Tag: Bruce Springsteen

  • Islamophobia: A 9/11 legacy that refuses to die | Will Bunch Newsletter

    Islamophobia: A 9/11 legacy that refuses to die | Will Bunch Newsletter

    For anyone who noticed I was gone, I’m back. It was a weird two weeks of flex time — half vacation, including jaunts to a couple of Jersey Shore points (see below) and an OG family reunion in the Hudson Valley, and half working on my biggest investigative reporting project in several years. It’s coming very soon. Stay tuned.

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    On the 25th anniversary of 9/11, anti-Islamic hate is getting worse

    Amina Barhumi (center), the advocacy and policy lead of the Muslim Civic Coalition, prays with members of the Council on American-Islamic Relations outside the Will County Courthouse in Joliet, Ill., where a jury found defendant Joseph Czuba guilty of murder and hate crime charges in February 2025.Nam Y. Huh

    Friday is the 25th anniversary of the Sept. 11, 2001, terror attacks that killed 2,977 Americans and their paranoid aftermath — enough years for that grim day to harden as history and to look back on things from that era, like orange-coded terror alerts, as increasingly hazy memories.

    The footprints of the World Trade Center’s twin towers are now a memorial attached to a well-attended museum. Osama bin Laden is dead, and the last U.S. combat troops finally left Afghanistan five years ago. But there is one thing that spiked immediately after the attack and never really went away.

    In fact, anti-Islamic hate is a bigger force in our politics than it ever was. Republicans, desperate to cling to power in an election when all the cards — including another “dumb war” in the Middle East and sky-high gas prices — are stacked against them, are frantically waving the bloody shirt of 9/11 and the Islamophobia it inspired.

    You can see it in Lower Manhattan, where the man who was New York City’s mayor in 2001, Rudy Giuliani, is now saying that the idea of the current mayor — Zohran Mamdani, the first Muslim American to hold the post, who was only 9 years old on the morning of the attack — attending the 9/11 memorial ceremony “offends me.” His comments were part of a bigger racist diatribe that somehow tied Mamdani to a Muslim plot aimed at “taking over certain parts of America and certain parts of Europe.”

    You can see it in Michigan, where a wave of anti-Muslim hate has surged after an Islamic doctor and public health expert, Abdul El-Sayed, won the Democratic primary for U.S. Senate. This includes events like “the Christian Crusader March” organized by the Donald Trump-pardoned Jan. 6, 2021, insurrectionist Jack Lang, which flooded the city council of majority-Muslim Dearborn with anti-Islam placards and even a Nazi flag.

    And you can read all about it when a sitting congressman like Tennessee’s Andy Ogles has no problem taking to the cesspool of Elon Musk-owned X last March to write that “Muslims don’t belong in American society.” The fact that the fanatically pro-Trump Ogles lost his GOP primary a couple of months later could have been a warning to his fellow Republicans to dial it back, but few seem to have gotten the memo as Sept. 11, 2026, arrives.

    To be clear, I don’t believe Islamophobia is the only permanent scar from the day the United States was attacked by four planes and their 19 hijackers who were followers of bin Laden’s Islamist brand of extremism. It’s been five years — although it feels like yesterday — since the 20th anniversary of the attacks, when I wrote that the fear and loathing of the 9/11 aftermath hadn’t evaporated but instead metastasized.

    I argued in September 2021 that the “conspiratorial mindset we embraced in the wake of 9/11 — would be turned against nations that had nothing to do with the attacks, against immigrants in general, against legitimate protest, and finally, inevitably, against one another.”

    I could write that exact same column today … so I won’t. The role the attack played in pointing America toward fascism hasn’t changed, but it is striking after five more years that while many overt symptoms of a 9/11 hangover have subsided over the years, the virus of Islamophobia has only grown more persistent.

    Prejudice toward Muslims existed, of course, yet it exploded after the attacks on the World Trade Center, the Pentagon, and the fourth jetliner that crashed in Shanksville, Pa., in ways both large and small.

    Large: On Sept. 15, 2001, a Dallas-area neo-Nazi killed a Pakistani immigrant working in a convenience store — the same day a Sikh native of India was also murdered at a Mesa, Ariz., gas station by a man who believed the victim was Muslim. Smaller but not insignificant: Islamic schoolchildren from coast to coast were bullied and slurred by classmates who called them “terrorists” or just “Osama.”

    At the highest levels of the U.S. government, there was schizophrenia. Many recall that the president, George W. Bush, visited the Islamic Center of Washington, D.C., to insist that U.S. Muslims “love America as much as I do,” had no connection to the foreign extremists, and that “Islam is peace.”

    Less well-remembered is the federal operation that targeted thousands of Muslims and South Asians — especially men under the age of 45 — in the weeks immediately after the attacks. They were detained, interrogated, fingerprinted, or subjected to deportation proceedings.

    In a new piece, the “war on terror” historian Spencer Ackerman chronicled how agents went through a Brooklyn neighborhood known as Little Pakistan, dropping cards under doors with instructions such as: “This is the FBI. This is the INS. This is the NYPD. We need to talk. I have questions. Call me. ASAP.” It’s believed that thousands found the post 9/11-climate so hostile that they left Little Pakistan … and the United States.

    Islamophobia has managed to both persist and change over the last quarter century. Certainly one can’t imagine Trump going to a mosque and acknowledging that Islam is a peaceful religion; the man who entered national politics by calling for — and partially enacting — a “Muslim ban” just last month labeled Democratic candidates in the midterms as “jihadists.” Today, the fish stinks from the head, and those middle-school punks who called their classmates “terrorists” are all grown up and running for office in November.

    To some extent, it’s one step up and one step back for American Muslims. The stunning success of Mamdani, who’s more popular than ever after eight months in City Hall, and the rise of El-Sayed and other mostly progressive young Muslim American politicians is a next chapter of immigrant success that seems to have rattled the ancient U.S. hierarchies around race and religion.

    But mostly it feels like Republicans — seeing that the crowd doesn’t want to hear the new stuff like the Iran war or data centers — have reverted to playing the hits, like railing against “men in women’s sports” in a desperate bid to get an unearned encore.

    That’s pathetic yet predictable, but one thing I find appalling is that a news media that ought to know better keeps going along with this malarkey. That includes grilling every Democrat who appears on TV about what they think about a Turkish American Twitch streamer named Hasan Piker, even as most voters have never heard of Piker while some subjects of these inquisitions have never met him.

    Last week, CBS News — purchased by a pro-Trump billionaire who put the over-her-head conservative opinion writer Bari Weiss in charge — ran one of the most irresponsible pieces of journalism I’ve ever read, implying there was something sinister about El-Sayed’s anodyne early 2020 social media comments that America should take the coronavirus seriously because it had killed (at that time) as many people as died on 9/11. One CBS staffer told the website Status that the dubious hit piece on El-Sayed was “shameful,” adding, “The racism is overt.”

    The staffer was being kind.

    Someday — hopefully in my lifetime — there’ll be a U.S. president who won’t only call Islam a religion of peace, but will also stop dropping bombs on Muslim countries. Until then, demagogues are going to demagogue, but the media needs to be calling out the racists, not empowering them. If we keep giving in to our worst instincts, then — as folks used to say 25 years ago — the terrorists will have won.

    Yo, do this!

    • One reason my two-week hiatus passed so quickly was that I immersed myself (and thus finished too quickly, perhaps) in this month’s riveting audiobook, Housewives of the Underground: The Untold Story of the Women Who Made the JFK Assassination Our Most Enduring Mystery by the Atlantic writer Kaitlyn Tiffany. The book tells the story of how the majority of Americans came to doubt the Warren Commission’s official story of John F. Kennedy’s 1963 murder in Dallas through the persistence of very average citizens — including the three middle- or nearing-middle-age women of the 1960s at the center of Tiffany’s compelling narrative. This is not “another Kennedy assassination book,” but rather a robust and much-needed tale about regular folks successfully challenging their government to do better that resonates in the Trump era.
    • I did somehow find time to make the short drive (90 minutes from Center City Philadelphia) to Long Branch, N.J., for a Bruce Springsteen pilgrimage centered on a visit to the new and impressive Bruce Springsteen Center for American Music. It was just our luck that our tickets were for the day after the Jersey rock icon stunned fans with a surprise visit there (and also popped on stage that night at Asbury Park’s Stone Pony). But the collection of artifacts — amplified by a film and listening booths, and illuminating not only Springsteen’s 60-year career, but the artists from soul, country, and early rock ‘n’ roll who inspired a legend — is well worth the trip. Augment the day, as we did, with a trip to Asbury Park’s revived boardwalk and a drive-by of Bruce’s childhood homes in nearby Freehold. Bonus: Springsteen’s remarkable “Land of Hope and Dreams” show that wrapped up his 2026 tour at Philadelphia’s Xfinity Mobile Center in May was recorded for a full-length film that begins streaming Wednesday!

    Ask me anything

    Question: Given the current outbreak of measles in Pennsylvania and the start of the school year, how long will it be until the first case of polio is diagnosed? — @mcsween66.bsky.social via Bluesky

    Answer: Hopefully a long time, or never, although polio has not been completely eradicated and there was a case earlier this year in Rockland County, N.Y. (here’s a good explainer of how that happened and what it means). Experts are right to be worried if low U.S. vaccination rates persist. But right now I’m more worried about something else that your question hints at: a stunning lack of information about the measles outbreak in Lancaster County, which seems to have caused two deaths, and which I know much more about from reading an article in the Atlantic than from our public health officials. At the core of this seems to be the politics of a Democratic governor in Josh Shapiro and a Trump-y GOP, including the elected county coroner in Lancaster County as well as in Washington. Public health is way too important to get tangled up in political spin.

    What you’re saying about …

    My question from late August about transgender politics in the November election drew a spirited response from readers, most of whom agree with me that Democrats should openly embrace transgender rights and not either run away or equivocate on the issue. The most passionate response came from Zoë Sparks, a transgender woman, who wrote it would be best for Dems if they “stood up boldly, made it an issue of civil rights, pointed out that history, statistics, science, and medicine are all on our side and MAGA has only fake history, fake statistics, pseudoscience, and quack medicine in their favor …” But Arlene Stach argued that it’s commonsense politics to support keeping transgender athletes who were born with male biology out of women’s sports. She wrote, “If the Democrats think this will win for them, they are mistaken!”

    📮 This week’s question: The passage of Labor Day means it will be Election Day in what will feel like the blink of an eye. Democrats seem all but certain to gain at least the handful of seats needed to retake the House, but the Senate is up for grabs. Do you think Dems will win at least 51 Senate seats, and why? What are the key races? Please email me your answer and put the exact phrase “a Democratic Senate” in the subject line.

    Backstory on the mysterious masked men of Dover

    Police officers form a line to block protesters near Eastney Beach, in Portsmouth, England, on Sunday.PA

    The myth that nothing ever happens on Labor Day weekend was punctured repeatedly in 2026, including the gruesome Miami crash of a cargo jetliner that killed five people on the ground and an armed man lunging at Ohio Democratic gubernatorial candidate Amy Acton at a campaign event. But the weekend’s most puzzling and arguably most alarming news was barely covered on American television: the sudden appearance in two British port cities — Dover and Portsmouth — of hundreds of black-clad, right-wing male protesters, their heads covered in balaclavas, there to cause chaos and protest the arrival of migrant boats.

    The mysterious men — eventually tied to a self-proclaimed Christian group called the Patriot Platform, led by a former associate of the anti-Islamic, far-right political activist Tommy Robinson — attempted to block lifeboats carrying migrants from landing, and also tried to blockade their buses once on shore, while snarling local traffic as Dover’s famed white cliffs loomed in the background. The protests were a dramatic public illustration of the rising tide of right-wing reaction — much of it xenophobic rage over refugees — that has increasingly roiled politics in the United Kingdom, posing a threat to the milquetoast, inept Labour government.

    But, in the spirit of the U.K.’s most famous fictional detective Sherlock Holmes, the real mystery along the British seacoast was the dog that did not bark. Although police did eventually restore order in the two port cities, the authorities were painfully slow to respond to such a large-scale civil disturbance, and few or no arrests were made. That’s in stark contrast to the frequent images over the last year of grandmothers and other peaceful, placard-carrying protesters getting dragged away by British bobbies when protesting for a free Palestine.

    The reaction from the government of new Labour Prime Minister Andy Burnham was equally languid. A Burnham spokesperson, pressed by a reporter for a political response, would only call the shocking protests “an operational matter for the police to set out their response to the protests on the ground. So I will leave them to respond to that.” Winston Churchill, who (despite his many flaws) famously promised to fight fascists “on the beaches,” must have been spinning in his grave.

    Speaking of Nazis, the protests and the sudden police embrace of pacifism coincided with a regional victory in a battered former industrial corner of eastern Germany for the extreme right AfD (Alternative for Germany) Party, the unholy heirs to Adolf Hitler’s legacy. This weekend’s echoes of Western Europe’s failed appeasement of the Nazis in the late 1930s are almost as troubling as the thuggish extremism itself. The coddling needs to end, or else we are condemned to repeat the absolute worst of our past.

    What I wrote on this date in 2016

    The protests in South Dakota, led by its Indigenous people, against the Dakota Access oil pipeline that erupted in the late summer of 2016 were a peak moment of 2010s political activism, and a lost cause (the pipeline opened the following year, after Donald Trump became president) that was totally worth fighting for. On this date 10 years ago, I was crusading — also unsuccessfully — for the Pennsylvania State Employees’ Retirement System (PSERS) to drop its roughly $192 million investment in the pipeline owner. I wrote, “Pennsylvania doesn’t have a great track record of environmental leadership — but there’s no reason why that history can’t be altered.”

    Check out the rest: “Money trumps morals when Pa. invests your tax dollars.”

    Recommended Inquirer reading

    • I’ve mentioned it before in this space, but no one has done more to keep the tradition of the great American sports columnist alive than The Inquirer’s Mike Sielski. Last week he published a remarkable — and remarkably timely — deep dive into the case of a then-19-year-old from Pennsylvania Amish country whose addiction to online sports gambling and social isolation led him to make a bomb threat against the U.S. Open tennis tournament. The case was hardly an isolated incident, but the hallmark of an alarming trend: the growing number of threats not just against major sporting events but individual athletes, as more and more people — especially vulnerable young men like the one Sielski chronicles here — get addicted to the ubiquitous, heavily advertised betting sites. The piece is a reminder that great storytelling doesn’t need to be a dying art — but also that in-depth journalism requires time and your support. You provide that — and get some great reads in return — when you subscribe to The Inquirer.

    By submitting your written, visual, and/or audio contributions, you agree to The Inquirer’s Terms of Use, including the grant of rights in Section 10.

  • Kacey Musgraves, Kehlani, Lily Allen, Don Toliver, and Delaware Valley Bluegrass Festival are highlights of this last summer week

    Kacey Musgraves, Kehlani, Lily Allen, Don Toliver, and Delaware Valley Bluegrass Festival are highlights of this last summer week

    The unofficial last weekend of Philly’s summer pop music schedule keeps the heat on. There’s Don Toliver and Kacey Musgraves in South Philly, Kehlani in Camden, Lily Allen in Fairmount Park, Los Lobos in King of Prussia, and the Delaware Valley Bluegrass Festival in South Jersey.

    Thursday Sept. 3

    Los Lobos

    The great Chicano band Los Lobos is the focus of Native Sons, a documentary that is now making the film festival rounds. It shares a name with the band’s 2021 album of songs of Los Angeles. That album was produced by the band’s one non-Los Angeleno: Cheltenham-native sax and keyboard player Steve Berlin. So this Montgomery County gig is a hometown show of sorts for the band that — if justice is ever served — will one day wind up in the Rock & Roll Hall of Fame. 7 p.m., Concerts Under the Stars, 175 W. Valley Forge Road, King of Prussia, concertsunderthestarskop.com.

    Don Toliver performs during the BET Awards on Sunday, June 28, 2026, at the Peacock Theater in Los Angeles. (AP Photo/John Locher)John Locher

    Don Toliver

    The Houston rapper born Caleb Zackery Toliver brought his “Octane Tour” to South Philly in May and already, he’s back. It’s the second “Nitrous” leg of the trek for Toliver’s Octane album, which features Teezo Touchdown and The Odyssey actor Travis Scott. Chase B. is also on the bill. 8 p.m., XfinityMobile Arena, 3601 S. Broad St., xfinitymobilearena.com

    Friday Sept. 4

    Kacey Musgraves

    Kacey Musgraves comes back to country on Middle of Nowhere, the Grammy-winning Texas songwriter’s excellent seventh album. Willie Nelson, Billy Strings, and Philly Music Fest headliner Gregory Alan Isakov drop in. Musgraves also finds common ground with fellow Lone Star State singer Miranda Lambert, with whom she had a longstanding beef, on “Horses and Divorces.” Expect this show to turn into a Dolly Parton celebration. Flatland Cavalry opens. 8 p.m., Xfinity Mobile Arena, 3601 S. Broad St., xfinitymobilearena.com

    Dan Tyminski headlines the Delaware Valley Bluegrass Festival in Pilesgove, N.J., on Saturday, Sept. 5.Courtesy of the Artist

    Friday Sept. 4 to Sunday Sept. 6

    Delaware Valley Bluegrass Festival

    Founded at the urging of bluegrass titans Bill Monroe and Ralph Stanley in 1972, the Delaware Valley Bluegrass Festival is a Labor Day weekend tradition that endures.

    This year’s three days of music kicks off Friday in Salem County in South Jersey with Kathy Mattea, the country-bluegrass singer who hosts public radio’s Mountain Stage, as headliner. Friday’s lineup also includes the Price Sisters — singing Ohio siblings Lauren and Leanna Price — as well as Virginia guitarist Junior Sisk and the Travelin’ McCourys, sons of bluegrass legend and frequent DVBF headliner Del McCoury.

    On Saturday, Dan Tyminski gets top billing. The former member of Alison Krauss’ Union Station has had two moments of extraordinary popularity for a bluegrass musician: 2000’s O Brother, Where Art Thou? soundtrack, on which he sang “I Am a Man of Constant Sorrow,” and “Hey Brother,” an unlikely 2013 hit with Swedish dance music producer Avicii.

    New Orleans street band Tuba Skinny at the Delaware Valley Bluegrass Festival in 2022. The band will return to play the Pilesgrove, N.J., fest on Saturday.Delaware Valley Bluegrass Festival

    New Orleans ragtime street band Tuba Skinny also plays Saturday, as do Critten Hollow, Danny Paisley & Southern Grass, and the Gibson Brothers. The festival winds down Sunday with Black Eyed Suzies — self-described as “the Bluegrass Ladies of Maryland” — as well as Tennessee quintet Blue Highway, Chicago duo Special Consensus, Boone, N.C., roots band Burnett Sisters, and Nashville quintet Appalachian Road Show. Gates open at 8 a.m. each day. Salem County Fairgrounds, 735 Route 40, Pilesgrove, N.J., delawarevalleybluegrass.org.

    Kehlani performing during the second day of The Roots Picnic at the Belmont Plateau on May 31, 2026, in Philadelphia.Monica Herndon / Staff Photographer

    Saturday Sept. 5

    Kehlani

    Kehlani had the biggest hit of their career last year with “Folded,” which was co-written with Philly producer Andre Harris and won two Grammys. The R&B vocalist celebrated with a performance at The Roots Picnic, and now they’re back for a headlining show in Camden on a tour that includes Durand Bernard, TheArti$t, Wahseel, and Dixson. 7 p.m., Freedom Mortgage Pavilion, 1 Harbour Blvd, Camden, freedommortgagepavilion.com.

    Lily Allen at the Met Philly in April during her show “Lily Allen performs West End Girl.” She returns to play the Highmark Mann on Sunday.Christina Bryson

    Sunday Sept. 6

    Lily Allen performs ‘West End Girl’

    Lily Allen struck a nerve with last year’s West End Girl, a song suite inspired by the dissolution of her marriage to actor David Barbour, that resonated big time with an audience all too familiar with shady doings by unfaithful partners. Earlier this year, the British songwriter, who has displayed a winningly wicked wit going back to her 2006 Alright, Still?, performed West End Girl album in order in a terrific, if brief, show at the Met. Sunday’s show was scheduled for the Xfinity Mobile Arena but moved to the Mann. 8 p.m., TC Pavilion at the Highmark Mann, 52901 Parkside Ave., highmarkmann.com.

    Philly tribute to the Clash

    Many, including me, have argued that the four sides of London Calling, the 1979 double album by the British punk band the Clash, add up to the greatest album of all time. One side each goes to a Philly band: Citizens Riot, No Good Crowd, the Big Trip, and 2 Tones Clash. Guests on this tribute show include Hannah Taylor, Spoon Ferguson, John Faye, Cowmuddy, Phil Dunn, and Adam Weiner of Low Cut Connie (also playing a Free at Noon in Ardmore on Friday.) 6 p.m., Ardmore Music Hall, 23 E. Lancaster Ave., ardmoremusichall.com

    Slowey and the Boats

    Fab Philly instrumental quintet Slowey and the Boats’ breezy, light-on-its-feet sound is built around steel guitarist Isaac Stanford. The band’s delightful Slowey After Dark swings sweetly, using the Hawaiian origins of Stanford’s instrument as a starting point. 2 p.m. Wissahickon Brewing Company, 3705 W. School House Lane, sloweyandtheboats.com.

    Peter Hook & the Light play Union Transfer on Monday.Adam Kennedy

    Monday Sept. 7

    Peter Hook & the Light

    Bassist Peter Hook was a key player in Manchester, England, in the late 1970s and 1980s as cofounder of Joy Division, New Order, and Durutti Column. Since 2020, he’s played the music of Joy Division and New Order, with his bassist son Jack, who frees him up to sing. He’ll perform New Order’s 2001 album Get Ready, plus pull from the JD and NO catalogs. 8 p.m., Union Transfer, 1026 Spring Garden St., utphilly.com

    Tuesday Sept. 8

    Social Distortion

    Longtime Southern California punk band Social Distortion is in fine form on Born to Kill, its first album in 15 years. Leader Mike Ness sounds refreshed after a battle with tonsil cancer, and the band is pushed hard by drummer David Hidalgo Jr., son of the coleader of Los Lobos. Social D’s fellow SoCal punks the Descendents and young Australian punks the Chats also perform. 8 p.m., themetphilly.com

    Gary Clark Jr.

    At Bruce Springsteen’s Music of America concerts in the spring, Gary Clark Jr. covered “Power of Soul” by Jimi Hendrix’s Band of Gypsys and Bobby “Blue” Bland’s Texas shuffle “Further on up the Road.” Those two songs hint at the range of the Austin-based Clark Jr., who has been Texas’ leading guitar hero since he gained nationwide renown with Blak & Blu in 2012. Dumpstaphunk and DJ Kurupt open. 8 p.m. Keswick Theatre, 291 N. Keswick Ave., Glenside, Keswicktheatre.com

    DJ Jazzy Jeff performing at The Roots Picnic in Philadelphia, on May 30, 2026.Tyger Williams

    Wednesday Sept. 9

    DJ Jazzy Jeff

    Jeff Townes has had himself a Semiquincentennial summer. At The Roots Picnic, the West Philly-born and -raised DJ put on a turntablism clinic on Belmont Plateau. Then Townes teamed with Will Smith and The Roots to shut down the Philly 250th celebration on the Ben Franklin Parkway in the wee hours of the morning. Now he’ll display his musical mastery at a Longwood Gardens illuminated Fountain Party. 8 p.m., 1001 Longwood Road, Kennett Square, longwoodgardens.org.

    New Zealand singer Aldous Harding plays Underground Arts on Wednesday.Emma Wallbanks

    Aldous Harding

    New Zealand songwriter Aldous Harding is touring behind Train on the Island, the fourth album she’s recorded with PJ Harvey collaborator John Parish producing. The songs are in keeping with Harding’s reputation as an inscrutable, willfully strange songwriter but are also rock solid psychedelic folk tunes. Sam Burton opens. 8 p.m., Underground Arts, 1200 Callowhill St., undergroundarts.org.

  • Pearl Jam will release its Philly ‘Ten’ concert on vinyl

    Pearl Jam will release its Philly ‘Ten’ concert on vinyl

    Pearl Jam’s concert at the Wells Fargo Center in April 2016 is legendary among fans because the band played its 1991 debut album Ten in its entirety.

    The performance happened after Eddie Vedder was struck by the idea during the sound check for the show. The venue had surprised him by hanging a Flyers-style banner made by Native Colors Flag Co. in Haddonfield marking the band’s 10th sold-out performance in a South Philly arena.

    “I saw that number, and it was like, ‘I think we gotta do it,’ ” Vedder said with a smile that night, after the band had finished playing Ten from start to finish for only the second time in its career.

    Now, Pearl Jam is releasing Ten Live, a three-sided vinyl LP that captures live versions of the 13 songs on the album, which includes songs that have long been centerpieces of the band’s repertoire, such as “Even Flow,” “Alive,” and “Jeremy.”

    The live album recorded April 29, 2016, in the building that is now known as Xfinity Mobile Arena comes out Nov. 27. That’s Record Store Day Black Friday, the holiday season day on which music retailers put limited-edition vinyl exclusives on sale in shops in Philly and around the U.S.

    In 2020, Pearl Jam made a video stream of the entire 32-song 2016 concert available through Philly-based music platform nugs.net. That release was timed to promote PJ Votes, a voter mobilization initiative ahead of the 2020 presidential election.

    At the time, Pearl Jam guitarists Stone Gossard and Mike McCready spoke to The Inquirer about the band’s special relationship with Philadelphia. That dates back to a 1991 show at J.C. Dobbs on South Street (now Nikki Lopez), and the final four shows at the Spectrum in 2009 before that venue was demolished the next year.

    “I remember playing Dobbs, and it was the strangest stage I’ve ever been on,” McCready recalled. An oversize column on one side of the stage made it difficult to see an entire band at the defunct South Street club. “I’ll never forget that.”

    Eagles’ owner Jeffrey Lurie (left) talks with Eddie Vedder (center) of Pearl Jam, and Bradley Cooper (right) before the Philadelphia Eagles play the Seattle Seahawks in Seattle, on Nov. 20, 2016. David Maialetti / Staff Photographer

    During the October 2009 Spectrum shows, which ended on Halloween with the band dressing up like Devo and playing “Whip It,” McCready said “in four nights, we tried to play every song we’ve ever written.”

    “There’s something about Philadelphia,” Vedder said during the Ten show.

    “It seems tough, and intense. I get the City of Brotherly Love. But I also know brothers beat the [stuffing] out of each other! So to see all these intense people … release themselves and open up and celebrate and seem to love each other, it’s really powerful.”

    The Pearl Jam banner at the Wells Fargo Center on April 29, 2016.nugs.tv

    At one point in the show, Vedder looked up to see the Bruce Springsteen banner in the rafters with a number 56 much larger than Pearl Jam’s 10. He then did an impression of the Boss: “Hey Ed, I hear you’ve got a little banner up there. You’ve got some catchin’ up to do. Call me in 20 years.”

    In 2020, Gossard spoke about the bond between Pearl Jam and fans in Philly, and also Camden where the band has played many times at the venue now known as the Freedom Mortgage Pavilion.

    ”I think there really is a tangible difference in the level of engagement. I mean, since we started playing Philadelphia and over into New Jersey, it’s … insane. Things are generally sort of twice as big there.

    “Some of it has to do with the longevity, I think. There’s a consistency with talking to fans, and then having them turn their kids on to the music. It’s magical, and I don’t want to know too much about it. I just want to honor it. It feels real.”

    A version of the 2016 Ten show, which includes covers of Pink Floyd, Wayne Cochran, the Dead Boys, Neil Young, and the Who, can be streamed on YouTube. And a pro-shot video of the concert can be rented or purchased on PearlJam.com, where the Ten Live vinyl can be preordered.

    Eddie Vedder and Pearl Jam perform during their Dark Matter World Tour stop at the Wells Fargo Center in Philadelphia on Saturday, September 7, 2024.Elizabeth Robertson / Staff Photographer
  • Summer’s not over yet! Bruno Mars, Chris Stapleton, and Wu-Tang Clan headline a busy Philly music week

    Summer’s not over yet! Bruno Mars, Chris Stapleton, and Wu-Tang Clan headline a busy Philly music week

    Summer’s not over yet, at least when it comes to music schedules in and around Philadelphia. This is one of the busiest music weeks of the season, with big Bruno Mars and Chris Stapleton tours coming through, and Rufus Del Soul, Wu-Tang Clan, Squeeze, and Demi Lovato down the Shore.

    Thursday Aug. 27

    Swervedriver

    Indie bands with a fuzzy guitar sound that embrace the shoegaze label have proliferated this decade. Swervedriver is among the 1990s originators of the style, and the members of the British band are celebrating the 35th anniversary of their debut album, Raise. 8 p.m., Underground Arts, 1200 Callowhill St., undergroundarts.org

    Pinkshift

    Pinkshift, the hard-hitting Baltimore punk band fronted by Ashrita Kumar, is celebrating an expanded version of their 2021 debut EP Saccharine. Two Philly bands will join them: Kulfi Girls, the foursome fronted by Abi Natesh that mixes hard rock with Indian classical influences, and Nicolle Maroulis’ emo outfit Hit Like a Girl. 8 p.m., Ukie Club, 847 N. Franklin St., 4333Collective.net

    Kulfi Girls play the Ukie Club on Thursday, Aug. 27.Philly Music Fest

    Good Flying Birds

    Three winsome indie pop bands are on this free Live & Local show. Good Flying Birds, whose charming Talulah’s Tape came out in 2025, is a band of Midwesterners, who will be joined by two promising Philly quartets in Smarthearts and Heatloaf. Free. 6 p.m., Spruce Street Harbor Park, 301 S. Christopher Columbus Blvd., 4333Collective.net

    Friday Aug. 28

    Jerry Garcia Symphonic Celebration

    The Grateful Dead guitarist would have turned 84 this month, and his family organized this tour in his honor. Together with the Philly Pops, the lineup includes Jerry Garcia Band veterans Melvin Seals on organ and Jacklyn Branch on vocals, Philly guitarist Tom Hamilton, Phil Lesh’s son Grahame Lesh on bass, drummer John Morgan Kimock, and singer Kanika Moore. 8 p.m., TD Pavilion at Highmark Mann, 5201 Parkside Ave, highmarkmann.org

    Wu-Tang Clan’s Method Man performs at the Wells Fargo Center in Philadelphia on July 18, 2025. The Staten Island hip-hop crew is in Atlantic City on Friday.Kaiden J. Yu / Staff Photographer

    Wu-Tang Clan

    Remember the “Wu-Tang Forever” tour, which had its grand finale in South Philly last summer? Shockingly, that farewell didn’t last very long. Just over a year later, the RZA, Method Man, Ghostface Killah, and their brethren are playing Atlantic City. 8 p.m., Hard Rock Live at Etess Arena, 1000 Boardwalk, casino.hardrock.com/atlantic-city

    Squeeze

    Before the band went on a run with albums like Argybargy in 1980 and Sweets From a Stranger in 1982, Squeeze songsmiths Chris Difford and Glenn Tilbrook wrote Trixies, a song cycle about a nightclub that was never recorded. Now 50 years on, they have released it as a full-length album produced by the band’s bass player, Owen Biddle, who is a former member of The Roots. Adam Ant and Haircut 100 are also on the bill. 8 p.m., Borgata Event Center, One Borgata Way, Atlantic City, borgata.mgmresorts.com

    Demi Lovato

    Former Disney child actress and pop singer Demi Lovato has pivoted from the punk-pop of the 2022 album Holy F— to return to a more dance pop sound on the new It’s Not That Deep. 8 p.m., Ovation Hall, the Ocean resort, 500 Boardwalk, Atlantic City, theoceanac.com

    Chris Stapleton brings his All-American Road Show to the Freedom Mortgage Pavilion in Camden for two nights this weekend.Becky Fluke

    Friday and Saturday Aug. 28-29

    Chris Stapleton

    Eleven-time Grammy winner Chris Stapleton has built himself a huge audience with his brand of beardy, rugged country-soul that’s rarely as slick as the manicured Nashville acts he rubs elbows with on the country charts. For this year’s two-night Camden stop on his “All-American Road Show,” he’s supported by North Carolina-born “Sex, Drugs and Country Music” singer Carter Faith. 8 p.m. Freedom Mortgage Pavilion, 1 Harbour Bvld., Camden, freedommortgagepavilion.com

    Jesse Malin will headline the Queen Jeans Ball in Wilmington on Saturday, Aug. 29. with Craig Finn and Tommy Stinson opening.Vivian Wang

    Saturday Aug. 29

    Queen Jeans Ball with Jesse Malin

    New York songwriter Jesse Malin has always been a rock and roll true believer, dating back to his hardcore band Heart Attack (which he founded when he was 12). Then came D Generation and nine solo albums, including 2019’s Sunset Kids, which was produced by Lucinda Williams.

    In 2023, Malin suffered a rare spinal stroke that left him paralyzed from the waist down. The next year, he was the subject of a tribute that featured Bruce Springsteen and Billie Joe Armstrong, among others. Now, he’s returned to the stage with his Silver Manhattan musical and is back to touring with his band.

    Malin is headlining the annual Queen Jeans Ball in Wilmington, which benefits the nonprofit Donate Delaware. Craig Finn of the Hold Steady and Tommy Stinson will also perform and undoubtedly join Malin on stage. 8 p.m., the Queen, 500 N. Market St., Wilmington, thequeenwilmington.com

    Australian electronic dance music act Rüfüs Du Sol will perform on the Atlantic City beach on Saturday, Aug. 29.Boaz Kroon

    Rüfüs Du Sol

    Dance music arrives on the Atlantic City beach with Rüfüs Du Soul, the Australian alt-pop band who mix live instrumentation and electronic beats. The band fronted by singer Tyrone Lindqvist is touring stadiums for its 2024 album Inhale / Exhale. The show marks a return to Live Nation booking toes-in-the-sand shows in tandem with Visit Atlantic City for the first time since 2023. Ben Bohmer opens. visitatlanticcity.com

    Zac Brown Band

    The official name of this tour is “Love & Fear Tour presented by Margaritaville at Sea.” So it’s safe to say the Georgia country-rock singer who sang the national anthem at the UFC Freedom 250 cage fight at the White House in June, will be giving Jimmy Buffett vibes. His album Love & Fear features Snoop Dogg, Marcus King, and the late great Dolly Parton. Grace Potter, who also plays Free at Noon on Friday, opens. 7 p.m., TD Pavilion at Highmark Mann, 5201 Parkside Ave, highmarkmann.org

    Sam Sodomsky is The Bird Calls. He plays Young American Cider in Germantown on Sunday.Jake Fromm

    Sunday Aug. 30

    Cloud Nothings / Knifeplay

    Cleveland-born indie band Cloud Nothings, fronted by now Philly-based guitarist-songwriter Dylan Baldi, released its eighth album, Final Summer, in 2024. Sharp-edged Philly band Knifeplay open. 7 p.m., Ruba Club, 416 Green St., 4333Collective.net

    The Bird Calls

    The Bird Calls is Sam Sodomsky, a Brooklyn songwriter raised in Philly whose new album, Take Leave, is due Friday. Sodomsky, also a contributing editor at Pitchfork, makes homespun, open-hearted folk rock about trying to find a place in the world with songs like “Clockwork” and “Ethan Frome” that linger in the imagination. He’s playing a hard cider tasting room in Germantown. Kristin Daelynn and Adeline Hotel open. 7 p.m., Young American, 6350 Germantown Ave., youngamericancider.com

    Monday Aug. 31

    Arlo Parks

    The British singer and poet born Anaïs Oluwatoyin Estelle Marinho vaulted into stardom in the UK with her Collapsed Into Sunbeams debut, which won the prestigious Mercury Prize. Her third album, Ambiguous Desire, is a pleasant soul-searching work shaped by club culture, though it’s more likely to be heard by coffee shop latte sippers than dance floor denizens. 8 p.m., Union Transfer, 1026 Spring Garden St., utphilly.com

    Raye performs at the BET Awards on June 28, 2026, at the Peacock Theater in Los Angeles. She opens for Bruno Mars on Tuesday and Wednesday, Sept. 1 and 2, at the Linc. (AP Photo/John Locher)John Locher

    Tuesday and Wednesday Sept. 1-2

    Bruno Mars & Raye

    Bruno Mars has been making hits nonstop since his 2010 Doo-Wops & Hooligans debut. His 2024 chart toppers “Die With a Smile” and “APT.” — with Lady Gaga and Rosé, respectively — and this year’s “I Just Might,” from his new album Romantic are the most recent examples. Raye, the British singer who has a knockout stage show, opens. Things get going with DJ Pee. Wee, who is Mars’ Silk Sonic bandmate Anderson .Paak in disguise. Shopper alert: There will be a Bruno Mars x Hello Kitty pop-up at the Fashion District from Aug. 31-Sept. 2. 7 p.m., Lincoln Financial Field, One Lincoln Financial Way, lincolnfinancialfield.com

  • Shakira, Tim McGraw, Jill Scott, and Connor Barwin’s Make the World Better concerts are highlights of a busy Philly music weekend

    Shakira, Tim McGraw, Jill Scott, and Connor Barwin’s Make the World Better concerts are highlights of a busy Philly music weekend

    Philly music this week features Connor Barwin’s Make the World Better Concert Weekend at the Dell, four nights with Jill Scott at the Met, Tim McGraw in Camden, Shakira in Atlantic City, the Disco Biscuits in King of Prussia, and Shinedown in South Philly. And more.

    Thursday, July 23

    Man Man

    Philly-born and Los Angeles-based experimental rock band Man Man — fronted by Ryan Kattner, who performs as Honus Honus — is playing a hometown show. Man Man’s most recent album, Carrot on Strings, came out in 2024, but the band has a new single, “So It Goes,” that found its audience through the video game Cyberpunk 2077. Also, Kattner — who has two children with Crazy Rich Asians actress Constance Wu — plays an undead bass player in the AMC series The Vampire Chronicles. Death Valley Girls opens. 8:30 p.m., Underground Arts, 1200 Callowhill St., undergroundarts.org

    Tim McGraw is playing the Freedom Mortgage Pavilion in Camden on Thursday.Courtesy of the Artist

    Tim McGraw

    Did Tim McGraw perform at Taylor Swift’s wedding? And if he did, did he sing “Tim McGraw”? We don’t know because, remarkably, the omertà code of silence remains intact about what happened during the Swift-Travis Kelce nuptials. We do know, however, that the country star will be singing in Camden, and along with including his recent singles “Pawn Shop Guitar” and “Song for America,” he will probably wear a Phillies jersey in honor of his famous father, Tug. 8 p.m., Freedom Mortgage Pavilion, 1 Harbour Place, Camden, freedommortgagepavilion.com.

    Brent Smith and Zach Meyers of Shinedown perform during the Pierre Robert Show of Life concert on Dec. 17, 2025, at the Fillmore. (Photo by William Thomas Cain/CAIN IMAGES for WMMR)William Thomas Cain/CAIN IMAGES for WMMR

    Shinedown

    Shinedown singer Brent Smith and guitarist Zach Myers performed as a duo in December at the Fillmore memorial concert for Pierre Robert. So now that they’re coming back with their bandmates Barry Kerch and Eric Bass on tour for their new album, Eight, expect a tribute to the beloved Philly DJ. Coheed and Cambria, From Ashes to New, and DJ Rock Feed open. 8 p.m., Xfinity Mobile Arena, 3601 S. Broad St., xfinitymobilearena.com

    Anthony Hamilton

    Before the Make the World Better Concert Weekend rolls in to the Dell, one of the highlights of the Strawberry Mansion venue’s R&B series arrives. Rough-and-ready North Carolina vocalist Anthony Hamilton was raised in the Black church and has brought spiritual ardor to his secular music over a 30-year career. Joe and Jon B open. 7 p.m., Dell Music Center, 2400 Strawberry Mansion Drive, dellmusiccenter.com

    Preservation Hall Jazz Band

    Under the direction of Philly-connected sousaphonist Ben Jaffe, New Orleans’ Preservation Hall Jazz Band brings the bon temps while always respecting Crescent City tradition. Expect this show to be a lively tribute to Ronell Johnson, the band’s trombonist who died in June at age 49. Meters bassist George Porter & the Runnin’ Pardners and John Papa Gros opening. 6 p.m., Concerts Under the Stars, 175 W. Valley Forge Road, King of Prussia, concertsunderthestarskop.com

    Hannah Cohen plays Free at Noon on Friday at World Stage and 118 North in Wayne that evening.Courtesy of the Aritist

    Friday, July 24

    Corey Hanson

    The singer of the Los Angeles psychedelic rock band Wand has moved away from garage rock to a piano and strings sound on his not-entirely-tongue-in-cheek titled fourth solo album, I Love People. Microgoblet opens. 8 p.m., Johnny Brenda’s, 1201 N. Frankford Ave., JohnnyBrendas.com

    Hannah Cohen

    Earthstar Mountain, Hannah Cohen’s 2025 album, is a dreamy, pastoral collection that conjures 1970s Fleetwood Mac dreams with a touch of Brazilian bossa nova, and Sufjan Stevens and Clairo as guests. Emily Moales, the pianist and songwriter who records as Star Moles and is part of the South Philly-based Historic New Jersey collective, is the opening act. 118 North, 118 N. Wayne Ave., Wayne, 118NorthWayne.com.

    Philly alt-rock star Kurt Vile outside Silk City Diner on May 24, 2026, in Philadelphia.Yong Kim / Staff Photographer

    Friday, July 24 and Saturday, July 25

    Connor Barwin’s Make the World Better Concert Weekend

    The former All-Pro Eagle’s fundraising concerts for the MTWB foundation, which rebuilds Philly parks and rec centers, are back at the Dell after one year in FDR Park. Slanted and Enchanted Stephen Malkmus-led indie avatars Pavement — the subject of Bryn Mawr native Alex Ross Perry’s 2024 meta movie Pavements — headlines Friday, with Ratboys opening. Local heroes Kurt Vile & the Violators top the bill Saturday, with They Are Gutting a Body of Water and Twisted Teens. 7:30 p.m., Dell Music Center, 2400 Strawberry Mansion Drive, dellmusiccenter.com

    Friday, July 24; Saturday, July 25; Monday, July 27; and Wednesday, July 29

    Jill Scott takes to the stage for One Philly: Unity Concert for America on the Benjamin Franklin Parkway on July 4, 2026. The first of her four shows at the Met Philly is Friday.Yong Kim / Staff Photographer

    Jill Scott

    Jill Scott performed her entire set at the July 4 One Philly: Unity Concert for America on the Ben Franklin Parkway before the skies opened and caused a four-hour delay. For her festival-length set, she was in fine form and her band sounded fantastic. Now it’s time for four full-length shows at the Met in support of her new album, To Whom This May Concern. 7:30 p.m., Met Philly, 858 N. Broad St., themetphilly.com

    Saturday, July 25

    Shakira

    Shakira and New Jersey: Perfect together. Last weekend, the Colombian superstar performed her global hit “Dai Dai” with Burna Boy at the FIFA World Cup final at Met Life Stadium. On Saturday, she’ll be in Atlantic City in a room that’s smaller than the vast venues she’s accustomed to playing around the world. 8:30 p.m., Jim Whelan Boardwalk Hall, 2301 Boardwalk, Atlantic City, boardwalkhall.com

    Dave P. at the Making Waves festival on the Atlantic City beach in August 2025.Dan DeLuca

    Making Waves

    The big Making Time ∞ blowout happens at Fort Mifflin in September, but the prelude will be staged this weekend in Atlantic City. Now in its second year, electronic music impresario David Pianka’s Making Waves day at the beach runs from 2 to 11 p.m. on the Atlantic Ocean side on the boardwalk at New York Avenue with DJ sets by VTSS, Detroit in Effect, Baalti, DJ Python, Fundido, and Universal Cave, then moves inside for an Anchor Rock Club after-party, with Curses, ADAAB, Jewelsea, and Dave. P himself. 2 p.m., Anchor Rock Club, 247 S. New York Ave., Atlantic City, makingtimeisrad.com/making-waves

    Saturday, July 25 and Sunday, July 26

    Disco Biscuits

    University of Pennsylvania-born electronic jam band Disco Biscuits is doing two nights in King of Prussia. Longtime drummer Allen Aucoin and the band parted ways last fall after more than 20 years, and these shows will be with new drummer Marlon B. Lewis. DJ Marb Menthols of Goose opens both shows, with Eggy playing the first night and Lespecial the second. Note the early start. 4:30 p.m., Heuser Park, 694 West Beidler Road, King of Prussia, concertsunderthestarskop.com

    Sunday, July 26

    Toto, Christopher Cross & the Romantics

    1980s nostalgia in full effect. Toto guitarist Steve Lukather has been a regular visitor to Philly stages in recent years, singing his band’s hits “Africa” and “Hold the Line” on dates with Ringo Starr’s All Star Band. Now he gets to do it with his own band. Christopher Cross is iconic in Yacht Rock circles for his hit “Sailing,” which came out in 1979. He’s also a great storyteller, as evident on a recent episode of The Questlove Show podcast. The Romantics have at least two songs you know in “What I Like About You” and “Talking in Your Sleep.” 6:45 p.m., TD Pavilion at the Highmark Mann, 5201 Parkside Ave., highmarkmann.org

    Bruce Hornsby performs during the Bourbon and Beyond music festival in Louisville, Ky., on Sept. 20, 2024. He plays Ocean City Music Pier on Monday. (Photo by Amy Harris/Invision/AP, File)Amy Harris

    Monday, July 27

    Bruce Hornsby & the Noisemakers

    Fun facts about piano-playing “The Way It Is” hitmaker Bruce Hornsby: He’s toured with the Grateful Dead, I once saw him play accordion and sing Christmas songs with Bruce Springsteen, and the 6-foot-4 Virginian once beat his friend Allen Iverson in a game of one-on-one. He also has a freewheeling new album called Indigo Park that features guest appearances from Bonnie Raitt, Ezra Koenig, and the late Bob Weir. 7 p.m., Ocean City Music Pier, 825 Boardwalk, Ocean City, N.J., ocnj.us.

  • The other Graham Platner crisis for Dems | Will Bunch Newsletter

    The other Graham Platner crisis for Dems | Will Bunch Newsletter

    A journalistic mentor of mine back in the 1980s told me that Harry Truman, pressed for a comment on the passing of a political enemy, finally said, “It’s a damn shame when anybody dies.” Of course, like most perfect quotes, HST probably never actually said this, yet I find occasion to think of these words often. On Saturday night, South Carolina GOP Sen. Lindsey Graham — whose moral compass went haywire in the 2010s when a brief moment of truth–telling about Donald Trump melted into embarrassing capitulation — died suddenly from heart problems. He was just 71. It’s a damn shame.

    If someone forwarded you this email, sign up for free here.

    Dems need to give up on fake blue-collar campaigns like Platner’s

    Supporters cheer for Graham Platner in Blue Hill, Maine, after he won the Democratic Senate primary on June 9. Platner’s bid for the Senate inspired progressive Democrats. But the campaign, which he suspended July 8, was messy, disorganized and ultimately doomed by a steady drip of scandal. SOPHIE PARK

    Graham Platner, the failed Maine Democratic Senate candidate, was introduced to most of us outside of the Pine Tree State less as a human being than as a fully formed narrative.

    The rugged redhead with angry eyes was an ex-Marine from the Iraq and Afghanistan wars who became an oyster farmer and then a political outsider with all the right words for an electorate that’s mad as hell and isn’t going to take it anymore.

    We now know that Platner’s origin story — compelling, but larded with omissions and sprinkled with lies — belonged on the fiction shelf. But even after the Democrats’ scandal-scarred June primary winner accepted the inevitable and ended his candidacy on Friday, he lives on as an avatar upon which everyone with a stake in a badly broken Democratic party can project their distrust and rage toward others — folks who ought to be their allies in an all-out war against fascism.

    Days later, the Platner discourse is almost as toxic as the candidate himself. People who voice their opinions, even in 280 characters on social media, get called everything from sexist Bernie-bro rape apologists to Quislings who want big corporations to keep running the Democrats into the ground, and all the rest in between. Don’t even mention Israel. In fact, don’t @ me after this is posted.

    Having said all that, there is a conversation that must be had by the Democrats, and probably a wider circle. And the disappearance of Platner himself from the picture makes that easier, because I think we can all stipulate that as a human being he was clearly not worthy to be a U.S. senator, even in the Senate’s current morally diminished state.

    There is another Graham Platner somewhere on Earth 2 who also suffered PTSD and developed a drinking problem fighting in pointless wars, and who also got a Nazi tattoo and posted wretched stuff on Reddit, but turned his life around in a glorious redemption song. But that’s not the Platner we got on here on Earth 1. Instead of an apology, he was weirdly defensive about his past, because — we now know — he was hiding stuff that was even worse than that.

    Although Platner has denied the most serious charge of a sexual assault, there should be zero tolerance in the Democratic Party for the type of sexual misconduct that’s been confirmed, let alone what’s been additionally alleged. That’s not just the only proper moral stance, but it sets Dems apart from a twisted GOP that nominated Trump three times. Platner’s disappearance is a blessing to everyone.

    But even with that matter resolved, we still haven’t answered the bigger question that I posed the only other time I wrote about Platner back in the spring: Why did a majority of Maine Democrats — roughly 150,000 voters — ignore the party establishment to back this guy?

    The selection of Platner’s replacement over the next few weeks will show whether top Democrats understand that base voters want candidates who are younger, who support things like Medicare-for-all or Palestinian rights that many corporate donors do not, and who look like they will fight fascism, not bend the knee.

    But first Democrats — and just about everyone, frankly — need to do a better job understanding not just the “why” of Platner supporters, but the “who.” Baked into the Platner myth was this notion that in running a gruff-sounding ex-Marine and oyster farmer, Democrats had found a key to regaining the long-lost white working class.

    Two huge problems with this. First — and this will sound familiar here in Pennsylvania where shorts-and-hoodie-wearing Sen. John Fetterman grew up upper middle class before donning a blue collar — Platner comes from a fairly privileged background. He’s the son of a lawyer and upscale restaurant owner and grandson of a famous architect; he started high school at the super-elite Hotchkiss School.

    Which brings us to the crux of the problem: the notion that Platner’s pre-implosion success was his ability to win back working-class voters in an overwhelmingly white state. Polls exposed this all as a lie. A late June survey from the New York Times/Portland Press Herald/Siena showed Platner losing white, non-college educated voters by a whopping 21% to the GOP incumbent Sen. Susan Collins. So what gave him a shot at winning? A massive 37% edge among college degree holders.

    Look, we all know that it’s been the obsessive mantra of the political pundit class that Democrats will never fully win back America without restoring the working-class coalition that elected Franklin Roosevelt four times during the New Deal era. I hate to be a contrarian here, but what if that’s not true?

    A society that over a half-century has once again made higher education an elite sport and now has a right-wing media and demagogues like Trump to heighten working-class grievances and blame the wrong people has created voters who — at least for now (hold this thought) — arguably aren’t worth chasing after.

    The frayed alliance of progressives and liberals who comprise the core of the Democratic base do some dumb stuff — opposing new units that could lower housing costs, or “nice white parents” leading to de facto school segregation — that should stop.

    But the core values of the college-educated voter — that education makes a better person and not just a better worker, that the rights of every human including the trans community should be cherished, or that students should learn about America’s mistakes like slavery — are moral and good. They shouldn’t be mocked, and they shouldn’t be compromised by chasing votes that don’t exist.

    An America that’s not inclusive and that isn’t fair when it comes to gross income inequality, not to mention who gets to see a doctor or send their kid to college, isn’t a cause worth fighting for. And there’s already a healthy number of working-class people — not the majority, not yet — who would agree with this.

    Platner was a bad guy but he appealed to voters who wanted good things. Let’s not bemoan the fact that his movement was based on educated people. Let’s build on that. Instead of lowering our values to win elections, let’s play the long game to lift more people up to a better place.

    That means elevating education to the top of the agenda — including much more access to low-cost or even free college or trade school, plus an emphasis on critical thinking that ditches AI, while raising up civics and the humanities. Push a universal gap year of national service for high school grads — to work on projects that will remind young Americans what we have in common, not what divides us. Build a United States with available healthcare and affordable housing that will fuel ambition, not anger.

    It’s way past time for college-educated progressives and our allies to stop apologizing for the things we believe in. The current push to find a candidate who can replace Platner and fight for all the right stuff — without the personal baggage of their predecessor — is a great place to start. Maybe it’s even time to revive the old cliché: As Maine goes, so goes the nation.

    Yo, do this!

    • Tuesday is the folk-music legend Woody Guthrie’s 114th birthday. I use the present tense because it very much feels like the singer who influenced living icons from Bob Dylan to Bruce Springsteen is still with us. Now, a friend, the pioneering rock journalist Greg Mitchell, has directed a new documentary about the musician, his political activism in the mid-20th century, and his lasting influence: Woody Guthrie and the Ghost of Tom Joad. It’s now streaming on PBS.org and will also be popping up on PBS stations this summer. You can — and should! — stream it here.
    • Monday night I read a remarkable piece of journalism that I feel compelled to share. Last week, a lot of America was talking about a photo from July 4 that showed a young Black woman on a D.C. Metro train surrounded by masked members of the white supremacist Patriot Front. There was so much commentary about what this woman must be feeling and thinking, and almost all of it — as shown by some remarkable reporting by former Inquirer journalist Ellie Silverman, writing for NOTUS — was wrong. The truth is heartbreaking.

    Ask me anything

    Question: Why do we not know what’s going on with (ailing Kentucky Sen. Mitch) McConnell? What is the Republican endgame? What’s the benefit to prolonging the process of determining a replacement? What is that process (seems to be in dispute)?

    Answer: We know a little more now than we did when I addressed this issue last week. His staff on Sunday released a brief statement and what is being called a “proof of life photo” — with that morning’s Washington Post sports page visible in the shot — seeking to explain McConnell’s month-long hospitalization and hoped-for return to the Senate. There were, of course, immediate conspiracy theories that the photo was artificial intelligence, but there’s no compelling evidence of that. The biggest mystery is, why doesn’t the 84-year-old McConnell just quit, with only about six months left until he leaves office in January? Kentucky has changed its Senate replacement law a couple of times, mainly because GOP lawmakers don’t want Democratic Gov. Andy Beshear making the pick. The new law requires a special election, but there probably will not be one if McConnell stays in office through Aug. 3. Republicans seem desperate to avoid the special election, and I’m not sure why, since McConnell surely isn’t helping advance the Trump agenda from his hospital bed.

    What you’re saying about…

    You really didn’t think I could go a whole newsletter without mentioning soccer, did you? Last week’s question about Trump’s FIFA intervention and the reversal of the American Folarin Balogun’s red-card suspension drew a unanimous response: The president was wrong to get involved, and he seemed to create a negative vibe around the U.S. team before it got blown out of the World Cup by Belgium, 4-1. “To me, it appeared to be the wrong call, but the ref called it.” wrote ex-soccer mom Suzanne Urban Ryan. “We had to live with it. Trump getting involved was just really poor judgement based on his need to win a game that he is not even a player.” Added Jordan Lang: “I’m sure his corrupted meddling negatively affected the psychology of the U.S players.” Yup.

    📮 This week’s question: Trump plans to address the nation in prime time Thursday with ginned-up information about his bogus and debunked claim that the 2020 election was stolen from him. He is laying the groundwork for November, and election interference on a scale to rival the Jim Crow South. How can Congress, the courts, the media, and everyday citizens respond to this dire threat before it spirals out of control? Please email me your answer and put the exact phrase “Trump election meddling” in the subject line.

    Backstory on why ICE is killing immigrants, again

    A vehicle with a damaged window is transported away from the scene of a shooting involving U.S. Immigration and Customs Enforcement, Monday in Biddeford, Maine. Robert F. Bukaty

    The fight against police brutality against African Americans in the late 2010s found its rallying cry when New York City police choked and killed a street peddler named Eric Garner, whose last words were. “I can’t breathe!” Now, Monday’s latest fatal shooting by U.S. Immigration and Customs Enforcement agents that shattered the morning calm of Biddeford, Maine has produced a new mantra. As 26-year-old Joan Sebastian Guerrero lay dying on the pavement — shot in the head, then dragged from his car and handcuffed — a bystander heard him say in anguish: “I tried to stop.”

    Moments earlier, the man, reported to be a Colombian national with a U.S. work permit, had left his home, possibly with his daughter, in a white Kia sedan, which was hemmed in by ICE agents in their vehicles. Although the Department of Homeland Security changed the wording of its statements over the course of the day, it ultimately reported that an ICE agent shot Guerrero because the driver attempted to flee and the officer was “fearing for public safety.” But ICE and DHS, whose officers have now shot and killed at least 11 people since Donald Trump returned to office, have repeatedly seen their versions unravel as more video and witnesses emerged. The two most recent attacks — Monday’s assault on Guerrero and last week’s Houston shooting of 52-year-old Mexican national Lorenzo Salgado Araujo — happened on working-class residential streets without clear videos of the shootings, and with ICE agents not wearing body cams.

    Still, a pattern is starting to emerge as DHS and its new leader, the former Oklahoma senator Markwayne Mullin, put a flood of new, barely trained ICE recruits on the streets in attempt to make mass arrests of immigrants without the same level of hoopla and backlash that happened in cities like Minneapolis and Chicago under Mullin’s predecessor, Kristi Noem. In both the Houston and Biddeford shootings, ICE began the morning in what it claimed was a targeted operation seeking a specific immigrant with a removal order, only to try to arrest and ultimately kill men, in Salgado and Guerrero, who were not the supposed targets.

    It’s quickly becoming clear that ICE’s new strategy is a recipe for disaster. Both Salgado and Guerrero, according to what we know from witness accounts, didn’t seem to know what exactly to do when their vehicles were surrounded by unmarked vans and yelling men. In both cases, ICE agents interpreted the predictable panic and chaos as aggression, and made a split-second decision to end a human life forever. It increasingly looks as if the federal agents — facing an impossibly ambitious goal from the Trump regime of arresting and deporting 1 million people a year — insist they have a name on a sheet of paper, when in reality they are racially profiling brown-skinned men driving to blue-collar jobs.

    Like so many projects of our current government, the new ICE scheme is not only inhumane but also dumb and counterproductive. Mullin’s apparent new strategy was to meet the high arrest quotas sought by Trump and his immigration guru Stephen Miller without generating the kind of public protest and backlash that all but drove DHS out of Minnesota this winter. It’s not working. Even before Guerrero’s name was released, angry demonstrators took to the streets in Biddeford and stormed the office of the state’s GOP Sen. Susan Collins, who recently voted for a $70 billion cash infusion for immigration raids.

    The tactics may have changed slightly, but the repulsive devaluation of human life has not. Mass deportation is a failure — strategically, politically, and morally.

    What I wrote on this date in 2019

    Some days my past writings read like Nostradamus, but more often than not they reveal how fleeting our political moments can be. On this date seven years ago, this columnist joined a lot of progressive voters in swooning over the early-stage presidential ambitions of Massachusetts Democratic Sen. Elizabeth Warren, who had just spoken at the left-wing convention Netroots Nation here in Philadelphia. “With her slam-dunk performance Saturday,” I wrote, “Elizabeth Warren became president … of the American progressive movement, anyway.” But Sen. Bernie Sanders had other ideas about that, and then Joe Biden and South Carolina voters came along with different ideas about Warren, Sanders, and control of the Democratic Party. Read the rest: “Netroots Nation was the day Elizabeth Warren became president of the American left.”

    Recommended Inquirer reading

    • It was a full week for me, and for American outrage. First, I tackled the Houston ICE killing of 52-year-old Mexican national Lorenzo Salgado Araujo and the return of ambitious immigration raids to American cities. I noted that the new ICE strategy aimed to ramp up arrests without generating public outcry, and I urged readers not to go to sleep on mass deportation. Over the weekend, I wrote about the similarities between the Trump regime and the disastrous ancient reign of the Roman emperor Caligula. I detailed how Trump’s growing paranoia that he will be assassinated in office is causing new bloodshed in the Persian Gulf and inspiring fresh efforts to quash civil liberties here at home.
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  • ‘Rock star’ Ben Franklin, with help from Queen and Bruce Springsteen, reminds us that Philadelphia is the soul of America

    ‘Rock star’ Ben Franklin, with help from Queen and Bruce Springsteen, reminds us that Philadelphia is the soul of America

    We all have a mental image of Benjamin Franklin, thanks to the $100 bill: balding, middle-aged, with tiny glasses and a stern look.

    But what if he had a full head of hair poking out the sides of his tricorn? What if we saw Franklin singing and jamming on a guitar?

    The Sound of America, a new musical showing at FringeArts this month, imagines Franklin as a young man: America’s very first rock star who finds fame after discovering electric rock and roll from the power of a lightning strike.

    In the musical, he gains fame and fortune as a rock star. But stardom sweeps him up and pulls him away from the people and values that once defined him as a struggling musician, leaving him to question his true identity.

    Leading the ensemble cast is a newly minted Temple musical theater graduate, Kohl Pilgrim. Last week, he stood with fellow actors Federica Andino-Vega and Jameson May, who play Franklin’s wife Deborah Read and best friend Hugh Meredith, respectively.

    Pilgrim and cast play their instruments live, serving as both performers and a band.Aidan T. Gallo / Staff Photographer

    Delivering their lines and singing at microphone stands, Nashville Bluebird Cafe-style, the three practiced blocking the scene where Franklin and Read first meet. After a flirty exchange, a naive and confused Franklin finds out Read is married to a man who has disappeared without evidence of his death.

    “We tend to see [Founding Fathers] as these infallible perfect people who created the perfect society,” director and Temple professor Kyle Metzger said. “It’s exciting to see a young Founding Father making mistakes and being complex and messy. It’s important to remember these were people, too, who didn’t have all the answers and were trying their best.”

    The choice of protagonist was a no-brainer for the musical’s cocreator and Emmy-award winning producer Randall Lane and longtime friend and singer-songwriter Todd Schwartz.

    “Under Poor Richard, he was the lyricist for colonial America,” said Lane, referring to Franklin’s pseudonym under which he published a yearly almanac. “And then when he discovered the lightning rod, he literally became the first American who was world famous, and toured the world.”

    Just like a young rock star.

    Federica Andino-Vega (left), who plays Franklin’s wife Deborah Read, adjusts Gerson Malave’s wig during a dress rehearsal for “The Sound of America” on June 24.Aidan T. Gallo / Staff Photographer

    Lane, who is also the editor in chief of Forbes magazine, lives in Saratoga Springs but feels deeply connected to Philadelphia through the years he went to Penn to study history and political science.

    For him, Franklin “checked every box.”

    “He was a teenage fugitive who ran away from home and every Friday he was hanging out [at] the Leather Apron Club,” the mutual-improvement society Franklin and his friends founded in 1727, said Lane.

    Every week, they’d meet in taverns, “jamming out intellectual ideas,” said Lane. In the case of his musical, they create a garage band.

    Franklin, after all, invented the glass harmonica.

    The musical’s soundtrack includes 23 original songs cowritten by Lane and Schwartz, influenced by Queen, Nirvana, Bruce Springsteen, and the Beatles. Metzger describes the production as “80% rock concert, 20% musical.”

    Kyle Metzger (center), the director for “The Sound of America,” directs the cast inside FringeArts for the forthcoming musical on June 24.Aidan T. Gallo / Staff Photographer

    The cast will serve as narrators at the front of the stage, while a live band plays behind them. Floor seats will be available and swaying arms and singing along will be highly encouraged. It’s meant to feel like a concert and not just another historical “rock” musical (sorry, Hamilton).

    “I’m always drawn to theater that’s untraditional or pushing into other mediums or incorporating other art forms,” Metzger said.

    True to style, The Sound of America also doubles as a walking tour led by Pilgrim, still in character as Benjamin Franklin. After curtain call, audiences can participate in a tour of Franklin’s Old City house and grave, a short walk away from the FringeArts venue.

    Needless to say, Pilgrim has had to really pack on the homework for this portion of the show.

    “Most of my free time when I am not in rehearsal or with friends, I am home reading his autobiography,” he said. “I am reading anything I possibly can because there’s probably going to be a kid that’s like ‘What’s his favorite food? Did he like burgers?’ So I’m researching that, too.”

    Barrymore award-winning director Kyle Metzger is also a professor in Temple’s Musical Theater program.Aidan T. Gallo / Staff Photographer

    When asked about Franklin’s favorite drink, Pilgrim was certain it was wine. As for his hypothetical Jersey Shore vacation spot, Pilgrim named Cape May.

    “I think he would like the houses,” he said.

    “I want to pay homage to how honest, wise, and hard-working he was,” said the actor, who sought inspiration from iconic rock figures like David Lee Roth, Elvis Presley, and Sir Roger Daltrey, frontman of the Who.

    Daltrey, in fact, makes a remote cameo in the musical, in support of Teen Cancer America, the nonprofit he founded along with Who bandmate Pete Townshend.

    Lane and Schwartz’s royalties will be donated to the charity, which partners with Children’s Hospital of Philadelphia (CHOP). The production is also collaborating with Federal Donuts & Chicken for a specialty doughnut called “The Ben”; a portion of its sales will benefit the cause.

    Kohl Pilgrim, the actor bringing Ben Franklin’s rock and roll persona to life, inside FringeArts.Aidan T. Gallo / Staff Photographer

    “We want this to be a really big win to fight cancer, but we think that it’s also super true to the spirit of Benjamin Franklin,” Lane said. “He was a rock star in all the senses, but he was also somebody who really cared about where he lived, and we want to leave Philadelphia better than we found it.”

    But as with any rock star, Franklin’s story would be nothing without his entourage.

    In addition to wife Read and bestie Meredith, the ensemble cast includes British antagonist Lord Wedderburn, played by Kaedon Knight and Franklin’s illegitimate son William Temple Franklin (aka “WTF”), played by Gerson Malave.

    Read is the only female character in the show, accompanying Franklin on his journey to stardom. Though she is often forgotten in history, her common-law marriage to Franklin saw her holding down the Franklin household and publishing company with a shotgun during the unrest of the Stamp Act.

    “She was a baddie, the baddie on Market Street,” Andino-Vega said. “But [Franklin] got most of the spotlight just because she was very shy and a bit illiterate. I want to shine a light on those special ladies that have been forgotten, and bring them up a little more in a way where they can also be seen like Ben Franklin.”

    The cast of “The Sound of America” are committed to delivering a rock concert, not just a musical.Aidan T. Gallo / Staff Photographer

    The cast and crew, largely Philadelphia-based and/or raised, are deeply committed to reflecting the grit of the city through this unique portrayal, especially in light of the 250th anniversary of the nation.

    “It’s almost like Ben was talking to us saying this year’s really important and this summer is important to Philadelphia,” Lane said. “It gives everybody that visits Philly a reminder that Philadelphia was the birthplace of democracy and it’s the soul of America.”

    The Sound of America runs July 1-Aug. 1 at FringeArts, 140 N. Christopher Columbus Blvd. Tickets start at $60. soundofamericamusical.com, 215-413-1318, or hello@fringearts.com.

    A previous version of the article misidentified the actors playing Hugh Meredith and Lord Wedderburn. Jameson May and Kaedon Knight play the characters respectively.