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  • Bonnie Tyler, who topped the charts with epic ‘Total Eclipse of the Heart,’ has died at 75

    Bonnie Tyler, who topped the charts with epic ‘Total Eclipse of the Heart,’ has died at 75

    Bonnie Tyler, the gravelly voiced, Grammy-nominated Welsh pop star best known for singing the chart-topping power ballad “Total Eclipse of the Heart” in 1983, and seeing new generations succumb to its bombastic charms during solar and lunar eclipses, has died. She was 75.

    Tyler died unexpectedly in a hospital in Portugal where she was being treated for an illness, her family said Thursday in a statement on her website. She was hospitalized in May in Faro, where she had a home, for emergency intestinal surgery. She had been placed in an induced coma for a period but was reportedly improving last month and expected to make a good recovery.

    “Bonnie’s family and team are heartbroken to announce that Bonnie unexpectedly passed away last night in hospital in Portugal as a result of the illness that she was being treated for,” her family said.

    Tyler earned three Grammy nods, represented Britain at the Eurovision Song Contest 2013, where she came in 19th. She was honored as a Member of the Order of the British Empire for her services to music by Queen Elizabeth II in 2022, all largely thanks to “Total Eclipse of the Heart,” which has had more that 1 billion streams, boosted by real eclipses in 2017 and 2024.

    The song spent four weeks at No. 1, and when Stereogum reevaluated it in 2020, the music outlet declared it an “extinction-level event rendered in musical form.”

    “It’s pop music as heart-pounding, chest-thumping, blood-gargling, heavens-falling passion explosion. It’s sheer spectacle. It’s fireworks and lasers and lightning and thunder. It soars and swoops and barrel-rolls,” the site said.

    The song has never really gone away, covered by the English singer Nicki French in 1995, and the band Westlife in 2006. Cate Blanchett sang it while hitting Billy Bob Thornton with her car in 2001’s “Bandits,” it appeared in a wedding scene in 2003’s “Old School” and One Direction sang it in 2010 on a U.K. version of “The X Factor.”

    Early life

    Tyler was born — as Gaynor Hopkins — a coal miner’s daughter in public housing with an outside toilet in Skewen, Wales, about 7 miles (11 kilometers) outside Swansea. She grew up with three sisters and two brothers.

    She adored the Beatles and her first album was “A Hard Day’s Night.” The first song she bought was “Hippy Hippy Shake” by the Swinging Blue Jeans at 13 and watched “Top of the Pops” religiously, according to her memoir, “Straight From the Heart.”

    She would record “Top of the Pops” on a reel-to-reel two-track recorder and write down the lyrics of songs she loved. Her favorites were songs by Janis Joplin, Nina Simone, Tina Turner, Wilson Pickett and Otis Redding.

    “I used to sing them into my hairbrush for hours and hours, and that’s how it all started for me. I fell in love with singing just from doing that. Looking back, even then my voice had a husky tone to it, but I didn’t think much of it. I thought everyone’s voices were different from each other’s,” she wrote.

    In 1976 she had to have surgery to remove nodules on her throat, leaving her with that trademark vocal sound. Changing her name to Sherene Davis, she was fronting a soul band when she was discovered by talent scout Roger Bell, who brought her to London for demo sessions. Then she waited for a label until RCA said it was interested.

    Under her new RCA-sanctioned name Bonnie Tyler, her debut album “The World Starts Tonight” in 1977 contained her first chart hit, “Lost in France,” and she was nominated for a breakthrough artists award at the Brits Awards. She then had a No. 3 hit in 1978 with “It’s a Heartache,” but soon drifted. She then signed with Sony and saw Meat Loaf perform “Bat Out of Hell” on the BBC. Impressed, she requested to work with Meat Loaf songwriter and producer Jim Steinman.

    ‘Total Eclipse of the Heart’

    Steinman introduced her to his song “Total Eclipse of the Heart,” which would become the debut single for her fifth studio album, “Faster Than the Speed of Night.” He borrowed one of the song’s lyrics — “Turn around, bright eyes” — from his 1969 musical “The Dream Engine,” written as a student at Massachusetts’ Amherst College. He told her the song was from a prospective musical version of “Nosferatu.”

    “Jim liked to put down a basic rhythm track, do nine takes of the song, choose the best one and then put the kitchen sink on there, like Phil Spector used to,” Tyler told The Guardian in 2023. “He gave me a cassette to listen to in my hotel and we both preferred take two.”

    Featuring E Street Band members Roy Bittan on piano and Max Weinberg on drums, “Total Eclipse” is a rumination on lost love: “Once upon a time there was light in my life/But now there’s only love in the dark,” she sings.

    The video, a staple of early-days MTV, was shot in a frightening gothic former asylum in Surrey, where the guard dogs apparently wouldn’t set foot in the rooms downstairs where they used to give people electric shock treatment. The visuals included slow-motion tossed doves, candles, dancing ninjas, dancing greasers, Tyler in frighteningly big shoulder pads, fencers, gymnasts, wind machines and shirtless boys wearing swim goggles being doused with water.

    “Faster Than the Speed of Night” earned a Grammy nomination for best rock vocal performance — losing to Pat Benatar’s “Love Is a Battlefield” — and Tyler got another nod for “Total Eclipse of the Heart” in the best pop vocal performance category, losing to Irene Cara’s “Flashdance — What a Feeling.”

    After the ‘Eclipse’

    Tyler never reached such dizzying heights again but stayed current with such movie soundtrack singles as “Holding Out For a Hero” — from 1984’s “Footloose” — and “Here She Comes” from “Metropolis” also in 1984.

    Her 2019 disc “Between the Earth and the Stars” featured duets with Rod Stewart, Cliff Richard and Status Quo’s Francis Rossi, and she ended that year performing a Vatican Christmas concert before Pope Francis.

    In 2013, she switched gears to make a country-flavored record in Nashville, “Rocks and Honey,” which included the Vince Gill duet “What You Need From Me” and a little ballad called “Believe in Me,” written by American songwriter Desmond Child and British songwriters Lauren Christy and Christopher Braide. “Believe in Me” was picked to represent the United Kingdom at that year’s Eurovision Song Contest in Sweden.

    “It was an absolutely wonderful atmosphere there,” she told the San Francisco Examiner in 2023. “I was being interviewed every 15, 20 minutes, and when I walked out onstage behind the British flag, I thought the roof was going to come off! It was awesome, just awesome!”

    In 2017, she joined Joe Jonas’ band DNCE for a performance on the cruise ship Oasis of the Seas as part of a “Total Eclipse Cruise.” When the moon passed in front of the sun, they played “Total Eclipse of the Heart.”

    Tyler was married to property developer and former Olympic judo competitor Robert Sullivan.

  • Rothman Orthopaedics is refocused on Philly region, opening three new surgery centers

    Rothman Orthopaedics is refocused on Philly region, opening three new surgery centers

    Rothman Orthopaedics plans to open three new surgery centers over the next year and keep adding doctors in its Philadelphia-area market, as the large physician-owned group refocuses growth efforts on its original territory.

    “Our biggest priority in the near term is strengthening our core business here, in Southeastern Pennsylvania and New Jersey,” Rothman CEO Christian Ellison said. “We’re not gonna ignore opportunities. We’ll be opportunistic around things that make strategic sense.”

    The new approach comes after a now abandoned effort to break into the New York market, first in a partnership with Northwell Health in 2017 and then with NYU Langone Health. That foray ended last year with the sale of Rothman Orthopaedics of Greater New York and its three locations to NYU Langone.

    Rothman has seen more success after following the lure of fast population growth to Florida, where it opened offices in the Orlando area in 2020 in partnership with AdventHealth.

    “Florida has been a big success, because we’ve had the partnership down there with Advent Health that’s been kind of mutually beneficial,” said Ellison, who became Rothman’s CEO last fall.

    The Philadelphia draw

    The practice headquartered in Center City already has 24 locations in the Greater Philadelphia market. That number includes facilities that Rothman operates in partnership with Jefferson Health, Main Line Health, AtlantiCare, and RWJ Barnabas.

    Rothman located its newest office in West Chester, an area where Rothman had little market share, according to Ellison. He also sees opportunity in other parts of the Philadelphia region and contiguous markets.

    To make that growth possible, Rothman is partway through an effort to hire 41 physicians by the end of this year. That represents a 20% increase and will bring Rothman’s total to 214 physicians, the company said.

    The need for ambulatory surgery centers

    Rothman is a partner in nine surgery centers in Pennsylvania and New Jersey and two surgical hospitals (Rothman Orthopaedic Specialty Hospital in Benslam and Physicians Care Surgical Hospital in Limerick).

    Those outpatient facilities account for nearly two-thirds of Rothman’s surgeries. Even the surgical hospitals function primarily as ambulatory centers, Ellison said. The remaining third of surgeries takes place in acute-care hospitals.

    “We are challenged for operating room capacity right now, both in the acute care hospitals, as well as in our ASCs, and so we feel like we need to bring more operating rooms online,” Ellison said.

    What’s more, Medicare and private insurers want more procedures done in lower-cost surgery centers. In the future, insurers will pay the same price for an outpatient knee replacement whether its done in a hospital of freestanding surgery center, Ellison predicted.

    Rothman hasn’t finalized locations for the new surgery centers, but Ellison said he expects two to be in Southeastern Pennsylvania and one in New Jersey. The centers will likely be in areas where Rothman has an established patient base.

    The physician group prefers to open the new centers independently, as opposed to going through partnerships like it has historically. “We think we’re uniquely positioned to manage that patient experience in the surgical environment,” Ellison said.

  • OGYU Japanese BBQ & Bar brings grill-it-yourself Wagyu to the former Iron Hill Brewery in Ardmore

    OGYU Japanese BBQ & Bar brings grill-it-yourself Wagyu to the former Iron Hill Brewery in Ardmore

    In building the concept for his newest restaurant, Sam Li flew halfway across the world for a culinary research journey. He traveled across China, Japan, and Korea to study, and sample, the three countries’ ways of doing barbecue. It was at a Japanese yakiniku — or grilled meat — restaurant that he knew he had found his next project.

    Li is the owner of OGYU Japanese BBQ & Bar, an upscale, grill-it-yourself Japanese barbecue restaurant that opened in Ardmore last month. The restaurant offers a tiered, fixed-price menu with a focus on “higher quality premium Wagyu beef.” OGYU is located in the former Iron Hill Brewery at 60 Greenfield Ave., which closed in 2024 before Iron Hill filed for bankruptcy last year.

    Though OGYU has found a home in what was once Iron Hill, Li and his team have transformed the former brewery’s space into a sleek, club-like atmosphere, with black and gold detailing, marble-paneled walls, and an opulent, fully stocked bar.

    OGYU Japanese BBQ restaurant is shown on Tuesday, July, 7, 2026 in Ardmore. The new restaurant by Sam Li offers a modern Japanese steakhouse experience with tabletop cooking.Jose F. Moreno / Staff Photographer

    Li grew up in a restaurant family. His grandparents opened Oriental Palace in Lawnside in 1978, and he took over the restaurant from his parents in 2003.

    He now sits at the helm of seven restaurants in the Philly suburbs, including sushi restaurant Osushi, with locations in Marlton, Ardmore, and Wayne; upscale Japanese restaurant Hiramasa in Newtown Square; and fast-casual chain bb.q Chicken, with two locations in South Jersey.

    While Li has built his brand largely around sushi, he said he saw an opportunity in the market when it came to Japanese barbecue. There aren’t many yakiniku restaurants in the region, he said, and it’s a relatively new concept to many of his diners. People tend to be familiar with Korean barbecue, which leans more into marinades and flavors than its Japanese counterpart, which more often lets the meat speak for itself, Li said.

    “We felt that it could be a new concept that we could bring into the U.S, and it’s something new to Ardmore,” Li said.

    Restaurant owner Sam Li is photographed at OGYU Japanese BBQ restaurant on Tuesday, July, 7, 2026 in Ardmore. His new restaurant offers a modern Japanese steakhouse experience with tabletop cooking.Jose F. Moreno / Staff Photographer

    Bringing a new concept to customers has meant lots of education, both for OGYU’s staff and its customers, who need to learn how to operate the tabletop grills and cook pieces of Wagyu to perfection. OGYU is an interactive experience, in addition to a meal, with flashy dry ice presentations and the challenge — and excitement — of grilling your own dinner in the middle of the table.

    OGYU offers an all-you-can-eat, fixed-price menu with four tiers: Silver ($39), Gold ($59), Platinum ($79), and Diamond ($99).

    The main difference in the tiers is the quality of the meat, Li said. The introductory tier is best for diners who “just want to experience and explore what yakiniku is about.” The Diamond tier will be “the ultimate experience.”

    OGYU Japanese BBQ restaurant is shown on Tuesday, July, 7, 2026 in Ardmore.Jose F. Moreno / Staff Photographer

    Beyond what goes on the grill, OGYU offers a menu of à la carte dishes, including spicy kani salad ($9.95), Wagyu truffle fried rice ($21.95), wasabi lobster tempura ($19.95), butter cheese corn ($9.95), and various hand rolls and sashimi. Li describes the à la carte menu as inspired by Japanese street food.

    OGYU is open from 11:30 a.m. to 10 p.m., Sunday through Thursday, and 11:30 a.m. to 11 p.m., Friday and Saturday.

    This suburban content is produced with support from the Leslie Miller and Richard Worley Foundation and The Lenfest Institute for Journalism. Editorial content is created independently of the project donors. Gifts to support The Inquirer’s high-impact journalism can be made at inquirer.com/donate. A list of Lenfest Institute donors can be found at lenfestinstitute.org/supporters.

  • Jill Scott returned to her old Philly neighborhood for a classic summertime ritual after her July 4 concert

    Jill Scott returned to her old Philly neighborhood for a classic summertime ritual after her July 4 concert

    I’m not going to lie — I fell asleep during the rain delay in the One Philly: Unity Concert for America, on the Benjamin Franklin Parkway on July 4.

    Luckily, I wasn’t on the Parkway, but at home watching it on TV. But I’d been looking forward to seeing the show featuring Philly legends like The Roots, DJ Jazzy Jeff, Will Smith, and Meek Mill.

    Earlier in the evening, I’d marveled at the relatively small size of the crowd in attendance for performances by Seal and Jill Scott, who took the stage before it rained. The concertgoers who did brave the 100-degree-plus temperatures in Center City that day were all huddled in what little shade there was near the stage.

    I’ve covered a lot of events on the Parkway and I’d never seen it look so empty.

    And yet, both Seal and Jilly from Philly performed like that crowd stretched all the way back to City Hall. Did I rise up in my living room with a beer in my hand and tears in my eyes as I sang “Kiss from a Rose” with Seal? Maybe. And I definitely gave Scott a standing ovation for her powerhouse performance. Not only did she bring it, she did so barefoot in a tall denim hat few others could pull off. It was golden.

    Jill Scott (right) and Tierra Whack on stage Saturday at One Philly: Unity Concert for America on the Benjamin Franklin Parkway.Yong Kim / Staff Photographer

    When I woke up the next day and realized the concert had resumed after midnight, I kicked myself for falling asleep and searched for clips of it on social media. I found quite a few, but it was a video Scott posted of herself in Philly after her performance that’s stuck with me days later.

    In the video, which was filmed around dusk, Scott and her crew get out of their cars at the intersection of 17th and Wallace Streets in Spring Garden, where an open fire hydrant was spraying cool water in beautiful arches onto the road. It’s unclear if the hydrant was open when they arrived, but this Philly sprinkler scene is a classic summer tableau in almost every neighborhood in the city (even if opening hydrants is technically illegal).

    Running through the cool spray of a fire hydrant on a hot day is just as much of a childhood rite of passage in Philly as climbing through the Franklin Institute’s Giant Heart. It’s a core memory, a collective experience, and a kind of joy that imprints itself on the soul.

    Folks may question the quality of the water in the Delaware River, but they don’t question the magic of the city’s fire hydrant sprays — the tiny rainbows that appear in their mists, their power to bring neighbors together, and the giggles of pure joy they inspire in kids.

    The video of Scott begins with laughter as she and her crew get out of a car and walk toward the hydrant. The man taking the video tries to hurry them along — “Let’s go, let’s go, let’s go!” — because their car appears to be stopped in the middle of the street (which is very Philly, too).

    “Excuse me y’all I need to get by,” a motorist says off-camera to the guy taking the video, marking one of the few times in Philadelphia history someone was polite on the road.

    The cameraman says to the motorist, “one second, one second,” and Scott and four others, including her son, run screaming through the open fire hydrant. The group then walks back through with beaming smiles on their faces.

    “My apologies, thank you, we just got finished with a show on the Parkway,” the videographer says to the Philadelphian who wanted to get by, marking yet another rare occurrence of a motorist being polite on a Philly street. Twice in one day is probably an all-time record.

    At this point in the video, Philadelphians on the sidewalk start recognizing Scott (“Oh my God!”) and she decides to take one final pass, alone, through the spray. At one point she just stands with her arms open and her face lifted to the sky, taking it all in.

    “Life is frfr what you make it. I love you Philadelphia. I love you so much. Thank you. 250yrsofPhilly,” she captioned the clip.

    Scott later added more context in the comments.

    “I love the alignment. My 1st apartment was on 17th and Wallace. 2 bedroom. 2 bathrooms. A fireplace and a deck facing the city. Guess how much I paid … $730/ month!!! That was my block 🥰and to do THAT with my beautiful friends plus my Son was … epic. Me loving on Philly and Philly loving on me. SMH. I’m So grateful. Thanx God. Love, Jill,” she wrote.

    I was completely taken that Scott — an internationally-touring, Grammy Award-winning artist — found such pure joy in such a small moment here in Philly. This is a woman who fills arenas and theaters and she seemed ecstatic to do something you and I could do any day.

    Jill Scott takes to the stage for One Philly: Unity Concert for America on the Benjamin Franklin Parkway on Saturday, July 4, 2026, in Philadelphia.Yong Kim / Staff Photographer

    She wasn’t upset that the heat had tempered crowds for her big hometown Fourth of July performance, she wasn’t worried about the water ruining her outfit, and she didn’t care if anyone saw her running through an open fire hydrant.

    Scott didn’t seem anything but incredibly grateful for that moment.

    Many people struggled with celebrating the nation’s 250th anniversary this year, whether because of the sweltering weather or the country’s political climate, and I did, too. But Scott reminded me that the everyday surprises Philly gives us — whether it’s an interaction with someone new, a corner of the city you’ve yet to explore, or an open fire hydrant — are an important part of the American experience, too.

    So soak up that kind of Philly magic whenever you can, and no matter how old or how famous you get, I hope you can always find childlike wonder in this city, too.

  • Medford approves four housing projects with more than 200 affordable units to meet state mandate

    Medford approves four housing projects with more than 200 affordable units to meet state mandate

    Tackling what local officials called “one of the most significant matters” facing the Medford community, township council approved four redevelopment projects Tuesday night that will bring hundreds of affordable units to the township.

    All of the projects are part of Medford’s effort to meet their state-mandated affordable housing requirements. The housing obligations stem from a 1975 New Jersey Supreme Court ruling requiring that all municipalities develop a certain amount of affordable housing.

    Every 10 years, each municipality in the state is given a specific quota of affordable units to plan for over the next decade based on considerations that include population, income, and land capacity.

    The U.S. Department of Housing and Urban Development generally follows the 30% rule to determine affordability — any dwelling that costs 30% or less of a household’s gross income is deemed affordable.

    In New Jersey, affordable housing is restricted to households with earnings that must be at or below 80% of the area median income for the area. In Medford, the median household income is $157,969, according to the most recent data from the U.S. Census Bureau. That would mean any household earning less than roughly $126,375 per year would be eligible for the new affordable units.

    The state most recently determined Medford must build a total of 240 affordable units by 2035.

    The four development proposals that were approved would collectively add 226 affordable housing units as part of approximately 1,067 total new residential units within the township. All of the projects also plan for some type of on-site recreational amenity like playgrounds, pavilions, or picnic areas.

    As part of the agreements, builder D.R. Horton will pay the township a $3 million redeveloper’s fee and a $1.7 million recreational and community benefit contribution that will be split between local nonprofits and the Medford Youth Athletic Association.

    While the township has enough water infrastructure capacity for the new developments, D.R. Horton has also agreed to construct a water tower through the use of a $5 million special assessment bond with no cost to the township if it’s determined that water pressure is insufficient, Township Solicitor Patrick Varga said.

    Large housing developments are often contentious in South Jersey, especially in places like Medford where residents value open space and are concerned more families will overburden an already cash-strapped school district.

    In response to resident concerns about overbuilding, Medford Mayor Mike Czyzyk said Tuesday that the only residential communities that the township has approved in recent memory were related to the township’s affordable housing requirements.

    “Medford has had a history of not building residential unless it’s required by the state,” Czyzyk told attendees during the meeting. “So as it stands today, there are no large or small-scale residential tracts being developed. There may be parcels being developed for residential use, like on Mill Street and in different areas, but there’s no communities coming to Medford outside of the ones required to be built to satisfy our affordable housing need.”

    During Tuesday’s meeting, one resident questioned the township’s need to move forward with all of the projects at once, especially given that it is still so early in the 10-year window. But officials said that the timeline was out of their hands and they had a state deadline to meet.

    “Every town in the state of New Jersey was required to adopt and finalize how it was going to comply with its Housing Element and Fair Share Plan for the Fourth Round by March 15,” Varga said. “The Township of Medford was one of a handful of towns that received an extension.”

    Now that council has approved the redevelopment agreements, the township will be taking the plans before a judge who will determine if Medford is in compliance with their housing requirements.

    Here’s what’s included in each of the redevelopment plans:

    The Reserve at Ironbridge

    Located on a 64-acre parcel at the intersection of Church and Eayrestown Roads, the Reserve at Ironbridge will include up to 287 total units, 48 of which will be designated as affordable.

    Landing at Kirby’s Mill

    Not far away, a 61-acre lot at Church and Fostertown Roads will become the 198-unit Landing at Kirby’s Mill. Forty of these units will be affordable.

    Trollinger-Stonebridge

    The largest of the four projects, the Trollinger-Stonebridge project will total more than 164 acres northeast of Church Road and County Route 541. The project includes up to 48 affordable units out of a total of 300 new residences. This project also includes plans for a bike trail to be constructed and paid for by the builder, pending state approval.

    Flying W

    Planned for a 114-acre lot on Fostertown Road, Flying W includes the greatest affordable housing contribution among the four projects. With 90 affordable units, 31% of the 282 total units will be set aside for low-income residents. All market-rate units in the development will be age-restricted.

  • Tom Kean Jr. did the right thing by stepping away to be treated for depression. Now he owes voters some answers. | Editorial

    Tom Kean Jr. did the right thing by stepping away to be treated for depression. Now he owes voters some answers. | Editorial

    One of the most perplexing sagas in recent political history has ended: U.S. Rep. Tom Kean Jr. has returned to work after being away for almost four months without notice or clear explanation.

    In a June 30 speech on the House floor, the North Jersey Republican revealed he had been in treatment for depression.

    “When people hear the word depression, many think it simply means feeling sad,” Kean said. “But depression is so much more than that. It is physical. It is emotional. Until you experience it yourself, it is difficult to fully understand how powerful this illness can be.”

    There is no denying that depression is a serious mental health issue, one that retains a public stigma even as almost 48 million Americans struggle with the disorder. Kean, a self-described “private person by nature,” deserves praise for revealing his diagnosis.

    But private or not, Keane is a public servant who owes voters a fuller explanation. So far, he has declined to answer any further questions.

    At the very least, the congressman’s return put an end to weeks of rampant speculation as to his whereabouts. None of which was helped by a lack of transparency by Kean’s team, which, after stating in April that he was dealing with a “personal health matter,” deflected all questions — sometimes to bizarrely cryptic effect. At one point, a staffer told reporters that “there are no cameras where Tom is.”

    There may have been no cameras, but during his time away, Kean managed to maintain his reelection campaign and appears to have traded stock. He was also getting paid.

    Unlike most Americans, elected officials are not required to show up to get a paycheck. The Constitution does not detail expectations for attendance or penalties for absenteeism. This means that deciding how much time off is appropriate, and why, is left mainly up to the voters.

    Perhaps Kean’s constituents in the 7th Congressional District are satisfied with the explanation for his long absence. While his inability to vote may have hampered his fellow Republicans’ ability to pass legislation, the constituent service functions performed by his office seem to have gone unaffected.

    Still, Kean has yet to make a full public accounting for what happened, which should include answering direct questions. Given his public responsibilities — and that he is up for reelection in November — constituents have a right to understand what happened and what they can expect going forward.

    A few questions Kean should be prepared to address include:

    • What symptoms led him to head to the hospital in the first place?
    • Roughly 25% of Americans with mental illness are not currently receiving care due to costs. Was his treatment covered by his congressional health insurance policy?
    • What guardrails have he and his staff established to ensure he seeks help more quickly in the future?
    • Given the widespread curiosity and speculation around this incident, are there things he would do differently when viewed in hindsight?
    • His diagnosis seems to have changed him. What changes can his constituents now expect to see? In the past, Kean was notorious for dodging interactions with constituents, holding town halls only very infrequently, for example. Will this change?
    • He has voted against federal policies that would expand healthcare coverage. Has his experience changed his perspective?
    • Will he hold a town hall?

    This board sent these queries to the congressman earlier this week. As of Wednesday afternoon, he has yet to answer.

  • What to know about the closure of the Ben Franklin Bridge this Saturday

    What to know about the closure of the Ben Franklin Bridge this Saturday

    With Philadelphia’s Fourth of July festivities for the United States’ 250th birthday having come and gone, this weekend will mark a celebration for a newly minted centenarian. And with any luck, that party won’t run so late.

    Technically, the Benjamin Franklin Bridge turned 100 on July 1, but the Delaware River Port Authority will mark that milestone with a party Saturday.

    Set to take place from 10 a.m. to 2:30 p.m. on the Camden side of the bridge near its toll plaza, the event will close the bridge to vehicles for much of the day, allowing attendees to walk the span’s roadway.

    The party will feature interactive historical displays, food trucks, music, and other activities. It’s open to the public and free to attend, and while not required, advance registration via the DRPA website is encouraged, officials said.

    “For 100 years, the Ben Franklin Bridge has stood as more than a crossing over the Delaware River. It is a public promise,” John T. Hanson, DRPA chief executive officer, said in a statement. “We are proud to invite the public to celebrate its past, recognize those who have preserved it, and look ahead to the next 100 years.”

    Here is what you need to know:

    Closed to cars

    Due to the event, the bridge will be closed to vehicular traffic in both directions from 8:30 a.m. to 4 p.m. Saturday, DRPA officials said in a statement.

    Road closures around the Benjamin Franklin Bridge, officials said, should be expected during the event. However, the Walt Whitman and Betsy Ross Bridges will remain open for motorists.

    While the bridge travel lanes will be open to foot traffic, the pedestrian walkway will be closed during the event. It will reopen at 2:30 p.m., and continue to operating until 9 p.m., the usual closing time.

    Additionally, PATCO trains will continue to operate across the bridge Saturday, with enhanced service instituted to allow trains to run every 15 minutes throughout the bridge celebration.

    How to get there

    For those looking to get to the Camden side’s main party area, DRPA officials advise using the PATCO option from Philadelphia, which can get you to Camden’s City Hall station nearby.

    There will also be a complimentary shuttle service operating continuously throughout the event. One shuttle route runs between the Camden City Hall station and the event entrance, and another from PATCO’s Franklin Square Station at 7th and Race Streets in Philly to the event site in Camden, DRPA spokesperson Mike Williams said.

    And, of course, from Philly, you could just get to the Jersey side by walking across the bridge. Starting from the main event area in Camden is not required

    “The bridge walk is really the centerpiece of the celebration, and we hope attendees take advantage of this rare opportunity,” Williams said.

    Bikes are permitted on the roadway but are not permitted in the main party area.

    For those who plan on driving, parking areas will be available on the Jersey side. They include free lots at Rutgers University, on-street metered parking, and a paid parking garage at Camden Technology Center, DRPA said.

    What if it rains?

    Saturday’s event will go on rain or shine, and there is no rain date, Williams said.

    Officials had announced a rain date of July 12, but the event logistics made a rain date impractical, Williams said.

    Things to do

    In addition to the food trucks and vendors, the event will feature dance performances and special guests.

    A “Winged Victory” statue, one of four that originally sat atop the bridge at its opening in 1926, will also be on display.

    A family fun zone will offer an inflatable obstacle course and oversized yard games, as well as face painting and other entertainment, organizers said. And attendees will also be able to get up-close views of the vehicles that work on the bridge, such as a barrier mover known as a “zipper machine,” as well as front-end loaders, and dump trucks.

  • LeBron James signing with the Sixers could save Joel Embiid’s career

    LeBron James signing with the Sixers could save Joel Embiid’s career

    Biblical references seem to find a home with the Philadelphia 76ers.

    Moses Malone arrived in 1982 and immediately led the team to the promised land.

    Allen Iverson arrived in 1996 and, five years later, took the Sixers to the NBA Finals. For fans of gospel music, his nickname, “The Answer,” recalled a 1970s hit by Andraé Crouch and the Disciples: “Jesus is the Answer.”

    And, now, LeBron, who was nicknamed “King James” while still a princeling high school star in Akron, Ohio. His namesake, England’s James I, commissioned a translation of the Bible in the early 17th century, the one with all the “Thee’s” and “Ye’s” and my personal favorite, “believeth.”

    Of course, LeBron isn’t a Sixer. Not yet.

    But if, by some miracle, he does agree to a tiny free-agent contract this summer, LeBron surely would make the Sixers a favorite to win their first Larry O’Brien Trophy since Larry O’Brien actually was the NBA commissioner.

    This has not been the case largely because the sole benefit of “The Process,” the disastrous, failed rebuilding strategy that began in 2013, is Joel Embiid. He has MVP talent, and he won the award just three years ago, but his rank unprofessionalism — a refusal to commit to fitness, too much energy focused on extracurriculars, an obsession with personal milestones — has kept Embiid and the Sixers from reaching their potential.

    And, while King James might not save Embiid’s mortal soul, with his special brand of tough love, LeBron very well could save Embiid’s mortally afflicted career.

    Come on, man

    Before this goes any further, I don’t believe LeBron is interested in playing basketball for the Philadelphia 76ers. Yes, the Sixers somehow traded Paul George and picks for Jaylen Brown — Celtics president Brad Stevens must’ve lost either a bet or his mind — which instantly turned the Sixers into a viable Eastern Conference contender. Nevertheless, I think it’s likely that LeBron’s representatives are using this (feigned) interest as leverage to land the King elsewhere.

    I don’t think he wants to be in Philadelphia, which is a much tougher city than anywhere else he’s played. I don’t think he wants to deal with an organization with an absentee owner and a first-time top executive. I don’t think he wants to be associated or represent one of the most dysfunctional organizations in major league sports over the past 14 years, and with the NFL’s Jets, Raiders, and Browns in that mix, that’s quite an accomplishment. I don’t think he wants to play for the NBA veteran minimum, which is all he’d get at this point.

    There is a chance, though, that his desire to be worshipped will override his desire to give himself the best chance to win a fifth title, because nowhere would worship him the way Philadelphia fans would worship him, just as they worship Moses for leading them out of the wilderness.

    LeBron already did that in Cleveland and Miami. And, as my colleague David Murphy pointed out on Monday, his agent, Rich Paul, said the Knicks disqualified themselves from the LeBron sweepstakes when they won a championship. Murphy’s logic: He could not end their drought, and therefore could not be seen as their savior, so why bother?

    Now that Jalen Brunson did what Patrick Ewing failed to do, LeBron can’t do it. But he damn sure could help Embiid do what Embiid will be paid an average of $62.6 million a year to do over the next three seasons.

    The Answer

    Winning a title, even with James on board, requires getting the most of whatever’s left out of Embiid, who has bad knees and a bad attitude. Getting the most out of Embiid is something that championship-winning coaches Doc Rivers and Nick Nurse abjectly failed to do, and they had three years apiece.

    This is different.

    LeBron, who is 41 with the body of a 32-year-old, is entering his 24th season. He has gotten the best out of his teammates everywhere he’s gone, whether it’s fellow Hall of Fame-caliber players like Dwyane Wade, Chris Bosh, and Kyrie Irving or lesser lights such as Kevin Love and Mo Williams. He has won four championships because of it. You think Austin Reaves — an undrafted tweener guard who averaged 10.8 points in four years of college — would have been offered $185 million by the Lakers for the next four years if LeBron hadn’t been his teammate for the past five years?

    Injury issues have plagued Joel Embiid throughout his career.Yong Kim / Staff Photographer

    Embiid, who is 32 with the body of a 42-year-old, is entering his 11th season since being drafted, though he missed the first two seasons with injuries. On the day the Sixers season ended in a playoff sweep (at the hands of those Knicks) he announced that the 2025-26 season had been a success for him. That’s because his left knee no longer impeded him to the degree it had him impeded him for the past several years.

    Embiid then swore that, at the end of this summer, when training camp begins, since his body feels better, he will be better prepared than in recent years to finally get the Sixers … past the second round of the playoffs?

    Talk about aiming low.

    At any rate, no Sixers since Moses himself is better equipped to make sure Embiid follows through on his latest promises. It worked on “big-boned” Charles Barkley.

    Filling a void

    Since trading cornerstone All-Stars Andre Iguodala in 2012 and Jrue Holiday in 2013, the closest the thing the Sixers have had to a real leader was Jimmy Butler, whose headstrong attitude and routine insubordination were less an example of leadership than a display of self-aggrandizement. Embiid was in his third year of actually playing NBA basketball during the Season of Jimmy, and he certainly got that message.

    Who’s the leader now?

    Embiid blew his chance years ago when it became clear that he was less interested in chasing championships than he was in seeking MVP trophies, Olympic gold medals, milkshakes, and Shirley Temples.

    Tyrese Maxey is an ebullient, well-spoken workaholic, but he lacks the gravitas to lead a championship-caliber team, especially when the roster includes more accomplished players like Embiid and Brown.

    As for Brown — well, he might find it hard to lead a bunch of dummies; last week, he called most pro athletes morons when compared to him after unnamed sources accused him of thinking he was the smartest person in the room: “Let’s keep it a buck [100] … The bar is f— low.”

    James might not be a budding chess master like Brown, but he’s smart enough to know how to win a title and how to run a team. After all, the bar is low.

    Do you think LeBron is going to let Joel make his teammates wait for 2½ hours to leave for the plane after road games? Do you think LeBron is going to sit around and wait for Embiid to come to meetings and shootarounds? No. The answer is, simply, no. If you’re James’s teammate, you will be professionalized or you will be marginalized.

    If LeBron James comes to Philly, you will see a fitter, tougher, more committed Joel Embiid.

    James’s habits aren’t contagious, they’re compulsory. It’s a trait he shares with Kobe Bryant. James is kinder than Kobe, and he’s more deferential, but compared to the typical laissez-faire NBA star, he’s neither kind nor deferential.

    He is desperate to win, and if you can’t help him do that, then he doesn’t have time for you.

    Again, I don’t think it’s a realistic outcome. But King James in Philly would be the best medicine for Embiid’s ailing legacy.

  • Long vilified graffiti art finds an unlikely gallery in Suburban Station

    Long vilified graffiti art finds an unlikely gallery in Suburban Station

    On entering Suburban Station from the 16th Street entrance, one is welcomed by a vast, bare-walled concourse punctuated by empty retail spaces.

    And then you turn right.

    A painting made to look like a subway car stands out against the blank concourse. The inside is entirely covered in graffiti, along with paintings, drawings, and mosaics. Not an inch of space is bare.

    Organizers and artists greet people as they come in and share stories about their street art journey.

    A room in the exhibit looks like the inside of a SEPTA BSL train car, orange seats and all.

    This is “Platform X,” a new era of graffiti art, organized by Step Outside, an artist-led program that transforms existing spaces into graffiti havens.

    Exhibition curator and fashion designer Zucati Zuce poses for a photo at Platform X.Erin Blewett / For The Inquirer

    “We’re all street artists and we care about this more than anything,” said the artist who goes by the name Doomed Future. “There’s not much opportunity in galleries to showcase graffiti and street art here in Philly. We want to have our own thing here.”

    Doomed Future works alongside Step Outside organizers Philmadelphia, Inphltrate, Zucati Zuce, Raw G Zero, Ianismymiddlename, and RoboQ4. Because graffiti is considered criminal mischief under Pennsylvania law, the artists did not want to share their real names for this article.

    SEPTA representatives reached out to Doomed Future in January and asked them to take a look at the vacant spaces for rent in Suburban Station for a potential exhibit. The artist decided to rent a space from a real estate agent.

    Artwork showcased in the Platform X art exhibition, in which the back room was made to look like a subway car.Erin Blewett / For The Inquirer

    “Street art’s grimy — it’s real, gritty, dirty,” Doomed Future said, “and so is the subway.”

    A more rebellious Semiquincentennial

    “USA 250″ is the theme around which 250 artists imagined their graffiti art.

    One piece, American Religion, depicts Benjamin Franklin with a crown of thorns and the words “In God We Lust” above his head, certainly a switch from the patriotic depictions of the Founding Father we’ve seen for the Semiquincentennial.

    Exhibition organizer Ianismymiddlename looks at artwork at Platform X, including “American Religion” by @Frewil_design.Erin Blewett / For The Inquirer

    Other pieces present a more rebellious yet optimistic view. Love Is Not Dead by Banjax the Balaclava depicts a bunch of angry figures holding anarchist flags in front of City Hall, with a match burning between two traffic cones at the center.

    “The thinking behind it was that there’s been a lot of burnout and frustration, particularly with folks that have been active in the street, fighting against injustices,” said Banjax. “I think it’s important to bring the message of love into these spaces as much as there is rage. As things get harder, continue to heat up, I want to remind people of that love is at the core of what we do.”

    Artist Banjax the Balaclava poses with “Love Is Not Dead” at Platform X.Erin Blewett / For The Inquirer

    “Platform X” is Step Outside’s fourth showcase after a year of operation, with this one put on in collaboration with the nonprofit United Street Art (USA). United Street Art is dedicated to advancing and highlighting street art and graffiti. Most of the artwork is for sale, with all profits going directly to the artists.

    “Supporting the artists is our main mission. We’ve been doing free shows before, and this is our biggest one,” said RoboQ4 aka Robb Quattro, executive director of USA. “This is a big, long-term investment for us and we’re ready to continue doing more shows beyond this one.”

    Establishment vs. antiestablishment

    Graffiti, as an art form, is inherently antiestablishment, and the establishment still does not receive it well.

    At the start of the year, the city announced the Gateways to Philadelphia project. In collaboration with Mural Arts and Pennsylvania Horticultural Society, it invests $11.5 million toward beautification initiatives, including landscaping, new murals, and graffiti removal.

    A sign for the Step Outside art exhibition with a sticker that says “Anti-Artificial Intelligence.”Erin Blewett / For The Inquirer

    “I can understand some people saying some graffiti is an eyesore, but there’s a lot that’s not,” said contributing artist Satan, who has been making graffiti art for over 40 years. “This is helping me as an artist grow.”

    The show has been received glowingly by visitors, who have been invited to add to the art themselves. People have drawn on the walls with chalk, spray painted their own tags, and left stickers anywhere there was room.

    On Father’s Day, there was a father-son duo putting their own graffiti on the wall, said artist and organizer Inphltrate. “That was really cool to see,” she said. “This is a safe haven for not only street art and graffiti, but for any person who is creative who needs an outlet. You are safe and accepted here.”

    Artwork by the artist, who wishes to be identified with their Instagram username, @shrpy_ (top), and Elizabeth Fiend (bottom) is pictured at Platform X.Erin Blewett / For The Inquirer

    “Writing our names, I didn’t look at it as art. We were vilified,” said wallwriter Lewis Pittman, also known as Lewis or King Lewis in the street art scene. “I’m glad I’m still above ground to see the evolution of this culture. I’m glad it’s accepted as an art form.”

    Pittman is one of Philadelphia’s original “wallwriters,” which is what graffiti artists called themselves in the 1970s. Pittman, along with wallwriters like Cool Cone and Cornbread, helped popularize the now iconic Philadelphia “gangster” handstyle, defined by tall, condensed letters.

    “I remember Sunday nights going to Fern Rock, writing on all the buses and trains,” Cone, aka Cone ICP, said. “On Monday morning, nothing but my name came down Broad Street.”

    Curator and fashion designer Zucati Zuce stands in front of street signs with graffiti, all of which are for sale.Erin Blewett / For The Inquirer

    After the USA 250 show closes, Step Outside plans to put on a Then and Now-themed showcase in August at Platform X, showing the evolution of street art. Incorporating and paying respect to the OGs who popularized the art form is a necessity for their exhibits.

    The deep history of Philly graffiti

    As a teenager, Cone founded Imperial Casanova Persuaders (ICP), one of the country’s original graffiti clubs, known for tagging public transportation. They helped originate the “wicked” variant of the Philly gangster handstyle, which puts a more wild, energetic spin on the lettering.

    “They could look at us as being the start of murals, too, since a lot of stuff started in Philly. But we don’t get the recognition because a lot of people don’t speak on it,” he said. “In American history, we’re one of the best kept secrets.”

    Contributing artist and self-styled wallwriter, who wishes to be identified as Cool Cone, is interviewed by a reporter. As a teenager, he founded graffiti club ICP. Erin Blewett / For The Inquirer

    Philadelphia, with its thousands of murals, is billed as the “Mural Capital of the World.” Mural Arts Philadelphia, the country’s largest public arts program, started off being a part of Philadelphia Anti-Graffiti Network in 1984.

    Cone, like many graffiti artists, had several run-ins with police officers in the 1970s, getting targeted for wallwriting. Today, he travels the nation, speaking at museums and various art events, recognized as a trailblazer in street art history.

    From left: Artists Cool Cone, Satan, and Lewis Pittman pose for a portrait at Platform X. The three are trailblazers in Philadelphia’s street art scene, going back to the 1970s and 1980s.Erin Blewett / For The Inquirer

    ICP’s symbol, a capital “I” with two dots on the side, can still be seen tagged around the city and even in Platform X.

    “You’re not going to stop the wallwriters,” Pittman said.

    Closing receptions for the “Platform X” USA 250 show are Friday, July 10, from 5 to 10 p.m. and Saturday, July 11, from 1 to 10 p.m. The exhibit will stay open for the rest of the summer.

    Platform X is located in Suburban Station down the steps on 16th Street between Market Street and JFK Boulevard in Center City, Philadelphia. More information on stepoutsideshow.com and @stepoutsideshow.

  • The first week of July is typically Philly’s most violent. This year, the holiday weekend was markedly calmer.

    The first week of July is typically Philly’s most violent. This year, the holiday weekend was markedly calmer.

    The first week of July has typically been one of Philadelphia’s most violent, with recent Independence Day weekends marked by mass shootings, police officers shot, and bursts of violence that left a dozen dead.

    But this year, amid a dramatic decline in violence and a flood of visitors to the city, the holiday weekend was noticeably calmer than in years past, offering another encouraging sign that the dramatic decline in shootings held through one of its toughest tests.

    Twenty-three people were shot from July 1 through July 7 — a slightly higher total than most weeks in 2026, but nearly half the average number of shooting victims during the same period over the last decade, according to city data. In 2021, at the height of the city’s gun violence crisis, more than 70 people were shot in that week alone.

    If the current pace continues, Philadelphia is on track to record fewer than 200 homicides for the first time since the 1960s, a remarkable turnaround from just five years ago, when nearly three times as many people were killed.

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    Philadelphia Police Commissioner Kevin Bethel said in an interview that the July Fourth weekend is historically one of the most challenging for urban police departments.

    In each of the last four years, Philadelphia’s celebrations were overshadowed by violence: Last year, 13 people were shot in South Philadelphia; nine people were struck by bullets at a teen party in Southwest Philadelphia in 2024; five people were killed at random by an armored gunman in Kingsessing the year before; and in 2022, two officers were grazed by bullets on the Benjamin Franklin Parkway, sparking a stampede of fireworks spectators.

    Bethel said he and other city, state, and federal law enforcement officials spent about two years planning for this holiday weekend, preparing for potential crises that never came.

    Anticipating hundreds of thousands of visitors for FIFA Club World Cup events and the nation’s 250th birthday celebrations, the department canceled many officers’ vacation requests over the last month and, on the Fourth, deployed more than 2,000 members of local and state law enforcement across the city, he said.

    Philadelphia Police Commissioner Kevin J. Bethel, speaks at a press conference on the details for the Roots Picnic in May 2026.Tyger Williams / Staff Photographer

    Reinforcements from the Pennsylvania State Police and neighboring municipalities helped the city maintain staffing levels in neighborhoods that have historically seen more violence, Bethel said. Officers worked in the record-breaking heat, he said, with some starting their shifts at 7 a.m. and clocking out only after the concert on the Parkway ended at 3 a.m.

    The FBI took the lead on monitoring the skies, Bethel said, intercepting several drones that were flying illegally. (None of the drones, he said, was flying with “nefarious” intent.)

    He called the weekend a validation of the city’s planning and broader work that has contributed to the decline in gun violence.

    “I can’t tell you how many people grabbed me and said they felt welcomed and felt safe,” he said of the events over the last month. “Let’s own the win. Let’s not hide from it.”

    Bethel also said there had been no acts of violence around the approximately two dozen bars that were approved to stay open until 4 a.m. from June 11 to July 19 to accommodate crowds attending the FIFA, July Fourth, and MLB All-Star celebrations.

    “We’re seeing zero issues,” he said.

    Soccer fans gather to watch Mexico play South Africa on a giant screen during the opening day of the FIFA Fan Festival at Lemon Hill on Thursday, June 11, 2026, in Philadelphia.Jose F. Moreno / Staff Photographer

    The reduction in violence over the holiday weekend fits a broader pattern. Shootings and homicides in the city began to decline in 2023, mirroring a national trend, and have continued to fall. So far this year, 90 people have been killed in homicides — less than a third of the number recorded at the same time three years ago, according to police data.

    Just as there was no clear explanation for the spike in crime that began in 2019, criminologists and law enforcement officials say, it is similarly difficult to pinpoint the reasons for its decline. But there are theories: an overall return to normal life after the pandemic, expanded community-based violence prevention programs, more arrests in shootings and homicides, and targeted prosecutions of some of the city’s most violent gangs.

    One measurable change has been the police department’s improved clearance rates, which researchers have long viewed as a potential deterrent to future violence.

    The homicide clearance rate — the share of killings solved, including arrests made this year in both new and older cases — has climbed to nearly 99%, up from about 47% in 2022. The clearance rate for nonfatal shootings has risen to about 41%, roughly double what it was in 2021.

    Bethel said those arrests take would-be shooters and victims off the streets and interrupt cycles of violence.

    “We’re impacting retaliation, we’re impacting somebody being shot again, we’re impacting someone who may shoot and kill somebody,” he said.

    Jeff Asher, a New Orleans-based national crime analyst, said because the decline is likely driven by many programs and societal changes, it is hard to know what will sustain the progress.

    “I keep expecting [the crime rate] to stop falling, and it’s just not,” he said in an interview. “So, maybe this is the new normal. We just can’t say with a ton of confidence.”

    Still, the quieter weekend was not wholly peaceful.

    Three men were killed between Friday and Monday morning, leaving families and neighbors to mourn loved ones even as the city showed signs of sustained progress.

    On Monday morning, Shawn Caddell, 32, was killed during a robbery inside a Logan beer deli, police said. And on Sunday, two men were slain in areas that have long been hot spots for shootings: Emanuel Aguirre, 27, was fatally shot in the Hunting Park section of North Philadelphia, and Donald McPhaul, 51, was gunned down on Salford Street in West Philadelphia.

    A 16-year-old in South Philadelphia was among more than a dozen people who were shot and survived.

    Philadelphia police examine a car with a bullet hole after a man was fatally shot along the 500 block of East Wyoming Avenue on July 5, 2026.Yong Kim / Staff Photographer

    Bethel said the pockets of the city that have long experienced higher rates of violence — and that continue to see shootings, albeit fewer, today — remain a priority.

    “We are never going to give up in those communities,” he said. “We are going to keep working in those areas.”

    Recent polls have found that a majority of Philadelphians have noticed the decline and feel safer. But for residents on blocks where shootings remain a recurring threat, a citywide trend line can feel distant from daily life.

    Chantay Love, president of the victim-advocacy organization EMIR Healing Center, said the communities seeing recurring violence are still grappling with “the trauma and collateral damage that is left behind” from the last six years.

    Along the stretch of Market Street near where McPhaul was killed, more than 100 bullets were fired into a party on July 4, 2021, leaving two men dead. Earlier this year, 20-year-old Imani Ringgold was walking down the block with a slice of pizza when she was caught in the crossfire of an escalating gang feud and killed.

    Linda Days, 72, who lives in the area, said the shooting that killed McPhaul was another reminder of the violence she has come to expect since moving there seven years ago from Olney.

    Standing in her doorway on Tuesday, Days said it feels as if gunfire has become part of the soundtrack outside her home. But during the Fourth of July weekend, she said, she is especially careful to stay inside.

    “I don’t even come out to watch the fireworks,” she said.