Tag: Schuylkill

  • Parts of Fairmount Park were not only the site of America’s first paper mill, but also the country’s first company town

    Parts of Fairmount Park were not only the site of America’s first paper mill, but also the country’s first company town

    We take paper for granted now. But in the late 1600s, when Pennsylvania’s founder William Penn recruited German papermaker and preacher William Rittenhouse to manufacture the writing parchment in the New World, paper was a luxury.

    England’s King William III made it difficult for his subjects — at home and in the Americas — to have it. Like many monarchs of his day, he believed it was the Crown’s duty to record history.

    The English imported paper from other European countries. So, to make matters worse, colonists who managed to appeal to the king for paper were double and triple taxed. They got fed up and went about securing their own paper to document the goings on in the government, inform citizens, record history, and ultimately plan a revolution.

    Artist Ava Haitz’s No. 1 honors the country’s first paper mill, celebrating the invention and craftsmanship that made widespread written communication possible.Ava Haitz for Colibri Workshop

    In 1690, Rittenhouse partnered with Philadelphia’s first printer, William Bradford, to build America’s first paper mill, situated in northwest Philadelphia and powered by the Monoshone Creek, a tributary of the Schuylkill.

    The paper mill will be celebrated this Saturday at Historic RittenhouseTown, part of a series of weekly “Firstival” celebrations. Firstivals are the Philadelphia Historic District’s yearlong birthday nod to places and events with Philadelphia roots. The day parties are a hallmark of this year’s Semiquincentennial fetes.

    At the Rittenhouse mill, paper was made from linen rags fashioned from flax grown in Germantown, that were broken down and shaped into sheets. The mill grew quickly as Rittenhouse, America’s first Mennonite bishop, provided paper for Bibles and Quaker and Mennonite texts in German.

    An aerial view of RittenhouseTown circa 1840-1860. The site eventually grew to more than 200 acres.Historic Rittenhouse Town

    Rittenhouse’s first paper mill was destroyed by a flood, said Alexander Jones, preservation and education manager at Historic RittenhouseTown.

    Then “Rittenhouse rebuilds and he buys out his partner,” Jones said. “The paper mill becomes his sole enterprise. Instead of hiring workers, he recruits his family and it becomes a giant company town. There is a church, a blacksmith, stone houses, a bake house, and more than 40 buildings with five or six of them under what is now Lincoln Drive.”

    RittenhouseTown’s paper mill was the only source of paper in America for more than 40 years, Jones said. It would grow to more than 200 acres.

    David Rittenhouse — Rittenhouse’s great-grandson and the astrologer, clockmaker, and first director of the U.S. Mint after whom Rittenhouse Square is named — was born in his family’s RittenhouseTown homestead in 1732.

    The town thrived for more than a century.

    By the mid-1800s, the paper mill began to slow down as dyes from textile and carpet manufacturers and chemicals from blacksmithing started to pollute the Schuylkill. The filthy water made it nearly impossible to produce good quality paper at the mill.

    The Fairmount Park Commission began acquiring parts of RittenhouseTown through a series of purchases and donations from 1890 to 1917. The city demolished many of the town’s buildings, including a barn that, Jones said, was razed and rebuilt within a year.

    RittenhouseTown’s homestead and bakehouse. The first permanent home for the Rittenhouse family and birthplace of David Rittenhouse, great-grandson of William Rittenhouse for whom Center City’s Rittenhouse Square is named.Al Cassidy for Historic Rittenhouse Town

    By that time, however, the Rittenhouse family had spread throughout the Philadelphia region from Center City to Blue Bell, Jones said.

    Today, RittenhouseTown spans 20 acres nestled in Fairmount Park right behind Lincoln Drive. Six of the original buildings remain, serving as a reminder that RittenhouseTown was the first building block of American industry.

    “The paper mill really got the ball rolling for Philadelphia,” Jones said. “And from that first came so many other American firsts in Philadelphia: the first Mennonite bishop, the first company town, and America’s first director of the U.S. Mint.”

    This week’s Firstival is Saturday, June 27, 11 a.m.-1 p.m., at Historic RittenhouseTown, 208 Lincoln Drive.

    The Inquirer is highlighting a “first” from the Philadelphia Historic District’s 52 Weeks of Firsts program each week. A “52 Weeks of Firsts” podcast, produced by All That’s Good Productions, drops every Tuesday.

  • Where to watch Fourth of July fireworks in Philly, the suburbs, South Jersey, and the Shore

    Where to watch Fourth of July fireworks in Philly, the suburbs, South Jersey, and the Shore

    This Fourth of July will be unlike any in recent memory. As the nation marks its 250th anniversary, Philadelphia and the surrounding region are packed with celebrations — and fireworks displays. From the city and suburbs to South Jersey and the Shore, there are dozens of opportunities to catch a show.

    Whether you’re staying in Philadelphia, heading to the suburbs, or spending the holiday down the Shore, here’s where to find Fourth of July fireworks across the region.

    Fireworks in Philadelphia

    Fireworks after the San Diego Padres and Philadelphia Phillies game at Citizens Bank Park on July 2, 2025.Elizabeth Robertson / Staff Photographer

    Fireworks in Bucks County

    Fireworks in Chester County

    Fireworks in Delaware County

    Fireworks in Montgomery County

    Fireworks in Allentown

    Fireworks in South Jersey

    A view of Atlantic City’s fireworks from the Marina. (Courtesy of the Casino Reinvestment Development Authority)

    Fireworks at the Jersey Shore

  • How to have a perfect Philly day, according to actor and director Amina Robinson

    How to have a perfect Philly day, according to actor and director Amina Robinson

    South Philly-raised director and actor Amina Robinson is one of the region’s most celebrated theater makers, known for directing major productions including Fat Ham, Once on This Island, and The Color Purple. Now based in Cherry Hill with her husband and son, Robinson was just named the new artistic director of Norristown’s Theatre Horizon, where she’ll take the helm later this year.

    When she’s not directing plays and musicals like this spring’s Ain’t Misbehavin’, the Temple University professor spends her days walking around Philadelphia and visiting family in West Philly. On her perfect Philly day, she takes her family for cheesesteaks at Jim’s before walking around the Schuylkill and, of course, catching a show at her soon-to-be artistic home, Theatre Horizon.

    8 a.m.

    I get up and I wake up my son and my husband. We decide to get ready and go to Philly for breakfast. We’re gonna go to Eggcellent Cafe on Chestnut Street and I’m gonna eat their truffle avocado toast — it’s so big and good. I’m gonna have their golden turmeric latte, too.

    Families and friends gather from all over to watch the firework show over the Delaware River on New Years Eve at Penn’s Landing in Philadelphia on Wednesday, Dec. 31, 2025.Tyger Williams / Staff Photographer

    10:30 a.m.

    We’ll walk breakfast off by taking a nice little walk down Penn’s Landing, right along the water.

    11 a.m.

    After that, we’ll go visit my mom in Overbrook Park. I would bring her decaffeinated Dunkin’ Donuts coffee, that’s a must. Then we’ll sit and talk with my mom for a little bit. I would see my brother and my stepdad, and probably my nephew, and maybe my brother’s girlfriend would be there, but I really would be going to visit my mommy.

    Ken Silver, owner of Jim’s Steaks, corner of 4th and South Street with sign on front of building.The restaurant is under construction after 2022 fire destroyed the cheesesteak restaurant. Photo taken on Monday, March 25, 2024.Alejandro A. Alvarez / Staff Photographer

    1 p.m.

    For lunchtime I want to go down to Jim’s on South Street and get a cheesesteak with whiz and fried onions. I probably need to walk off my cheesesteak, but I’m not going to walk off my cheesesteak. I’m going to let it just sit in my belly for a while.

    3 p.m.

    Then we’ll go out to the Art Museum area and chill out and walk around. Maybe we’ll have ice cream, there are usually ice cream trucks out there. I love walking around that area so much — I’ve always loved West River Drive and Kelly Drive. When I was a kid, I didn’t know that Boathouse Row was like boathouses, even though it’s called that — I used to always say, when I grew up, I’m gonna live in one of those houses.

    Boathouse Row is relit with a new programmable system containing 6,400 LED lights that allow for 16 million color combinations in Philadelphia, Pa. on Thursday, March 7, 2024.Monica Herndon / Staff Photographer

    5:30 p.m.

    At night, I’m gonna go to Norristown. There’s this Mexican restaurant on Main Street that’s so freaking good, Taqueria La Michoacana. I would definitely have their beans and rice, and tacos, and I don’t know what else.

    7:30 p.m.

    I would go see a show at Theatre Horizon. They want to foster empathy and edify the people who come to see the theater. As the incoming artistic director, I’d love to start programs like that to grow the artistic community there, all the while supporting the community that’s already been built there.

    New artistic director Amina Robinson at an event for Theatre Horizon’s 2018 production of ‘The Color Purple.’Courtesy of Theatre Horizon

    10 p.m.

    I’d head home to sit outside and watch the cars go by, just like chill out and relax. Then I’ll lay on the couch and fall asleep watching a television show, probably a Lifetime Movie Network movie.

  • JD Vance can never become president | Will Bunch Newsletter

    One of my many New Year’s resolutions back in January was never to write what I call “Captain Obvious columns” about the Donald Trump scandal du jour that’s all over your social media feed. So you’ll have to imagine the column I didn’t write about Trump’s tacky UFC cage match that desecrated the White House, and the role of bread and circuses (or just circuses…where’s the bread?) in the inevitable decline and fall of decrepit empires.

    If someone forwarded you this email, sign up for free here.

    A ‘President JD Vance’ would be a different kind of dictator. The scary kind.

    They say you never get a second chance to make a first impression — unless your name is JD Vance, or it becomes JD Vance after a few false starts. In 2016, a then utterly unknown Yale Law grad introduced himself to America with a No. 1 bestseller, Hillbilly Elegy, that used his (sort-of) Appalachian family’s hardscrabble story to come off as an empathetic horse whisperer for the white working class.

    He cemented that first impression when we learned he’d privately described Trump as a kind of a demagogue feeding off the pathologies he’d written about in Elegy — someone he feared might become “America’s Hitler.”

    But Trump’s victory coupled with some exposure to the ketamine-fueled paranoia of Silicon Valley’s billionaires gave the former James Donald Bowman yet another shot at reinvention — now embracing extreme right-wingers and crackpot conspiracy theories all the way to his election, at age 40, as the 50th vice president of the United States.

    Today, less than two weeks before the 10th anniversary of Hillbilly Elegy’s publication, Trump has become America’s…Mussolini, a strutting yet sometimes buffoonish strongman and a hopelessly corrupt invader of faraway lands.

    It’s Vance who could actually become America’s Hitler, if he gets that chance…a very real possibility.

    That’s a strong statement, but it’s also perhaps the most powerful takeaway from the heavily promoted, about-to-be-published book from all-access New York Times reporters Maggie Haberman and Jonathan Swan, Regime Change. It portrays the vice president as eager to go much further than Trump in crushing domestic dissent.

    In book excerpts published Monday, Haberman and Swan depicted Vance — in a tag-team alliance with Trump’s ruthless mass-deportation guru Stephen Miller — as calling for the radical step of invoking the Insurrection Act to send in troops to put down protests by everyday Americans in Minnesota who were enraged by masked goon squads snatching their immigrant neighbors and the killing of two U.S. citizens.

    Describing a White House meeting of senior aides — but not Trump — in late January after Renee Good and Alex Pretti were gunned down, the Times reported that “Vance got to the point. They needed to invoke the Insurrection Act, swiftly, to crush the unrest in Minnesota. It would be painful in the short term, he said, but the message it would send — that paid agitators could not get away with disrupting ICE operations — would make sure no one tried it again.”

    There are many problems with Vance’s anti-democratic impulses. As Haberman and Swan reported, even most of the Trump aides in the room agreed that invoking the 1807 law in this circumstance would be both a significant expansion of presidential power and a public-relations nightmare. Even worse, the nation’s No. 2 official was urging this would-be abuse of power based on a right-wing internet lie — the falsehood that Minnesota’s angry neighbors were “paid protesters.”

    The deeply reported episode isn’t the only disturbing glimpse of Vance’s governing philosophy in recent months, but it’s the most revealing, and most damning: a true believer in the worst conspiracy theories about the left, with the inclination to wield dictatorial powers against them.

    Earlier this month, Vance — arguably the regime’s top cheerleader for Europe’s extreme far-right political parties — stunned the United Kingdom’s center-left government by weighing in on growing unrest over the stabbing death of an 18-year-old English college student by a Sikh migrant. He sounded more like a wannabe X influencer than a top official of the U.K.’s historic American ally. As racist hate mobs prowled streets in England and Northern Ireland, Vance said the murder of Henry Nowak proved that “European elites” had failed to oppose the “politics of self-hatred and the mass invasion of migrants.”

    One thing is clear: Vance is not on the side of calm, which is problematic when what the world needs now is love, sweet love.

    Increasingly, Vance seems to disappear for longer stretches of time, and when he reemerges he is bathed in the stench of the social media sewers where he seems to spend much of his time.

    That’s certainly appears to be the case with his main mission in 2026; rooting out fraud, which isn’t targeted at the nation’s biggest scam — the multi-dollar enrichment of the president’s family — but at alleged schemes by Somali immigrants and other heirs to Ronald Reagan’s racially coded “welfare queen.” A recent Washington Post report found many claims by a Vance-led task force are misleading or overhyped, and that legitimate business have been swept up in its wide net.

    Ten years ago, Vance wrote a book seeking your empathy because that served his true purpose: ruthless ambition. In that context, it was no moral conflict at all to pull a 180 and support a victorious Trump, or to leverage his rising fame into a hookup with Silicon Valley types like his billionaire patron Peter Thiel — people who believe in building private cities to protect them from the masses and the government, and who are more prone to conspiracy theories than your 79-year-old uncle on Facebook.

    Thiel and the other tech billionaires have programmed Vance into a true believer of whatever nonsense they believe, and lined him up next in the queue for power. That makes him even more dangerous than Trump, who believes in nothing beyond himself.

    Ever since Trump first claimed victory on Nov. 8, 2016, I’ve worried that the next guy would be even worse — chasing American autocracy with a real plan, not clown-car narcissism. Vance is the one I was worried about, and he is only an 80-year-old, Big Mac-infused heartbeat away from the presidency for the next 31 months.

    I’ve made clear my disgust at political violence, and the possibility of a Vance succession is another reason why I shudder to think what would happen if an attack killed or disabled the 47th president someday. If Vance was willing to send troops to Minneapolis to stomp down soccer moms and baristas with whistles, his militaristic power grab against the left after an assassination would end any last hope for our bedridden democracy.

    It’s one more item on the pro-democracy checklist. It may be the proverbial lost cause worth fighting for, but we should try to ensure that JD Vance does not become the 48th president of the United States.

    If Democrats stay on track to retake the House and possibly the Senate, they should hold hearings not only on Trump’s high crimes and misdemeanors but on the vice president’s involvement — and, based on that evidence, his possible impeachment. It may prove impossible to remove Vance from office, but hearings will help to establish a record that will end his dreams — and those of his billionaire buddies — about 2028.

    It’s past time for the next transition for this American chameleon who calls himself JD Vance: back to private citizen.

    Yo, do this!

    • The World Cup’s return to North America has gone much as I expected it would: Marred by its runaway commercialism and the U.S. immigration hassles that kept too many fans and a world-class referee from Somalia at home, but with a focus on joy on the pitch and in the stands now that the games have begun. Here in Philadelphia, the essence of everything good about the World Cup has been the FIFA Fan Festival at Lemon Hill, the city greenspace on the hill behind the Art Museum on the Schuylkill. It’s been a daily gathering post for thousands of fans to watch the matches on a 60-foot screen, imbibe from a beer garden, and load up on official merch. It’s free but ticketed; learn how to gain access and how to get there here.
    • Some 51 years after Jaws, filmmaker Steven Spielberg is still finding ways to get us out to the multiplex for a summer blockbuster. His new the-aliens-are-here epic, Disclosure Day, merges nostalgia for his greatest hits like E.T. with our 21st century anxieties about artificial intelligence, outsiders, space, and what it means to be human in our modern world. It’s getting excellent, but not perfect, reviews, and I’m looking forward to seeing it for myself.

    Ask me anything

    Question: What is your favorite fast food joint? — @funkndonuts.bsky.social via Bluesky

    Answer: Most of this week’s questions were in this lighthearted mode; it feels like the good sports excitement of the World Cup and the NBA finals has provided us a calm eye in the hurricane. Anyway, as an apparent donut lover you’ll be glad to know that my modern family runs on Dunkin coffee. As a kid, my barely-evolved-from-hillbillies family had low-brow tastes that I now appreciate in hindsight, and on our yearly road trips to the ancestral home of Peoria, I fell in love with the greasy pizza — later augmented by greasy fried chicken — at Shakey’s. The chain has shrunk to a few West Coast outlets and I haven’t been in decades. Probably for the best.

    What you’re saying about…

    Last week’s question about what the next, hopefully normal U.S. president should do about the ballroom monstrosity rising on the east side of Donald Trump’s White House drew a good array of responses. Although a couple of you wanted to see the project repurposed for community gardens or housing for D.C.’s homeless, others believe any Trump creation must be expunged in dramatic fashion. “Provide Pulaskis (fire axes) and sledgehammers and a good crew of competent supervisors and let we the people come and pay five bucks for the privilege of fifteen minutes of smashing it up,” wrote Linda Nafziger-Meiser. “Hell, I’ll bring my own Pulaski.” But architect Larry Weintraub thinks the White House needs a ballroom, as long as it meets historical and architectural standards. “Hopefully, the new design will be understated but appropriate and subordinate to the majesty of the White House,” he wrote.

    📮 This week’s question: In a recent column, I announced that I’ve deleted Elon Musk’s social-media app X, which once thrived as Twitter. I saw that as a way to protest Musk’s racism, and his obscene wealth. Should governments and corporations continue to use X for communications? Are you still on X or have you left, and why? Please email me your answer and please put the exact phrase “Deleting X” in the subject line.

    Backstory on the birthright citizen who’s a U.S. hero

    Folarin Balogun, now 24, grew up in London, which is where one of the world’s top clubs, Arsenal, spotted him as a potential soccer star at age 8. His parents are Nigerian. He currently plays club soccer in Monaco. So how was it that Balogun found himself last Friday wearing the red, white, and blue jersey of the United States in front of 70,000 delirious Americans on the pitch near Los Angeles, mixing skillful footwork with an aura of glee as he scored two goals in a 4-1 World Cup opener win over Paraguay?

    Credit the 14th Amendment — or maybe blame it, if you’re one of the reactionaries who believe that people like Balogun should not be U.S. citizens, soccer gods be damned.

    Even if for some weird reason you’re not yet a soccer fan, you’ve probably followed the heated debate over birthright citizenship. The notion that anyone born on U.S. soil is automatically an American citizen — an idea enshrined after the Civil War to remove any potential doubts about the citizenship of formerly enslaved African Americans — is disputed by the Donald Trump regime. The president’s executive order seeking to undo the longstanding interpretation of the 1868 14th Amendment, and strip citizenship from millions of people born here to immigrant, non-citizen parents, is currently before the U.S. Supreme Court. Trump’s xenophobic MAGA supporters have long slurred children of undocumented migrants with the epithet, “anchor babies.”

    It turns out that Balogun, when he’s not lighting up the back of the net, is a law-school case study of the immigration debate roiling his accidental country. In the summer of 2001, Balogun’s future mom, who was seven months pregnant, and dad decided to vacation in the United States. When the couple attempted to fly home to London, an unnamed airline worker who would change the course of soccer history told Florence Balogun she was too pregnant to safely fly. So she stayed in Brooklyn, gave birth to her son, and the family left America after two months.

    As he developed into a world-class striker on European soil, Balogun came to understand that his U.S. citizenship offered a much better shot at competing in the World Cup than the other two nations where he was also eligible, England or Nigeria. For his mom, Balogun’s fate was sealed in the summer of 2001. “Even when he wasn’t even thinking of making an international decision, I’d already made up my mind that he is going to play for America,” Florence Balogun said.

    They say that the Supreme Court, despite all the blather about “calling balls and strikes,” is in reality always aware of the political zeitgeist. Even a right-wing justice who happens to also be a long-suffering Phillies fan in Samuel Alito probably sees on some level that stripping citizenship from the breakout star of U.S. men’s soccer would be highly unpopular. The World Cup — the idea, and not its capitalist corruption by FIFA — imagines a society that abhors exclusion, where it takes every kind of people to make what life’s about. I dream of an America that can run with France and Argentina on the pitch, and that welcomes human beings like Balogun, even ones who’ve never kicked a soccer ball in their lives.

    What I wrote on this date in 2019

    This newsletter goes out Tuesday on the 11th anniversary of the day that changed America forever: Donald Trump’s gilded Trump Tower journey down an escalator to join the 2016 presidential race, as Neil Young’s “Rockin’ in the Free World” blared behind him. In 2019, I used that date to reflect how much we’d fallen in just four years since June 16, 2015. I wrote: “The president’s “shocking” tweet or statement of the day still sparked hours and hours of cable TV blather, including a parade of congressional Democrats who were concerned or saddened or what not. They called Trump’s worst acts impeachable offenses, but then nobody impeached him. They said Trump was unpresidential, but the next day he was still president.” Read the rest: “4 years since Trump came down that escalator and the cycle of empty outrage has become unbearable.”

    Recommended Inquirer reading

    • Last week I focused on the little people who’ve been crushed by the return of Donald Trump, and the big guys getting obscenely rich. In my Sunday column, I looked at the agonizing fate of Tuan Van Bui, an Amerasian born in Saigon at the height of the Vietnam War who was welcomed to Philadelphia in 1990 under a government-approved visa. Why was he violently arrested by U.S. Immigration and Customs Enforcement, and what is the truth about his April death behind bars in Indiana, at age 55? Over the weekend, I voiced my outrage over Elon Musk, who in just one week used his massive platform on X to whip up race riots in Belfast, and was rewarded by Wall Street as the world’s first trillionaire. I looked at how we enable this situation, and announced my small step in fighting back by deleting the X app.
    • One depressingly constant story in the 21st century is the way that supposedly liberal blue states and big cities still fall back on oppressive, militarized policing to crack down on protesters. Progressive activists in New Jersey took to The Inquirer this week to express their lingering disappointment in first-year Gov. Mikie Sherrill — a Democrat that many of them had worked to elect in 2025 — and her state police’s aggressive handling of demonstrations outside the ICE detention center in Newark, Delaney Hall. They would have found an amen chorus here in Philadelphia’s LGBTQ+ community, where city cops showed up at the annual Gayborhood Pride festival in riot gear and arrested 15 of the revelers. The backlash against the police actions has already triggered a City Council investigation. Journalists are typically society’s first line of defense against police misconduct. You support that mission when you subscribe to The Inquirer.

    By submitting your written, visual, and/or audio contributions, you agree to The Inquirer’s Terms of Use, including the grant of rights in Section 10.

  • Philadelphia’s new floating art installation finally arrives on the Schuylkill at Bartram’s Garden

    Philadelphia’s new floating art installation finally arrives on the Schuylkill at Bartram’s Garden

    FloatLab, a public art feature that will offer an eye-level view of the Schuylkill, finished its voyage up the East Coast from North Carolina to Southwest Philly on Wednesday.

    The 75-foot-wide floating structure arrived at its permanent home at Bartram’s Garden amid cheers from officials, who have been waiting 10 years for this project to come to fruition.

    Expected to open in September, the semisubmersible structure was created through a partnership between Mural Arts Philadelphia, the nation’s largest public art program, and Bartram’s Garden, Kingsessing‘s 50-acre public park.

    Without that partnership, “we couldn’t be here today making FloatLab a part of one of the most vibrant sections of riverfront in the city,” said Maitreyi Roy, executive director of Bartram’s Garden.

    The project cost $5.5 million, funded by both public and private assistance from organizations such as the William Penn Foundation, the Pennsylvania Redevelopment Assistance Capital Program, the U.S. Department of Housing and Urban Development, and the City of Philadelphia, among others.

    FloatLab represents a collaboration between ecology and art.

    Bartram’s Garden’s more than 125,000 annual visitors will be able to participate in outdoor art programs, boating, fishing, and other riverfront activities. Additionally, officials anticipate the space serving as a classroom where students can learn about this section of the Schuylkill’s unique tidal wetland ecosystem.

    FloatLab arrives at Bartram’s Gardens in Southwest Philadelphia.Aidan T. Gallo / Staff Photographer

    “The possibilities are endless,” said Jane Golden, the founder of Mural Arts. “It’s really a platform where great things can happen — both that are educational, that are performative, and that are also just about the beauty that is all around us.”

    Designed by artist J. Meejin Yoon and Höweler + Yoon Architecture, FloatLab is the country’s first tide-responsive public space, utilizing a ballast system to keep the structure at water level, with a portion submerged underwater. At FloatLab’s highest point, visitors will be positioned above the surface of the river as if they are standing on a dock; however, as they continue along the circular ramp, a declining sectional tilt brings visitors eye level with the Schuylkill.

    Judy Hellman, the director of special projects at Mural Arts, said that at the structure’s lowest point, she can reach over the wall and touch the river. “It just totally changes one’s perception of the river and this landscape.”

    As crews moored FloatLab to four steel columns on Wednesday, officials with Bartram’s Garden and Mural Arts hugged and shouted “finally!” — indicative of a long-awaited plan manifesting before their eyes. The project originated from a grant received from the William Penn Foundation for implementation in 2016. Then, Mural Arts entered into a contract with North Carolina-based East Coast Steel Fabrication, who oversaw the creation of FloatLab.

    FloatLab departed from North Carolina on May 20, a decade after the first grant was obtained, and traveled north via a tugboat called the Island Trader and a barge. After a three-week journey, FloatLab arrived at its destination — the southernmost point of the Schuylkill — where Commerce Construction will complete the installation, which is expected to take approximately six weeks.

    Roy emphasized that FloatLab will celebrate the efforts of those who have worked to make the river cleaner, and spark community engagement with the area’s natural environment.

    “I firmly believe that people care for and will take care of things that they love,” Roy said. “So the more they have those relationships, the more they’ll speak up when bad things happen. They feel that they are truly stewards.”