Category: Entertainment

  • The first complete dinosaur skeleton on view to the public made its debut at Philly’s Academy of Natural Sciences

    The first complete dinosaur skeleton on view to the public made its debut at Philly’s Academy of Natural Sciences

    In the early 1800s, Philadelphia’s loose cohort of natural scientists became obsessed with learning all they could about the plants and animal species of the New World.

    They shipped dried specimens to Britain for naturalists to identify and catalog. And when the American naturalists discovered a new species, the Brits named it and took the credit for the findings in their medical journals.

    When the Crown enacted trade restrictions in 1807 — ultimately leading to the War of 1812 — American botanists, herbologists, and entomologists had enough with Britain’s interference.

    Artist Ibi Padrón Venegas’ Academy of Natural Sciences No. 1 translates his ideas of daydreams, everyday sensations, and the curiosity that comes with playing with science for his sculpture.Ibi Padrón Venegas for Colibrí Workshop

    Six Philadelphia gentlemen and amateur naturalists — Gerard Troost, Nicholas S. Parmentier, Camillus MacMahon Mann, Jacob Gilliams, John Shinn Jr., and John Speakman — held a meeting Jan. 12, 1812, in Speakman’s Old City apothecary. Their goal: to map out a plan to be recognized as scientific experts on what grew on their own soil.

    On March 21, they took the official name, the Academy of Natural Sciences of Philadelphia.

    The Philadelphia Historic District will celebrate the academy’s beginnings at its Ben Franklin Parkway home on Saturday from 11 a.m. to 1 p.m. The party, or “Firstival,” is part of a series of yearlong fetes honoring events, places, and organizations with Philly roots in honor of America’s 250th birthday.

    “Americans were doing the research and risking their lives to cull these specimens,” said Robert M. Peck, curator of artifacts and senior fellow emeritus at the Academy of Natural Sciences of Drexel University.

    “We [Philadelphians] were feeling left out of the picture,” said Peck, the author of the 2012 book A Glorious Enterprise: The Academy of Natural Sciences of Philadelphia and the Making of American Science. “By forming our own academy and publishing our own journals, we were able to take control of the science and discovery in America for Americans.”

    The Academy of Natural Sciences’ current home at 1900 Benjamin Franklin Parkway. This building opened in 1876 for the Centennial and stands through present day.Courtesy of the Journal of the Academy of Natural Sciences of Philadelphia

    Thomas Say is listed as the seventh founder, though he didn’t attend the first meetings, Peck said. Still, Say is the most famous of the early members as he is the father of American entomology and conchology.

    The academy was a private club in the beginning, opening its nature collections to the public in 1828 when it was housed at the Swedenborgian Church at 12th and Sansom.

    By the mid-19th century, the academy was as important in Philadelphia’s science and education circles as Ben Franklin’s highbrow American Philosophical Society. In 1849, the society transferred Thomas Jefferson’s fossil collection to the academy, where it remains today. During the mid-19th century, the academy acquired the bird skins from John James Audubon’s collection, and the pressed plants gathered by explorers Meriwether Lewis and William Clark.

    In 1868, the academy made paleontology history when Benjamin Waterhouse unveiled a 15-foot-tall complete dinosaur skeleton of Hadrosaurus foulkii built from the bones of the plant-eating dinosaur excavated in Haddonfield 10 years before.

    Samples of the Academy of Natural Sciences’ robust dinosaur collection as photographed in 2020. Courtesy of the Academy of Natural Sciences of Drexel University

    “Before then, people didn’t understand what dinosaurs really were, how they really looked,” Peck said. “This is the first time the world had ever seen what a dinosaur really looked like and it shaped how we still see them today.”

    During the 19th century, the academy was the founding home of the American Association for the Advancement of Science and the Entomological Society of America, in 1848 and 1859 respectively.

    In 1876, the academy moved to its present building on the Parkway, where, exactly 100 years later, the Please Touch Museum opened its 2,200-square-foot pilot. (It is now located in Memorial Hall on the Centennial campus in West Philadelphia.)

    The academy went on to become a home base for scientists who study a wide range of climate-related topics, from global warming in Mongolia to avian bird flu in Vietnam.

    The Academy of Natural Sciences in June 2020. HEATHER KHALIFA / Staff Photographer

    In 2011, the Academy of Natural Sciences became a subsidiary of Drexel University, retaining its own board and legal status as a separate nonprofit organization. In April, The Inquirer reported Drexel was in discussions to sever ties with the academy unless it agreed to grant Drexel its building, endowment, and significant collections.

    This week’s “Firstival” is Saturday, Aug. 1, 11 a.m.-1 p.m. at the Academy of Natural Sciences of Drexel University, 1900 Benjamin Franklin Parkway.

    The Inquirer is highlighting a “first” from the Philadelphia Historic District’s 52 Weeks of Firsts program every week. A “52 Weeks of Firsts” podcast, produced by All That’s Good Productions, drops every Tuesday.

  • Akira Suwa, award-winning photojournalist at The Inquirer, has died at 84

    Akira Suwa, award-winning photojournalist at The Inquirer, has died at 84

    Akira Suwa, 84, of Laurel Springs, Camden County, award-winning longtime photojournalist at The Inquirer, mentor, and lifelong green-thumb gardener, died Tuesday, July 14, of complications from dementia at his home.

    Born in what is now South Korea and reared in Japan, Mr. Suwa came to the United States for good in 1967 as a landscape designer and amateur photographer. When a landscaping job at a Florida garden center dried up, he polished his photography skills and, from 1969 to his retirement in 2014, worked as an award-winning staff photographer at the Tampa Tribune, the St. Petersburg Times, the Palm Beach Post, and The Inquirer.

    He joined The Inquirer in 1977 and, for 37 years, provided readers with thousands of illustrative, dramatic, stylish, and emotion-evoking photos from assignments around Philadelphia, South Jersey, and the world. He took poignant photos after the Three Mile Island nuclear accident, the fall of the Berlin Wall in Germany, and the Sept. 11 terrorist attacks, and during Operation Desert Storm in Saudi Arabia and the 1998 Winter Olympic Games in Japan.

    He sent back tragic and heroic images of conflict and despair from Libya and Brazil. He photographed drug traffickers in Colombia and was detained by authorities in China.

    Before the Inquirer, Mr. Suwa took photographs for the Palm Beach Post, the St. Petersburg Times, and the Tampa Tribune.Courtesy of the family

    Locally, he photographed athletes celebrating and commiserating, politicians and celebrities walking and waving, fashion models on runways, and restaurant specialties on tables. Former Inquirer colleagues called him a “brilliant photojournalist” and a “funny, engaging and terrific colleague” on Facebook.

    One former colleague said: “Akira told thousands of great stories with his camera.” His family said in a tribute: “Akira believed every story was worth telling.”

    Before the Inquirer, Mr. Suwa took photographs on all kinds of assignments for the Palm Beach Post, the St. Petersburg Times, and the Tampa Tribune. His father was an avid amateur photographer back in Japan, and Mr. Suwa honed his own emerging photo skills at nights and on weekends in Florida before joining the Tribune in 1969.

    He won several awards from the National Press Photographers Association and was named the 1973 Florida Newspaper Photographer of the Year by the University of Florida. He mentored young photographers and students, and one former student said: “He taught me so much about making the best photos possible.”

    Mr. Suwa photographed his wife, Deborah, often.Courtesy of the family

    Away from the lens, Mr. Suwa enjoyed tending his backyard garden in South Jersey, watching the birds flit about the feeders, and chasing the squirrels away. His mother was a serious gardener in Japan, and he studied agriculture in California as an exchange student while earning a degree at Tokyo Agricultural University in 1966.

    In 1964, he took a year off from college to work as a busser in the Japan pavilion at the World’s Fair in New York. “I fell in love with America, especially New York City,” Mr. Suwa wrote in an autobiography he shared with his family. “I was young and motivated to do something different from my peers back in Japan.”

    Akira Suwa was born Dec. 22, 1941, in what was then Taegu, Korea. He and his family fled Korea for Japan as refugees after World War II, and he grew up mainly in Osaka.

    He never formally studied photography, but his innate camera skills got him a job with a photo studio in Florida in the late 1960s.

    Mr. Suwa photographed these Mummers in 1978. Akira Suwa / Staff Photographer

    He met Deborah Carter through a mutual friend at the studio, and he took her to see the musical Hello, Dolly! on their first date. She was smitten, she said, and they married in 1969, and had daughters Jasmine and Keiko.

    They settled in Laurel Springs when he joined The Inquirer and traveled to Japan several times to visit family and friends. “We enjoyed the best of both cultures,” his wife said.

    Mr. Suwa listened to jazz and built his own home computers. He liked to play pranks on the girls, his daughter Keiko said, but was simultaneously warm, serious, and practical. “If there was a job to do,” she said, “he would get it done.”

    His daughter Jasmine said: “He was forthright, sincere, and full of integrity.”

    Mr. Suwa and his family traveled to visit family in Florida and Japan. Courtesy of the family

    He doted on his wife and their grandchildren, and his family praised “his sharp eye, his mischievous sense of humor, and his devotion to his family.” His wife said: “He had my back and was as honest as the day is long.”

    Friends called him “the kindest person,” “wonderful and enormously talented,” and “a caring person to everyone.” He was interviewed by Photo Lounge in 2022 and said: “I just take pictures, and I like people.”

    His wife said: “He was my human, my person, my guy.”

    In addition to his wife and daughters, Mr. Suwa is survived by two grandchildren and other relatives. A brother died earlier.

    Visitation with the family is to be from 1 to 3 p.m. Saturday, Aug. 1, at Gardner Funeral Home, 126 S. Black Horse Pike, Runnemede, N.J. 08078.

    Donations in his name may be made to the Committee to Protect Journalists, Box 2675, New York, N.Y. 10108; and the Animal Welfare Association, 509 Centennial Blvd., Voorhees, N.J. 08043.

  • ‘Once’ Oscar winner and Irish musician Glen Hansard dies in motorcycle crash

    ‘Once’ Oscar winner and Irish musician Glen Hansard dies in motorcycle crash

    LONDON — Irish singer-songwriter Glen Hansard, who won an Academy Award for the 2007 film Once, died in a motorcycle crash on the outskirts of Dublin early Wednesday, his management said. He was 56.

    ATC Management told broadcaster RTE that Mr. Hansard’s family was “deeply shocked and heartbroken.”

    News of his death brought tributes from fellow musicians including Bruce Springsteen, who said on Instagram he was “heartbroken” at the loss of “a great musician, a good friend and a generous and gracious man.”

    Irish police said a man in his 50s died in single-vehicle motorcycle crash in Lucan, on the western outskirts of the Irish capital, before 4:30 a.m. Wednesday. The man, who they did not name, was treated at the scene but pronounced dead a short time later.

    Mr. Hansard combined acting and a musical career. He played a member of a Dublin soul band in the hit 1991 movie The Commitments and won an Oscar in 2008 for the song “Falling Slowly,” which he co-wrote for the indie musical Once with co-star Markéta Irglová.

    Once, a love story about two struggling musicians, was later adapted for Broadway, again with songs by Mr. Hansard and Irglová. It won eight Tony Awards in 2012, including best musical.

    Mr. Hansard was long-serving front man for rock band The Frames, half of rock duo The Swell Season with Irglová, and released solo albums including Didn’t He Ramble, which was nominated for a Grammy for Best Folk Album in 2016.

    Ireland’s President Catherine Connolly said he was one of Ireland’s great singer-songwriters.

    “Glen was one of the vital driving influences of the Irish music world, bringing people together in the sharing of live music,” Connolly said. ”He will be sorely missed by all who knew him or experienced his work.”

    Actor-comedian Chris O’Dowd said Mr. Hansard’s “energizing melodies and soulful, searching voice made the tough times more manageable, the stagnant times more beautiful, and the joyful times even more memorable.”

    Mr. Hansard started out as a busker on the streets of Dublin. He became famous for leading the Christmas Eve busk outside Dublin’s Gaiety Theatre, where members of the public gathered to see famous Irish musicians perform in aid of a homelessness charity.

    Former Irish president Michael D. Higgins said Mr. Hansard was a “wonderful musician and performer” who also “placed great emphasis throughout his life to the importance of tackling the problems of society.”

    At the funeral of The Pogues frontman Shane MacGowan in 2023, Mr. Hansard performed a rousing version of The Pogues’ song “Fairytale Of New York” with Irish singer Lisa O’Neill that had the congregation dancing in the aisles of the church.

    Mr. Hansard is survived by his wife, Finnish poet Maire Saaritsa, and their 3-year-old son, Christy.

  • Philly music this week with the Chicks, Morgan Wallen & Ella Langley, Buddy Guy, PJ Morton, Lyle Lovett & more

    Philly music this week with the Chicks, Morgan Wallen & Ella Langley, Buddy Guy, PJ Morton, Lyle Lovett & more

    This week in Philly music features the biggest country music tour of the summer for two nights in South Philly, the Chicks in Atlantic City, PJ Morton in Fishtown, a bluegrass fest in Wind Gap, Pa., Lyle Lovett kicking off a three-night stand at City Winery, and two all-time great music legends born with the name Herbert playing on the same night.

    Wednesday, July 29

    Herbie Hancock

    A giant with a history that includes fruitful years playing with Miles Davis in the 1960s, funk and fusion innovation with Headhunters in the 1970s, and even a breakout MTV hit with “Rockit” in the 1980s. Herbie Hancock is the rare jazz artist who can — at age 85 — headline a room as big as the Met. For this tour, the pianist and keyboard player’s band includes trumpeter Terence Blanchard and guitarist Lionel Loueke. 8 p.m., Met Philly, 858 N. Broad St., themetphilly.com

    Wayne Hancock

    Pop country stars pay lip service to the legacy of the late great Hank Williams. But few if any embody Williams’ unvarnished honky tonk than Wayne “The Train” Hancock. Particularly in this extreme weather season, “Thunderstorms & Neon Signs” is a classic. 8 p.m., Nikki Lopez, 3014 South St., instagram.com/nikkilopezphilly.

    Herb Alpert plays Wilmington on Wednesday, New Brunswick on Thursday and York on Friday.Dewey Nicks

    Herb Alpert

    Trumpeter, bandleader, and visionary businessperson — he founded A&M Records with Jerry Moss in 1962 — Herb Alpert has had a career of remarkable duration. The 91-year-old entertainer, whose instrumental hits include “A Taste of Honey,” “The Lonely Bull,” and “Rise,” released his 50th album, 50, in 2024 and celebrated the 60th anniversary of his iconic 1965 album, Whipped Cream & Other Delights, last year. He’s touring with a new version of his longtime ensemble, the Tijuana Brass. After his show in Delaware, he has dates in New Brunswick, N.J., on Thursday and York, Pa., on Friday. 8 p.m., The Grand, 818 N. Market St., Wilmington, thegrandwilmington.org

    Thursday, July 30

    Cinderella’s Tom Keifer Band

    In the 1980s and early 1990s, Keifer led Cinderella, the Philly band formed in Clifton Heights, which was the leading light of the hair metal scene at Empire Rock Club in Northeast Philly. The band scored with hit albums Night Songs in 1986 and Long Cold Winter in 1988. 8 p.m., Keswick Theatre, 291 S. Keswick Ave., Glenside, keswicktheatre.com.

    Emily Moales, Louise Sullivan, and Sam Sullivan hang out inside the Historic NJ studio in South Philadelphia on Friday, July 10, 2026. The Sullivans play the Foundry at the Fillmore on Tursday, opening for Baba Rainbow.Aidan T. Gallo / Staff Photographer

    Babe Rainbow / Sam and Louise Sullivan

    Australian psychedelic rock band Babe Rainbow — formed in the surfers’ home of Rainbow Bay — is touring behind its seventh album, Acid and Honey. Just added to the bill are Sam and Louise Sullivan, the sibling duo who are part of the South Philly-based Historic NJ collective, and has just released their terrific third album, Love & Devotion. 8 p.m., Foundry at the Fillmore, 29 E. Allen St., thefillmorephilly.com

    Thursday, July 30, and Friday, July 31

    Nduduzo Makhathini

    South African pianist Nduduzo Makhathini is a composer, educator, producer, and sangoma, or spiritual healer. The Myth We Chose is his lovely, calming new album on Blue Note Records. Makhathini cites John Coltrane’s quartet with McCoy Tyner as a prime influence. 8 p.m., Solar Myth, 1131 S. Broad St., solarmythbar.com

    Thursday July 30-Sunday Aug. 2

    Appalachian Fiddle and Bluegrass Association Bluegrass Festival

    This four-day fest in Wind Gap, Pa. — an hour and a half north of Philly in Northampton County — looks like fun to me, with a slew of serious pickers and fiddlers. Bands include the Grascals, Henhouse Prowlers, the Coal Fired Rounders, Martha Spencer, and Danny Paisley and the Southern Grass. Thursday-Sunday, Mountain View Park, 206 E. Mountain Rd., Wind Gap, abfawindgap.org

    Te Vista play Free at Noon at World Stage on Friday. Courtesy of the Artist

    Friday, July 31

    Te Vista

    Jangly power pop-plus South Jersey band Te Vista’s bittersweet and catchy album House would surely be on a list of the best Philly-area releases in 2026 … if its release date of Dec. 26, 2025, had been a week later. Free. Noon, World Stage, 3025 Walnut St., xpn.org

    PJ Morton

    Partying happens on Saturday, and praying commences on Sunday. That age-old chronology is explored on Saturday Night / Sunday Morning, the new album from keyboard player and singer PJ Morton, who is also a member of Maroon 5. It’s half R&B (and pop, with a little reggae), and half gospel. 8 p.m., Fillmore Philly, 29 E. Allen St., thefillmorephilly.com.

    Buddy Guy

    Buddy Guy becomes a nonagenarian on Thursday, and the Chicago bluesman who remains a thrilling guitarist will be in Atlantic City the following evening. His “Buddy Guy 90 tour” then comes to the Keswick Theatre in Glenside on Sunday. 8 p.m., Ovation Hall at Ocean Resort, 500 Boardwalk, Atlantic City, theoceanac.com.

    The Chicks performing at the Freedom Mortgage Pavilion in Camden, Friday, July 8, 2022.STEVEN M. FALK / Staff Photographer

    The Chicks

    The Texas trio of Natalie Maines and sisters Emily Strayer and Martie Maguire is on tour for the 20th anniversary of Taking the Long Way, the 2006 album that won five Grammys. It was the first album to be released after the band became a culture war flashpoint after it was essentially banned from country radio due to Maines’ comments criticizing the George W. Bush administration’s war in Iraq. There are no Philly dates, so this is the only date in the area in 2026. 8 p.m., Hard Rock Live at Etess Arena, 1000 Boardwalk, Atlantic City, casino.hardrock.com/atlantic-city

    Ella Langley plays Lincoln Financial Field on Saturday, the second of Morgan Wallen’s “Still the Problem” tour dates in Philly.Columbia Records

    Friday and Saturday, July 31 and Aug. 1

    Morgan Wallen and Ella Langley

    Morgan Wallen and Ella Langley are not only the two biggest country stars in America in 2026 — they’re the biggest sellers in any genre. Wallen’s 37-song I’m the Problem, which came out in May 2025, is the biggest-selling album of 2026, with just over 2 million units, according to Luminate Data. Langley’s Dandelion is second, with 1.6 million.

    And with 15 straight weeks at #1, Langley’s single “Choosin’ Texas” has surpassed Mariah Carey’s “We Belong Together” and Whitney Houston’s “I Will Always Love You” as the longest chart topper by a woman that’s not a holiday song. (Carey’s “All I Want for Christmas Is You” held the spot for 22 weeks.)

    Wallen’s “Still the Problem” final two dates are in South Philly, with Brooks & Dunn opening Friday and Langley on Saturday. 5:30 p.m., Lincoln Financial Field, One Lincoln Financial Way, lincolnfinancialfield.com.

    Terrace Martin, Robert Glasper, and Kamasi Washington of Dinner Party play Union Transfer on Sunday.Courtesy of Dinner Party

    Saturday, Aug. 1

    Mitch-A-Palooza

    Retro City Studios Room B owner Mitch Beer is hosting a benefit concert for Philly Music Fest and the locally based Music Media Collective. The lineup is headed up by Stereo League, whose Alex Savoth just released a rock-solid solo album, Midnight Sun. Also on the bill, the Commission, Brian LaPenn, Bo Rains, and the Sharpness, which is Beer’s family band with his wife, Bo Rains, and their 6-year-old son, Levi. 8 p.m. Ardmore Music Hall, 23 E. Lancaster Ave., Ardmore, ardmoremusichall.com

    Buddy Guy poses for a portrait at Buddy Guy’s Legends in Chicago on Thursday, July 24, 2025. The blues great plays Atlantic City and Glenside this week. (AP Photo/Nam Y. Huh)Nam Y. Huh

    Sunday, Aug. 2

    Dinner Party

    The new album by Dinner Party, that’s due Aug. 7, has a cute question in its title: Whatchu Bringing? In a show that’s been moved from Heuser Park in King of Prussia, the quartet of saxophonist Kamasi Washington, pianist Robert Glasper, rapper-producer Terrace Martin, and DJ-producer 9th Wonder will be bringing an improvisational jazz-soul-funk-hip-hop stew that’s likely to result in one of the tastiest shows of the summer. 8 p.m., Union Transfer, 1026 Spring Garden St., utphilly.com

    Lyle Lovett performs at the Lansdowne Theater in Lansdowne, Pa., on Thursday, March 12, 2026.Yong Kim / Staff Photographer

    Tuesday, Aug. 4

    Lyle Lovett

    Lyle Lovett is a funny storyteller and a gifted musician and songwriter, as well a natty dresser. In 2022, he did a run of shows at City Winery with his Large Band, and in March, he played in Landsdowne with John Hiatt. Now, he’s coming back to City Winery solo for three shows, beginning Tuesday. 8 p.m., City Winey, 990 Filbert St., citywinery.com/philadelphia

  • LeBron likes Beethoven. Now there’s a playlist for that.

    LeBron likes Beethoven. Now there’s a playlist for that.

    He likes his cookies chocolate chip, and his wine Oregon pinot noir.

    And when it comes to music, LeBron James has a thing for Beethoven.

    In fact, the Sixers’ new No. 23 has had a bit of a first-hand experience with classical music. He once took some quick instruction from Curtis Institute of Music alum Lang Lang before the two broke into a four-hand duet — brief, random, and (intentionally) atonal.

    Lang Lang called the light-hearted 2014 collaboration a “piano dunk.”

    Beethoven has a particular role in Jame’s routine, he explained in an interview with The Shop. He gets to games hours early and goes to the weight room, where he listens to hip-hop.

    “And then when I leave the weight room, I gotta calm down and that’s why I’m listening to, like, more like old school jazz or I listen to a lot of, like, Beethoven,” he said on the talk show in 2022. “I like classical music, too.”

    Taking its cue from James’ classical leanings, WRTI-FM (90.1) has quickly assembled some music especially for him.

    “We thought we would create something Philadelphia-specific that we could put out as his new pregame playlist as the jazz and classical station here,” said WRTI classical program director Zev Kane.

    Jazz cuts to make the list include “Smilin’ Billy Suite: Part II” by South Philadelphia’s Heath Brothers and Philadelphia organist Shirley Scott in “Soul Shoutin’.”

    On the classical side: Rachmaninoff’s Symphonic Dances, because of its place as “a dazzling showcase of energy, elegance, and the unmistakable Philadelphia Sound,” the playlist text says.

    Marian Anderson in “He’s Got the Whole World in His Hands” is included because, well, she’s Marian Anderson and this is Philadelphia.

    The Barber Violin Concerto is on the list, since the third movement’s “breathless finale takes off with the speed of a full-court chase-down block.”

    Kane says he believes there are characteristics shared by music and sports that could act as an on-ramp into music for classical newbies.

    “I think playing music at an extremely high level and playing sports at that level — I think there are parallels: the need to train mind and body, the practice, the repetition, the heat of the moment, the debate over greatness, and the thrill of convening to see that spectacle together.”

  • With LeBron James joining the Sixers, NBC Sports Philadelphia looks to staff up

    With LeBron James joining the Sixers, NBC Sports Philadelphia looks to staff up

    Like everyone else, Sixers announcer Alaa Abdelnaby was shocked when news broke LeBron James was coming to Philadelphia.

    Now he’s settling into the reality of calling games featuring the future Hall of Famer, who passed up a return to Cleveland to sign a two-year deal with the Sixers.

    “I don’t think it was a farewell swan song he was looking for,” Abdelnaby said. “He’s still looking to win.”

    It’s a wild swing for Abdelnaby, who is entering his 11th season calling Sixers games. His was hired in the middle of “The Process” and Philly lost 72 games during his first season as a color analyst. Now the team is coming off an exciting playoff upset of the Boston Celtics and added two superstars in James and Jaylen Brown.

    “In Philadelphia we’re not used to having nice things,” Abdelnaby joked. “All eyes are going to be on you. I think everybody has to pick up their game a little bit.”

    LeBron James chose Philly over Cleveland, Miami, Los Angeles, and San Francisco. Yong Kim / Staff Photographer

    That’s true for the network as well. Alexandra Matcham, the vice president of content for NBC Sports Philadelphia, said it was budgeting in hopes of staffing up for the season.

    “If you get a generational talent on your team, it could easily become a situation where the people that work for us are burnt out by December, and you don’t want that,” Matcham said. “You need extra help.”

    That’s a welcome change in an era where regional sports networks like NBC Sports Philadelphia have been hit hard by cord cutting. How things shape up remains unclear, but Matcham said there are several possibilities.

    “It’d be helpful if somebody who’s followed and covered him were on our staff,” Matcham said. “Maybe we add people like that.”

    For years, NBC Sports Philadelphia and its predecessor, Comcast SportsNet, turned to reporters like Serena Winters and Taryn Hatcher for Sixers broadcasts. The network is weighing whether to add a third voice alongside Abdelnaby and play-by-play announcer Kate Scott, but the role wouldn’t be confined to baseline updates.

    “As I’m talking to my colleagues, I’m not even calling it a reporter role because I feel like it’s going to give them a stereotype I don’t necessarily mean,” Matcham said.

    “I think you need a voice on the court where Alaa and Kate can’t be to give us insight, do pre- and postgame interviews, analysis, all of that,” Matcham added. “It’s a very hard job to do.”

    A lot more national TV exposure for the Sixers

    NBC Sports Philadelphia announcers Kate Scott and Alaa Abdelnaby will be in the spotlight this season. Steven M. Falk / Staff Photographer

    While the NBA hasn’t released its 2026-27 schedule, Matcham expects NBC Sports Philadelphia to air fewer Sixers games.

    The network, which has broadcast Sixers games since 1997, is guaranteed at least 67 games this season as part of its deal with the NBA. It’s widely expected the league will take 15 Sixers games — the most allowed under their current TV deal — and put them in exclusive national windows on ABC, NBC, and Amazon’s Prime Video.

    “LeBron’s arrival in Philadelphia instantly becomes one of the biggest stories in sports and adds even more star power and intrigue to an already loaded NBA schedule,” said Justin Byczek, NBC’s executive vice president of programming and rights management. “His move elevates some of the league’s most historic rivalries, including highly anticipated battles with the defending NBA Champion New York Knicks.”

    Another 19 games are expected to air nationally and on NBC Sports Philadelphia as side-by-sides on Peacock, ESPN, and NBA TV. That’s 34 national games for the Sixers, compared to just 14 when the schedule was announced last season.

    Under the NBA’s current media rights contract, every NBA team is guaranteed at least two national broadcasts. Only the most popular teams land 34, the max allowed under the 11-year, $76 billion TV deal.

    It’s a great outcome for the NBA. The Lakers remain relevant with Luka Dončić, while James’ decision to join the Sixers will juice interest in matchups against the Knicks, Cleveland Cavaliers, Denver Nuggets, and Miami Heat, who were spurned by LeBron but landed Giannis Antetokounmpo. There’s also the Sixers-Celtics rivalry, already heightened by Philly trading for Jaylen Brown.

    “Christmas Day and all the top-level NBA nights, you’re going to see the Sixers,” said Jon Lewis, a TV ratings expert who runs the Sports Media Watch website. “Plus the national networks will have LeBron on the East Coast to showcase in that 8 o’clock window. That’s primetime, after all.”

    What remains unclear is what impact James will have on NBC Sports Philadelphia’s viewership numbers. Last season, the network averaged 86,000 viewers per game, according to Nielsen numbers obtained by The Inquirer. That was a 25% increase compared to the 2024-25 season, when the Sixers lost 58 games and missed the playoffs.

    Lewis said he would expect local ratings to go up in Philly if the 41-year-old stays healthy and the Sixers are big-time contenders. But he also noted just one Lakers game was among the 30 most-watched NBA games last season

    “I would set expectations higher,” Lewis said, “just not overwhelmingly high for where he is at this point.”

    The interest will also carry over to the Sixers three preseason games, beginning with their Oct. 8 matchup on the road against the Brooklyn Nets. Historically NBC Sports Philadelphia hasn’t covered those road preseason games, but that could change with James on the team.

    “It’s the first preseason game with LeBron in a Sixers jersey,” Abdelnaby said. “So if our bosses were to say, ‘Listen, we’re covering that,’ I wouldn’t be surprised.”

    NBC Sports Philadelphia is also looking to create more content to meet the high level of interest James will draw. That includes everything from adding and upgrading cameras throughout the arena to tinkering with in-game graphics and production equipment.

    “Every game is going to mean something big,” Matcham said, “so everything we do has to show that off.”

  • A Queen Village show is drawing big crowds with postage stamp-size art

    A Queen Village show is drawing big crowds with postage stamp-size art

    It’s a warm Friday evening in July, and the Queen Village neighborhood is abuzz. Philadelphians are grabbing dinner and perusing the many shops. One shop, particularly, has attracted a crowd that it can barely contain.

    Inside the vintage store At My House, people are immediately amazed by the knickknacks that surround them. They grab a cocktail and line up for the main event, waiting their turn to view a wall at the front of the store displaying a range of art pieces — all of which you can hold in the palm of your hand.

    A large crowd gathers at the opening / public reception of “The Mini Mini Art Show” at At My House on July 24, 2026. Every artwork in the exhibition measures 1.5 inches by 1.5 inches — about the size of a postage stamp.Elizabeth Robertson / Staff Photographer

    On Friday, Kelly Braun, founder and owner of At My House, hosted the second annual mini-art show, dubbed the “Mini Mini Art Show.” Last year, the show invited artists to make art that was 3 inches by 3 inches.

    Braun upped the ante this year.

    “This year, we realized we needed to go mini-er,” she said. “It needed to be more extreme, more silly, more ridiculous. So we cut it in half.”

    Artist Fabiola Lara (right) explains her tiny art print vending machine during the opening reception of “The Mini Mini Art Show” at At My House on Fourth Street in Philadelphia on July 24, 2026. Elizabeth Robertson / Staff Photographer

    All of the art on display at “Mini Mini” is about 1.5 inches by 1.5 inches — about the size of a postage stamp. While last year’s artists were invite-only, this year’s show is a mix of submissions and invited artists.

    On the wall are displays of tiny clothing items, makeshift houses and rooms, and some original drawings. All of the artwork is for sale, with items ranging from $60 to $300.

    There are even miniature illustrations of classic art, like Vermeer’s Girl With a Pearl Earring and Botticelli’s The Birth of Venus, created by the event’s cohost, Fabiola Lara.

    “I draw from everyday life, which is why a lot of my prints are Philadelphia-themed. Today, I wanted to take a break from Philadelphia-themed stuff, and literally take the theme of mini art and take the opportunity to do something different,” Lara said. “I’ve always loved to draw, it’s my favorite way to be creative.”

    Crysral Nguyen (left) takes a photo of clay artist Marley Richardson in front her polymer clay art on display at the opening / public reception of “The Mini Mini Art Show” at At My House on Fourth Street in Philadelphia on July 24, 2026. Both ladies are from Philadelphia.Elizabeth Robertson / Staff Photographer

    Lara, a Chilean American artist, has been making mini art since 2024, when she started her mini art vending machines, of which there are now 13 across the city. Anyone can insert four quarters to get a business card-sized piece of original art by Lara, or two quarters for a roughly stamp-sized one.

    “I think fine art in museums is so focused on large-scale, which is great,” said Lara, “but also you have to have the studio space for it, and it’s expensive. I love that people still turn out for this tiny stuff, which is actually really hard to make.”

    Exhibition hosts Kelly Braun (middle) and Fabiola Lara (right), celebrate at “The Mini Mini Art Show” at At My House on July 24, 2026. Elizabeth Robertson / Staff Photographer

    At My House opened its doors in January of last year, and has since become a thriving vintage clothing and homewares shop and event space. When it’s not hosting a mini art show, it hosts collage nights, book clubs, photography pop-ups, platonic speed dating, and even lamp-making workshops.

    “The Mini Mini Art Show” is on display through Aug. 2 at At My House, 760 S. Fourth St., Philadelphia. atmyhou.se

  • Penn professor Emily Wilson compares Nolan’s ‘The Odyssey’ to water ice — ‘mostly sugar,’ ‘makes no nutritional sense’

    Penn professor Emily Wilson compares Nolan’s ‘The Odyssey’ to water ice — ‘mostly sugar,’ ‘makes no nutritional sense’

    Classics scholar Emily Wilson’s widely acclaimed translation of Homer’s The Odyssey was cited as a reference for Christoper Nolan in his recent film adaptation of the epic. It helped her book to sell over a million copies.

    Now she’s written another talker: Wilson, a professor at the University of Pennsylvania and the first woman to publish an English translation of The Odyssey, penned a review of Nolan’s film for the London Review of Books this weekend, and her reaction was less than favorable.

    Professor Emily Wilson, in her office at the University of Pennsylvania, in Philadelphia, July 4, 2026.Jessica Griffin / Staff Photographer

    Her main critique was that the adaptation lacked depth, stating: “It has nothing convincing to say about time, memory, history, war, or about the relationship between one warrior’s glorious return and the lives of his family, adversaries, comrades, friends and neighbors.”

    “Its narrative structure is gimmicky,” she wrote. “The writing is abysmal. None of the characters has convincing motivation for their actions or words.”

    With the essay being lengthy, she also took to Bluesky to summarize her main points.

    “This Odyssey is not a rich, satisfying Homeric banquet, but sometimes in the heat, an ice-cold Philly water ice is all you want — even it’s mostly sugar and food coloring, and makes no nutritional sense,” she wrote on the social media site. It’s a line Wilson says summarizes her feelings but was cut from the essay.

    This image released by Universal Pictures shows Matt Damon as Odysseus in a scene from “The Odyssey.” (Melinda Sue Gordon/Universal Pictures via AP)Melinda Sue Gordon

    She had particular criticisms over the film’s female and nonwhite characters, finding them to be “underwritten.” Wilson states, “Most of the nonwhite actors — Zendaya, Lupita Nyong’o, Himesh Patel, Corey Antonio Hawkins, Travis Scott — play versions of the Black best friend, whose only role in the drama is to provide aid to the white protagonist.”

    A uniquely progressive aspect of Wilson’s translation of The Odyssey is her devotion to fighting back against gendered biases from previous translations. For example, she replaced the terms “sluts” and “whores” used to describe the Ithaca servant women with “slaves” and “house girls.”

    Wilson continues, “Charlize Theron’s Calypso looks gorgeous, but she is never angry, never funny, not skilled in rhetoric, and never consumed by lust for her scraggly mortal victim. She’s an unpaid therapist, soothing the soul of the bedraggled, PTSD-ridden Odysseus with drugs, and graciously listening to his disjointed tale of woe.”

    This image released by Universal Pictures shows a scene from “The Odyssey.” (Melinda Sue Gordon/Universal Pictures via AP)Melinda Sue Gordon

    Online discourse has naturally erupted, with people both defending her literary merit and others (largely hard-core Nolan fans) attacking her review.

    One Nolan fan account expressed their disappointment, theorizing that she was simply “frustrated that she didn’t get the adaptation she had imagined.” A reply, one of hundreds, comes to her defense, stating “[Nolan]’s scripts are usually garbage this one is no different.”

    There is also discourse surrounding her take on the nonwhite characters, specifically. One X user writes that Wilson’s paragraph discussing the “Black best friend” trope “lacks refinement and is racist in the way she reduces these actors to what they’re clearly not. If she sees them as that, then that’s a reflection of her.”

    This image released by Universal Pictures shows Matt Damon as Odysseus, left, and Zendaya as Athen, in a scene from “The Odyssey.” (Melinda Sue Gordon/Universal Pictures via AP)Melinda Sue Gordon

    Despite her critiques, Wilson maintains that “the release of The Odyssey is still an event to celebrate.” Ultimately, she argues, the success of this film adaptation is encouraging people to buy translations of the book, which is a win for literature and the humanities.

  • Keith A. Morrison, celebrated artist and former Temple dean, has died at 84

    Keith A. Morrison, celebrated artist and former Temple dean, has died at 84

    Keith A. Morrison, 84, of Meadowbrook, Montgomery County, celebrated artist, professor of painting emeritus and former dean at Temple University’s Tyler School of Art and Architecture, curator, critic, consultant, writer, and lecturer, died Monday, June 1, of cancer at Fox Chase Cancer Center.

    Born in Jamaica, Dean Morrison left the Caribbean island for the School of the Art Institute of Chicago when he was 17 and earned bachelor’s and master’s degrees in fine arts and art education. He went on to teach college art classes in Nashville, Chicago, and College Park, Md., and, in addition to Temple, serve as dean at San Francisco State University, the University of Maryland, and the old San Francisco Art Institute.

    He was the first Black academic dean of art in a predominantly white American school in 1993 at the San Francisco Art Institute and joined Temple as dean of its art school in 2005. He became a professor of painting at Temple in 2008 and retired in 2018 as professor emeritus.

    As head of the Temple art school for three years, Dean Morrison hired staff, expanded degree programs, and coordinated popular activities with the school’s affiliated art programs in Europe and Japan. In an online tribute, former colleagues at Temple called him a “dedicated advocate for artists and arts organizations.”

    Earlier, he was associate dean of architecture and art at the University of Illinois, art department chair at DePaul University in Chicago, and associate professor of art at Fisk University in Nashville. He lectured around the world and was a visiting scholar at Sichuan Fine Arts Institute in China and the University of Michigan.

    “He was very serious, very thinking,” said his wife, Susan C. Alunan. “People said he was present and insightful, even life-changing.”

    As an artist, Dean Morrison was inspired by his Afro-Caribbean heritage, his childhood memories of lush Jamaican landscapes, and his multicultural experiences in Europe, Cuba, Mexico, and elsewhere. He worked in watercolors, oils, acrylic, and prints, and created memorable abstract, figurative, and surreal images.

    Many of his paintings feature landscapes, people, plants, and animals, often including Scout, his African gray parrot. His images, he told colleagues, were “more intuitive than intellectualized.”

    Dean Morrison worked most often at his home studio in Meadowbrook. His parrot, Scout (left), sometimes appeared in his work. Susan C. Alunan

    Friends and colleagues called his paintings “unique and moving” and “magical in content and accessible by all who encounter them.” Allan Edmunds, founder of Brandywine Workshop and Archives, said on Facebook: “His art connects and shares hidden stories and myths that helped shape his creative vision of multiculturalism as a global reality.”

    Dean Morrison’s work appears on the covers of books and magazines, and in hundreds of solo and group shows around the world. It resides in collections at the Philadelphia Museum of Art, the Pennsylvania Academy of the Fine Arts, the National Gallery of Art and the Smithsonian American Art Museum in Washington, and other galleries.

    Colleagues at the David C. Driskell Center at the University of Maryland said in a tribute: “Morrison’s vivid, imaginative paintings — filled with brilliant color, history, mythology, and fantasy — speak to African diasporic experience as well as Morrison’s unique sense of humor and narrative composition.”

    As a writer, he pioneered Pan-African art criticism and was, in his own words, a Black critic “interested in art from a Black person’s perspective.” He was a visiting editor at the New Art Examiner in Chicago, and his reviews, interviews, and general observations appeared in the Washington Post, museum catalogs, and other publications.

    His book Art in Washington and Its Afro-American Presence: 1940-1970 was published in 1985 and serves as a text at art schools. In 2004, Renée Ater wrote a 128-page monograph called Keith Morrison.

    As a curator, Dean Morrison supervised exhibitions in the United States, Jamaica, and Cuba. He represented the United States and Jamaica at international art exhibitions, and was active with Brandywine Workshop and the Washington Project for the Arts.

    He earned lifetime achievement awards from Howard University and Brandywine Workshop, and was named a Jamaican Commander in the Order of Distinction in 2017 for “outstanding and important services to Jamaica.”

    “My mood is always happy,” Dean Morrison said in a 2008 interview with the University of Delaware’s UDaily. “You can paint anything you want. It does not have to be because you yourself feel that way.”

    This is Dean Morrison’s “In the Rivers of Babylon.”Keith A. Morrison
    This is Dean Morrison’s “Scenes From Childhood.”Keith A. Morrison

    Keith Anthony Morrison was born May 20, 1942, in Linstead, Jamaica. He ran track in high school and took drawing classes at the Jamaica School of Arts and Crafts.

    He learned about the School of the Art Institute of Chicago after high school and worked as a disc jockey and sound effects man for a Jamaican radio station to earn money to travel to the United States. He earned his bachelor’s degree at the University of Chicago in 1963 and his master’s degree at the Art Institute of Chicago in 1965.

    He had a son, Ron, a daughter, Melinda, and, after a divorce, married Alunan in 2003 and welcomed her children into his family. His daughter and former wife died earlier.

    Dean Morrison studied Aristotle and earned a Fulbright Senior Scholar grant. He enjoyed classical music and jazz, and he and his wife traveled the world together.

    Dean Morrison “had a great imagination and sense of humor,” his wife said.Susan C. Alunan

    He played tennis and ran, and lived in Chicago, Washington, and San Francisco before settling in Meadowbrook. “He had a great imagination and sense of humor,” his wife said. “He was a fun guy.”

    In addition to his wife and son, Dean Morrison is survived by a brother and other relatives.

    A celebration of his life is to be held later. Brandywine Workshop and Archives has scheduled a showing of his work from 6 to 8 p.m. on Thursday, Aug. 6.

  • A Philly street artist installed a LeBron James mirror mosaic on an old Burger King wall. Why? ‘It explains itself.’

    A Philly street artist installed a LeBron James mirror mosaic on an old Burger King wall. Why? ‘It explains itself.’

    Street artist irregular. rarely cries. But when LeBron James announced he was going to end his NBA career with the Sixers, he shed a single tear — and then got to work.

    Within 48 hours, after a sleepless Friday night, his mirrored tribute to James was up on the side of a Center City building.

    “Someone said, ‘Oh, that was so fast!’” irregular., whose full name is Sean Hassett, said Tuesday. “I don’t think it was fast enough. Actually, I think it could have been a little quicker.”

    As soon as rumors began to swirl that James could potentially join the Sixers, the 37-year-old artist began to pull reference images, knowing that if it happened, he’d want to make art of it. He had a gut feeling it was going to happen.

    “Philly just felt like — why would they even say it if it wasn’t going to be true?” Hassett said. “I was a firm believer three weeks ago.”

    As the weeks wore on, his hope started to dim, but that changed late last week. Within two hours of James announcing his decision, Hassett had already drawn out what he wanted the piece to look like, and then spent the night cutting out each piece of mirror.

    Hassett usually sells art at Rittenhouse Square on Saturdays, but instead spent most of this past Saturday afternoon walking around Center City to scout potential locations for the piece. He ultimately settled on a building at Eighth and Market, the site of a former Burger King.

    “King James, Burger King, I don’t know,” he said. “It’s a weird tie. I love the slogans that Burger King uses, which is what I used as my captions on my Instagram. One of them is ‘There’s a new king and it’s you.’ That makes perfect sense for exactly what I did. I mirrored LeBron James. Their classic slogan is ‘Have it your way,’ and I felt like that’s what the Sixers chose this year, is to have it our way, and we’re going to just put all the chips in and go for it all.”

    Adam Hock, of Center City, saw on Facebook about the LeBron James mosaic on Eighth and Market Streets on Tuesday.Tyger Williams / Staff Photographer

    Hassett has been creating mirror art for 11 years. He started as a painter, but as he developed his skills, he yearned to find a way to stand out from the crowd. Working with mirrors became his medium.

    “The viewer can see themselves in the art,” he said. “It explains itself. It speaks for itself, truly, I would say.”

    Hassett estimated that, at this point, an average project takes him six hours to finish, but the James project ended up taking closer to 10.

    It’s not his first tribute to a Philly athlete either.

    Hassett created a mirrored Saquon Barkley and put it up a week before Super Bowl LIX, since he was that confident the Birds would win. His Allen Iverson mirror art, created after the Sixers unveiled their small practice facility statue, is still up on Third and South Streets.

    “I see [sports] as the true glue of the city,” he said. “I remember the Eagles parade, and I have a bit of social anxiety. I don’t like large groups, but [at] that parade I was literally shoulder-to-shoulder, toe-to-toe with people, and there was nothing better than the energy there.

    “I think we’re going to get that back. We think this year was great, but I think there’s just more great years to come here in Philly.”