Category: Style

  • Meldoria Miles, award-winning cosmetologist and retired salon owner, has died at 88

    Meldoria Miles, award-winning cosmetologist and retired salon owner, has died at 88

    Meldoria Miles, 88, of Philadelphia, award-winning cosmetologist, longtime beauty school instructor, retired salon owner, mentor, and big sister extraordinaire, died Wednesday, Aug. 26, of heart and lung disease at Jefferson Abington Hospital.

    The oldest of 11 children, Ms. Miles grew up in a two-room farm house in rural Mercer County, Kentucky. Naturally affable and supportive, she not only helped her mother with the household chores, she mentored her younger siblings, giving good advice, styling their hair, and generally making life more pleasant.

    “She always helped people,” her sister, Maureen Meaux, said. “She listened to people. She was beautiful inside and out.”

    After high school, Ms. Miles moved to Louisville, went to beauty school, and styled hair for clients at a salon and privately in her home. She left for Philadelphia in 1971 to work for Luster Products Inc. and became so proficient at developing, testing, selling, and demonstrating personal care products that Luster sent her to workshops, demonstrations, competitions, trade shows, and conventions across the country and around the world.

    Ms. Miles was at home in her shop, El Salon, (above) and at personal care product events (center below).Courtesy of the family

    She was especially skilled at matching colors with style, and anticipating ever-changing cosmetic trends. In 1971, she was named dean of technicians at Luster. She helped develop its groundbreaking hair relaxing formula in the 1980s and was named educational director in 1991.

    For decades, Ms. Miles, often with her sister Maureen along as her model, traveled to cosmetology events in Canada, Europe, the Caribbean, Africa, and elsewhere. She was dynamic in front of crowds, her family said, and won competitions for her use of cosmetics and wigs, and awards for her innovation.

    In 1996, she was named Philadelphia’s hair dresser of the year by the Affirm hair care line.

    Ms. Miles opened her own five-seat shop, El Salon, in 1973 on East Washington Lane in West Oak Lane and managed it for 37 years. Before Philadelphia, she worked in sales and product development for two companies in Louisville.

    Above, Ms. Miles (front right) attended several beauty schools. Below, she (right) won several competitions for personal care skills.Courtesy of the family

    In 1974, Ms. Miles earned her teaching certification at the old Wilfred Academy of Hair and Beauty in Philadelphia. She went on to teach chemical hair relaxing, manicuring, and other personal care skills for decades at Wilfred, Devine, Pearson VUE, and Gordon Phillips beauty schools in Philadelphia, the National Beauty Culture League in Washington D.C., Clairol in New York, and Pivot Point Academy in Chicago.

    In addition to Wilfred, she studied at the National Beauty Culture League, Pivot Point, and Vidal Sassoon in Paris. In 1980, she took business management classes at the University of Colorado.

    She was good at everything, her sister said, but “she dedicated herself to hair.”

    Meldoria Louise Meaux was born Sept. 12, 1937. She moved to Louisville after high school and spent a year at the old Tucker’s Beauty & Barber School.

    Above, Ms. Miles sits with her children. Below, she (right) stands with Muhammad Ali (second from left) and others. Courtesy of the family

    She married James Miles, and they had a daughter, Lamarr, and a son, Gary. She and her husband divorced later. She married Jerome Wortham, and they divorced later.

    Ms. Miles lived in West Philadelphia and Mount Airy. She was active at church, taught Sunday School, and doted on her family. “She built a life of purpose, service, and faith,” her family said in a tribute.

    A friend said: “Mel was my teacher, mentor, friend, and I will miss our monthly visits and conversations.” Her daughter said: “She was the most caring, giving, positive, beautiful soul. She was effervescent. Her smile lit up the room.”

    In addition to her children, Ms. Miles is survived by four grandchildren, six siblings, and other relatives. Her first husband died earlier.

    Memorial services were held earlier.

    Ms. Miles “built a life of purpose, service, and faith,” her family said in a tribute.Courtesy of the family
  • Metropolitan Museum of Art scraps John Galliano-focused Met Gala plans

    Metropolitan Museum of Art scraps John Galliano-focused Met Gala plans

    Next year’s Met Gala will not spotlight controversial fashion designer John Galliano after all.

    The Metropolitan Museum of Art and Galliano announced in a joint statement that the museum would not move forward with John Galliano: Horizons. Galliano, 65, is a British designer who has worked for some of the industry’s top fashion houses, including Christian Dior, Givenchy, and Oscar de la Renta.

    At the peak of his career, he served as Dior’s creative director for nearly 15 years. But in 2011, he was infamously canceled after his conviction in a Parisian court over a series of racist and antisemitic comments. It cost him his job leading Dior. At the time, Galliano said his alcohol abuse sparked the outburst.

    The museum’s retrospective was reportedly going to highlight the fashion director’s portfolio while also addressing his personal life, including his public exile and the work he later did to atone and get sober.

    “Following thoughtful discussions with many stakeholders and with John Galliano, we together have decided not to proceed with the exhibition,” said Metropolitan Museum of Art director Max Hollein.

    The announcement came exactly one month after the initial Met Gala theme reveal. Galliano’s exhibit would have only been the third retrospective for a living designer in the Costume Institute’s history.

    While fashion experts largely agreed the fashion director’s work is seminal, critics said the exhibit’s timing — which coincides with a global surge in antisemitism — was cause for concern.

    Professional thrifter and fashion writer Virginia Chamlee previously told The Inquirer that while the Met was equipped to accurately cover the designer’s checkered past, she was concerned about whether the storytelling would resonate with the average Met Gala consumer.

    The annual exhibit’s largest publicity draw is a televised red carpet where celebrities invited often wear pieces by or paying tribute to the spotlighted designer — not the exhibit itself.

    “Even if the museum intends to offer a complete examination of Galliano’s complicated legacy, it may come off as a straightforward celebration of someone who said things so heinous and racist that they were charged and fired for them.”

    In the joint statement, Galliano himself said he requested not to move forward with the exhibit.

    “After much reflection and discussion with The Met and all those involved, I have decided, with great sadness, that it is best for the exhibition not to take place at this time,” Galliano said. “I remain fully accountable for the pain caused by my words in the past, particularly the hurt I caused to the Jewish and Asian communities, and I remain deeply sorry for it. I understand that meaningful atonement is not achieved through an exhibition, institutional recognition or a single public gesture. It is a continuing responsibility, demonstrated through listening, learning and one’s conduct over time.”

    Galliano went on to thank Anna Wintour, a longtime champion of Galliano’s and the global editorial director of Vogue, chief content officer of Condé Nast, and Met Gala chairperson responsible for the event’s programming.

    In her extended statement to Vogue, Wintour framed Horizons’ cancellation as a “postponement.”

    “John’s decision to ask the Museum to postpone the exhibition devoted to his work is very courageous and a measure of the man he is,” she said. “I believe this is the right decision, and both he and the Museum have my full support.” The Met’s version of Wintour’s statement does not use that phrasing.

    Information on a new Spring Costume Institute exhibition and the 2027 Met Gala will be announced later, the museum said. The Gala itself was initially scheduled to take place May 3, though it’s unclear if that date would shift in light of the exhibit change.

  • Joan M. Satterthwaite, talented tailor and seamstress, and longtime office administrator, has died at 92

    Joan M. Satterthwaite, talented tailor and seamstress, and longtime office administrator, has died at 92

    Joan M. Satterthwaite, 92, of Philadelphia, talented tailor and seamstress, longtime office administrator for the Mayor’s Commission on Aging, volunteer, and community caretaker, died Tuesday, Aug. 4, of sepsis at Jefferson Washington Township Hospital in Gloucester County.

    Adept at designing, constructing, fitting, and altering garments of all kinds, Ms. Satterthwaite worked at the Botany 500 factory at Broad Street and Lehigh Avenue, and for other clothing manufacturers in Philadelphia, for more than 20 years. She could do every job on the intricate clothing assembly line, her son Kevin said, and she did them fast and well.

    She joined the International Ladies’ Garment Workers’ Union in the 1950s and supplemented her weekday work by producing gowns, dresses, suits, and other clothing for family, friends, church choirs, wedding parties, and local businesses.

    She made Halloween costumes for her two sons when they were young and tailored suits when they were older. She designed a wedding dress for her daughter-in-law.

    She could duplicate many patterns by looking at them just once. Over the years, she collected eight sewing machines. “Her craftsmanship and attention to detail earned her the admiration and loyalty of countless clients,” her family said in a tribute.

    Her son Kevin said: “We would call her an entrepreneur today.”

    In the mid-1980s, Ms. Satterthwaite left garments and became certified in office administration and computer technology at the old Philadelphia School of Office Technologies. For a decade, she worked for the Joseph Shein Law Firm.

    She tried to retire in the mid-1990s. But she impressed officials at the Mayor’s Commission on Aging so much as a client that they recruited her as a receptionist and administrative assistant. She left that job in 2018, at 85.

    Ms. Satterthwaite reared her sons in Philadelphia. Courtesy of the family

    After that, she volunteered with veterans groups, was active in the community, and opened her home to anyone in need. “If someone asked for help,” her son Kevin said, “she was there.”

    Her family said: “Joan’s life was a testament to perseverance, faith, compassion, and determination. Her kindness, generosity, and genuine concern for others became hallmarks of a life well lived.”

    A friend said online: “Ms. Joan was the nicest person ever. … Her kind spirit reminded me of my grandmother.”

    Joan Marie Watts was born Dec. 28, 1933, in North Philadelphia. Her mother died when she was 2, and she was reared by her grandfather and his wife.

    Ms. Satterthwaite doted on her grandchildren.Courtesy of the family

    She studied tailoring and sewing at William Penn High School and graduated in 1952. She married Charles Satterthwaite in 1953, and they had sons Kevin and Eric. Her husband died earlier.

    Ms. Satterthwaite was a member of Triumph Baptist Church for more than 35 years, and she went to breakfast with others often after Sunday service. She had breakfast with her sons on Saturdays, bowled every week for 30 years, hosted memorable family gatherings on holidays, and pored over puzzle books when she was older to stay sharp.

    Her family noted her “warm heart, generous spirit, and love of people” in a tribute and said: “Her kindness, patience, and genuine concern for others left a lasting impression on all who knew her.”

    She doted on her family and told them often that education was a key to success. She lived in Nicetown and Logan, and most recently in Washington Township.

    Ms. Satterthwaite graduated from William Penn High School. Courtesy of the family

    Her son Eric praised her “unwavering belief that nothing in life was more important than family.” Her son Kevin said: “She was welcoming and warm. She liked being around people. Her life force kept her going.”

    In addition to her sons, Ms. Satterthwaite is survived by four grandchildren, two sisters, a brother, and other relatives. Two brothers died earlier.

    Services were held earlier.

    Donations in her name may be made to Triumph Baptist Church, 1648 W. Hunting Park Ave., Philadelphia, Pa. 19140.

    Ms. Satterthwaite bowled every week for decades. Courtesy of the family
  • Why is honoring John Galliano at next year’s Met Gala controversial?

    Why is honoring John Galliano at next year’s Met Gala controversial?

    The next Met Gala is nine months away, but it’s already sparking charged opinions. The controversy centers around the Costume Institute’s decision to honor one designer at its next exhibit: John Galliano, a lauded fashion designer with a checkered past.

    Galliano’s exhibit at the Met will be significant, marking only the third solo show for a living designer in the gala’s history. (The others were Rei Kawakubo in 2017 and Yves Saint Laurent in 1983.)

    But it’s not all pierced leather and newspaper print (just two of the designer’s many signature elements). In 2011, Galliano was infamously canceled after his conviction in a Parisian court over a series of racist and antisemitic comments.

    It cost him his job leading Dior. At the time, Galliano said his alcohol abuse sparked the outburst.

    After “two years of exile‚” the designer’s career bounced back. Now, it will be showcased at length. Still, the Met is working to emphasize that the exhibit would not shy away from the problematic aspects of Galliano’s history.

    “His career isn’t defined by a moment — something that he will live with for the rest of his life. The exhibition won’t shy away from any of the darkness in John’s past,“ Anna Wintour told Vogue. Wintor is the global editorial director of Vogue, chief content officer of Condé Nast, and Met Gala chairperson responsible for the event’s programming. “It’s part of what has shaped him. The show will take in the full arc of his career and grapple with all of it.” Wintour is a longtime champion of Galliano and his work.

    The exhibit’s announcement — and the rehashing of Galliano’s comments — come during a time when antisemitism is surging globally. Fashion expert and professional thrifter Virginia Chamlee says the Met is equipped to accurately cover an influential artist without sanitizing the ugly parts.

    Still, Chamlee noted, the biggest publicity draw for the Met’s annual exhibit is the televised red carpet walks leading up to the gala itself — not the exhibition that follows. She’s concerned that whatever efforts the Met has devoted to accountability could be lost to the larger audience.

    “So there’s a real risk here,” Chamlee said. “Even if the museum intends to offer a complete examination of Galliano’s complicated legacy, it may come off as a straightforward celebration of someone who said things so heinous and racist that they were charged and fired for them.”

    Met Gala attendees often wear looks by or inspired by the artists being honored, meaning Galliano’s pieces will likely be worn on celebrities whose looks will be photographed and televised prominently.

    Fashion influencer and writer Ashley Ballard has collected vintage Galliano Dior-era pieces for years.

    “It’s undeniable that Galliano’s time at Dior had a ripple effect on fashion and greater culture,” she said. The designer’s work redefined haute couture with immersive fashion shows, used historical references in fashion, and often bled into pop culture, with top celebrities wearing his designs.

    “It’s key for us to remember that pioneers from this time period [1996-2011] — particularly Galliano and Alexander McQueen — created pieces that challenged high fashion as an institution,” Ballard said.

    Citing Galliano’s incorporation of subcultures into his art, breaking the traditional molds of luxury fashion, Ballard called the designer’s work art that “bridged the gap between traditional fashion houses and audiences that historically were considered an afterthought.”

    Ballard said the controversy over honoring Galliano was valid.

    “This doesn’t exist in a vacuum, and people have the right to be upset by what was said 15 years ago,” she said. “[But] as a culture, if we genuinely care about minimizing hatred and the effects of addiction, it’s imperative that we support rehabilitation and reconstruction, offering the possibility that change is possible and welcomed — otherwise we become participants in the continuity of harm.”

    Here’s everything else you need to know.

    Who is John Galliano?

    Galliano, 65, is a British designer who has worked for some of the industry’s top fashion houses, including Christian Dior, Givenchy, and Oscar de la Renta.

    At the peak of his career, he served as Dior’s creative director for nearly 15 years. Galliano went on to work for Maison Margiela from 2014 through 2024.

    Earlier this year, Zara announced a two-year creative partnership with Galliano.

    What work is John Galliano best known for?

    While at Dior, Galliano’s haute couture and ready-to-wear collections were hailed as among the best of the best.

    He designed the fashion house’s signature Saddle Bag, premiering in 2000 and remaining a staple shape.

    He’s also responsible for iconic looks, including the newspaper dress worn by Sarah Jessica Parker’s Carrie Bradshaw in Sex and the City, and model Kate Moss’ 2011 wedding dress.

    “Galliano’s work as a fashion designer is very highly regarded [and collectible],” Chamlee said. “Just look at the asking price [$375,500] of this Galliano for Dior Homme menswear leather skirt. The industry also largely welcomed him back years ago.”

    Why was Galliano canceled?

    Galliano made a string of antisemitic and racist comments in 2010 and 2011, leading to his conviction in an antisemitism trial held in Paris.

    Galliano was recorded at a Paris bar making drunken, antisemitic comments to a group of Jewish women.

    The video recording surfaced in February 2011, just before Paris Fashion Week. Dior suspended and ultimately fired the creative director.

    Galliano was tried by French authorities under national laws against antisemitic speech, where he was found guilty and ordered to pay €16,500 (about $19,000) in fines and damages. He also lost a compensation case against Dior in labor court.

    What happened to Galliano after Dior fired him for his antisemitic comments?

    Galliano spent years involved in public and private efforts to rehabilitate.

    The 2024 documentary High & Low — John Galliano suggests Galliano was overworked and abusing alcohol and drugs when he made the disparaging comments. The documentary features interviews and analysis on Galliano’s efforts to repair the harm he’d done.

    After a period of silence, alcohol rehabilitation, and outreach to Jewish organizations, some of the designer’s fashion peers and religious leaders began publicly forgiving him.

    Notably, Anna Wintour has repeatedly championed Galliano’s work, both in the early days of his career and later, after his period of cancellation.

    She reportedly helped the designer secure funding over the years, as well as his positions at Givenchy and Dior prior to his conviction and at Oscar de la Renta in 2013. In March, he announced his partnership with Zara.

    Wintour and Galliano met with Jewish leaders to discuss the planned Met Gala showcase, according to the New York Times.

    The Times quoted Jonathan Greenblatt, chief executive of the Anti-Defamation League, as saying: “We believe John Galliano has genuinely worked through the issues that led to his antisemitic outburst years ago in Paris, and we have long since accepted his apology.”

    Greenblatt added: “His efforts to repair the damage his words caused and to learn from that incident should be applauded.”

    What has the Met said about the Galliano exhibit?

    In a news release Friday, the museum promised John Galliano: Horizons would address the good, bad, and ugly of Galliano’s career.

    “It will directly address the rupture caused by his antisemitic, racist, and anti-Asian conduct in 2010 and 2011, which resulted in his dismissal from Christian Dior and his eponymous label and his conviction by a Paris court for public insults based on race, religion, ethnicity, or origin,” the release said. “It will also consider his subsequent treatment for substance addiction and his later public acknowledgment of his actions. Rather than presenting a conventional narrative of disgrace and redemption, the gallery will examine how memory, experience, cultural values, and historical circumstances continually reshape the reception of a designer’s work.”

    Have other ‘canceled’ designers been honored at the Met Gala?

    Several Met Gala showcases and exhibitions have been considered controversial over the years, but experts say this time is different.

    This year’s Met Gala faced backlash and boycott threats for accepting a corporate sponsorship from Amazon founder Jeff Bezos. A “Ball Without Billionaires” counterprotest, which took the form of a grassroots fashion show, took place outside the museum’s entrance.

    The celebration for Yves Saint Laurent in 1983 was criticized for being the first to celebrate a living artist. Critics and art historians suggested the precedent could lead to a promotional advertorial-style treatment for an active brand.

    In 2023, the gala’s Karl Lagerfeld showcase — which highlighted the late designer’s work for Chanel, Fendi, and Chloé — was criticized for celebrating a man known for a history of fatphobic, misogynistic, anti-Me Too, and anti-immigrant views.

    “Lagerfeld had a long record of cruel and discriminatory public comments … But Galliano’s conduct was explicit enough to result in his firing and a criminal conviction,” said Chamlee. As a living designer, Galliano stands to benefit professionally and financially from the renewed attention, she added.

    When is the 2027 Met Gala?

    The Met Gala will take place May 3. John Galliano: Horizons will premiere to the public May 9 and be on display through Jan. 9, 2028.

    The Associated Press contributed to this article.

  • People are selling the free World Cup bracelets they waited hours in line for

    People are selling the free World Cup bracelets they waited hours in line for

    Well, that didn’t take long. Days after the World Cup wrapped up, fans are reselling their once highly coveted swag.

    The FIFA World Cup resale market is on fire, and that includes Fan Fest attendees profiting off their freebies, including the viral Bank of America charm bracelets.

    For those uninitiated: Throughout the duration of the World Cup, fans at U.S. host cities lined up in droves to get their hands on free swag, especially these darned bracelets.

    Mimicking a Pandora bracelet, the “Fan Bands” are composed of a red, blue, or black woven band and an assortment of metal charms laced through. Available charms included numbers, flags, a World Cup trophy, and designs that pair with World Cup host cities. Philly, for instance, had boxing gloves, a cheesesteak, and the LOVE statue.

    It was the World Cup’s hottest free accessory, but it cost interested parties hours of their time. At one point, wait times in Philadelphia were reported to be four to eight hours. Weeks later, Philly’s Fan Fest refashioned the waiting process, citing high demand. Instead of a free-for-all giant line, organizers nationwide pivoted to a ticketed system with set time windows to receive bracelets.

    Bank of America called the demand for the bracelets “unprecedented.”

    Now, they’re a relic of a time that has come and gone — and are selling for anywhere from $10 to $150, no line required.

    Fashion expert and pro-thrifter Virginia Chamlee says this isn’t surprising.

    “The secondary market for the FIFA Fan Fest bracelets is all about scarcity and exclusivity — the second something is ‘free but limited,’ or ‘difficult to obtain,’ it stops being a souvenir, and it becomes a status symbol,” she said. “So people aren’t really buying free beads; they’re buying the two-hour line they didn’t actually wait in.”

    On Facebook Marketplace, dozens of bracelets are listed across Philadelphia. Some sellers said they waited about an hour; one said they volunteered at Fan Fest, which gave them easy access to swag; another said they were selling after snagging the bracelets for their kids, who evidently didn’t like their charm selection.

    In a few listings, bracelet-holders are hoping to trade with others for different charms.

    On eBay, things get more intense. A recent scan, filtering for sold listings, shows bracelets have allegedly sold for as much as $500 in some cases. There was also a listing that sold for $1,000 that included bracelets from nearly every host city. By the knockout rounds of the World Cup, Bank of America unveiled a handful of additional commemorative charms. Bracelets with those charms are in especially high demand.

    As of Tuesday, eBay showed over 1,600 active listings for the Fan Bands. Chamlee says it all boils down to desire, and maybe a little bit of FOMO.

    “To me, this is no different from paying for a resold Taylor Swift Eras tour tee when you didn’t actually go to the concert, or a Trader Joe’s tote that’s been considerably marked up,” Chamlee said. “In these cases, the price isn’t really set by the object itself (i.e. how much it cost to produce) but by how badly someone wants to say they were there.”

    Bank of America says the Fan Bands’ success has exceeded expectations. The company had more than 2 million bracelets and 10 million beads to distribute, it said in a statement at the beginning of the World Cup. Within the first two weeks of the tournament’s nearly six-week run, the company announced it had given away more than 700,000 bracelets across the 11 host cities.

    “For Bank of America, this is a marketing win by almost any metric,” Chamlee said. “A giveaway meant to build brand goodwill has evolved into a resale market. That’s free earned media most brands would pay millions for.”

  • Emil DeJohn, celebrated clothing designer and longtime college fashion professor, has died at 88

    Emil DeJohn, celebrated clothing designer and longtime college fashion professor, has died at 88

    Emil DeJohn, 88, of Ambler, celebrated clothing designer, longtime college department chair and professor of fashion, lecturer, volunteer, and mentor to generations of designers, tailors, dressers, models, and students, died Wednesday, June 24, of a heart attack at his home.

    Born in Philadelphia, Professor DeJohn worked for 37 years with Bill Blass and other notable clothing designers on Seventh Avenue in New York, and for 21 years as chair of the fashion department at Moore College of Art and Design, director of fashion career development at Drexel University, and professor of fashion at the now-closed Art Institute of Philadelphia.

    He designed clothing of all kinds for men, women, and children for Jones New York, OshKosh B’Gosh, and other international labels from 1960 to 1997. He established his own label, Alex DeJohn by Emil, in the 1980s, and his creations appeared on the covers of Vogue, Harper’s Bazaar, and other magazines.

    Several of his gowns were offered to singer Barbra Streisand in the 1960s, and he received design compliments from, among others, film star Elizabeth Taylor and Andre Leon Talley, former editor-at-large at Vogue. In the 1980s, he was chosen by then-first lady Nancy Reagan to design a colorful clothing collection promoting her “Just Say No” antidrug campaign.

    In New York, Professor DeJohn showed designs at Bergdorf Goodman, Saks Fifth Avenue, Neiman Marcus, and Macy’s. In Philadelphia, he showed at Bonwit Teller and other top shops.

    He also showed in London, Paris, Milan, Hong Kong, and elsewhere around the world. He lectured about fashion at other universities, represented the industry at high school career fairs, and mentored many young designers.

    At fashion shows, they always gave him a front-row seat. “It’s an incredible profession,” he told The Inquirer in 2001. “Lots of ups and just as many downs. I wouldn’t trade one day.”

    In 1997, looking to engage less with consumers and more with emerging designers, Professor DeJohn left the workshops and showrooms in New York for classrooms in Philadelphia. He spent six years as chair of the fashion design department at Moore, several years as director of fashion career development at Drexel, and finally retired in 2018 as a professor of fashion at the Art Institute.

    At Moore, Professor DeJohn recruited Bob Mackie, Betsey Johnson, and other renowned designers to meet his students and provide internships and jobs. At Drexel, he oversaw the Crystal Star Award for design program and taught a class called Aspects of Fashion and Merchandising.

    Professor DeJohn (left) attended many galas as director of the Crystal Award for design at Drexel. Emil DeJohn

    He hosted a fashion club at the Art Institute and was named the school’s 2017 Teacher of the Year. “He was always happy to answer our questions and tell us about the industry,” a former student said in a tribute. Another said: “He inspired all of us to dream big.”

    Professor DeJohn won the city’s Phashion Phest Philadelphia Award for design in 2001 and told The Inquirer: “Teaching the students has been a gift to me. I never envisioned anything I could enjoy more than designing. But this has become an amazing part of my life. I actually love coming to work.”

    He earned other awards for design and his volunteer work at the Rowan House, the Ronald McDonald House, and other nonprofits. “He stood as a beacon of hope,” said his granddaughter Alexandra, “always making everyone feel like he believed in them, always bringing out what made them special.”

    His granddaughter Isabella said: “His legacy continues to inspire me every day.”

    Professor DeJohn met Bette Anne DeChiaro at a dance at the Shore when he was 17, and they married in 1963. Courtesy of the family

    Emil Joseph DeJohn was born Dec. 20, 1937, in his mother’s bedroom in South Philadelphia. The youngest of three children, he discovered art in grade school, took art classes at Fleisher Art Memorial, and graduated from John Bartram High School.

    He earned a bachelor’s degree in fine arts at the old Pennsylvania Museum and School of Industrial Art in 1959. He won the school’s design citation as a senior and worked at first as an illus­trator for the Bul­letin’s fashion pages.

    He met Bette Anne DeChiaro at a dance at the Shore when he was 17, and they married in 1963. They had a daughter, Leisa, and a son, Christian, and lived in Center City, Wyncote, and Ambler.

    Professor DeJohn liked antiques, flowers, and anything blue and white. He supported the old Carmelites monastery in Philadelphia and belonged to St. Luke the Evangelist Church in Glenside.

    Professor DeJohn first became interested in art and fashion in grade school. Courtesy of the family

    He made friends on his daily two-hour train rides to New York and said he never considered leaving Wyncote. “I loved leaving all that and coming home to cut the grass,” he told The Inquirer in 2001. “My neighbors didn’t even know what I did for a living.”

    He designed his daughter’s wedding dress, took his granddaughters to mesmerizing fashion events, and made memorable trips to Ocean City, N.J., Longwood Gardens, New Hope, New Mexico, and Florida. He especially enjoyed decorating his home and Christmas tree with ornaments and live flowers.

    “He made us all feel seen and special,” his daughter said. “He did that for everyone he met.”

    In addition to his wife and children, Professor DeJohn is survived by four grandchildren, one great-granddaughter, and other relatives. A sister, a brother, and a son-in-law died earlier.

    Professor DeJohn (right) said he would never leave Wyncote for New York. Courtesy of the family

    Services were held earlier.

    Donations in his name may be made to the Carmel of Jesus Crucified Monastery, Attn: Mother Pia, Box 308, Muenster, Texas 76252.

    Professor DeJohn (second from right) enjoyed time with his family.Courtesy of the family
  • The new Nike Air Force 1 shoes bear a striking resemblance to Gritty

    The new Nike Air Force 1 shoes bear a striking resemblance to Gritty

    Nike’s newest Air Force 1 shoes look a lot like … Gritty?

    The footwear giant recently unveiled part of its upcoming “Horse of a Different Color” collection, which reimagines the popular sneakers in shaggy “campfire orange” pony hair, a material eerily similar to the coat of the beloved Philadelphia Flyers mascot.

    The collection is — allegedly — inspired by the Shakespearean idiom, which was also referenced in The Wizard of Oz, according to Hypebeast and Women’s Wear Daily. But internet sleuths were quick to point out the resemblance to Gritty, or the Lorax, or a ‘70s shag carpet, or red-headed singer Ed Sheeran.

    “gritty force 1s” one user on X posted.

    Nike did not immediately respond to a request for comment on whether Gritty served as an inspiration. A spokesperson for the Flyers could not immediately be reached.

    “I will become indebted to Klarna for the [opportunity] to wear these to Flyers games this year,” another X poster wrote, referring to the financial company’s “buy now, pay later” service.

    Another said, “lol these would be great for the Gritty 5K.”

    The sneakers are expected to retail for $140, according to Hypebeast. While an exact release date hasn’t been announced, the shoes are likely to drop this fall.

    Maybe just in time for hockey season.

  • The World Cup’s hottest accessory is this free bracelet, prompting hourslong lines

    The World Cup’s hottest accessory is this free bracelet, prompting hourslong lines

    The World Cup’s hottest accessory is free, but it’ll cost hours of your time.

    At the FIFA Fan Festival in Lemon Hill, fans watched Germany beat Curacao, the Netherlands and Japan draw, and Ecuador lose to Ivory Coast on Sunday. Between games, attendees bought snacks or tried their hand at sponsored booths for prizes. Lines ebbed and flowed. But one stretched across the field with seemingly no end in sight.

    A simple customizable charm bracelet has taken off at FIFA Fan Festivals nationwide, including Philly’s. The accessory has prompted wait times rivaling a Taylor Swift merch line, the latest sneaker drop, or John’s Water Ice during a record-breaking heat wave.

    @antonietadice

    The line never got any shorter. We watched the whole game, halftime, and hung around for two more hours… still the same. Maybe next time lmao 🥲 . #fifafanfestival #mundial2026 #philadelphia #worldcup2026 #parati

    ♬ Saxophones getting louder – Sped Up – AntonioVivald

    “Get there early!” TikTokers warned while showing off their new hardware. “I waited four hours,” one user wrote.

    Bank of America is the sponsor behind the giveaway. The company announced in a news release that it was armed with more than 2 million “Fan Bands” and 10 million beads.

    Mimicking a Pandora bracelet, the Fan Bands are composed of a red, blue, or black woven band and an assortment of metal beads that lace through. Available beads include numbers, flags, a FIFA World Cup trophy, and several city-specific designs that pair with World Cup host cities.

    City-specific designs include a cable car for San Francisco, Mount Rainier in Seattle, a yellow cab in New York City, and a lobster in Boston.

    Philadelphia’s city-specific charms include the Liberty Bell, a cheesesteak, the LOVE statue, Rocky’s boxing gloves, and Independence Hall. Visitors can either design a custom bracelet, selecting five beads, or opt for a faster pre-designed bracelet.

    The bracelets are completely free for Fan Festival attendees — no sign-ups or bank loyalty required, either. But be warned: The lines are serious.

    On Reddit, an attendee said visitors ran straight to the Bank of America booth when Philly’s Fan Fest opened and that they waited an hour and 20 minutes to get theirs. On TikTok, users said they waited anywhere from four to eight hours depending on when they arrived and their level of determination.

    The allegiance isn’t limited to Philadelphia. People attending Fan Fests in other cities are also complaining about the lines.

    In Dallas, one attendee noted: “more people [were] lining up for bracelets than watching the match.”

    And if waiting in lines isn’t your thing, Philly has another charm bracelet ready and waiting.

    Artist John Wind launched a collection of Philly charms in honor of the nation’s 250th birthday that feature the LOVE statue, a boxing glove, and even a soccer ball.

    The locally made bracelet, which is a collaboration with the Philadelphia Visitor Center, is $98.

  • ‘Big Rube’ Harley made throwback jerseys popular. He says Mitchell & Ness didn’t pay him his share.

    ‘Big Rube’ Harley made throwback jerseys popular. He says Mitchell & Ness didn’t pay him his share.

    Days after Mitchell & Ness opened its new three-level flagship store on Walnut Street, Reuben “Big Rube” Harley stood across the street to announce his lawsuit against the sportswear company.

    Big Rube was an influencer before influencer was a job description. And in the early 2000s, he influenced athletes and hip-hop artists to wear Mitchell & Ness’ vintage jerseys, which can cost more than $300 a pop. Celebrities started wearing throwbacks and business was booming.

    But Mitchell & Ness didn’t fulfill their side of the deal, according to the lawsuit, which was filed Thursday in the Philadelphia Court of Common Pleas.

    The brand, which Fanatics bought in 2022, is obligated to pay Harley an unspecified commission for sales attributed to his marketing efforts, the lawsuit says. But it has refused to even calculate how much that commission might be, the suit says.

    “They’re not in this location for nothing,” Harley said Friday across from the new Mitchell & Ness store. “I created that and I want what’s mine.”

    A spokesperson for Fanatics said the company hadn’t been served the lawsuit and was unable to comment.

    Reuben “Big Rube” Harley standing outside the new Mitchell & Ness flagship store on Walnut Street. June 5, 2026.Abraham Gutman

    Harley became a Mitchell & Ness customer in the early 1990s, purchasing throwback Negro League baseball jerseys and caps, the complaint says. A decade later, in 2001, he approached then-Mitchell & Ness owner, Peter Capolino, with a vision of marketing the throwbacks to hip-hop artists and athletes.

    The brand was “tailored to old conservative white men,” Harley said of the Philadelphia-based company that was founded in 1904, “and I gave it to my culture.”

    Harley and Capolino entered into a “partly written and partly oral” agreement, the suit says, in which Mitchell & Ness would pay Harley commission based on sales attributable to his promotional efforts. The suit does not include a copy of the written part, say whether the commission was in perpetuity, or specify the percent of sales Harley claims he is owed.

    Mitchell & Ness also made Harley the company’s marketing director with a salary.

    “I got paid, but the agreement was a piece of the pie,” he said.

    As the new marketing director, Harley contacted athletes, celebrities, and artists in his network, the suit says. The throwbacks trend caught fire. Just a few months later, now-disgraced musician Sean “Diddy” Combs co-hosted the 2002 American Music Awards wearing a rotation of vintage jerseys.

    Mitchell & Ness’ annual sales rose from $2.2 million in 1999 to roughly $25 million in 2002, the suit says.

    “I consider it a miracle that Reuben fell into my lap,” Capolino told Time Magazine in 2003. “He deserves all the credit.”

    Fanatics’ owner Michael Rubin bought Mitchell & Ness in 2022 for $250 million as part of an ownership group that includes Meek Mill and Jay-Z.

    The new owners must respect the agreement with Harley, the suits says, and pay him his share of the sales that he is owed. The complaint does not specify a percent or amount.

    “Big Rube did his part,” said attorney Emeka Igwe. “Mitchell & Ness’ part was to give him a percentage of the sales from all the revenues that they were getting. And that was never done.”

    After parting ways with Mitchell & Ness in the mid-2000s, Harley continued to reinvent himself. He launched an apparel line, wrote a Philadelphia Daily News column, and became a chef.

    He decided to bring the lawsuit now because he is battling stage-four prostate cancer. Harley said he has been assessing his life and wants to leave a legacy for his 22-year-old daughter.

    Standing across the street from the new flagship store in Center City, about a dozen friends expressed their support.

    “We ain’t gonna stop until they build you a statue out here,” Simon Carr said. “You deserve it.”