at 11 — Mr. Rowe was invited by famed music director Eugene Ormandy in 1968 to become the first Black musician to perform with the Philadelphia Orchestra. He was a substitute violin during most of the 1968-69 season and returned for good in 1971 as the orchestra’s second Black permanent full-time member.

    Mr. Rowe stayed for 49 years.

    “My first day, I came in late from New York, and the orchestra was already rehearsing, and I sat myself down on the last stand to play,” Mr. Rowe told The Inquirer’s Peter Dobrin in 2020. “The sound was amazing. It was like stereo all around me. The stage was slanted down, and when the brass and winds would play I had to brace myself with my right leg from being blown off stage. It was just so beautiful.”

    For five decades, until his retirement in 2020, Mr. Rowe played with half a dozen elite conductors and traveled the world in the orchestra’s second violin section. He and his colleagues gave thousands of memorable performances at the Academy of Music, the Kimmel Center, and the Mann Center in Philadelphia, Carnegie Hall and the Lincoln Center in New York, and the Saratoga Performing Arts Center.

    They played at the 1993 World Series at Veterans Stadium, for Pope Francis in 2015, and at the Vail Music Festival in Colorado. They played in Europe, South America, Asia, and elsewhere around the world.

    This photo of Mr. Rowe (left) appeared in the Daily News in 1993

    In 1973, the orchestra made a historic 10-day, five-concert cultural exchange tour in China, and Mr. Rowe told the Daily News afterward that he visited a commune and returned with Chinese instruments. In 2008, he mingled with former Secretary of State Alexander Haig and other international notables after a concert in Beijing.

    In 2013, he posed for pictures with the Chinese welcoming contingent at Shanghai Airport. “Booker was such a kind soul, and his passion, his artistry, and his humanity are woven into who we are,” Yannick Nézet-Séguin, the orchestra’s music and artistic director, said in a tribute.

    Ryan Fleur, the orchestra’s president and chief executive officer, said: “He was a warm and steadying presence in our orchestra.”

    Born in Kentucky, Mr. Rowe and his family moved to North Philadelphia when he was 2. His father was a singer, and his mother played piano, and they “pushed me in the direction of classical music,” he told the Daily News in 1981.

    He became concertmaster for the West Philadelphia High School orchestra, the All-City high school orchestra, and the old all-Eastern Conference college orchestra. He earned a bachelor’s degree in music at Temple University in 1963 and a master’s degree in music at Yale University in 1968.

    Before Philadelphia, he played solo in New York and with symphony orchestras in Nashville, New Haven, Conn., and Washington D.C. Later, he played with the old Symphony Club of Philadelphia, the Lansdowne Symphony Orchestra, and other local groups.

    Mr. Rowe (left) stands with fellow musicians Andre Watts (center) and Renard Edwards.

    He also got freelance gigs with Sammy Davis Jr., Isaac Hayes, Smokey Robinson, the Supremes, Barbra Streisand, Aretha Franklin, and other stars. He played with chamber music ensembles around the country and gave dozens of free concerts for children, churches, and community and scholarship fundraisers.

    He championed racial and ethnic diversity, and was active with the Philadelphia Orchestra’s cultural diversity initiative. He sought and performed work by Black and other minority composers, and mentored dozens of colleagues and students.

    He encountered at least one racist incident that first year in Philadelphia and told the Daily News in 1981: “The time was right for an Afro-American in the Philadelphia Orchestra. It was just a matter of finding somebody who was ready.”

    Mr. Rowe and his family lived in Center City, East Mount Airy, and Germantown.

    A friend said on Facebook: “His legacy and historical contributions are unparalleled.”

    Mr. Rowe taught at the Settlement Music School and gave private lessons. He earned music and service awards from City Council, the American Foundation for Negro Affairs, and other groups.

    In 2019, he was asked to advise young musicians in a video interview for the Philadelphia Orchestra website, philorch.ensembleartsphilly.org. “Practice, practice, practice,” he said. “But also enjoy, enjoy, enjoy. Do it with love in your heart.”

    Booker Taliaferro Washington Vance Rowe Jr. was born Dec. 10, 1940, in Lexington, Ky. In Philadelphia, he studied at the old Philadelphia Musical Academy and the Settlement Music School, and his father worked at RCA Victor records in Camden. So their home was always filled with music.

    Mr. Rowe (rear center) stands with Philadelphia Orchestra colleagues and members of the Chinese welcoming contingent in 2013.

    He met soprano Patsy Baxter at a Philadelphia Orchestra concert, and they married in 1970, and had a son, Landis, and a daughter, Vivian. They lived in Center City, East Mount Airy, and Germantown, and visited his family often back in Kentucky and Tennessee.

    Mr. Rowe enjoyed puzzles, hiking and kayaking with his family, and tai chi. Friends noted his “kindness,” “million-dollar smile” and “cheerful presence” in Facebook tributes.

    “He liked people,” his wife said. “He liked socializing. He liked to stick with one thing and concentrate on it.”

    His son said: “My father and I always had a good time together, and we never knew when playful sparring would break out.”

    Mr. Rowe and his wife, Patsy, married in 1970.

    His daughter said: “He was very fiery and loveable. He was always who he was. He was one of a kind.”

    In addition to his wife and children, Mr. Rowe is survived by a daughter-in-law, Maria, two granddaughters, and other relatives.

    A celebration of his life is to be held later.

    Mr. Rowe (rear second from left) enjoyed time with his family.
  • Did Bradley Cooper and Gigi Hadid secretly tie the knot?

    Did Bradley Cooper and Gigi Hadid secretly tie the knot?

    Did this celebrity Bucks County couple secretly tie the knot?

    After actor Bradley Cooper and supermodel Gigi Hadid were photographed wearing his-and-hers rings during an outing in Paris on Monday, rumors began to swirl about a confidential marriage.

    In close-up photos posted by gossip blog DeuxMoi, Cooper, 51, and Hadid, 31, were spotted wearing thin wedding bands on their left-hand ring fingers on a walk from their Paris hotel to the gym.

    The couple was all smiles in the photos. Cooper wore light blue shorts with a dark blue T-shirt, and a backwards NFL cap, while Hadid sported a white tank top with grey leggings.

    The famously private couple hasn’t commented on the rumors, but fan chats and rumor mills are buzzing about the potential union, which comes nearly three years after dating rumors first surfaced.

    The couple was first spotted together on a date at New York City’s Via Carota in October 2023 after meeting at a backyard birthday party for the child of a mutual friend, according to Vogue.

    Since then, they have remained largely tight-lipped on their romance.

    In a March 2025 interview Vogue, Hadid said the couple has agreed to keep things on the hush but described their relationship as “very romantic and happy” and revealed she feels “lucky” to have someone like Cooper by her side.

    “I respect him so much as a creative,” she said, “and I feel that he gives so much to me: encouragement and, just, belief.”

    Gigi Hadid, left, sits in a box with Bradley Cooper, second from left, and Philadelphia Eagles owner Jeffrey Lurie, right, during the first half of an NFL football game between the Philadelphia Eagles and the Detroit Lions on Sunday, Nov. 16, 2025, in Philadelphia. (AP Photo/Matt Slocum)

    The couple made it Instagram official in May 2025, when Hadid posted a photo of her and Cooper kissing at her 30th birthday party. “It’s a blessing to feel so loved!! I am grateful and honored to take on a new decade x x G,” the supermodel wrote in the caption.

    The pair may now be in Paris but they are bona fide Pennsylvanians.

    Hadid bought a farmhouse in New Hope with ex-boyfriend Zayn Malik before they split in 2021. Cooper, who shares his daughter, Lea De Seine, with ex Irina Shayk, grew up in Abington’s Rydal though he’s long claimed to be from Jenkintown.

    Actor and director Bradley Cooper attends the special screening of “Is This Thing On?” at the DGA New York Theater on Wednesday, Dec. 10, 2025, in New York. (Photo by Andy Kropa/Invision/AP)

    Shortly after the Silver Linings Playbook actor began dating Hadid, Cooper purchased a $6.5 million, 33-acre Bucks County estate in Solebury Township, strategically located near Hadid’s residence.

    Before they were sighted in Paris, the couple attended Taylor Swift and Travis Kelce’s wedding at Madison Square Garden on July 3. And from the looks of it, it appears the “Swelces” may not be the only ones leaning into the secret wedding trend.

  • Phish is playing three nights in Atlantic City

    Phish is playing three nights in Atlantic City

    Phish is coming back to Atlantic City.

    The preeminent jam band led by guitarist Trey Anastasio — who grew up in Princeton — will kick off its fall 2026 tour with three nights at Jim Whelan Boardwalk Hall on October 2-4.

    The Vermont-born band, which also includes bassist Mike Gordon, drummer Jon Fishman, and keyboard player Page McConnell, have a long history at the Jersey Shore resort town.

    Twice before, in 2010 and 2013, the band did three-night Boardwalk Hall stands in October, with each of those including one of the band’s trademark surprise Halloween sets. Also, in 2012, the quartet played three outdoor shows at Bader Field. In 2021 and 2022, the band did three shows on the Atlantic City beach.

    In general, Phish doesn’t play Philadelphia the years it plays in Atlantic City. It played in Philadelphia for three nights at the Mann in 2013 and 2015, and in 2024 changed things up with a trio of shows at its own Mondegreen Festival in Dover, Del.

    This year’s Phish troika fits into the renewed partnership between concert promoters Live Nation and Atlantic City’s Visit AC tourism initiative.

    Fans pack the beach near the stage as Phish performs a beach concert in Atlantic City, Friday, Aug. 13, 2021. At right is Caesars Casino. VERNON OGRODNEK / For The Inquirer

    Other high profile non-casino bookings this year included a stop on Shakira’s “Las Mujeres Ya No Lloran” World Tour at Boardwalk Hall last month and the beach show with Australian electronic band Rüfüs Du Sol on Aug. 29.

    Phish posted ticket instructions for the Atlantic City shows on Tuesday. A fan club ticket request period at tickets.phish.com is now underway and continues until noon Monday, Aug. 10.

    Tickets go on sale to the general public beginning Friday, Aug. 14 at 10 a.m. Also, a limited number of travel packages for Atlantic City will go on sale Wednesday at noon at https://phishfall.100xhospitality.com/.

  • Why is honoring John Galliano at next year’s Met Gala controversial?

    Why is honoring John Galliano at next year’s Met Gala controversial?

    The next Met Gala is nine months away, but it’s already sparking charged opinions. The controversy centers around the Costume Institute’s decision to honor one designer at its next exhibit: John Galliano, a lauded fashion designer with a checkered past.

    Galliano’s exhibit at The Met will be significant, marking only the third solo show for a living designer in the gala’s history. (The others were Rei Kawakubo in 2017 and Yves Saint Laurent in 1983.)

    But it’s not all pierced leather and newspaper print (just two of the designer’s many signature elements). In 2011, Galliano was infamously canceled for making a series of racist and antisemitic comments. It cost him his prominent job leading Dior. At the time, Galliano said his alcohol abuse sparked the outburst.

    After “two years of exile‚” the designer’s career bounced back. Now, it will be showcased at length. Still, the Met is working to emphasize that the exhibit would not shy away from the problematic aspects of Galliano’s history.

    “His career isn’t defined by a moment — something that he will live with for the rest of his life. The exhibition won’t shy away from any of the darkness in John’s past,“ Anna Wintour — the global editorial director of Vogue, chief content officer of Condé Nast, and Met Gala chairperson responsible for the event’s programming — told Vogue. “It’s part of what has shaped him. The show will take in the full arc of his career and grapple with all of it.” Wintour is a longtime champion of Galliano and his work.

    Still, the feature has provoked mixed feelings within the fashion scene.

    The exhibit’s announcement — and the rehashing of Galliano’s comments — come during a time when antisemitism is surging globally. Fashion expert and professional thrifter Virginia Chamlee says the Met is equipped to accurately cover an influential artist without sanitizing the ugly parts.

    Still, Chamlee noted, the biggest publicity draw for the Met’s annual exhibit is the televised and highly covered red carpet walks leading up to the gala itself — not the exhibition that follows. She’s concerned that whatever efforts the Met has devoted to accountability could be lost to the larger audience.

    “So there’s a real risk here,” Chamlee said. “Even if the museum intends to offer a complete examination of Galliano’s complicated legacy, it may come off as a straightforward celebration of someone who said things so heinous and racist that they were charged and fired for them.”

    Met Gala attendees often wear looks by or inspired by the artists being honored, meaning Galliano’s pieces will likely be worn on celebrities whose looks will be photographed and televised prominently.

    Fashion influencer and writer Ashley Ballard has collected vintage Galliano Dior-era pieces for years.

    “It’s undeniable that Galliano’s time at Dior had a ripple effect on fashion and greater culture,” she said. The designer’s work redefined haute couture with immersive fashion shows, used historical references in fashion, and often bled into pop culture, with top celebrities wearing his designs.

    “It’s key for us to remember that pioneers from this time period (1996-2011) — particularly Galliano and Alexander McQueen — created pieces that challenged high fashion as an institution,” Ballard said.

    Citing Galliano’s incorporation of subcultures into his art, breaking the traditional molds of luxury fashion, Ballard called the designer’s work art that “bridged the gap between traditional fashion houses and audiences that historically were considered an afterthought.”

    Ballard said the controversy over honoring Galliano was valid.

    “This doesn’t exist in a vacuum, and people have the right to be upset by what was said 15 years ago,” she said. “[But] as a culture, if we genuinely care about minimizing hatred and the effects of addiction, it’s imperative that we support rehabilitation and reconstruction, offering the possibility that change is possible and welcomed — otherwise we become participants in the continuity of harm.”

    Here’s everything else you need to know.

    Who is John Galliano?

    Galliano, 65, is a British designer who has worked for some of the industry’s top fashion houses, including Christian Dior, Givenchy, and Oscar de la Renta.

    At the peak of his career, he served as Dior’s creative director for nearly 15 years. Galliano went on to work for Maison Margiela from 2014 through 2024.

    Earlier this year, Zara announced a two-year creative partnership with Galliano.

    What work is John Galliano best known for?

    While at Dior, Galliano’s Haute Couture and ready-to-wear collections were hailed as among the best of the best.

    He designed the fashion house’s signature Saddle bag, premiering in 2000 and remaining a staple shape.

    He’s also responsible for iconic looks, including the newspaper dress worn by Sarah Jessica Parker’s Carrie Bradshaw in Sex and the City, and model Kate Moss’ 2011 wedding dress.

    “Galliano’s work as a fashion designer is very highly regarded (and collectible),” Chamlee said. “Just look at the asking price ($375,500) of this Galliano for Dior Homme menswear leather skirt. The industry also largely welcomed him back years ago.”

    Why was Galliano canceled?

    Galliano made a string of antisemitic and racist comments in 2010 and 2011, leading to his conviction in an antisemitism trial held in Paris.

    Galliano was recorded at a Paris bar making drunken, antisemitic comments to a group of Jewish women.

    The video recording surfaced in February 2011, just before Paris Fashion Week. Dior suspended and ultimately fired the creative director.

    Galliano was tried by French authorities under national laws against antisemitic speech, where he was found guilty and ordered to pay €16,500 (about $19,000) in fines and damages. He also lost a compensation case against Dior in labor court.

    What happened to Galliano after Dior fired him for his antisemitic comments?

    Convicted of antisemitism and dropped by Dior, Galliano spent years involved in public and private efforts to rehabilitate.

    The 2024 documentary High & Low — John Galliano suggests Galliano was overworked and abusing alcohol and drugs when he made the disparaging comments. The documentary features interviews and analysis on Galliano’s efforts to repair the harm he’d done.

    After a period of silence, alcohol rehabilitation, and outreach to Jewish organizations, some of the designer’s fashion peers and religious leaders began publicly forgiving him.

    Notably, Anna Wintour of Vogue has repeatedly championed Galliano’s work, both in the early days of his career and later, after his period of cancellation.

    She reportedly helped the designer secure funding over the years, as well as his positions at Givenchy, Dior, and Oscar de la Renta in 2013 following his antisemitic remarks. In March, he announced his partnership with Zara.

    Wintour and Galliano met with Jewish leaders to discuss the planned Met Gala showcase, according to the New York Times.

    The Times quoted Jonathan Greenblatt, chief executive of the Anti-Defamation League, as saying of the planned show: “We believe John Galliano has genuinely worked through the issues that led to his antisemitic outburst years ago in Paris, and we have long since accepted his apology.”

    Greenblatt added, “His efforts to repair the damage his words caused and to learn from that incident should be applauded.”

    What has The Met said about the Galliano exhibit?

    In a news release Friday, the museum promised John Galliano: Horizons would be a multifaceted display that addresses the good, bad, and ugly of Galliano’s career.

    “It will directly address the rupture caused by his antisemitic, racist, and anti-Asian conduct in 2010 and 2011, which resulted in his dismissal from Christian Dior and his eponymous label and his conviction by a Paris court for public insults based on race, religion, ethnicity, or origin,” the release said. “It will also consider his subsequent treatment for substance addiction and his later public acknowledgment of his actions. Rather than presenting a conventional narrative of disgrace and redemption, the gallery will examine how memory, experience, cultural values, and historical circumstances continually reshape the reception of a designer’s work.”

    Have other ‘canceled’ designers been honored at the Met Gala?

    Several Met Gala showcases and exhibitions have been considered controversial over the years, but experts stay this time is different.

    This year’s Met Gala faced backlash and boycott threats for accepting a corporate sponsorship from Amazon founder Jeff Bezos. A “Ball Without Billionaires” counterprotest, which took the form of a grassroots fashion show, took place outside the museum’s entrance.

    The celebration for Yves Saint Laurent in 1983 was criticized for being the first to celebrate a living artist. Critics and art historians suggested the precedent could lead to a promotional advertorial-style treatment for an active brand.

    In 2023, the gala’s Karl Lagerfeld showcase — which highlighted the late designer’s work for Chanel, Fendi, and Chloé — was criticized for celebrating a man known by some for a history of fatphobic, misogynistic, anti-Me Too, and anti-immigrant views.

    “Lagerfeld had a long record of cruel and discriminatory public comments … But Galliano’s conduct was explicit enough to result in his firing and a criminal conviction,” said Chamlee. As a living designer, Galliano stands to benefit professionally and financially from the renewed attention, she added.

    When is the 2027 Met Gala?

    The Met Gala will take place on May 3. John Galliano: Horizons will premiere to the public May 9 and be on display through Jan. 9, 2028.

    The Associated Press contributed to this article.

  • Artifacts from Gillian’s Wonderland Pier are still up for sale

    Artifacts from Gillian’s Wonderland Pier are still up for sale

    The vintage Gillian’s Wonderland Pier Canyon Falls Log Flume Bathing Guy is still up for grabs, with a $2,000 price tag.

    So is the 12-by-6-foot fiberglass Haunted Dark Ride Skeleton head, including the top hat and the skeletal hands that once gripped the front of the ride, for $8,500.

    Nearly two years after the iconic Ocean City, N.J., boardwalk amusement park closed down, and with the future of the site still uncertain, 20 of the kitschy and spooky disembodied artifacts from Wonderland remain unsold at Obnoxious Antiques in Burlington.

    Vintage Gillians Wonderland Pier Canyon Falls Log Flume Bathing Guy, priced at $2,000 at Obnoxious Antiques.

    John Polito of Obnoxious Antiques said the massive skeleton head and hands are the work of Bill Tracy, a noted and hugely influential creator of dark ride amusements.

    Much of the other work is the creation of former Wonderland staff artist Wayne Seddon.

    The relics were part of three truckloads hauled off for sale in late 2024 after the park shut down.

    The rotating Wonderland Pier letters sold for $10,000, and Obnoxious Antique’s website lists dozens of other pieces that have already sold, ranging from a Haunted House Moonshine Drunk Weasel to a Smiling Pier Lobster in a Trap to the Dark Ride Devil in a Cage. The sale prices are not listed.

    Polito is hoping another Halloween season will tempt buyers for the skeleton and the other dark ride props for sale, including a pair of coffin speakers ($600), an animated man in a closet ($1,150), and a spider automaton ($750).

    A pair of vintage Gillian’s Wonderland Pier Haunted Dark Ride Haunted House Mechanical Circus Clowns, priced at $1,750 for the pair at Obnoxious Antiques.

    Polito said about half the sold objects were sold to out-of-state buyers, but the other half “went back to Ocean City,” including the Monkey Band, which is on display with other Wonderland artifacts in the Boardwalk food court as a “Wonderland Pier Museum.”

    Some of the exterior figurines were bought by nearby Storybook Land in Egg Harbor Township.

    Polito says the $8,500 price tag for the skeleton and hands “is a steal,” and notes that they would be perfect for a committed Halloween house decorator.

    He estimates it cost $20,000 to create.

    “It’s heavy,” he said. “They would have to commit to it and they would have to really want it.”

    Ed Frischkorn, 30, holding the log flume miner from the now-defunct Gillian’s Wonderland Pier he purchased at Obnoxious Antiques in Burlington, N.J.

    Over objections from some nearby residents, Ocean City Council recently voted to designate the former Wonderland site at 600 Boardwalk in need of rehabilitation and will now negotiate with developer and owner Eustace Mita, who has proposed a seven-story luxury hotel on the site.

    Mita bought the site from Mayor Jay Gillian, who made the decision to close the beloved amusement park his family had owned for 65 years in October 2024.

    Mita’s original proposal called for restoring the Ferris wheel and historic carousel, and preserving several iconic kiddie rides from Wonderland.

    John Polito of Obnoxious Antiques with one of the men in the tub from the log flume ride at the now-defunct Wonderland Pier in Ocean City, N.J. Polito purchased three truckloads of relics that are now for sale at his warehouse on Route 130 in Burlington N.J.