Tag: topic-link-auto

  • Former Labor Secretary oversaw hostile work environment, misused funds, report says

    Former Labor Secretary oversaw hostile work environment, misused funds, report says

    NEW YORK — Former Labor Secretary Lori Chavez-DeRemer oversaw a “toxic, intimidating, and humiliating” work environment and engaged in numerous violations of department policy, according to a new report from the department’s Office of Inspector General.

    The report alleges that Chavez-DeRemer “engaged in an inappropriate relationship” with a member of her security detail and repeatedly directed staff to perform personal tasks on government time. It also accuses her of inappropriately combining personal and official travel, violating the department’s alcohol policies, and failing to report gifts through proper channels.

    Based on interviews with dozens of current and former labor department staffers and a review of more than 500 documents, images, and videos, the report includes several striking allegations.

    During a personal trip to Oregon, it reports, Chavez-DeRemer allegedly stopped at a strip club featuring partially nude dancers and directed her limousine driver to come inside and give money to a performer, despite his hesitation. She then “took additional money from her purse and asked the agent to drop the bills one by one onto the partially nude woman,” despite his protests.

    Chavez-DeRemer, who resigned earlier this year, could not immediately be reached for comment.

    She is also accused of repeatedly directing staff to perform personal tasks during work hours. That included, at one point, directing her personal aide and executive assistant to travel to her home and organize her bedroom closet. After completing the task, they were asked to provide a video documenting their work. The report includes a photo of neatly hung, colorful blazers, alongside purses and shoes.

    In other instances, it alleges, she sent staffers to her home to retrieve packages from the mail room, instructed them to make personal purchases that weren’t always reimbursed, and directed a Hispanic federal employee to communicate with Spanish-speaking workers, including a house cleaner and movers.

    The report alleges Chavez-DeRemer developed and maintained an inappropriate and unprofessional relationship with a senior agent on her security detail, documenting in extensive detail witness reports of her massaging the agent’s shoulder, the two golfing and gambling together, and leaving an event walking arm-in-arm.

    Investigators obtained electronic hotel door lock records that suggested the two were spending time overnight in each other’s rooms. And they obtained key fob records and video footage to document his visits to her home.

    The relationship, they said, “appeared to continue even after he was placed on administrative leave and was suspended from his official duties.”

    The office also concluded that the former secretary and senior staff consumed and stored alcohol on federal property without permission, and that she combined personal and official travel, including visits to family, personal residences, and Las Vegas. And it identified a handful of gifts that were not reported, including tickets to attend a rodeo, an alligator-hide wallet, and cowboy hats.

    The report also alleged that Chavez-DeRemer oversaw a hostile workplace, with senior staff “routinely engaged in threatening, demeaning, and abusive verbal and written communication” that she was seemingly aware of but did not take action to stop.

    Witnesses described the work environment as “toxic, intimidating, and humiliating,” with staff accused of berating employees in front of colleagues, openly discussing performance issues in the presence of other staff, and frequently making threats of termination.

    Senior staff were also accused of making staffing decisions based on physical appearance instead of qualifications, including relocating one employee’s desk because they did not want a “fat person” seen in the front office.

  • 14 people sent to hospital in Gloucester County after a 5-vehicle crash involving a school bus and 2 dump trucks

    14 people sent to hospital in Gloucester County after a 5-vehicle crash involving a school bus and 2 dump trucks

    Fourteen people, including a dozen children, were sent to the hospital after a dump truck caused a chain-reaction crash involving a school bus in Monroe Township Thursday.

    A dump truck driver traveling north on North Tuckahoe Road failed to brake for traffic caused by a stopped school bus and struck the back of a passenger vehicle with one adult and three children, according to a statement from Monroe Township police.

    The force pushed that vehicle into the back of another passenger vehicle with an adult driver. The second passenger vehicle then struck the back of the school bus, which struck a second dump truck.

    One child in the backseat of the first passenger vehicle got trapped and had to be removed by the fire department, according to police.

    Monroe Township Public Schools confirmed on social media Thursday that the bus was traveling from Oak Knoll Elementary School.

    “A number of students were transported to the hospital for further evaluation. Parents of students riding the bus were immediately notified,” the statement reads. “The students were evaluated by medical staff at the hospital and subsequently released. Thankfully, the driver and students are safe and healthy.”

    As of Thursday night, all 12 children and two adults sent to area hospitals for evaluation were either released or were “in stable condition with non-life-threatening injuries,” according to police.

    Monroe Township police are still investigating the crash, but said the commercial carrier associated with the dump trucks is cooperating and motor vehicle complaints are pending.

    The crash wasn’t the first involving a school bus in Gloucester County this week. On Wednesday, four children were sent to the hospital in Washington Township after a vehicle struck a school bus headed to Bells Elementary School.

  • U.S. diesel prices hit a record high, pushing up transportation costs for a long list of goods

    U.S. diesel prices hit a record high, pushing up transportation costs for a long list of goods

    CHICAGO — Diesel hit a record price in the U.S. on Friday, soaring to an average of $5.85 a gallon for the first time as the six-month war with Iran disrupts the world’s flow of fuel.

    Because diesel is used for many freight and delivery networks, higher diesel prices mean higher transportation costs for a long list of everyday goods.

    This could add to Republicans’ political challenges ahead of November’s midterm elections, with voters already sour on President Donald Trump’s management of the economy. AP-NORC polling this summer showed 2 out of 3 U.S. adults disapproved of how Trump is handling the economy.

    More expensive fuel is increasing bills for businesses across sectors — some of which have already passed on costs to consumers in the form of added fees on online orders and packages in the mail. And shoppers may see more and more sticker shock trickle down to store shelves.

    One of the most immediate strains is being felt in the grocery aisle, particularly with produce, meat, and other perishable foods that need to be hauled in and restocked frequently — or even harvested using diesel-powered farm equipment. It can take time for all of those costs to trickle down.

    Still, experts warn that price hikes could mount the longer diesel remains expensive. A range of other products are also transported by diesel trucks, trains, and boats, including clothing, cosmetics, furniture, and more.

    The price for regular gasoline has also been going up, although not as fast as the price of diesel. The average price was $4.15 a gallon, compared with $3.20 at this time last year, according to AAA, which says gas has never been above $4 a gallon on Labor Day.

    What’s driving the latest jump for diesel

    Before the U.S. and Israel launched their war against Iran in late February, the national average for a gallon of diesel was about $3.76 in the U.S., per AAA. Prices quickly climbed as the cost of crude oil — the main ingredient in diesel, as well as gasoline — soared amid supply chain disruptions and production cuts across the Middle East, notably with most tanker traffic bottlenecked in the key Strait of Hormuz.

    Despite prices cooling some during hopes for peace earlier in the summer, oil has now renewed its climb as fighting once more escalates between the U.S. and Iran. Brent crude, the international standard, rose to $96.28 a barrel Friday, up from roughly $70 before the war. Prices at the pump always follow closely behind.

    The last time U.S. businesses and drivers saw sky-high fuel prices was in June 2022, when diesel reached as high as nearly $5.82 a gallon on average, months after the Ukraine war began and world leaders imposed sanctions against Russia, a leading oil producer.

    When adjusted for inflation, however, prices have been higher in the past. Ahead of the 2008 financial crisis, for example, diesel peaked at about $4.74 a gallon — equivalent to $7.20 in 2026, according to the government’s latest data. And 2022’s record of nearly $5.82 would be about $6.56 this year when accounting for inflation.

    That doesn’t take the pain away from today’s steep prices, which are already bringing ripple effects for the economy and wider costs of living. Drivers are feeling the pain each time they fill up gasoline, too.

    The average $4.15 for a gallon of regular unleaded is up from $2.98 before the Iran war, although still well below the 2022 peak of nearly $5.02 a gallon nationwide.

    Diesel has been more expensive than gasoline for decades, and its price has risen at a faster pace during recent energy crises. Some reasons include tighter supply, less flexibility in demand, and diesel’s position in global commerce overall. Individual households may find ways to drive less when gas prices are high, for example, but there’s fewer immediate substitutes for networks that rely on diesel to help produce and haul goods worldwide.

    All eyes on food

    Diesel is integral to every part of the food supply chain. It powers farm equipment and fishing boats as well as the trains and trucks that get food to grocery stores.

    Fuel accounts for roughly 15% to 30% of the total cost of food, according to the Independent Grocers Alliance, a grouping of 7,500 global supermarkets. Because of this, higher diesel costs often result in more expensive food, although it can take a while for energy shocks to wind their way through the supply chain.

    Items that need to stay refrigerated while they’re transported are often the first to see prices rise, according to David Ortega, a professor of food economics and policy at Michigan State University. In July, for example, overall U.S. grocery prices were up 2.7% compared with last July, but seafood prices were up 7% and fresh fruit prices were up 4.9%.

    Ortega cautioned that there can be other factors at play when food prices go up or down. Lettuce also faced higher transportation costs in July, but a drop in demand due to the cyclospora outbreak caused prices to fall.

    Still, consumers could feel more of a squeeze the longer diesel prices remain high.

    “Early on, much of the cost increase gets absorbed along the supply chain through existing freight contracts and retailer margins,” Ortega said. “But as contracts reprice and fuel surcharges take hold, more of that cost makes its way to the grocery store.”

    More fuel shocks

    Back in April, e-commerce giant Amazon rolled out a temporary 3.5% fuel and logistics surcharge on some third-party sellers. And United Parcel Service, FedEx, and the United States Postal Service also moved to add fees on some of the packages they ship earlier in the war, citing rising operational costs for fuel overall.

    Ajesh Kapoor, CEO and founder of trucking technology company SemiCab, said trucking and transportation can adapt to rising diesel prices — but at some point there is a limit.

    “Diesel price has a very, very direct impact on everything that moves on pretty much any mode,” Kapoor said.

    The ramifications extend beyond the movement of consumer goods. Some public transit buses and trains also run on diesel — and diesel generators are often used for backup or emergency power, if not central electricity sources in some remote parts of the world.

    Experts warn that the consequences could continue to deepen — particularly in countries in Africa and Asia, which rely more heavily on imports from the Middle East and have already been hit the hardest by energy shocks over the course of the war.

    Neil Atkinson, energy analyst and senior fellow at the National Center for Energy Analytics, said refined oil products like diesel are becoming more expensive as supplies get stretched.

    “This is gradually becoming a major crisis because A) the prices themselves are very high — but the physical stocks of these products are dwindling,” he said in a weekly briefing with maritime data firm Lloyd’s List Intelligence, pointing to the strain on the global refining system. “This cannot go on forever.”

  • Barrymore Awards announce 2026 nominees for the best in Philly theater

    Barrymore Awards announce 2026 nominees for the best in Philly theater

    Theatre Philadelphia announced the nominees for the 2026 Barrymore Awards — recognizing the best theatrical productions, actors, directors, behind-the-curtain designers, and artists in the Philly area — on Friday morning.

    This year’s selection includes productions from more than 30 regional theater companies across 22 categories during the 2025-2026 season. Old City’s Arden Theatre Company led the nominations, receiving 20 nods, while People’s Light in Malvern trailed close behind with 19. Other theater companies with 10 or more nominations include Inis Nua Theatre Company, which stages productions from Ireland and the U.K. at the Drake in Center City, the Tony Award-winning Wilma Theater on Avenue of the Arts, and Norristown’s Theatre Horizon.

    “In the 250th year of our nation, Philadelphia theaters gave us the fuel we needed to get out of our houses and filled our year with great theater,” said Darnelle Radford, executive director of Theatre Philadelphia, in an email to The Inquirer. “We laughed, we cried, we got fired up and while we are celebrating our nominees, we are really celebrating the resilience of Philadelphia theater and we want the region to know there is world-class theater in our world-class city!”

    The 2025 production of the beloved classic Little Shop of Horrors, based on the 1960 monster comedy, was a clear favorite among Barrymore voters. Directed by Molly Rosa Houlahan and presented by People’s Light, the musical is up for 11 awards including outstanding overall production of a musical, direction, costume design, and props or puppetry design, a new Barrymore category this year.

    Little Shop actors Anna Faye Lieberman and Jessica Money earned nods for lead performances in a musical, while their supporting actors Mary Elizabeth Scallen and Andrew Kane were nominated in the corresponding category; they’re also in the running for outstanding musical ensemble.

    Leading in the play categories’ nominations is The Most Spectacularly Lamentable Trial of Miz Martha Washington, the Wilma’s staging of an irreverent early work from Pulitzer Prize-winning playwright James Ijames (a previous Wilma coartistic director and actor).

    The disarming satire follows a feverish Martha Washington who believes the people she and her husband enslaved are trying to kill her. The show ran this spring amid President Donald Trump’s contested but ultimately successful push to whitewash George Washington’s legacy of slavery at the President’s House.

    From left: Nancy Boykin, Ciera Gardner, Jayson Brown, Jada Mayo, Anthony Martinez-Briggs, and Steven Anthony Wright in “The Most Spectacularly Lamentable Trial of Miz Martha Washington,” nominated for nine Barrymore Awards.Johanna Austin

    Miz Martha received nine nominations, including outstanding production of a play, choreography/movement in a play (for Dominic Moore-Dunson), ensemble, and design categories in scenic, costume, and lighting. (Two other Ijames’ plays, the world premiere of Wilderness Generation and his 2023 play Good Bones, are previous Barrymore nominees.)

    Two theater artists, Pax Ressler and Jordan McCree, received three nominations each. For Girl Dolls: The American Musical, which they created with Jackie Soro in collaboration with Bearded Ladies Cabaret, Ressler is up for outstanding original music, music direction, and original production. McCree is also in the running in the original music category for their work on Miz Martha, in addition to two nods for outstanding sound design in Miz Martha and Philadelphia Theatre Company’s Caesar.

    Seven artists received double nominations. Theatre Horizon’s incoming artistic director, Amina Robinson, was nominated for outstanding direction of a play for Primary Trust and of a musical for Ain’t Misbehavin’, while Brett Ashley Robinson received nods for her direction of Miz Martha and her lead performance in the role of narrator in The Greatest Play in the History of the World.

    New this year: Stage managers for the nominees in outstanding overall productions in play and musical categories are now named in the Barrymore Awards nominations list. It’s part of the organizers’ efforts to spotlight the pivotal behind-the-scenes work that stage managers contribute to each show. (The awards recognize all participating artists for the winning productions.)

    “As the shepherds of these creative teams, the stage managers facilitate and encourage the smooth cohesion of all the incredible artists, technicians and administrators from all corners of the theater that make these Overall Productions so outstanding,” said CJ Higgins, Theatre Philadelphia’s director of programming and operations, in an email.

    Theatre Philadelphia also grants the Philadelphia Award for Social Insight, celebrating “the ability of theatre to illuminate the way we live and interact with others as we seek to build community,” reads the description. This year, 12 productions are nominated for the recognition, which comes with a $25,000 cash prize funded by the Virginia Brown Martin Fund of the Philadelphia Foundation.

    The 2026 Barrymore Awards ceremony will be held on Monday, Nov. 16, at 7 p.m. at the Suzanne Roberts Theatre in Center City.

    See the full list of nominees here:

    Outstanding overall production of a play

    1. Patreshettarlini Adams — The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Wilma Theater
    2. Celia HuttonJohns — Same Team, Inis Nua Theatre Company
    3. Alexis Wells — La Otra, 1812 Productions
    4. Abby Sturgis — Walden, InterAct Theatre Company
    5. Brian Goldblatt — The Garbologists, Montgomery Theatre
    6. Jamel Baker — Primary Trust, Philadelphia Theatre Company
    7. Matthew Ryan Melchior — The Mountaintop, Arden Theatre Company

    Outstanding overall production of a musical

    1. Jess McPhillips — Little Shop of Horrors, People’s Light
    2. CD Kincade — Girl Dolls: The American Musical, Bearded Ladies Cabaret
    3. Alec E. Ferrell — Wishing to Grow Up Brightly, Theatre Horizon
    4. Asher Vaglica — Spring Awakening, Relic Theatre Company
    5. Tom Shotkin — Falsettos, Arden Theatre Company
    The cast of “La Otra,” an 1812 Productions show presented during the Philly Fringe Festival at Arden Theatre.Mark Garvin

    Outstanding direction of a play

    1. Kittson O’Neill — Same Team, Inis Nua Theatre Company
    2. Kimille Howard — Plantation Black, InterAct Theatre Company
    3. Brett Ashley Robinson — The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Wilma Theater
    4. Tanaquil Márquez — La Otra, 1812 Productions
    5. Amina Robinson — Primary Trust, Philadelphia Theatre Company
    6. Rebecca Wright — Class C, Azuka Theatre and Simpatico Theatre
    7. Kathryn MacMillan — Can’t Forget About You, Inis Nua Theatre Company

    Outstanding ensemble in a play

    1. The Most Spectacularly Lamentable Trial of Miz Martha Washington — The Wilma Theater
    2. FIRE!! — Quintessence Theatre
    3. Plantation Black — InterAct Theatre Company
    4. Little Women — Hedgerow Theatre Company
    5. Same Team — Inis Nua Theatre Company
    6. La Otra — 1812 Productions
    7. The Woman Question — People’s Light

    Outstanding leading performance in a play

    1. Ebony Pullum — Blues for an Alabama Sky, Lantern Theater Company
    2. Adam Howard — Why I Stuck a Flare Up My Arse for England, Inis Nua Theatre Company
    3. Noelle Diane Johnson — The Garbologists, Montgomery Theater
    4. David Pica — Class C, Azuka Theatre and Simpatico Theatre
    5. Leo Mock — Little Women, Hedgerow Theatre Company
    6. Travoye Joyner — Romeo and Juliet, Arden Theatre Company
    7. Kishia Nixon —The Mountaintop, Arden Theatre Company
    8. Newton Buchanan — Primary Trust, Philadelphia Theatre Company
    9. V. Sterling — Same Team, Inis Nua Theatre Company
    10. Phillip Brown — Dutchman and the Slave, Passage Theatre Company
    11. Page Whitman — Same Team, Inis Nua Theatre Company
    12. Brett Ashley Robinson — The Greatest Play in the History of the World, Inis Nua Theatre Company and Tiny Dynamite
    13. Matthew Pfeiffer — The Garbologists, Montgomery Theater
    14. Olive Gallagher — Little Women, Hedgerow Theatre Company
    Pax Ressler and Jackie Soro in “Girl Dolls: The American Musical” at FringeArts.Courtesy of Theatre Philadelphia

    Outstanding supporting performance in a play

    1. Megan Bellwoar — Can’t Forget About You, Inis Nua Theatre Company
    2. Jared Delaney — Romeo and Juliet, Arden Theatre Company
    3. Minou Pourshariati — Little Women, Hedgerow Theatre Company
    4. David Ingram — Primary Trust, Philadelphia Theatre Company
    5. Taylor J. Mitchell — Blues for an Alabama Sky, Lantern Theater Company
    6. Jered McLenigan — The Hypochondriac, Quintessence Theatre
    7. Unissa Cruse — Muleheaded, or Zora and Langston Write a Play, Passage Theatre Company
    8. Frank Jimenez — Romeo and Juliet, Arden Theatre Company
    9. David M. Raine — La Otra, 1812 Productions
    10. Daniel Burgess — A Wrinkle in Time, Arden Theatre Company
    11. Walter DeShields — Good Bones, Arden Theatre Company
    12. Dave Johnson — Spinner, Delaware Theatre Company
    13. Brandon J. Pierce — The America Play, The Wilma Theater

    Outstanding choreography/movement in a play

    1. Kittson O’Neill and Lane LaVonne — Same Team, Inis Nua Theatre Company
    2. Polanco Jones Jr., Quinton J. Alexander, and Bess Rowen — FIRE!!, Quintessence Theatre
    3. K. O’Rourke — Can’t Forget About You, Inis Nua Theatre Company
    4. Dominic Moore-Dunson — The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Wilma Theater
    5. Fatima Sowe — The Woman Question, People’s Light
    6. MK Tuomanen — The Presented, Chris Davis
    7. Ryk Lewis — Coloring Book, Fusion Performing Arts Center

    Outstanding lighting design

    1. Shannon Zura — The Greatest Play in the History of the World, Inis Nua Theatre Company and Tiny Dynamite
    2. Lindsay Stevens — Walden, InterAct Theatre Company
    3. Shannon Zura — Good Bones, Arden Theatre Company
    4. Maria Shaplin — The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Wilma Theater
    5. Christopher Ash — Caesar, Philadelphia Theatre Company
    6. Lily Fossner — The Garbologists, Montgomery Theater
    7. Cat Tate Starmer — The Unexpected 3rd: A Radical, Rollicking Rumination on the Optimism of Staying Alive, People’s Light
    A production photo of “Same Team” from Inis Nua Theatre Company.Wide Eyed Studios

    Outstanding scenic design

    1. Chris Haig — Walden, InterAct Theatre Company
    2. Colin McIlvane — The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Wilma Theater
    3. Meghan Jones — The Garbologists, Montgomery Theater
    4. Reiko Huffman —The Mountaintop, Arden Theatre Company
    5. Nick Embree — Can’t Forget About You, Inis Nua Theatre Company
    6. Nina Ball — The Unexpected 3rd: A Radical, Rollicking Rumination on the Optimism of Staying Alive, People’s Light
    7. Andrew Robinson — Gemini, EgoPo Classic Theater

    Outstanding costume design

    1. Nikki Delhomme — The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Wilma Theater
    2. Rebecca Kanach — Twelfth Night, People’s Light
    3. Tiffany Bacon — Muleheaded, or Zora and Langston Write a Play, Passage Theatre Company
    4. Ivania Stack and Bailey Hammett-Colwell — The Snow Queen, The Wilma Theater
    5. Camilla Dely — Little Shop of Horrors, People’s Light
    6. Nikki Delhomme — A Wrinkle in Time, Arden Theatre Company
    7. Tracy Christensen — Steel Magnolias, People’s Light

    Outstanding sound design

    1. Larry Fowler — The America Play, The Wilma Theater
    2. Jordan McCree — The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Wilma Theater
    3. Natali Merrill — Walden, InterAct Theatre Company
    4. Carsen Joenk — Steel Magnolias, People’s Light
    5. Andrew Nelson — JOB, Theatre Exile
    6. Jordan McCree — Caesar, Philadelphia Theatre Company
    7. Mel Hsu — A Wrinkle in Time, Arden Theatre Company
    A scene from “The America Play” at the Wilma Theater.Johanna Austin

    Outstanding media design

    1. Jorge Cousineau —The Mountaintop, Arden Theatre Company
    2. Taj Rauch — Wilderness Generation, Philadelphia Theatre Company
    3. Taj Rauch and Nia Benjamin — Girl Dolls: The American Musical, Bearded Ladies Cabaret
    4. Michael Long — La Otra, 1812 Productions
    5. Christopher Ash — Caesar, Philadelphia Theatre Company

    Outstanding original music

    1. Jackie Soro and Pax Ressler — Girl Dolls: The American Musical, Bearded Ladies Cabaret
    2. Amanda Morton and Josh Totora — Wishing to Grow Up Brightly, Theatre Horizon
    3. Jordan McCree — The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Wilma Theater
    4. Liz Filios — Twelfth Night, People’s Light
    5. Selena Seballo and Jack Denman — The Chequerboard Watch: A New Musical, Delaware Theatre Company
    6. Adam Faulk — FIRE!!, Quintessence Theatre

    Outstanding props or puppetry design

    1. Anton Volovsek and Camilla Dely — Little Shop of Horrors, People’s Light
    2. Paul Kuhn and Ren Bailey — Sacco & Vanzetti: A Tragedia dell’Arte, Curio Theatre Company
    3. Clare Wislar — Marsha Blovotnick and the Marvelous Magical Chicken Soup, Theatre Ariel
    4. Kelly McLaughlan — The Stinky Cheese Man and Other Fairly Stupid Tales, Arden Theatre Company
    5. Jen Burkhart — Wishing to Grow Up Brightly, Theatre Horizon
    6. Ryan Canney — The Garbologists, Montgomery Theatre
    7. Colleen Murray — Lions, Lightning Rod Special
    The 2025 production of “Walden” from InterAct Theatre Company.Wide Eyed Studios

    Outstanding direction of a musical

    1. Robi Hager — Spring Awakening, Relic Theatre Company
    2. MK Tuomanen — Girl Dolls: The American Musical, Bearded Ladies Cabaret
    3. Amina Robinson — Ain’t Misbehavin’, Theatre Horizon
    4. Molly Rosa Hulahan — Little Shop of Horrors, People’s Light

    Outstanding ensemble in a musical

    1. Falsettos — Arden Theatre Company
    2. Little Shop of Horrors — People’s Light
    3. Spring Awakening — Relic Theatre Company
    4. Jelly’s Last Jam — Bristol Riverside Theatre
    5. Ain’t Misbehavin’ — Theatre Horizon

    Outstanding leading performance in a musical

    1. Anna Faye Lieberman — Little Shop of Horrors, People’s Light
    2. Jessica Money — Little Shop of Horrors, People’s Light
    3. Felicity Mundy — Spring Awakening, Relic Theatre Company
    4. Evan Kaushesh — Dear Evan Hansen, Arden Theatre Company
    5. Steve Pacek — Falsettos, Arden Theatre Company
    6. Stanley Martin — Jelly’s Last Jam, Bristol Riverside Theatre
    7. Francesca Marchese — Fun Home, Media Theatre
    8. Sami Ma — Wishing to Grow Up Brightly, Theatre Horizon

    Outstanding supporting performance in a musical

    1. Alison Ansorg — Fun Home, Media Theatre
    2. Katie Boren — Wishing to Grow Up Brightly, Theatre Horizon
    3. Katherine Fried — Falsettos, Arden Theatre Company
    4. Will Stephan Connell — Falsettos, Arden Theatre Company
    5. Mary Elizabeth Scallen — Little Shop of Horrors, People’s Light
    6. Andrew Kane — Little Shop of Horrors, People’s Light
    7. Dana Orange — Jelly’s Last Jam, Bristol Riverside Theatre
    8. Charlie Barney — Annie, Media Theatre
    A scene from the play “Plantation Black” from InterAct Theatre Company.Wide Eyed Studios

    Outstanding choreography/movement in a musical

    1. Julianna Babb, Noelle Diane Johnson, and J. Oliver Donahue — Spring Awakening, Relic Theatre Company
    2. Melanie Cotton and Eli Lynn — Little Shop of Horrors, People’s Light
    3. yaTande Whitney V. Hunter and DeWitt Fleming Jr. — Jelly’s Last Jam, Bristol Riverside Theatre
    4. Eliana Pinckney — Ain’t Misbehavin’, Theatre Horizon

    Outstanding music direction of a musical

    1. Pax Ressler — Girl Dolls, Bearded Ladies Cabaret
    2. Brigitte Rottman — Little Shop of Horrors, People’s Light
    3. Brigitte Rottman — Wishing to Grow Up Brightly, Theatre Horizon
    4. Gina Giachero — Falsettos, Arden Theatre Company

    Outstanding outdoor production

    1. A Bottom’s Dream — Shakespeare in Clark Park
    2. Twelfth Night, O Lo Que Quieras — Delaware Shakespeare
    3. Fraternity — Theatre in the X

    Outstanding original production

    1. Jackie Soro and Pax Ressler — Girl Dolls: The American Musical, Bearded Ladies
    2. Chaz T. Martin — Class C, Azuka Theatre and Simpatico Theatre
    3. Alice Yorke and Scott R. Sheppard — Lions, Lightning Rod Special
    4. John Bellomo — Sacco & Vanzetti: A Tragedia dell’Arte, Curio Theatre Company
    5. Chris Davis — The Presented, Chris Davis
    6. Dan Kitrosser — Marsha Blovotnik and the Magical Chicken Soup, Theatre Ariel
    7. Saymoukda Duangphouxay Vongsay — Seng’s Hair Salon, InterAct Theatre Company

    The Philadelphia award for social insight

    1. Inheritors — Philadelphia Artists’ Collective
    2. Draw the Circle — Hedgerow Theatre Company
    3. Good Bones — Arden Theatre Company
    4. The White Chip — New Light Theatre
    5. Sacco & Vanzetti: A Tragedia dell’Arte — Curio Theatre Company
    6. Ain’t Misbehavin’ — Theatre Horizon
    7. The Woman Question — People’s Light
    8. The America Play — Wilma Theater
    9. Franklinland — Lantern Theater Company
    10. Same Team — Inis Nua Theatre Company
    11. The Great Privation — Theatre Exile
    12. 1 Pound 4 Ounces — Azuka Theatre and Simpatico Theatre

    Correction: This article has been updated to reflect updated information from Theatre Philadelphia. Eliana Pinckney and Andrew Kane’s names have been corrected and the nominee for outstanding sound design for ‘JOB’ is Andrew Nelson.

  • Photo essay: pieces of the past

    Photo essay: pieces of the past

    This article was originally published Sept. 14, 2021.

    After Sept. 11, 2001, thousands of rusted pieces of twisted steel from the Twin Towers, damaged emergency vehicles, signs, clothing and other relics were disseminated to all 50 states and to the far reaches of the world. The Port Authority of New York and New Jersey began a program to distribute them to more than 2,000 fire and police departments, museums, municipalities and organizations to remember the nearly 3,000 people who died that day.

    There are 154 artifact pieces in New Jersey towns, 82 in Pennsylvania. In the weeks leading up to Sept. 11 this year, we visited some of those towns and spoke with the people who live there.

    Shanksville, Pa.

    A cross made of World Trade Center steel is mounted outside the Shanksville Volunteer Fire Company. They were the first firefighters to respond when United Flight 93 crashed nearby,Tom Gralish / Staff Photographer
    Dan Wolf is redoing his grandfather’s cabin on Indian Lake, where debris from Flight 93 washed up. He hopes it becomes a place for his brothers to gather following the deaths of their parents a few years ago.TOM GRALISH / Staff Photographer

    Lehigh Valley International Airport

    “Victorii Rebuild” in Bethlehem was carved by Florida artist Sandra Priest from a 4-foot-thick piece of the underground wall that still protects the foundation of the World Trade Center site from Hudson River groundwater seepage. The wall survived the attacks on 9/11, and pieces of it were removed later to make room for the new PATH station that now sits beneath the rebuilt center.Tom Gralish / Staff Photographer
    TSA worker Hector Rivera Jr., 47, screens passengers departing Lehigh Valley International Airport. He worked for a security contractor there, then joined the Transportation Security Administration when it was founded after 9/11.Tom Gralish / Staff Photographer

    Haddon Township, N.J.

    The township’s memorial is made of three parts: Steel from the World Trade Center, limestone from the Pentagon and a stone from Shanksville.Tom Gralish / Staff Photographer
    Emily Stout works in her real estate storefront office a block away from the memorial at Westmont Fire Company No. 1.TOM GRALISH / Staff Photographer

    Absecon, N.J.

    Granite reproductions of the Twin Towers in Absecon’s Heritage Park showcase a 16-foot I-beam from the 39th floor of the South Tower as well as memorial markers for the victims in Shanksville and at the Pentagon.Tom Gralish / Staff Photographer
    Amjad Rehman, of nearby Galloway Township, goes out to dinner with his wife, Neelamm, and sons, Ali and Sammad. Rehman moved to New Jersey from Pakistan as a child. Ali, 30, was in fifth grade on 9/11 and suffered anti-Muslim taunting from classmates.Tom Gralish / Staff Photographer

    Mantua, N.J.

    A 3-foot World Trade Center steel I-beam with a hole ripped through it in Chestnut Branch Park’s Place of Reflection in Mantua.Tom Gralish / Staff Photographer
    A quarter-mile walk from the parking lot along a tree-lined path leads to the Place of Reflection, dedicated to three Gloucester County residents who lost their lives on 9/11.Tom Gralish / Staff Photographer
    Pastor Phil Moser at Fellowship Bible Church in nearby Mullica Hill. Ten years after 9/11, the church also served victims of Hurricane Sandy, and this month helped neighbors clean up after tornadoes ravaged their community.Tom Gralish / Staff Photographer

    Coatesville, Pa.

    One of the steel supports from the North Tower is displayed outside the National Iron & Steel Heritage Museum in Coatesville. Originally made at the Lukens Steel plant there for construction of the World Trade Center in 1966, it helped to support the first nine floors of the Twin Towers. A portion of these columns was the only structure left standing when the towers collapsed on 9/11.Tom Gralish / Staff Photographer
    Waleah Britt, 39, pauses outside a salon after her daughter Janiyah got her back-to-school hair styled in downtown Coatesville, in Chester County.Tom Gralish / Staff Photographer

    King of Prussia

    Next to the King of Prussia Volunteer Fire Company Station 47, and across from the mall, the 9/11 memorial features two World Trade Center steel I-beams and design elements that represent all four doomed flights on 9/11.Tom Gralish / Staff Photographer
    Engaged couple Shawn Harrison II and Kaitlyn Buckley before dinner at Morton’s at the King of Prussia Mall, across the street from the 9/11 memorial.Tom Gralish / Staff Photographer

    Medford Lakes, N.J.

    A pentagon-shaped concrete pedestal holds a granite monument topped with a piece of steel from the North Tower surrounded by a water feature in Leon E. Todd Memorial Park.Tom Gralish / Staff Photographer
    Dan Kiernan, 54, daughter Sydney, 16, and golden doodle Oskar.Tom Gralish / Staff Photographer

    Atlantic City, N.J.

    The Saracini-O’Neill 9/11 Memorial on the Boardwalk at Jackson Avenue, on the border of Atlantic City and Ventnor. The memorial is dedicated to Atlantic City natives Victor John Saracini and John P. O’Neill.Tom Gralish / Staff Photographer
    Tom Harris, walking with his wife, Carol, after dinner salutes the flag at the 9/11 Memorial. John P. O’Neill was head of security at the World Trade Center, who died while helping others to evacuate. Victor J. Saracini was the pilot of Flight 175 when it was hijacked and flown into the South Tower.Tom Gralish / Staff Photographer

    Brooklawn, N.J.

    The township’s 9/11 Memorial features a Pentagon-shaped base supporting a 9-foot-11 piece of World Trade Center steel. It is framed by two stone pedestals supporting artifacts from Shanksville and the Pentagon.Tom Gralish / Staff Photographer
    Miles Jesuncosky outside his home in Brooklawn, N.J., which is around the corner from the memorial.Tom Gralish / Staff Photographer

    Berwick, Pa.

    Boy Scout Colin Hill built a memorial from steel remnants of the World Trade Center for his Eagle Scout project. Two 12-foot beams made from 350 pounds of twisted metal are outside Reliance Fire Company No. 1, in Berwick, Columbia County,Tom Gralish / Staff Photographer
    Heather Schon shops at the Weis Markets grocery store in Bloomsburg, Pa., with her 2-year-old son, Blaise.Tom Gralish / Staff Photographer

    Lower Makefield Township, Pa.

    The official Pennsylvania memorial to the victims of 9/11 in Bucks County.TOM GRALISH / Staff Photographer
    Steve Murphy practices volleyball with son Stevie, 11, in one of the fields at 62-acre Memorial Park in Lower Makefield Township.Tom Gralish / Staff Photographer
    58 Pennsylvania were killed in the attacks. Among them were 18 from Bucks County and nine residents of Lower Makefield.Tom Gralish / Staff Photographer
  • Villanova is ready to put ‘a better product on the field’ against Bucknell

    Villanova is ready to put ‘a better product on the field’ against Bucknell

    Villanova head coach Mark Ferrante sat behind his large wooden desk on Thursday. He peered out the window to his left and looked at Villanova Stadium. It was the site of the Wildcats’ agonizing season-opening loss to William & Mary last week.

    Villanova led William & Mary by 10 points with 58 seconds remaining in regulation. Then a slew of mistakes by the Wildcats allowed William & Mary to make a field goal, recover an onside kick, score a touchdown, intercept Villanova, and kick a game-winning 45-yard field goal as time expired.

    As much as Ferrante strives to move on from games, this one stuck with him, and not by choice. While Villanova is preparing for Saturday’s Patriot League matchup at Bucknell (6 p.m., ESPN+), radio shows and media interviews have peppered Ferrante with the same questions about the season-opening loss.

    “We want to try to follow our own advice as coaches,” Ferrante said. “Learn from it, digest it the day after, celebrate the victories, mourn the losses, 24 hour rule, come in the next day, make the corrections, and then put it in the rearview and move on. So I’m hoping that’s what our team and our staff have done.”

    To shorten it, Ferrante simply said: “We took the L, but the L stands for learn.”

    There are still 11 regular season games left on Villanova’s schedule, beginning with Bucknell (0-1, 0-1 Patriot League) on the road on Saturday.

    Villanova running back Isaiah Ragland finds daylight against William & Mary’s defense in last week’s season opener.Yong Kim / Staff Photographer

    Villanova has not started seasons quickly in recent years. The Wildcats previously showed mental lapses on both sides of the ball, even in wins. Those errors lessened as those seasons progressed, especially last year after Villanova suffered a 51-33 blowout loss to Monmouth in Week 3. The Wildcats responded with an 11-game win streak to parlay a run to the FCS playoff semifinals.

    Ferrante does not view seasons game-by-game or even half-to-half. He views the season in the form of each play, referencing the words of recent champions in Indiana head coach Curt Cignetti and New York Knicks star Jalen Brunson.

    “Cignetti says the same thing,” Ferrante said. “Every play has a life of its own. And once that play’s over, you have to get to the next play, regardless of what happened. Jalen Brunson came down, and he popped into our Ocean City practice. He basically said the same thing. Take one play at a time, regardless of the outcome of that play, put it in the rearview and get to the next play.”

    In preparation for this weekend, Villanova has prioritized cleaning up the penalties after committing 15 for 107 yards against William & Mary. In comparison, William & Mary had three penalties for 22 yards.

    Villanova also lost the turnover battle, 4-1.

    “You’re going to have a couple of penalties during the course of the game,” Ferrante said. “When you can put 15 of them together, that’s a big deal. … If you tell me we’re going to have a turnover a game, we’re going to have 11, 12 turnovers by the end of the year, that’s probably a pretty good year. Right now we’re on pace to have 60 if we do five a game. That’s not a good year.”

    Villanova wide receiver Brandon Binkowski tips the football that was intercepted by William & Mary defensive back Cade Ellis (right), one of four Wildcats turnovers last Friday.Yong Kim / Staff Photographer

    However, there is still good that came out of the loss for Ferrante, notably the team’s tackling.

    In previous seasons, the Wildcats struggled early on with tackling in the open field, attributed to the lack of live tackling during the preseason.

    “One of the positives, I thought, looking at previous opening games is we looked fast, and our tackling was a little better than some preseason or early games in previous years,” Ferrante said. “So I think that’s something we can build off of. But one week to the next is all you got. And this one will come up a lot faster. You don’t have all preseason to get ready for the next one.”

    Villanova last faced Bucknell in 2021, when the Wildcats dominated the Bison, 55-3. A lot has changed since then. Bucknell named Jeff Behrman its 28th head coach earlier this year.

    “This one might even be a little trickier than the opener because we haven’t played Bucknell in a long time and they have a new coaching staff,” Ferrante said. “So all we have to go on is film from where they came from, John Carroll, a semifinal team from a year ago [in] Division III, and then last week’s Richmond game. … We think [Jeff Behrman will] run the same offense he ran at John Carroll.

    “We’re excited for the challenge. We’re looking forward to going out there and playing better and putting a better product on the field than we did last week, collectively, at least for four quarters, and minimizing our mistakes.”

  • A fifth straight postseason is in sight. Here are the big things to watch from the Phillies over the final month.

    A fifth straight postseason is in sight. Here are the big things to watch from the Phillies over the final month.

    Not that anyone was counting, but the Phillies went 130 days between series against the Braves. If that doesn’t seem like a long time, consider the circumstances when they last met on April 26 in Atlanta:

    It seemed improbable then — and unlikely even a month ago — that the National League East crown would hang in the balance when the rivals reunited over Labor Day weekend. Yet here are the Braves, toting a four-game lead into town after the Phillies went 21-7 in August, including a 15-3 roll since their Field of Dreams diversion.

    “We’re all excited for the challenge,” Kyle Schwarber said.

    It’s a taste of Red October one month early. But no matter what happens over the next two weekends against the Braves, the Phillies are in good position to play in the postseason for the fifth consecutive year, the second-longest active streak after the Dodgers.

    With 22 games left, the Sons of Don Mattingly are on pace for 91 wins. A check of their playoff odds going into the weekend: 99.4% (Fangraphs); 99.5% (Baseball Reference); 99.8% (Baseball Prospectus). There’s no such thing as a lock, but based on predictive modeling, the Phillies are close.

    In that case, September is more about gearing up for a run through the postseason than merely making it.

    The competition is about to toughen. A team can play only against its schedule, but the Phillies played one game in August against a team that is holding a playoff spot. They’re 27-29 against clubs that are presently above .500. September is filled with those opponents, notably the Braves, Astros, Brewers, and Rays.

    Here, then, are the biggest things to watch as the final month of the regular season unfolds.

    Hard-throwing rookie righty Alex McFarlane could be a pivotal piece in the Phillies’ bridge to closer Jhoan Duran.Elizabeth Robertson / Staff Photographer

    The bullpen bridge

    Jhoan Duran threw seven pitches in the ninth inning last Saturday night in Anaheim, so he went back out for the 10th, the first time this season that he got more than three outs in a game.

    He surely will be asked to do it in the playoffs.

    But as a modern closer, Duran has gone more than one inning only seven times in the last three years, including the postseason. He won’t suddenly turn into 1980 Tug McGraw and rack up three-inning saves. And even if Mattingly pushes Duran for four, five, or even six outs, the Phillies will still need a bridge to get to him.

    Consider: Cristopher Sánchez and Jesús Luzardo may finish in the top-five in the Cy Young race and are averaging 18 outs per start. Zack Wheeler is averaging 17.5, excluding a rain-shortened start last month in Baltimore. The difference, then, between winning and losing a series may come down to getting outs 19 through 22 or 23 in each game and still holding a lead.

    That’s been the case in the last three postseasons.

    Last year, in Game 1 of the division series, the Phillies led 3-2 with two out in the seventh inning (20 outs into the game) when the Dodgers’ Teoscar Hernández took Matt Strahm deep. In 2024, Game 1 against the Mets, they led 1-0 in the eighth (21 outs into the game) when Jeff Hoffman and Strahm gave up a total of five runs.

    And in 2023, of course, Orion Kerkering blew a 1-0 lead 18 outs into Game 3 of the NL Championship Series against the Diamondbacks, one night before Craig Kimbrel coughed up a 5-3 lead 22 outs into Game 4.

    So, who gets those outs this year?

    Orion Kerkering has had mixed success as a high-leverage reliever in the Phillies’ bullpen since September 2023.Elizabeth Robertson / Staff Photographer

    Jonathan Bowlan emerged as the main setup man after Brad Keller’s season-ending elbow surgery in July. Kerkering and lefty José Alvarado are experienced but inconsistent. Trade-deadline addition Brooks Raley has had success in his career against Dodgers lefty hitters Shohei Ohtani (1-for-7, three walks), Freddie Freeman (1-for-6), and Max Muncy (1-for-4, walk). Fellow lefty Tim Mayza hasn’t gotten many high-leverage chances lately.

    Andrew Painter has a 3.12 ERA in seven starts since returning from triple A, and the Phillies won’t need five starters in the playoffs. But given his first-inning difficulties and lack of bullpen experience, it seems more likely that his postseason role would involve multiple-inning appearances or perhaps splitting a start with Aaron Nola, similar to Ranger Suárez in Game 4 at Dodger Stadium last year.

    Then, there’s Alex McFarlane.

    Drafted one round before Kerkering in 2022, the 100-mph-throwing 25-year-old has overcome Tommy John elbow surgery and moved to the bullpen. In 10 major league appearances, he has already retired Ohtani and Muncy and struck out Byron Buxton, JJ Wetherholt, Randy Arozarena, Mike Trout, and Nolan Arenado.

    “[He] doesn’t really pitch like a rookie,” Nola said.

    McFarlane has allowed one earned run in 10⅓ innings, but also walked the leadoff batter in four appearances. If he’s able to kick that habit, he will be an increasingly intriguing leverage option for Mattingly.

    Open auditions will continue through September.

    Zack Wheeler is scheduled to start at home Saturday night against the Braves.Yong Kim / Staff Photographer

    Getting the Wheels back

    Last week, after the worst start in his worst six-start stretch in seven seasons with the Phillies, even Wheeler conceded he was searching for answers.

    And no theory was too conspiratorial.

    “First, I’m going to check off the box of, hey, am I doing something to where other teams are seeing it, you know?” Wheeler said, thinking aloud that pitch-tipping may have been at the root of a four-homer, five-walk, eight-run thumping Aug. 24 in Seattle. “At this point, you’ve got to check off all the boxes.”

    Two days later, after a biomechanical dive that went deeper than Jacques Cousteau, pitching coach Caleb Cotham said he believed Wheeler’s problems were “a sum of a couple of small things.” And in pitching, a small thing can go a long way.

    Specifically, the Phillies discovered that Wheeler, when he came set in his delivery in the Seattle start, held his glove 2 inches lower than usual, the continuation of an insidious trend. It messed with his mechanics, causing him to over-rotate and drift toward the third-base on-deck circle rather than going directly to the plate.

    After making the fix, Wheeler was better last Sunday in Anaheim. He gave up a run in a 19-pitch first inning, then threw up zeros for the next five against the Angels.

    But he remained measured in his satisfaction.

    “I’m still not out of it,” said Wheeler, who has a 7.12 ERA in his last seven starts after posting a 2.16 mark through his first 16. “Certain things, usually it just clicks once I get out there, and right now I’m just having to grind a little bit, which is normal. But I expect a standard out of myself and just haven’t been there.”

    Saturday night against the Braves will be another test.

    Trea Turner continued to struggle at the plate in August, even as the Phillies hit better as a team.Elizabeth Robertson / Staff Photographer

    Searching for Trea Turner

    The question arose again last week, as Trea Turner went through an 0-for-19 spell that represented the latest frustration in the worst season of his career.

    How long will he remain in the No. 2 spot in the order?

    “Where do you want me to put him?” Mattingly said, playfully. “And who do you want me to put there?”

    Absent any solutions, Mattingly continued.

    “I think we all know that Trea’s going to come out of this, and when he does, it’ll be hot,” Mattingly said. “We’ve seen it with Schwarb, we’ve seen it with [Bryce Harper], we’ve seen it with [Luis] Arraez. You’ve just got to hang in with guys over the course of the season.”

    It’s reasonable to wait for Turner to show up because he’s a .291 career hitter and a two-time batting champion. He’s also the only sensible righty-swinging choice to hit near the top of the order and split up Schwarber, Harper, and Arraez, all left-handed hitters.

    But Turner remains susceptible to spin — sliders and curveballs, in particular — and sometimes looks like he’s trying to pull everything to left field. While most of the lineup cooked in August, he batted .215 with a .292 on-base percentage and .572 OPS.

    Overall, Turner is hitting .239 with a .668 OPS and a career-high 21.8% strikeout rate.

    Turner is a thinker, sometimes to his detriment. He met Ichiro Suzuki in Seattle last week and asked a series of questions about using the opposite field, not flying open in his swing, and how he corrected his mistakes. Then, Turner made an adjustment and was happier with his process.

    Trea Turner continues to hit in the No. 2 spot in the Phillies’ order.Monica Herndon / Staff Photographer

    “Me and [hitting coach] Kevin [Long] were talking a lot,” Turner said. “He said he liked the swing a lot, but you want to see the results. Just keep competing, keep working, try to get hot, and end the year strong.”

    Imagine if he’s able to do that.

    Mattingly has.

    “If there’s a point where it’s like, OK, this has got to go, then you get there,” Mattingly said of dropping Turner in the order. “But right now, I mean, for me, it feels to guys like it’s panic when you start making changes like that.”

  • Jalen Hurts’ play is again under the microscope. His latest effort to evolve could determine his future.

    Jalen Hurts’ play is again under the microscope. His latest effort to evolve could determine his future.

    Jalen Hurts wanted more context. He wanted to know why a certain question was asked, or more pointedly, the narrative of the story that was clearly behind the asking.

    Hurts, on rare occasions, will pull a reporter aside post-news conference and ask for clarification and even offer more information. This was partially that. But he also seemed to genuinely entertain the premise, and in doing so, slightly lifted his carefully maintained veil.

    The Eagles quarterback tried earlier to answer the big-picture question about the concept of pressure and his excellence when the stakes were highest following an August practice during a dog day of training camp.

    “It’s hard to think about any other thing than just improving every day,” Hurts said last month. “That pressure that you’re talking about, those opportunities that I relish in, they start now in these moments.”

    The timing and the setting didn’t allow for depth, especially from someone who prefers to shun introspection. But Hurts must have sensed there was more to the premise. And he was correct. It wasn’t just in big games that he thrived. He’s had his best seasons when facing external doubts about his future.

    And this season, so the theory goes, is another make-it-or-break-it moment for the quarterback.

    Hurts nodded. He understood the construct. He may claim that he doesn’t read or listen to outside opinion, but he did cop to being aware of current storylines about him. It’s part of the job. And he’s heard this one before.

    “No narratives are new,” Hurts said, “just recycled.”

    In 2024, the Eagles were coming off a season with offensive regression that led to an early playoff exit and the coordinator getting fired. Hurts and Co. responded, of course, by winning a Super Bowl.

    Jalen Hurts, having won the Super Bowl MVP award in the Eagles’ victory over the Kansas City Chiefs, holds up the Lombardi Trophy on the stage at the Art Museum during the team’s victory parade.Yong Kim / Staff Photographer

    The circumstances are similar two Septembers later. Hurts will have another new play caller in Sean Mannion as coach Nick Sirianni searches for a constant that prevents the fluctuation that has led to annual turnover at the position.

    But for the first time in the Sirianni-Hurts tenure, the scheme will be dramatically different. At least that’s the plan. And the quarterback won’t have A.J. Brown, his former No. 1 wide receiver and close friend, to throw to for the first time in five seasons.

    The notion that Hurts is on the hot seat, though, comes more from various reports that his uncompromising ways and resistance to change has contributed to the team’s overall struggles, and that an unresolved contract situation doesn’t guarantee his return in 2027.

    General manager Howie Roseman has decried the reports and denied the suggestion that the Eagles have put the 28-year-old on the clock by not restructuring his deal.

    Hurts addressed the characterizations and the uncertainty over his future in June. But given all the variables and what they could amount to, he didn’t discredit the perception. He just said it wasn’t his reality.

    “Pressure is an illusion,” Hurts said to The Inquirer. “Fear is an illusion.”

    More was said, but he preferred his cryptic response to stand alone. The conversation lasted less than 10 minutes. Its depiction here isn’t meant to suggest exclusivity or great insight into Hurts. But one-on-one opportunities have been fleeting over his six-plus years in Philadelphia.

    In this case, it was as much the answers he gave as it was the questions he asked. Hurts is making an effort. He’s trying to let his guard down. It’s been evident in his pressers this summer, in the recent profile he did with GQ, and most importantly, inside the Jefferson Health Training Complex.

    The Eagles seemingly never have to worry about Hurts’ work ethic or his behavior off the field. But as the franchise quarterback, there are interpersonal parts of the job that are almost requirements. Hurts isn’t naturally outgoing.

    “Overall, he’s been better,” a team source said, “when it comes to communication and being around.”

    Jalen Hurts signs a jersey for an Eagles fan as he comes out of the tunnel ahead of a preseason game against the Ravens in August.David Maialetti / Staff Photographer

    It may be just a simple hello in the hallway, or hanging in the locker room longer, or talking about himself more openly. Hurts has organized summer workouts with skill position players before, but he had almost full attendance in the session he ran in Orlando this July.

    No one desires for him to be inauthentically extroverted. Like his goatee that was shaved into a mustache for most of this offseason, Hurts has made outward tweaks. But he remains a figure mostly shrouded in mystery, and seems to relish it.

    Asked to reveal more about a recent anecdote he’d relayed about his wife, Hurts said, “Maybe … if you’re nice to me.”

    Adjustments and growth

    The personality stuff is secondary to performance. Hurts, like many on offense, didn’t play up to expectations in 2025. He finished with his lowest expected points added per dropback since he became the full-time starter in 2021, and ranked a career-worst 18th in EPA among qualified quarterbacks.

    The Eagles haven’t had a pass-heavy offense when at their best, though. And the inability to run with running back Saquon Barkley after a historic 2024 compounded the struggles through the air. But what confounded the most, perhaps, was Hurts being less of a factor on the ground.

    Another year, another new offensive coordinator for Jalen Hurts: This year it’s Sean Mannion (left).Yong Kim / Staff Photographer

    Numbers hardly tell the full story. The offense was predictable, conservative, and failed to evolve and incorporate modern trends like having more motion. The end result: Kevin Patullo was fired after one season as offensive coordinator, Brown wanted out, and Sirianni hired a first-time play-caller in Mannion, who brings with him the trendy Kyle Shanahan-Sean McVay system.

    Mannion is just the latest in a long line of coordinator changes Hurts has had to endure stretching back to college at Alabama and Oklahoma.

    “I think you can appreciate the 11 different coordinators I’ve had,” he said last month in explaining the ups and downs of his career.

    But as receiver DeVonta Smith said after the playoff loss to the 49ers in January, and as Eagles defensive coordinator Vic Fangio noted last month, the offense hadn’t changed all that much since Sirianni became coach and Hurts his quarterback.

    “A lot’s been made about him, all these coordinators he’s been with, but it’s basically been the same offense every year,” Fangio said. “This is different.”

    Hurts has previously worked from under center. He’s thrown down the middle of the field. He’s had pure progression reads. But he’ll have to do those things at a much higher rate if marrying the run with the pass off play-action is the central principle of the new offense.

    (function() { var l = function() { new pym.Parent( ‘hurts-zones2__graphic’, ‘https://media.inquirer.com/storage/inquirer/ai2html/hurts-zones2/index.html’); }; if(typeof(pym) === ‘undefined’) { var h = document.getElementsByTagName(‘head’)[0], s = document.createElement(‘script’); s.type = ‘text/javascript’; s.src = ‘https://pym.nprapps.org/pym.v1.min.js’; s.onload = l; h.appendChild(s); } else { l(); } })();

    It may seem counterproductive to ask him to major in something he’s only minored in before. But Hurts has shown that he can execute all of the above. The question is how far is he willing to go, or for that matter, how far is the turnover-adverse Sirianni willing to let him go?

    Hurts, by all accounts, has embraced the changes.

    “He’s all-in on this system,” Eagles tackle Jordan Mailata said in July at the start of camp. “The way he’s commanding the huddle. The way he’s getting that ball out. The way he’s throwing it. … He’s all-in. It’s refreshing to see.”

    The scheme could unlock a new version of Hurts as a passer. And having an offense where running is the focal point while not being as dependent on his involvement could limit the hits as he enters the next stage of his career.

    But what happens if there are the expected speed bumps? Or even worse, potholes?

    Hurts has previously resisted new elements, as he did early in former offensive coordinator Kellen Moore’s tenure two years ago. Moore had wanted to include more motion in his scheme, but the Eagles were still near bottom in the league in motion usage through the first four games of the 2024 season.

    A 2-2 start that year in which Hurts turned the ball over seven times prompted offensive changes, the most significant of which was leaning into Barkley and the run game. But motion utilization — pre-snap and at the snap — increased as the season progressed. In April, ESPN published a story that detailed Hurts’ “strong preferences” — a reluctance to motion being one — that sources said had stunted the offense in 2025.

    “I’m always open to growth. I’m always open to improving,” Hurts said when he was finally asked in June about the assertions. “I think a lot of it is, what do we put our time on task? What are we exhausting? What are we repping?”

    While he ultimately didn’t refute the report — “Just let it live,” Hurts said — he did say he wasn’t responsible for the fateful “four verticals” call that ended the season against the 49ers, and a play that in its story ESPN implied Hurts directed.

    Last season ended for the Eagles and Jalen Hurts with a home loss to the 49ers. Here, Niners linebacker Fred Warner (right) and linebacker Oren Burks converge to tackle Hurts.David Maialetti / Staff Photographer

    While a source close to the situation confirmed that it was Hurts who suggested the play, two sources familiar with the events said it was only because Patullo had “froze” when going over the play sheet. Ultimately, Sirianni had final say.

    If the outcome was successful, a statue would not have been erected like with the “Philly Special.” But there wouldn’t have been as much consternation about who was responsible: the player who came up with the idea, or the coach who decided it made sense.

    Either way, the play-calling process had become more cumbersome under Patullo than it was under Moore. Some team sources have described Moore as a savant, capable of getting a call in early enough to give Hurts additional information until the cutoff time.

    But Patullo was a first-time play caller, and thus a by-committee approach was used with Sirianni’s supervision. Mannion, also a first-timer, is expected to adopt a similar system with pass game coordinator Josh Grizzard, who has play-calling experience, and others feeding him necessary data.

    Every NFL offensive coordinator has play-calling help. But the Eagles were 1.3 seconds slower out of the huddle last season and had the most snaps in the league (150) with one second or less left on the clock.

    There weren’t any noticeable game management issues in the preseason, but Hurts has yet to play a game with Mannion at the controls. Mannion’s gameday whereabouts — he practiced calling plays from the field and in the booth in the preseason — have yet to be decided.

    “I think the operation’s been good regardless of where he’s been,” Sirianni said.

    Jalen Hurts did not play during the Eagles’ three preseason games.Monica Herndon / Staff Photographer

    Handling pressure on and off the field

    While the getting-out-of-the-huddle issue can be mostly attributed to the play-calling process, the late snaps are probably more of a quarterback problem. Mannion has added more plays in which the offense breaks the huddle and hurries to the line for a quick snap.

    But that tactic can be deployed only so often. Hurts still has to make checks at the line and change protection calls based upon his pre-snap reads of a defense. In terms of setting the protections, particularly vs. pressure looks, former Eagles center Jason Kelce took charge until he retired in 2023.

    Hurts has made strides against the blitz over the past two seasons, in particular in finding his hot reads. But he struggled more last season with simulated pressures — in which defenses feign sending extra rushers — with the Eagles often errant in their protection assignments.

    Mannion said the pre-snap calls will be made by either Hurts or the offensive line “dependent on the protection scheme,” Eagles center Cam Jurgens said. “It’s similar, but not the same,” in terms of how responsibilities are doled out.

    Hurts faced a lot of unblocked pass rushers in two joint practices with the Patriots last month. It was a good test for Mannion’s unit because New England loves to disguise its looks and send simulated pressure at quarterbacks.

    The Eagles offense was effective on the ground in the early portion of Day 1. But Hurts was hurried or sacked on multiple drops in the latter team drills. And on Day 2, he threw multiple interceptions, although there were positive moments through the air as well.

    As important as the scrimmages were for the teams, Brown’s performance against his former team garnered as much attention. “He was the best player on both offenses,” an Eagles source said of the new Patriots receiver.

    Brown said after the first workout on Aug. 19 that he hadn’t spoken to Hurts since he was traded on June 1. Both players were guests at Eagles receiver DeVonta Smith’s wedding just 12 days later.

    Jalen Hurts and A.J. Brown exchanged greetings after the Eagles and Patriots had a joint practice in August.Yong Kim / Staff Photographer

    But on his way to the locker room after the second practice, Brown jogged down to Hurts as he was throwing passes, and the two embraced. They asked about each other’s families, wished the other good luck in the coming season, and exchanged a few jokes, according to a source briefed on the interaction.

    Both teams had wanted a made-for-the-cameras reconciliation and Brown, who had told NBC Sports at the time of the trade that he was no longer close to Hurts, agreed when an intermediary intervened.

    In June, Hurts gave an ambiguous answer about being “focused on the collective” when asked about Brown’s description of their relationship. But when GQ pressed him on the subject of whether they were no longer as tight, Hurts said, “Clearly.”

    Brown declined to address why he wanted to be traded. Several Eagles sources opined that there wasn’t more behind his exit than what was on the surface: He wanted to further cement his legacy as a Hall of Fame-caliber receiver and didn’t believe that was possible in Philly.

    And while that implied that Hurts was at the core of his leaving, there were off-field reasons for why they drifted apart. Brown, for instance, had organized team bonding trips to an escape room and Top Golf, or get-togethers at the movies or his house. Hurts was among those who didn’t always attend such excursions.

    Hurts, as quarterback, had other responsibilities. But there was a general feeling from some team leaders that he needed to be more engaged.

    In July, Hurts hosted many Eagles skill position players in Orlando for workouts at Central Florida’s Bounce House. But the players also golfed, had dinners, and socialized. When asked about the excursion at the start of camp, Hurts talked about “unity” and protecting the “intimacy of this team.”

    Brown, who was often outwardly emotional, had expressed public frustrations via social media, something he later said he regretted.

    The sphinxlike Hurts has preferred to let his actions on the field do most of the talking. And his accomplishments in just five seasons as the starter speak for themselves: 56 victories and a 71.8 winning percentage, five playoff appearances, two Super Bowl trips, and an MVP performance in beating the Chiefs in the title game just two seasons ago.

    Hurts’ resumé should make it almost inconceivable that the Eagles would contemplate — no matter how this season unfolds — parting with him next offseason. And yet, his contract doesn’t make it a foregone conclusion.

    Forecasting the future

    Hurts is guaranteed $51.5 million for 2026, but less than half of his $51 million average annual salary ($22 million) is guaranteed in 2027. He has no guarantee in 2028, the final year of the five-year, $255 million extension he signed in April 2023.

    Eagles owner Jeffrey Lurie, when asked about the deal in April at the league meetings, said Hurts was in the “middle of the new contract now.” But teams have given extensions to franchise quarterbacks with similarly structured contracts to create salary cap space.

    Jalen Hurts and Eagles owner Jeffrey Lurie have enjoyed the ultimate success together. David Maialetti / Staff Photographer

    Lurie was otherwise effusive praising Hurts. The owner pushed for Roseman to select the Oklahoma product in the second round of the 2020 draft. Hurts may not have a bigger fan in the building, and that’s notable when looking at his future.

    The Eagles front office views his deal as winding down and expects optimum production — like any player under similar circumstances — but it’s hard to predict anything with the next offseason eons away in NFL terms.

    “For me, I’m truly focused on being the best I can be right now,” Hurts said when asked about his contract in June. “That’s where my energy is.”

    When camp opened a month later, Hurts appeared trimmer than previous years. Fangio and a few defensive players said he looked faster. Hurts said he felt the same and hadn’t altered his training regimen.

    Last season, he finished with his lowest number of rushing attempts (105) and rushing yards (421) since becoming the starter in 2021. The Eagles wanted to curtail Hurts’ exposure to harm early on, but despite Patullo’s pledge that more carries were coming, Hurts was rarely a plus-one factor down the stretch. Hurts insisted that he was willing to run as much as he had previously, and has said as much about this season. But there will likely be fewer opportunities for designed runs with more plays starting from under center.

    “I don’t think that’s something I can manage,” Hurts said last month. “That’s ultimately up to what we’re doing as an offense and how we put everything together. When you look back about 2020 and 2021 and those times we were a heavy [shotgun] team, ran a lot of inside zone, run a lot of [run-pass option], got to the edge a good bit, and defense was different, too. And the game has changed.

    “That doesn’t mean you remove those elements, but again the base of the offense was run inside zone and that’s not typical for this West Coast-type of style.”

    Jalen Hurts’ effectiveness as a runner will be scrutinized within Sean Mannion’s scheme. Monica Herndon / Staff Photographer

    The outside zone is the base run play of the Shanahan-McVay offense, and its effectiveness sets up throws off naked bootlegs that are designed in part to be layups for the passing game. There is a horizontal stretching of defenses, but the play-action is also designed to create space for receivers downfield.

    Backup quarterbacks Andy Dalton and Tanner McKee were under center on 38% of the snaps they took in the preseason. But it was a small sample and neither player has Hurts’ mobility and athleticism.

    “The piece of him as an athlete in the running game is something unique,” Mannion said. “Those are elements we can lean into a little bit, as well.”

    But with so much of the scheme predicated on marrying the run with the pass and keeping defenses on their toes by not giving away plays based on formation and technique, it will be difficult to shift the play-calling.

    Sirianni hired the 34-year-old Mannion for his acumen, but also for his knowledge of this scheme.

    Overall, Hurts was accurate and efficient in camp. But he also had rough moments and tossed eight interceptions. That’s seven more than he threw last summer, so practice doesn’t always correlate to regular-season performance.

    Jalen Hurts had an up-and-down camp as he learned the new offense. Jose F. Moreno / Staff Photographer

    But with more full-field progression reads than the coverage reads that were a larger part of the previous system, timing with his receivers will be pivotal. Hurts may have less to do pre-snap, but with many new faces, there will likely be a learning curve.

    Mannion didn’t gloss over the interceptions from the joint practices. He pointed them out and didn’t excuse them as experimental throws. But there is some question as to whether Hurts will overpower a young coordinator when expressing his preferences.

    There is a balance to strike in doing what’s best for the quarterback and what’s best for the entire group. The same could be said about a possible blending of the old with the new. For all the hand wringing about the offense last year — that was also affected by O-line injuries — the scheme had produced remarkable highs in the past.

    “I think that’s a great question,” Hurts said when asked about carryover. “And it’s something that you keep in mind when you’ve had so much success. How will it look? You don’t really know. Do you want to win? Absolutely.

    “So we’ve got to figure out who we are as a team. Obviously, coaches come in with a great mindset, great philosophy and putting everything together. It brings us a bit more structure. In the end, it’s about what’s going to go out there and be the best for our team.

    “I know Sean will come up with the answer over time.”

    Jalen Hurts has seemed open to both schematic and personal changes that will help turn the page on a disappointing 2025. Yong Kim / Staff Photographer

    ‘I am who I am’

    Time will show if the relative openness Hurts has shown to others will extend to the offensive changes. But if stoicism or hardheadedness were his worst crimes, he wouldn’t be unlike many high achievers.

    Four years ago, Hurts agreed to participate in what has remained his lone sit-down interview with The Inquirer. The topic of the Eagles’ legacy of Black quarterbacks was one that appealed to him because he admired his predecessors and knew the bleak history of how African American men were treated in relation to the position.

    “I think there’s levels to that, and I’ll just leave it at that,” Hurts said when asked if he felt Black quarterbacks still faced additional scrutiny.

    A follow-up posed the question of whether he didn’t show more of his personality because of the history.

    “As I grow and mature, that will evolve,” Hurts said then. “But I am who I am in terms of my character, how I was raised and where it comes from. But like I said, there’s levels to everything.”

    Hurts isn’t any less an enigma than he was then or ever. He’s seemingly let outsiders in just a little. But it’s also his coolness that defines him and helps him maintain a fierce number of loyalists.

    When Hurts told the story at the start of camp of how he offered the recently extended Jalen Carter the $5 bill his wife, Bryonna, puts in his backpack — “A little inside joke between her and I,” he said — it was one of the rare times he ever spoke anecdotally.

    It also gave a glimpse, perhaps, of his private life. The Inquirer later asked for more detail. Hurts repeated what he said several times before when the reporter asked for additional access: “Maybe … if you’re nice to me.”

    When the question was posed again, following the brief post-news conference interaction a few weeks later, Hurts laughed, then walked away.

  • Letters to the Editor | Sept. 4, 2026

    Letters to the Editor | Sept. 4, 2026

    Honest work

    Labor Day is often seen as the unofficial end of summer — a long weekend for barbecues and family gatherings. But before enjoying the day off, we should remember the people whose work makes our daily lives possible. As a mail carrier, I see this every day. Behind every functioning neighborhood are workers who quietly keep life moving, including teachers, nurses, first responders, sanitation crews, farmers, and caregivers. Many work early mornings, late nights, and holidays. We often notice their work only when something goes undone.

    As an Ahmadi Muslim, I was taught that serving others is an essential expression of faith. That value guides me on my route every day. Labor Day reminds us that our nation was not built by famous names alone, but by ordinary people willing to work, serve, and contribute — often without recognition. This Labor Day, let’s take a moment to thank those who keep our communities running. Every honest worker deserves our respect.

    Farid Ahmad, Easton

    Walk the walk

    Inga Saffron’s column about being car-free or car-light was interesting and positive. We moved here in 2021 to eventually be car-free as we aged and are car-light now. We have volunteered with Save Our Train to keep the Chestnut Hill West line running. We take all forms of SEPTA and appreciate very much what is available. But I have to wonder how much continual advocacy transit, in all forms, has with our City Council and with our state representatives. Do Council members and their staff take transit, bike, or walk to work frequently? If not, it should be a requirement. If they had, maybe the new work on Broad Street would have been more thoughtful for pedestrians and bicyclists. Same question for Mayor Cherelle L. Parker and her staff. Perhaps she could take a page from New York’s mayor. The same goes for our state representatives. Our elected officials need to make it possible for people of all ages to get out of cars. If they only know a car-centric life, how do they effectively advocate for transit?

    Liese Sadler, Philadelphia

    More like Daffy

    Recently leaked information from the Pentagon reveals that leaders of the U.S. European Command, the U.S. Pacific Command, and the U.S. Southern Command, along with the Navy’s top admiral, all formally disagreed with the administration’s Iran war conduct and planning. Troops and vessels are unevenly distributed, critical munitions are running out, and even homeland defense is weakened. This revealing show of no-confidence is a point when serious, competent civilian leadership should make a rational and considered about-face.

    At a time when the more than 1.3 million people in active-duty service look to their commander in chief for strong, coherent leadership, this will assuredly not be happening. Over the weekend, Donald Trump instead reposted on his Truth Social account a meme showing a troop of rifle-toting Trump-like geese guarding his newly named “Lake America” from the Canadians, titled “Protected by Donald Ducks.” It is beyond shocking that while in violent war, our president, so frustrated and infuriated by his own incompetence, will simply hide in this absurd renaming fantasy for amusement. This is who we have in the dangerous real world where the rest of us live.

    Joseph B. Baker, Honey Brook

    Join the conversation: Send letters to letters@inquirer.com. Limit length to 150 words and include home address and day and evening phone number. Letters run in The Inquirer six days a week on the editorial pages and online.

  • Neighbors struggle against a decade-plus of South Philly sinkholes | Shackamaxon

    Neighbors struggle against a decade-plus of South Philly sinkholes | Shackamaxon

    Welcome to Shackamaxon, a weekly politics column focused on what’s happening at City Hall and in Harrisburg. It is named for the place where the Lenape chiefs would meet to conduct the people’s business, which is now known as Penn Treaty Park.

    This week’s edition covers sinkholes, the embrace of “slopulism,” the ongoing struggle over the future of the Cecil B. Moore Library branch, and the loss of a venerable museum.

    Signage marks a hole in the road on the 1600 block of South Lawrence Street on Tuesday. Neighbors have been complaining about the street’s integrity for more than a decade.Monica Herndon / Staff Photographer

    Sinkhole street

    How long does it take for a 311 request to be resolved? For residents of the 1600 block of South Lawrence Street, it has been 13 years — and counting. In the meantime, city officials have repeatedly ignored their emails and offered excuses.

    It all began with a 2013 complaint about road instability. According to residents, their block once hosted a factory, which means that when their homes were built and their street was initially paved, it had to be filled in. Their concern is that, over time, this fill may have eroded, leading to the repeated formation of sinkholes and putting their buried utility pipes at risk.

    Given that one of the neighbors who contacted me, Tim Dunn, is a civil engineer, I would say this is a credible worry.

    While the city paid to fix three water laterals after the main broke, the neighbors believe three or four additional laterals were damaged and should have been covered, too. They also report that the laterals the city replaced experienced issues almost immediately. The block is scheduled to be repaved next year, and if underlying problems remain, the effort could be futile.

    You would think that would lead officials at the city’s Streets and Water Departments to investigate. But until this week, that wasn’t the case.

    The neighbors have compiled a timeline, complete with notes and evidence, of their efforts to get the departments to take their concerns seriously. Councilmember Mark Squilla, who represents the street, confirmed their account. Even he had trouble getting emails answered about this situation.

    Out of 36 requests from Squilla or residents for help or information, 19 went unanswered. Adding insult to injury, the neighbors told me the city has repeatedly deployed no parking signs, only to not send anyone to do any work. This was perceived as an intimidation tactic.

    When I reached out to the city to get their side of the story, they said they are now on top of the situation. On Tuesday, after my initial outreach, they finally sent a sewer operations team to investigate exactly what is happening underground.

    Changes in how we get around and how we shop have had an impact on our streets. When these homes were built back in the 1920s, cars were rare in Philadelphia. The most popular model, Ford’s famous Model T, weighed up to 1,500 pounds. People increasingly use SUVs and heavy-duty trucks as their daily rides, putting strain on roads created without them in mind. The total weight rating for a loaded Amazon delivery van can be almost 10,000 pounds. This is part of why Mayor Cherelle L. Parker proposed a “pothole tax” on deliveries.

    More money, however, would not fix what went wrong on South Lawrence Street. If existing communication and coordination issues aren’t resolved, residents will understandably see the pothole tax as yet another cash grab from City Hall.

    Pennsylvania Gov. Josh Shapiro speaks during a news conference at the state Capitol, Aug. 18.Marc Levy

    Shapiro’s slopulism

    One of the most frustrating parts of post-pandemic politics is the rise of “slopulism.” Short-form videos make it easy to build support for ideas that pander to our biases but are either not factual or impractical. From inciting claims about voter fraud to the idea that we can “just make transit free,” no one wants to read the boring evidence when there’s a cool, colorful video that tells them what they want to hear.

    Gov. Josh Shapiro, a dedicated performer in the TikTok and Reels sphere, has embraced slopulism before. During his 2022 gubernatorial campaign, he promised to pursue “gas tax rebates,” an idea that would have depleted the state’s reserves and disproportionately sent cash to wealthier households. Mercifully, it doesn’t seem to have come up since he won.

    While Shapiro’s critics will often say that the Ambitious Abingtonian watches the polls like a hawk, he’s mostly avoided relapsing into slopulism as governor. At least, until recently.

    First came his about-face on data centers. Now he’s indicated support for a ban on automatic license plate readers known as Flock cameras.

    There are real concerns about their misuse. Many feel uncomfortable with a private company like Flock Safety playing such a big role in law enforcement, and there have been troubling instances of police officers using the devices to stalk ex-romantic partners. Guardrails must be established.

    At the same time, automatic license plate readers and other cameras have become an essential law enforcement tool. They can help identify stolen cars, track shooters after an incident, find hit-and-run drivers, and ensure detectives get the right perpetrator. While a spokesperson made clear that the governor’s statements were not meant as an endorsement for any particular piece of legislation currently before the General Assembly, Shapiro must ensure whatever restrictions are placed on the technology don’t curtail the important gains in reducing violence and solving crimes.

    People in the community come out for a meeting and cookout to discuss the funding and renovations for Cecil B. Moore Library on Aug. 29.Tyger Williams / Staff Photographer

    Limited library

    One politician who can’t be accused of following the polls is Jeffery “Jay” Young, City Council’s quarrelsome contrarian. After years of conversation, Young has agreed to allow renovations at the Cecil B. Moore Library in North Philadelphia to move forward. There’s just one big problem: His plan is only a fraction of what neighbors had asked for.

    Instead of adding a teen space, a private study room, new computers, and other physical improvements for which proponents had raised $8 million, the library will get a bare-bones approach. Young prefers building a new library and has so far been unwilling to reconsider that vision.

    Residents, for their part, are passionate and organized about saving their original plan. Sadly, councilmanic prerogative, the tradition that keeps Council members from second-guessing each other’s decisions, gives neighbors next to no recourse to stop Young.

    The Dinosaur Hall at the Academy of Natural Sciences’ museum.Peter Dobrin

    Use it or lose it

    Since 1828, the Academy of Natural Sciences’ museum has offered visitors a glimpse into the planet’s living past. Like many Philadelphians, I have gawked at the massive, reconstructed Tyrannosaurus rex many times. The museum, however, has announced it may go the way of the dinosaurs.

    This set off a firestorm of criticism of both the Academy and Drexel, its partner. How could they do this to us? Why don’t we have more time? Did anyone ask for help?

    Almost in response, longtime civic leader and former Mayor Ed Rendell lieutenant David L. Cohen revealed that he had been trying to save the Academy for some time — and was close to a deal to keep the Academy in the city, even if the museum closes.

    While his efforts are welcome, this closure and the financial struggles at the Philadelphia Museum of Art are a reminder that a critical part of keeping these illustrious institutions around is showing up.

    After all, declining ticket sales and attendance are a running thread in this post-pandemic world. As much as the ornate stone buildings these collections reside in suggest permanence, they can and do close when support is not offered. I’ll include myself in saying that all of us need to appreciate and utilize the tremendous legacy past Philadelphians have left behind before it is gone.