A federal judge Friday denied the Kennedy Center’s last-ditch motion to delay removing President Donald Trump’s name from the performing arts venue, as crews erected scaffolding next to the building less than 12 hours before the court-ordered deadline to do so.
U.S. District Judge Christopher Cooper ruled Friday afternoon that the Kennedy Center’s lawyers failed to demonstrate they were likely to win their appeal or that the center would suffer “irreparable harm” if Trump’s name were removed.
Justice Department lawyers representing the center filed the motion to stay after the center’s trustees voted Thursday to appeal Cooper’s May 29 ruling.
The Kennedy Center’s leadership appealed Cooper’s Friday ruling to the Court of Appeals for the D.C. Circuit and requested action by the court by 7 pm ET. That appeal was also denied Friday evening.
Scaffolding had been erected earlier in the day around a section of the building that includes Trump’s name and crowds gathered to cheer the workers, though there was no effort to remove it by 7 p.m. Eastern Time. Storms with lightning were dancing around Washington, adding to the challenge for workers.
Removing Trump’s name would be the most tangible setback in the president’s 15-month effort to take over the storied arts institution. On Monday, the center removed “Trump” from the title of its website, restoring it to “The Kennedy Center.” That came four days after the venue’s administration directed employees to erase references to Trump from official center materials — signs, social media accounts, email signatures, webpages, documents, and promotional materials.
In February 2025, Trump purged the center’s board of trustees and replaced them with political allies who then elected him board chair. In December, those loyalists voted to rename the venue, and a day later, crews added Trump’s name to the exterior.
Trump claimed that the board’s vote to do so was a surprise, but he had joked about naming the center after himself for months. Within hours his name was on the website, and the next morning the building’s sign read: “The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts.”
Justice Department lawyers representing Trump later acknowledged that, given the speed with which the signage was installed, it had been “prepared and/or purchased prior to the Board’s vote the day before.”
The addition of Trump’s name sparked immediate backlash from the arts community and members of the Kennedy family, who argued that the renaming desecrated a living memorial to the assassinated president. Congress established the center in 1964, two months after Kennedy’s death, designating it “the sole national monument to his memory within the city of Washington and its environs.” Critics noted that under the law creating the institution, only Congress has authority to change the center’s name.
Rep. Joyce Beatty (D., Ohio), an ex officio board member, sued fellow trustees in December after she was muted during a virtual board meeting when she tried to voice opposition to the name change.
In his May opinion, Cooper ruled that Congress was “crystal clear” in 1964 when it passed legislation changing the name of the National Cultural Center to the John F. Kennedy Center for the Performing Arts, designating it as “a living memorial” to the president who had been assassinated the year before.
“Congress gave the Kennedy Center its name,” Cooper wrote, “and only Congress can change it.”
Washington National Opera sues Kennedy Center board
The Washington National Opera on Thursday filed a lawsuit seeking to force the Kennedy Center to turn over $17 million in gifts and donations to the opera company.
The Kennedy Center has “wrongfully held” years’ worth of donor gifts, bequests, and endowment funds that belong to the opera, according to the complaint filed in the U.S. Court of Federal Claims, five months after the two institutions ended a roughly 15-year affiliation.
“These funds represent years of gifts from loyal supporters who gave specifically to advance WNO’s mission, its performances, its artists, and its education and community programs,” the company said in a statement. “WNO has a fiduciary responsibility to its donors to ensure their contributions are honored and used as intended to support the work of WNO’s artists and its programs.”
The lawsuit alleges the Kennedy Center not only refused to return the funds but also put a significant portion of them at risk.
In a Jan. 8 email, the center’s chief financial officer claimed for the first time that millions held in a fund for WNO’s benefit actually belonged to the Kennedy Center — and disclosed that the center had used the money to collateralize its own line of credit, according to the complaint. The WNO board voted to terminate the affiliation agreement the next day.
The breakup was swift and acrimonious, the complaint states. Within hours of WNO’s termination notice, the Kennedy Center allegedly cut off the opera’s access to its emails, donor records, and board minutes dating to 2011; locked staff out of their offices; sent termination letters to WNO employees; and scrubbed the opera’s remaining season from the center’s website. Then-President Richard Grenell announced on X that the “Trump Kennedy Center has made the decision to end the EXCLUSIVE partnership” with the opera.
WNO said it spent months trying to resolve the dispute short of litigation, proposing meetings and invoking the mediation clause of the parties’ agreement, but the Kennedy Center never responded to its request to select a mediator.
The complaint asks the court to award at least $17.1 million in damages and seeks a complete accounting of all WNO funds the center holds.
The Kennedy Center did not immediately respond to a request for comment.












