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  • Phish is playing three nights in Atlantic City

    Phish is playing three nights in Atlantic City

    Phish is coming back to Atlantic City.

    The preeminent jam band led by guitarist Trey Anastasio — who grew up in Princeton — will kick off its fall 2026 tour with three nights at Jim Whelan Boardwalk Hall on October 2-4.

    The Vermont-born band, which also includes bassist Mike Gordon, drummer Jon Fishman, and keyboard player Page McConnell, have a long history at the Jersey Shore resort town.

    Twice before, in 2010 and 2013, the band did three-night Boardwalk Hall stands in October, with each of those including one of the band’s trademark surprise Halloween sets. Also, in 2012, the quartet played three outdoor shows at Bader Field. In 2021 and 2022, the band did three shows on the Atlantic City beach.

    In general, Phish doesn’t play Philadelphia the years it plays in Atlantic City. It played in Philadelphia for three nights at the Mann in 2013 and 2015, and in 2024 changed things up with a trio of shows at its own Mondegreen Festival in Dover, Del.

    This year’s Phish troika fits into the renewed partnership between concert promoters Live Nation and Atlantic City’s Visit AC tourism initiative.

    Fans pack the beach near the stage as Phish performs a beach concert in Atlantic City, Friday, Aug. 13, 2021. At right is Caesars Casino. VERNON OGRODNEK / For The Inquirer

    Other high profile non-casino bookings this year included a stop on Shakira’s “Las Mujeres Ya No Lloran” World Tour at Boardwalk Hall last month and the beach show with Australian electronic band Rüfüs Du Sol on Aug. 29.

    Phish posted ticket instructions for the Atlantic City shows on Tuesday. A fan club ticket request period at tickets.phish.com is now underway and continues until noon Monday, Aug. 10.

    Tickets go on sale to the general public beginning Friday, Aug. 14 at 10 a.m. Also, a limited number of travel packages for Atlantic City will go on sale Wednesday at noon at https://phishfall.100xhospitality.com/.

  • Dave Dombrowski and ‘loser’ Phillies get mixed reviews after underwhelming trade deadline

    Dave Dombrowski and ‘loser’ Phillies get mixed reviews after underwhelming trade deadline

    Bryce Harper got what he asked for at the trade deadline: some help. But will it be enough?

    On Monday, the Phillies traded for San Francisco Giants second baseman Luis Arraez — a three-time batting champion who leads the National League with a .324 average this season. The team also added some much-needed relief pitching help, acquiring the Giants’ Caleb Kilian and the New York Mets’ Brooks Raley.

    Each year after the deadline passes, members of the media rush to their keyboards to grade each teams’ deadline dealings. This year is no different, and the Phillies have been getting mixed reviews.

    Here’s what those in the national media are saying:

    The Athletic: B+

    The Athletics’s Jim Bowden praised Phillies president of baseball operations Dave Dombrowski, noting his deadline moves “proved once again why he’s a future Hall of Famer.”

    “Even with a subpar farm system, he was able to add the pieces he needed to improve the Phillies’ chances for a postseason berth,” Bowden wrote. “Arraez will create traffic at the top of the order and turn some of Kyle Schwarber’s solo homers into two-run homers. The bullpen depth is much improved, as well, with the additions of Kilian and Raley.”

    However, Bowden did have some reservations that prevented an “A” grade. Namely, the former baseball executive expressed concerns with how the team will adjust to positional changes made due to the acquisition of Arraez. With Arraez playing second base, Harper will move to right field, Alec Bohm to first base, and Bryson Stott to third.

    On Tuesday, Stott told the Inquirer that Harper’s willingness to move positions paved the way for the rest of the team to follow suit.

    “It should be not lost that our superstar first baseman, two-time MVP is willing to move,” Stott said. “And when you’re on a team and you see a guy do that, what are we going to say, no, we’re not moving?”

    From left: New Phillies Caleb Kilian, Luis Arraez, and Brooks Raley.

    Yahoo! Sports: B-

    Jake Mintz of Yahoo! Sports called the positional changes “fancy problems” to have, arguing that the addition of Arraez strengthens the team, not harms it.

    “This lineup, second-to-last in OBP, needed a boost,” Mintz wrote. “Arraez should provide it and give the Phillies the contact-oriented piece they’ve lacked the past few Octobers, when they’ve collected strikeouts by the dozen.”

    Against the Los Angeles Dodgers in the National League Division Series last year, the Phillies hit for a combined .212 average as they were eliminated from the playoffs in four games.

    Mintz also praised the bullpen additions of Raley and Kilian, writing that “one or both should find himself tossing high-leverage frames once the weather gets cold.” He then took some time to address the team’s needs that went unanswered.

    “The only two unfulfilled items on … Dave Dombrowski’s shopping list were a veteran depth starter and a righty-hitting outfielder,” Mintz wrote. “The reemergence of Andrew Painter (he looked good the other day) should solve the first problem. Dombrowski and Co. likely believe Arraez is good enough that the second problem won’t matter.”

    Phillies president of baseball operations Dave Dombrowski had a busy Monday leading up to the trade deadline.

    ESPN: Phillies are a deadline ‘loser’

    ESPN’s David Schoenfield did not deal out letter grades, but he did look to sort a handful of teams into two categories: winners and losers. The Phillies were placed in the latter.

    Before airing out his grievances, Schoenfield praised Dombrowski for “adding Arraez to provide some much-needed OBP at the top of the lineup plus relievers Brooks Raley and Caleb Kilian for key bullpen depth.”

    However, he felt the position changes that came with the acquisition of Arraez significantly weakened the team’s defense.

    “Given Stott’s inexperience at third base, the Phillies are arguably making themselves worse on defense at all four positions if they stick to this plan, which is why they’re a loser and not a winner,” Schoenfield wrote.

    He also feels that the Phillies should have added another starting pitcher.

    “Oh, and with the Phillies suddenly fighting just to win a wild-card spot, they could have used a starting pitcher, but Dombrowski failed to land one on a day when so many were traded.”

  • DA Larry Krasner to appeal overturned murder conviction in 2012 killing of Philly cop Moses Walker Jr.

    DA Larry Krasner to appeal overturned murder conviction in 2012 killing of Philly cop Moses Walker Jr.

    District Attorney Larry Krasner on Tuesday said he strongly disagreed with a judge’s decision to overturn the murder conviction of a man who killed Philadelphia Police Officer Moses Walker Jr. in 2012 and vowed to appeal.

    Krasner said Common Pleas Court Judge Jennifer Schultz, who handed down the ruling Monday, was “legally incorrect” in vacating the conviction of Rafael Jones, who is serving life in prison for killing the officer during a street robbery at the end of his shift.

    In deciding that Jones deserved a new trial, Schultz cited the case’s connection to disgraced ex-homicide detective Philip Nordo, who was convicted in 2022 of sexually abusing witnesses and suspects for more than a decade.

    But Krasner, speaking at a news conference alongside Walker’s mother and FOP President Roosevelt Poplar, said Jones’ conviction was different from others involving Nordo that have since been reevaluated.

    “We believe now that Rafael Jones is guilty — that he murdered Moses Walker Jr.,” Krasner said.

    If the appellate court denies the district attorney’s appeal, he added, “We will be retrying this case. We have a lot of evidence to do so. And we will be retrying it vigorously.”

    Walker, 40, was shot and killed shortly before dawn on August 18, 2012.

    The officer had just left the 22nd District station in North Philadelphia dressed in civilian clothes when Jones and another man, Chancier McFarland, targeted him in a robbery, prosecutors said.

    Jones fired at Walker after the officer reached for his gun, according to prosecutors. Both men were arrested, and McFarland pleaded guilty and testified against Jones as part of a deal to avoid life in prison.

    Years later, during Nordo’s sexual abuse trial in 2022, one of his accusers testified that the detective steered him toward a $20,000 reward and later raped him.

    Though Krasner acknowledged the “messy history” that came with Nordo’s involvement in Jones’ case, he said the district attorney’s office was confident in the conviction.

    There were multiple pieces of evidence that pointed to Jones’ guilt, he said, including a murder confession that was not introduced at trial because Jones did not testify, and McFarlane’s eyewitness account of the crime.

    “We concluded years ago that this conviction was in the category that should not be disturbed,” Krasner said.

    The district attorney’s office will appeal Schultz’s ruling to Superior Court, a process Krasner said could take up to two years.

    Poplar, president of Fraternal Order of Police Lodge 5, said he had faith that Krasner’s office would prevail.

    “Yesterday was a tough day,” he said, echoing comments made by Police Commissioner Kevin Bethel, who said he was disappointed by the ruling.

    Walker’s mother, Wayne, said she and her family “would not allow these latest developments to weaken us.”

    “We remain confident justice will prevail,” she said, adding that she hoped that the death of her son, not the vacated conviction of his killer, would “remain at the center of this case.”

    “No decision rendered can alter what happened on August 18, 2012,” she said.

  • N.J. attorney general sues Amazon over delivery driver network she says is bad for workers

    N.J. attorney general sues Amazon over delivery driver network she says is bad for workers

    New Jersey Attorney General Jennifer Davenport filed the state’s fourth open lawsuit against Amazon on Tuesday, accusing the tech giant of creating worse work conditions for lower pay through its “anticompetitive” delivery driver network.

    “Today, my office is acting to stand up for thousands of New Jersey delivery drivers who are being exploited every day by one of the world’s biggest, richest corporations,” Davenport said at a news conference.

    The suit homes in on Amazon’s Delivery Service Partners (DSPs) program, which the company advertises as an opportunity for prospective entrepreneurs to open their own business while partnering with the tech giant by managing a local system of drivers. But these businesses are beholden to Amazon, Davenport argues, and the tech giant’s system prevents drivers from unionizing or getting better work conditions.

    “These are the workers who bring Amazon packages to our front doors,” she said. “They often show up in Amazon vans, wearing Amazon vests, carrying boxes with the Amazon logo on them. And in our view, they are working longer hours in worse conditions and for less money because of Amazon’s anticompetitive behavior.”

    These drivers earn “significantly less” than drivers for UPS, FedEx, and the U.S. Postal Service, according to the complaint.

    The complaint describes a work environment of employee surveillance, union busting, and drivers having no choice but to urinate in water bottles to meet Amazon’s metrics.

    “They must accept invasive surveillance that monitors their every moment and action while at work and face the possibility of immediate termination for the smallest infraction or failure to meet these unreasonable requirements,” the complaint states.

    Steve Kelly, a spokesperson for Amazon, pushed back strongly on the claims made in the suit and accused Davenport of choosing to hold a news conference rather than seeking a greater understanding of the program.

    “This complaint is not grounded in fact. The Attorney General’s characterization of the DSP Program and the claims about working conditions are just wrong. The truth is, DSPs are independent business owners who make their own decisions about hiring, fleet management, and capacity planning — and they choose whether to work with other companies besides Amazon,” Kelly said in a statement.

    “Had the Attorney General bothered to look at the facts, they would have also seen that the vast majority of routes are finished on-time or early — built on real-world data accounting for stop complexity, traffic, and geography. DSPs manage their drivers’ workday and route execution, and DSP employees are free to choose their employer and associate with who they want, full stop.”

    Kelly said the company was confident that it would prevail in court.

    On its website, Amazon advertises the DSP program as providing “the unique opportunity to create jobs in your neighborhood and lead a team that delivers gifts, textbooks, and pet food to your community.”

    But Davenport’s office argues that the DSPs “are anything but independent.”

    “Rather, Amazon keeps control of the levers that matter — setting demanding operational requirements, monitoring driver performance, controlling route allocations, and restricting DSPs from hiring one another’s drivers — with exploitative consequences for the drivers themselves,“ her office said in a release.

    Amazon did not immediately respond to a request for comment on the suit.

    Davenport also alleges that Amazon monitors DSP workers with artificial intelligence and cameras inside the vehicles they drive, and that the company has intimidated and retaliated against drivers who were suspected of union organizing.

    The complaint cites an incident in Queens, N.Y., in which Amazon allegedly sent drones to blacklist striking workers. It also cites an instance in Edison where workers were allegedly told that labor organizing could endanger DSP’s partnership with Amazon, putting their jobs in jeopardy.

    The suit claims also accuses Amazon of blacklisting workers who support unionization from a broad network of DSPs, and cites workers who were terminated after their bosses learned they supported labor organizing.

    Amazon is the dominant purchaser of this delivery driver labor, and since it is about buying rather than selling, their alleged anticompetitive practice is called a monopsony, rather than a monopoly. Davenport’s office said this is the first time a state has filed a monopsony complaint.

    It adds to a list of court battles with the company.

    In September 2023, former Attorney General Matthew Platkin joined the Federal Trade Commission and other states in suing the tech giant for allegedly maintaining a monopoly. Last October, Platkin filed one complaint over the company’s treatment of pregnant people and workers with disabilities, and another over how Amazon classifies certain workers as independent contractors and therefore denies them rights and benefits.

    Davenport’s lawsuit Tuesday is the first lawsuit against Amazon filed under Democratic Gov. Mikie Sherrill’s administration, but the state’s top lawyer said the three other cases are ongoing.

    The complaint, filed in the U.S. District Court for the District of New Jersey, alleges violation of the federal Sherman Antitrust Act and New Jersey’s Antitrust Act and seeks damages for DSP drivers and for Amazon to stop the alleged behavior.

  • Why is honoring John Galliano at next year’s Met Gala controversial?

    Why is honoring John Galliano at next year’s Met Gala controversial?

    The next Met Gala is nine months away, but it’s already sparking charged opinions. The controversy centers around the Costume Institute’s decision to honor one designer at its next exhibit: John Galliano, a lauded fashion designer with a checkered past.

    Galliano’s exhibit at The Met will be significant, marking only the third solo show for a living designer in the gala’s history. (The others were Rei Kawakubo in 2017 and Yves Saint Laurent in 1983.)

    But it’s not all pierced leather and newspaper print (just two of the designer’s many signature elements). In 2011, Galliano was infamously canceled for making a series of racist and antisemitic comments. It cost him his prominent job leading Dior. At the time, Galliano said his alcohol abuse sparked the outburst.

    After “two years of exile‚” the designer’s career bounced back. Now, it will be showcased at length. Still, the Met is working to emphasize that the exhibit would not shy away from the problematic aspects of Galliano’s history.

    “His career isn’t defined by a moment — something that he will live with for the rest of his life. The exhibition won’t shy away from any of the darkness in John’s past,“ Anna Wintour — the global editorial director of Vogue, chief content officer of Condé Nast, and Met Gala chairperson responsible for the event’s programming — told Vogue. “It’s part of what has shaped him. The show will take in the full arc of his career and grapple with all of it.” Wintour is a longtime champion of Galliano and his work.

    Still, the feature has provoked mixed feelings within the fashion scene.

    The exhibit’s announcement — and the rehashing of Galliano’s comments — come during a time when antisemitism is surging globally. Fashion expert and professional thrifter Virginia Chamlee says the Met is equipped to accurately cover an influential artist without sanitizing the ugly parts.

    Still, Chamlee noted, the biggest publicity draw for the Met’s annual exhibit is the televised and highly covered red carpet walks leading up to the gala itself — not the exhibition that follows. She’s concerned that whatever efforts the Met has devoted to accountability could be lost to the larger audience.

    “So there’s a real risk here,” Chamlee said. “Even if the museum intends to offer a complete examination of Galliano’s complicated legacy, it may come off as a straightforward celebration of someone who said things so heinous and racist that they were charged and fired for them.”

    Met Gala attendees often wear looks by or inspired by the artists being honored, meaning Galliano’s pieces will likely be worn on celebrities whose looks will be photographed and televised prominently.

    Fashion influencer and writer Ashley Ballard has collected vintage Galliano Dior-era pieces for years.

    “It’s undeniable that Galliano’s time at Dior had a ripple effect on fashion and greater culture,” she said. The designer’s work redefined haute couture with immersive fashion shows, used historical references in fashion, and often bled into pop culture, with top celebrities wearing his designs.

    “It’s key for us to remember that pioneers from this time period (1996-2011) — particularly Galliano and Alexander McQueen — created pieces that challenged high fashion as an institution,” Ballard said.

    Citing Galliano’s incorporation of subcultures into his art, breaking the traditional molds of luxury fashion, Ballard called the designer’s work art that “bridged the gap between traditional fashion houses and audiences that historically were considered an afterthought.”

    Ballard said the controversy over honoring Galliano was valid.

    “This doesn’t exist in a vacuum, and people have the right to be upset by what was said 15 years ago,” she said. “[But] as a culture, if we genuinely care about minimizing hatred and the effects of addiction, it’s imperative that we support rehabilitation and reconstruction, offering the possibility that change is possible and welcomed — otherwise we become participants in the continuity of harm.”

    Here’s everything else you need to know.

    Who is John Galliano?

    Galliano, 65, is a British designer who has worked for some of the industry’s top fashion houses, including Christian Dior, Givenchy, and Oscar de la Renta.

    At the peak of his career, he served as Dior’s creative director for nearly 15 years. Galliano went on to work for Maison Margiela from 2014 through 2024.

    Earlier this year, Zara announced a two-year creative partnership with Galliano.

    What work is John Galliano best known for?

    While at Dior, Galliano’s Haute Couture and ready-to-wear collections were hailed as among the best of the best.

    He designed the fashion house’s signature Saddle bag, premiering in 2000 and remaining a staple shape.

    He’s also responsible for iconic looks, including the newspaper dress worn by Sarah Jessica Parker’s Carrie Bradshaw in Sex and the City, and model Kate Moss’ 2011 wedding dress.

    “Galliano’s work as a fashion designer is very highly regarded (and collectible),” Chamlee said. “Just look at the asking price ($375,500) of this Galliano for Dior Homme menswear leather skirt. The industry also largely welcomed him back years ago.”

    Why was Galliano canceled?

    Galliano made a string of antisemitic and racist comments in 2010 and 2011, leading to his conviction in an antisemitism trial held in Paris.

    Galliano was recorded at a Paris bar making drunken, antisemitic comments to a group of Jewish women.

    The video recording surfaced in February 2011, just before Paris Fashion Week. Dior suspended and ultimately fired the creative director.

    Galliano was tried by French authorities under national laws against antisemitic speech, where he was found guilty and ordered to pay €16,500 (about $19,000) in fines and damages. He also lost a compensation case against Dior in labor court.

    What happened to Galliano after Dior fired him for his antisemitic comments?

    Convicted of antisemitism and dropped by Dior, Galliano spent years involved in public and private efforts to rehabilitate.

    The 2024 documentary High & Low — John Galliano suggests Galliano was overworked and abusing alcohol and drugs when he made the disparaging comments. The documentary features interviews and analysis on Galliano’s efforts to repair the harm he’d done.

    After a period of silence, alcohol rehabilitation, and outreach to Jewish organizations, some of the designer’s fashion peers and religious leaders began publicly forgiving him.

    Notably, Anna Wintour of Vogue has repeatedly championed Galliano’s work, both in the early days of his career and later, after his period of cancellation.

    She reportedly helped the designer secure funding over the years, as well as his positions at Givenchy, Dior, and Oscar de la Renta in 2013 following his antisemitic remarks. In March, he announced his partnership with Zara.

    Wintour and Galliano met with Jewish leaders to discuss the planned Met Gala showcase, according to the New York Times.

    The Times quoted Jonathan Greenblatt, chief executive of the Anti-Defamation League, as saying of the planned show: “We believe John Galliano has genuinely worked through the issues that led to his antisemitic outburst years ago in Paris, and we have long since accepted his apology.”

    Greenblatt added, “His efforts to repair the damage his words caused and to learn from that incident should be applauded.”

    What has The Met said about the Galliano exhibit?

    In a news release Friday, the museum promised John Galliano: Horizons would be a multifaceted display that addresses the good, bad, and ugly of Galliano’s career.

    “It will directly address the rupture caused by his antisemitic, racist, and anti-Asian conduct in 2010 and 2011, which resulted in his dismissal from Christian Dior and his eponymous label and his conviction by a Paris court for public insults based on race, religion, ethnicity, or origin,” the release said. “It will also consider his subsequent treatment for substance addiction and his later public acknowledgment of his actions. Rather than presenting a conventional narrative of disgrace and redemption, the gallery will examine how memory, experience, cultural values, and historical circumstances continually reshape the reception of a designer’s work.”

    Have other ‘canceled’ designers been honored at the Met Gala?

    Several Met Gala showcases and exhibitions have been considered controversial over the years, but experts stay this time is different.

    This year’s Met Gala faced backlash and boycott threats for accepting a corporate sponsorship from Amazon founder Jeff Bezos. A “Ball Without Billionaires” counterprotest, which took the form of a grassroots fashion show, took place outside the museum’s entrance.

    The celebration for Yves Saint Laurent in 1983 was criticized for being the first to celebrate a living artist. Critics and art historians suggested the precedent could lead to a promotional advertorial-style treatment for an active brand.

    In 2023, the gala’s Karl Lagerfeld showcase — which highlighted the late designer’s work for Chanel, Fendi, and Chloé — was criticized for celebrating a man known by some for a history of fatphobic, misogynistic, anti-Me Too, and anti-immigrant views.

    “Lagerfeld had a long record of cruel and discriminatory public comments … But Galliano’s conduct was explicit enough to result in his firing and a criminal conviction,” said Chamlee. As a living designer, Galliano stands to benefit professionally and financially from the renewed attention, she added.

    When is the 2027 Met Gala?

    The Met Gala will take place on May 3. John Galliano: Horizons will premiere to the public May 9 and be on display through Jan. 9, 2028.

    The Associated Press contributed to this article.

  • Fabric Workshop and Museum employees are the latest museum workers to get a union contract

    Fabric Workshop and Museum employees are the latest museum workers to get a union contract

    Employees of the Fabric Workshop and Museum in Philadelphia adopted their first union contract this month, joining a wave of museum worker organizing in recent years.

    The 22 workers covered by the new contract are represented by the AFSCME District Council 47, Local 397, and work in visitor services, education, marketing, and communications roles, among other jobs.

    “The Fabric Workshop and Museum’s commitment to creating a space of artistic experimentation is propelled by its staff, who bring a unique sense of creativity and care to their work,” Local 397 president Halcyone Schiller said. “Our collective bargaining agreement ensures that on-the-job protections and pay structures will enable staff to continue to do this exciting work for years to come.”

    The museum voluntarily recognized the union in May 2025, and bargaining started in October. The workers ratified the new contract on July 23, a spokesperson for the Fabric Workshop and Museum confirmed.

    Local 397 was established in 2020, with employees of the Philadelphia Museum of Art who voted to unionize that year. The following year, workers at the Penn Museum joined their ranks, and then employees of the Please Touch Museum voted to unionize with the local in 2023.

    Aeniah Godwin (center) and Saoni Lorenzo (right) participate in a sewing workshop at the Fabric Workshop and Museum in Philadelphia as part of a 2023 internship through the Greater Philadelphia Cultural Alliance.

    The three-year contract went into effect Aug. 1 and includes raises, as well as a guarantee that internal candidates get preference during hiring for union jobs.

    Under the new union contract, the minimum annual salary increased to $45,000 from $40,000, and the minimum hourly wage is increasing to $17 from $16.

    Over the course of the contract, salaried employees will see an 11% pay increase as well, according to a spokesperson for the Fabric Workshop and Museum. The starting hourly wage will increase to $18.04 over the course of the three-year contract, the spokesperson said.

    Workers are also guaranteed “at least one dedicated, annual professional development opportunity focused on core museum or studio skills,” the spokesperson said, as part of the new agreement.

    “The negotiation process called on us to work together with kindness and respect to achieve the best outcome for our staff and the institution we all care for deeply,” said Kelly Shindler, executive and artistic director of the Fabric Workshop and Museum. “This contract proudly affirms our commitment to artists — first and foremost those on our staff — and to fostering a vibrant and accountable organization.”

  • A vinyl and cocktail spot is coming to Kennett Square and Fishtown, bringing perhaps the neighborhood’s smallest bar

    A vinyl and cocktail spot is coming to Kennett Square and Fishtown, bringing perhaps the neighborhood’s smallest bar

    A new vinyl listening room and bar concept is coming to Kennett Square and Fishtown this fall, seeking to help people connect in person around music and over cocktails.

    Top Dog Cocktails, a ready-to-drink 12.5% ABV cocktail brand with a distillery based in Kennett Square, will open its first two brick-and-mortar locations in the coming months, embracing the Japanese jazz kissa model — a music cafe or bar that’s focused on listening to vinyl records.

    “It’s all to drive this analog feel in a digital world,” said founder Ken Smukler, a longtime political strategist who dipped his toe into the alcohol space roughly a decade ago. “It’s all about the community, listening and respecting music, and enjoying the cocktails at the same time.”

    Philly has had its history with listening rooms, with a flurry of openings starting in 2022 that then fell into a downtrend in more recent years. But the concept may now be making a comeback.

    With his distillery location in Kennett Square already tied to music, and a teeny space in Fishtown in a former ATM calling for some creative reimagining, Smukler saw an opportunity.

    The locations will look a little different from each other, but the heart of both will be similar. There will be a small retail component, a bar that will double as recipe development for the brand, and, of course, an expansive catalog of music on rotation.

    Top Dog Cocktails is “designed for a more sophisticated consumer” who “recognizes what a craft cocktail is in a can,” he said.

    That vibe applies to these locations; Smukler envisions their demographic as cocktail appreciators, who want to unplug from their phones or TVs.

    “This is a quieter, safer, more sophisticated space to consume alcohol and listen to really good music,” he said.

    Smukler, a former political operative for then-U.S. Rep. Bob Brady, was first drawn to ready-to-drink cocktails in 2015, and began raising capital to launch his own brand. That early effort dissolved in 2019, when he went to federal prison for campaign finance law infractions.

    But while in prison during the COVID-19 pandemic, quarantined without much to do other than chat, he learned his cellmate’s brother worked in the alcohol industry. On his way out of prison, Smukler called his friends and family — and his former cellmate’s brother.

    “There’s literally a straight line from there into launching Top Dog,” he said.

    He reconstituted the investor group, and the brand launched in 2022. They’ve sold nearly 1.5 million cans so far, Smukler said, with distribution in Pennsylvania, New Jersey, and Florida.

    Options include a few variations of the margarita, an espresso martini, a vodka and grapefruit Greyhound, and a whiskey lemonade.

    The brand’s distillery operation is in Kennett Square, near Kennett Flash, a live entertainment venue. He first picked the spot, at 110 E. State St., because he felt there could be “synergy” between Top Dog’s tasting room and live music. The roughly 750-square-foot space will be the bigger of the two listening rooms.

    Smukler plans to work with the Kennett Flash in a joint venture; the nonprofit will be able to use the venue as a green room for performers, a space for music classes, or however they see fit. They’ll also get a cut from the retail sales.

    He’s looking to do something similar with the Fishtown location, but is still finding a partner, he said. The location, at 2012 Frankford Ave., may be the smallest bar in Fishtown, at 350 square feet. It’ll have a 15-seat bar, a two-turntable DJ station, and a retail component.

    Fishtown feels like “ground zero” for the demographic they’re trying to reach, Smukler said. As for Kennett Square, he just happens to love it.

    “I just think it’s a gem, and I think if we can do something with the Kennet Flash … and for the community, that’ll pay back in spades for us,” he said.

    They’ll be able to test new drinks for their cans through the outposts, Smukler said. They’ve never had a gin or a rum product, for instance, and this will give them a chance for some R&D.

    As for music, they’ve amassed more than 500 albums ready to spin. Smukler’s creative director is planning themed nights to let them shine. Though the Japanese kissa model is usually jazz-forward, there will be a cross section of what gets played, he said.

    Moving the business into physical locations has been a creative challenge, but an exciting one, he added.

    “If you ask me, what is the most fun part of my job? It’s not trying to figure out how to sell more cases in Florida. I guarantee you, it is designing a kissa concept in Fishtown or working with a nonprofit in Kennett,” he said. “That’s the fun part.”

    This suburban content is produced with support from the Leslie Miller and Richard Worley Foundation and The Lenfest Institute for Journalism. Editorial content is created independently of the project donors. Gifts to support The Inquirer’s high-impact journalism can be made at inquirer.com/donate. A list of Lenfest Institute donors can be found at lenfestinstitute.org/supporters.

  • The annual Danny Rumph Classic tips off this Thursday. Here’s everything you need to know.

    The annual Danny Rumph Classic tips off this Thursday. Here’s everything you need to know.

    After an undiagnosed heart condition led to a sudden cardiac arrest and the death of Danny Rumph at the former Mallery Recreation Center in August 2005, his friends and family turned grief into action, creating the Rumph Classic a year later in 2006.

    While honoring Rumph’s legacy and raising awareness for hypertrophic cardiomyopathy, this five-day pro-am tournament has also become one of the premier basketball tournaments in Philadelphia and a summer staple for the past 21 years.

    Here’s what you need to know about the event, taking place from Thursday to Monday, before this year’s tournament…

    What is the Rumph Classic?

    The Rumph Classic is a five-day pro-am tournament honoring the memory of Danny Rumph. It serves as the signature event for the Daniel E. Rumph II Foundation.

    Eight teams will compete in this year’s men’s tournament, with four teams competing for the women’s tournament. There will also be two showcases on Monday, including a Girls and Boys Next Bright Star Showcase at 20 minutes each.

    This year, there was a kick-off picnic on Sunday with both a youth game and a 50-and-over game. There was also a panel discussion on July 29 to discuss the tournament’s history and impact.

    The Danny Rumph Classic will be held at Drexel’s Daskalakis Athletic Center starting on Thursday.

    When and where is the Rumph Classic?

    The Rumph Classic will take place over five days at Drexel’s Daskalakis Athletic Center, beginning at 5:45 p.m., on Thursday and Friday.

    Four games will be played on both days, with the final game in the group scheduled for 8:45 p.m. Here’s a look at the complete tournament schedule and how to get tickets.

    Saturday will feature two men’s games at 3:30 p.m. and 4:30 p.m. and the women’s semifinals at 1:30 p.m. and 2:30 p.m. Sunday will follow a similar format with the women’s championship at 2 p.m., and the men’s semifinals following at 3 p.m. and 4 p.m.

    Monday will kick off with the girls’ Next Bright Star Showcase at 7 p.m. and the boys’ Next Bright Star Showcase at 7:30 p.m. The men’s championship will follow and conclude the tournament.

    What’s the easiest way to get there?

    Drexel’s arena, the Daskalakis Athletic Center, is located at 3300 Market St., and is mainly accessible by taking SEPTA’s Market-Frankford Line to the 34th Street Station stop and walking a block to 33rd. There are also a number of buses and a trolley that pass the DAC’s location.

    Need to drive? Drexel has several parking garages near the arena.

    What is the Daniel E. Rumph II Foundation?

    The Daniel E. Rumph II Foundation, which puts on the Rumph Classic, was founded after Rumph’s passing in 2005. The foundation was created by friends and family with Rumph’s uncle, Marcus Owens, serving as a co-founder and the organization’s president. Rumph’s mother, Viola Owens, is the board chair.

    Rumph, a promising young basketball player who played college basketball at Western Kentucky, was 21 when he passed away.

    Viola “Candy” Owens stands for a portrait on the basketball court inside the Rumph-Mallery Recreation Center last summer.

    Hypertrophic cardiomyopathy, or an enlarged heart, is the leading cause of sudden cardiac arrest in youth today, and the tournament and the foundation work to bring awareness to the issue.

    Mallery Recreation Center, the Germatown-based recreation center now known as the Rumph-Mallery Recreation Center, did not have an AED in 2005, nor did any of Rumph’s friends know CPR.

    The foundation now works to raise money for youth heart screenings, and to place defibrillators in gyms in Rumph’s memory. They also provide free CPR and AED training within the Philadelphia community.

    On his way up to NBA superstardom, Celtics guard Jayson Tatum took part in the Rumph Classic.

    Who competes in the Rumph Classic?

    The Rumph Classic usual features a collection of Philly-area players, including former college basketball players and even a few NBA players.

    In previous years, NBA champion Jalen Brunson and coach Mark Tyndale have participated. Current and former Sixers — including Tyrese Maxey and James Harden — have participated and Allen Iverson has made an appearance.

    Lou Williams, Collin Gillespie, and Bones Hyland have all also been a part of the event in past years. Last year, Blue Magic, which featured Archie Goodwin, Providence’s Ed Croswell, Trevon Duval, and Jordan Hall.

  • Lower Merion shut down a school board meeting amid shouts from parents angry about tech use

    Lower Merion shut down a school board meeting amid shouts from parents angry about tech use

    A Lower Merion school board committee on Monday advanced new rules on when screens should be used in classrooms, while facing anger from parents who want more limits on technology.

    The policy committee, which has been hammering out a technology policy after parental backlash to excessive screen time, went into recess and later shut down its meeting in the district’s administrative offices in response to shouts from people in the crowd.

    “When you are disrupting a public meeting, you are actually breaking the law,” school board president Kerry Sautner said, as a parent in the crowd, David Smyth, called on the committee, which had stopped public comment after 45 minutes, to allow more people to speak.

    Sautner — who said earlier that 45 minutes was typical for the committee’s public comment period — told Smyth he could leave, or stay and listen. When he answered that he wanted more public comment, the committee ended the in-person meeting and switched to Zoom to vote to advance the policy.

    The policy now goes before the full school board for a vote on Aug. 17. It sets new guidelines for how technology is to be used in Lower Merion, one of the Philadelphia area’s most affluent districts, amid a national debate over whether excessive technology use is impairing kids’ educations.

    Lower Merion’s proposed policy scales back on screens for the youngest students — specifying that kids in kindergarten and first and second grades will not be issued individual devices. Previously, kindergartners and first graders were given iPads, while second graders received Chromebooks.

    “Many of you came and said, ‘I don’t think my kindergartener needs a one-to-one device.’ I don’t disagree with you,” Superintendent Frank Ranelli said at Monday’s meeting.

    Under the proposed policy, any technology use for K-2 students “shall be minimal, highly structured, and limited to specific educational purposes.”

    Students in third and fourth grades will not have personal devices, but will have “an assigned log-in” that they can use to access computers on classroom carts, according to a district spokesperson, Amy Buckman.

    In grades five and six, students will be assigned devices but will not bring them home unless their parents want them to, Ranelli said.

    While bringing computers home becomes the default by seventh and eighth grade, Ranelli said, students who choose not to do so will not be penalized.

    But, the superintendent said, families “cannot decline technology” in the new policy — a bitter point of contention throughout school board debates earlier this year, as families demanded to opt out of devices.

    The board voted in June to scrap its former policy, which contained language requiring the district to serve families who did not consent to being issued a computer. While more than 800 parents signed a petition supporting the right to opt out, Ranelli said doing so was not possible.

    Parents have continued to organize under a Pencils Over Pixels group.

    At Monday’s meeting, Matthew Posey, a district parent, read from an April 9 email obtained through a Right-to-Know request, indicating that Ranelli had “instructed” Sautner to repeal the policy, according to Posey.

    “We also want to make sure … that the board sees the vision in not allowing parents to totally ‘opt out’ of getting a device and having to use it for part of our curriculum,” Ranelli wrote, describing the district’s response to parental concerns.

    Replying the next day, Sautner told Ranelli: “Got it.”

    “We do not pay premium local taxes to have this insulting, rubber-stamp school board governance,” Posey said. He accused the board of treating months of public meetings over technology use as “an inconvenience to be managed,” rather than a genuine consideration of parental concerns.

    Sautner said that she would have to review the email Posey mentioned, but that she sometimes responds “got it” to indicate she has received a message.

    “We hold the superintendent accountable,” she said. “It is literally our job as the board.”

    Parents pressed the committee for answers Monday on how the policy would work in practice. Ranelli said the district had been training principals in a “default to off” philosophy, to instruct their teachers to tell students that if they are not actively using their computers for an activity, “we want your screens to be down. Or we don’t want them at their desks.”

    While rules accompanying the policy include some guidelines for how much screen time kids should be getting each day — from 30-45 minutes in third and fourth grades to up to 90 minutes in fifth through eighth grades — there are no parameters for high school.

    School officials said that was too difficult, given how many classes high school students have in a given day.

    “I want to make sure we’re not handcuffing the teachers,” Ranelli said.

    Ranelli also said the district had stepped up efforts to block inappropriate websites, including all Google sites, which kids had used to play games, he said. It has also blocked all streaming services and AI summaries, Ranelli said.

    He said the district — and parents — would be able to better monitor kids’ online activity through a new Securly program, which allows teachers to monitor what kids are looking at in class. Parents, meanwhile, can block more categories of websites and set schedules for their kids’ devices out of school hours, Ranelli said.

    Smyth, the parent whose interruptions led the board to end the meeting, said in an interview that parents feel like board members are “checking a box and not really interested” in their comments.

    “In our mind, the big sin is really one-to-one devices,” said Smyth, who has children in seventh and eighth grade. He had planned to ask if the district will be tracking time spent by students on various computer programs — to set metrics for “what would have them reconsider” the amount of technology use in classrooms.

  • A longtime Bala Cynwyd bistro is closing, and Center City Italian restaurant veterans are moving in

    A longtime Bala Cynwyd bistro is closing, and Center City Italian restaurant veterans are moving in

    After more than three decades, the Wakim family is handing off Bala Cynwyd’s Aldar Bistro to veterans of Center City’s Gran Caffè L’Aquila, who plan to transform the longtime Lebanese restaurant into a soft-lit, white-tablecloth Southern Italian destination called Bruzi.

    Two Philly-based couples from Cosenza in Calabria — Luciano and Tania Spensierato and Marco Mondello and Anna Bellizzi — are buying the restaurant at 285 Montgomery Ave. from Joseph Wakim and family.

    The sale, contingent on approval of the liquor license transfer, will end the Wakims’ 34-year run at Aldar, which will be open during the transfer process. The restaurant succeeded the family’s Italian restaurant, Allegresse, which opened in 1980.

    The Wakims — brothers Joseph, Michel, and George, and sister Fadia — also own Murray’s Deli next door, as well as Evviva, a restaurant, catering venue, and private-events space in Narberth.

    “We all grow older, and it’s time to step aside,” Joseph Wakim said. “Over the past five years, we probably had 10 suitors, and I said, ‘No, thank you.’”

    He said he ultimately chose the two couples because they were “the right families for us to pass the torch to.”

    Tania Spensierato said Aldar “checked all the boxes we were looking for. We wanted to be on the Main Line. We wanted tall ceilings, an existing liquor license, and a space that was roomy but not enormous. We weren’t looking for a 200- or 300-seat restaurant. We wanted a spacious kitchen so the chef would have room to do what he does best.”

    “We also wanted to be part of a community,” she said. “Bala Cynwyd and Lower Merion really fit that vision. The location on Montgomery Avenue was exactly what we were looking for.”

    Aldar will remain open until the liquor-license transfer is approved, a process that Wakim believes could be completed in September. The new owners then anticipate about two months of renovations before opening Bruzi in late October or November.

    Luciano Spensierato has worked behind the bar at Gran Caffè L’Aquila since 2015, while Marco Mondello joined the Center City restaurant a year later as a bartender. Tania Spensierato works in retail, though her background is in restaurants. Bellizzi is a scientist at Temple University.

    The name Bruzi refers to the ancient people of Calabria, where all the partners trace their roots. Tania Spensierato, a first-generation Italian American, said the restaurant is intended to reflect that heritage.

    The menu will focus on house-made pastas and traditional Calabrian cooking. Planned dishes include sliced black boar prosciutto, Calabrian cheeses, fusilli with slow-cooked meat sauce, baked lamb with tomatoes, olives, and roasted peppers, and grilled tuna with arugula.

    The beverage program also will be a centerpiece. Marco Mondello, an Italian-trained sommelier, plans to open with about 100 Italian wines and expand the list over time. Spensierato, who has worked as a bartender for 35 years, said cocktails will also play a prominent role.

    Glynis Tart of Verden Interior Design will give the dining room a modern Mediterranean makeover with blue-and-gold accents inspired by the Calabrian flag, along with olive trees and other greenery, Tania Spensierato said. A small retail section will sell imported Italian products.

    The partners have hired an Italian-born chef currently working in Florida but declined to identify him until a later date. “Our first priority is simply to get started,” Tania Spensierato said. “One goal at a time.”